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Turning on the Wasp Paperback – December 22, 2020
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"Rob Azevedo, the gregarious radio host and Manchester's resident raconteur, now throws another one of his many hats into the poetry arena, and he does not disappoint in his debut collection, Turning on the Wasp. Azevedo's verse combines Bukowski's rawness with Kerouac's cosmic musings-maybe a dash of Rimbaud-thrown in a Petri dish with his own distinct poetic vision. So welcome to world of poetry, Mr. Azevedo. We've been waiting for you."
-Nathan Graziano, author of Fly Like The Seagull
"If your musical knowledge is in the Dark Ages, Azevedo will bring it new light. He is also an excellent writer. His words add dimension to flatness, and freshness to anything gone stale. Some poets are diamonds, some are stones: Rob's many facets reveal he is in the first group, not the second...."
-Steve Shaw, poet, writer, musician.
"With a fine tuned musical ear for rhythm and syntax, a razor sharp keenly honest poetic voice, in Turning on the Wasp, his virgin voyage into the holy unholy realms
of poetry, from the first poem to the last, Rob Azevedo kept me on the edge of my seat wanting more."
-Ron Whitehead, poet, writer, editor, scholar and activist.
- Print length76 pages
- LanguageEnglish
- PublisherKung Fu Treachery Press
- Publication dateDecember 22, 2020
- Dimensions5 x 0.18 x 7.99 inches
- ISBN-101952411386
- ISBN-13978-1952411380
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Product details
- Publisher : Kung Fu Treachery Press (December 22, 2020)
- Language : English
- Paperback : 76 pages
- ISBN-10 : 1952411386
- ISBN-13 : 978-1952411380
- Item Weight : 3.2 ounces
- Dimensions : 5 x 0.18 x 7.99 inches
- Customer Reviews:
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Reviewed in the United States on December 20, 2021
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His voice is very American, by way of Charles Bukowski and other free verse poets, perhaps with a little Corso here and there, and maybe some Sandburg. Overall and throughout his collection, these are just the shoulders he is standing on, but no mimicry or pastiche occurs here. He is very much in command of his own voice, well developed for a first collection.
The reader has fair warning right from the beginning, with first poem "Snaggle Tooth" wherein he gets quickly to the point with blooding images, unromantic observations of those living low. Then he turns quickly, in "Velvet Walls" to something of epic tone but far from epic length, a profound musing on existence evolved from similar musings found among the better work of The Beats taking the best, leaving out the worst, in inspiration, clearly discerning in his approach.
Most of the poems in this volume are worthy of comment, but for the sake of brevity, I find some deserve special note.
"I Can't Wait" is a spoken word styled poem, that would grip an audience in live reading I am sure. It uses the rhythms and some repetition typical in spoken word performance, but he throws in an observation every other line that engages the reader/listener, with thoughts from a seeker more than showman. "The Waning Light Of Dawn" is one of the best structured poems, with perhaps the most potent imagery, cinematic in its placement of people, environment, and what I feel is a blend of weary hope wrestling realistic cynicism. "One toe digs in the supple earth, content to hide / beneath the devastating wane of decency." Perhaps, only to be matched by "Night Breaks Against The Pupil" later on in this collection.
Azevado does not express anything in isolation. His writing is well aware of music culture, past and present. His poem "Electric Skirt (or Iggy Pop)" is as much about Iggy as it is Iggy's audiences. I found "Gone Uptown (For Justin Townes Earle)" particularly moving, with lines like "His fingers flew once / with the arc of sawdust, / plucked sweet off Delta din floors." "Love Before Death" is one of his most outward looking cinematic poems: it skillfully places one among those being observed in steamy streets.
Certainly, one of the best 'indie' poetry publications I have read in the last few years.


