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The Twentieth Wife: A Novel Paperback – Illustrated, February 18, 2003
Purchase options and add-ons
- Book 1 of 3
- Length
416
Pages
- Language
EN
English
- Publication date
2003
February 18
- Dimensions
5.3 x 1.0 x 8.3
inches
- ISBN-100743428188
- ISBN-13978-0743428187
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Editorial Reviews
Review
The Seattle Times Rich and realistic....A delicious story.
Chitra Divakaruni Author of Mistress of Spices and Unknown Errors of Our Lives Indu Sundaresan has written a fascinating novel about a fascinating time, and has brought it alive with characters that are at once human and legendary, that move with grace and panache across the brilliant stage she has reconstructed for them.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
When my mother came near the time of her delivery, he (Akbar) sent her to the Shaikh's house that I might be born there. After my birth they gave me the name of Sultan Salim, but I never heard my father...call me Muhammad Salim or Sultan Salim, but always Shaikhu Baba.
-- A. Rogers, trans., and H. Beveridge, ed., The Tuzuk-i-Jahangiri
The midday sun whitened the city of Lahore to a bright haze. Normally, the streets would be deserted at this time of day, but today the Moti bazaar was packed with a slowly moving throng of humanity. The crowds deftly maneuvered around a placid cow lounging in the center of the narrow street, her jaw moving rhythmically as she digested her morning meal of grass and hay.
Shopkeepers called out to passing shoppers while sitting comfortably at the edge of jammed, cubical shops that lay flush with the brick-paved street. A few women veiled in thin muslins leaned over the wood-carved balconies of their houses above the shops. A man holding the leash of a pet monkey looked up when they called to him, "Make it dance!" He bowed and set his music box on the ground. As the music played, the monkey, clad in a blue waistcoat, a tasseled fez on its head, jumped up and down. When it had finished, the women clapped and threw silver coins at the man. After gathering the coins from the street, the man and his monkey gravely bowed again and went on their way. On the street corner, musicians played their flutes and dholaks; people chatted happily with friends, shouting to be heard above the din; vendors hawked lime-green sherbets in frosted brass goblets; and women bargained in good-natured loud voices.
In the distance, between the two rows of houses and shops that crowded the main street of the bazaar, the red brick walls of the Lahore fort rose to the sky, shutting out the imperial palaces and gardens from the city.
The city was celebrating. Prince Salim, Akbar's eldest son and heir apparent, was to be married in three days, on February 13, 1585. Salim was the first of the three royal princes to wed, and no amount of the unseasonable heat or dust or noise would keep the people of Lahore from the bazaar today.
At Ghias Beg's house, silence prevailed in an inner courtyard, broken only by the faint sounds of the shenai from the bazaar. The air was still and heavy with perfume from blooming roses and jasmines in clay pots. A fountain bubbled in one corner, splashing drops of water with a hiss onto the hot stone pathway nearby. In the center of the courtyard a large peepul tree spread its dense triangular-leaved branches.
Five children sat cross-legged on jute mats under the cool shade of the peepul, heads bent studiously, the chalk in their hands scratching on smooth black slates as they wrote. But every now and then, one or another lifted a head to listen to the music in the distance. Only one child sat still, copying out text from a Persian book spread in front of her.
Mehrunnisa had an intense look of concentration on her face as she traced the curves and lines, the tip of her tongue showing between her teeth. She was determined not to be distracted.
Seated next to her were her brothers, Muhammad and Abul, and her sisters, Saliha and Khadija.
A bell pealed, its tones echoing in the silent courtyard.
The two boys jumped up immediately and ran into the house; soon Saliha and Khadija followed. Only Mehrunnisa remained, intent upon her work. The mulla of the mosque, who was their teacher, closed his book, folded his hands in his lap, and sat there looking at the child.
Asmat came out into the courtyard and smiled. This was a good sign, surely. After so many years of complaints and tantrums and "why do I have to study?" and "I am bored, Maji," Mehrunnisa seemed to have finally settled down to her lessons. Before, she had always been the first to rise when the lunch bell summoned.
"Mehrunnisa, it is time for lunch, beta," Asmat called.
At the sound of her mother's voice, Mehrunnisa lifted her head. Azure blue eyes looked up at Asmat, and a dimpled smile broke out on her face, showing perfectly even, white teeth with one gap in the front where a permanent tooth was yet to come. She rose from the mat, bowed to the mulla, and walked toward her mother, her long skirts swinging gently.
Mehrunnisa looked at her mother as she neared. Maji was always so neat, hair smoothed to a shine by fragrant coconut oil, and curled into a chignon at the nape of her neck.
"Did you enjoy the lessons today, beta?" Asmat asked as Mehrunnisa reached her and touched her mother's arm softly.
Mehrunnisa wrinkled her nose. "The mulla doesn't teach me anything I don't already know. He doesn't seem to know anything." Then, as a frown rose on Asmat's forehead, she asked quickly, "Maji, when are we going to the royal palace?"
"Your Bapa and I must attend the wedding celebrations next week, I suppose. An invitation has come for us. Bapa will be at the court with the men, and I have been called to the imperial zenana."
They moved into the house. Mehrunnisa slowed her stride to keep pace with her mother. At eight, she was already up to Asmat's shoulder and growing fast. They passed noiselessly through the verandah, their bare feet skimming the cool stone floor.
"What does the prince look like, Maji?" Mehrunnisa asked, trying to keep the eagerness out of her voice.
Asmat reflected for a moment. "He is handsome, charming." Then, with a hesitant laugh, she added, "And perhaps a little petulant."
"Will I get to see him?"
Asmat raised her eyebrows. "Why this sudden interest in Prince Salim?"
"No reason," Mehrunnisa replied in a hurry. "A royal wedding -- and we shall be present at court. Who is he marrying?"
"You will attend the celebrations only if you have finished with your studies for the day. I shall talk to the mulla about your progress." Asmat smiled at her daughter. "Perhaps Khadija would like to come too?" Khadija and Manija had been born after the family's arrival in India. Manija was still in the nursery, too young for classes and not old enough to go out.
"Perhaps." Mehrunnisa waved her hand in a gesture of dismissal, her green glass bangles sliding down her wrist to her elbow with a tinkling sound. "But Khadija has no concept of the decorum and etiquette at court."
Asmat threw her well-groomed head back with a laugh. "And you have?"
"Of course." Mehrunnisa nodded firmly. Khadija was a baby; she could not sit still for twenty minutes at the morning lessons. Everything distracted her -- the birds in the trees, the squirrels scrambling for nuts, the sun through the peepul leaves. But that was getting off the topic. "Who is Prince Salim marrying, Maji?" she asked again.
"Princess Man Bai, daughter of Raja Bhagwan Das of Amber."
"Do princes always marry princesses?"
"Not necessarily, but most royal marriages are political. In this case, Emperor Akbar wishes to maintain a strong friendship with the Raja, and Bhagwan Das similarly wants closer ties with the empire. After all, he is now a vassal to the Emperor."
"I wonder what it would be like to marry a prince," Mehrunnisa said, her eyes glazing over dreamily, "and to be a princess..."
"Or an empress, beta. Prince Salim is the rightful heir to the throne, you know, and his wife, or wives, will all be empresses." Asmat smiled at her daughter's ecstatic expression. "But enough about the royal wedding." Her face softened further as she smoothed Mehrunnisa's hair. "In a few years you will leave us and go to your husband's house. Then we shall talk about your wedding."
Mehrunnisa gave her mother a quick look. Empress of Hindustan! Bapa came home with stories about his day, little tidbits about Emperor Akbar's rulings, about the zenana women hidden behind a screen as they watched the court proceedings, sometimes in silence and sometimes calling out a joke or a comment in a musical voice. The Emperor always listened to them, always turned his head to the screen to hear what they had to say. What bliss to be in the Emperor's harem, to be at court. How she wished she could have been born a princess. Then she would marry a prince -- perhaps even Salim. But then Asmat and Ghias would not be her parents. Her heart skipped a beat at the thought. She slipped a hand into her mother's, and they walked on toward the dining hall.
As they neared, she said again, pulling at Asmat's arm, "Can I go with you for the wedding, Maji? Please?"
"We'll see what your Bapa has to say about it."
When they entered, Abul looked up, patted the divan next to him, and said to Mehrunnisa, "Come sit here."
Giving him a quick smile, Mehrunnisa sat down. Abul had promised to play gilli-danda with her under the peepul tree later that afternoon. He was much better than she was at the game, managing to hit the gilli six or seven times before it fell. But then, he was a boy, and the one time she had tried to teach him to sew a button he had drawn blood on all his fingers with the needle. At least she could hit the gilli four times in a row. She clasped her hands together and waited for Bapa to signal that the meal had begun.
The servants had laid out a red satin cloth on the Persian carpets. Now they filed in, carrying steaming dishes of saffron-tinted pulavs cooked in chicken broth, goat curry in a rich brown gravy, a leg of lamb roasted with garlic and rosemary, and a salad of cucumber and plump tomatoes, sprinkled with rock salt, pepper, and a squeeze of lemon juice. The head server knelt and ladled out the food on Chinese porcelain plates. For the next few minutes silence prevailed as the family ate, using only their right hands. When they were done, brass bowls filled with hot water and pieces of lime were brought in so they could wash their hands. A hot cup of chai spiced with ginger and cinnamon followed.
Ghias leaned back against the silk cushions of his divan and looked around at his family. They were beautiful, he thought, these people who belonged to him. Two sons and four daughters already, each special in an individual way, each brilliant with life. Muhammad, his eldest, was a little surly and sometimes missed his classes on a whim, true, but that would change as time passed. Abul showed the most promise of becoming like his Dada, Ghias's father. He had his grandfather's even temper and a small streak of mischief that made him tease his beloved sisters. All the more reason he would continue to love them deeply when they were older. Saliha was becoming a young lady now, suddenly shy of even her own Bapa. Khadija and Manija -- they were children yet, unformed, inquisitive, curious about everything. But Mehrunnisa...
Ghias smiled inwardly, letting his eyes rest on her last. She was his favorite child, a child of good fortune. He was not normally a superstitious man, but somehow he had the feeling that Mehrunnisa's birth had been a good omen for him. Everything good in his life had come from that time after the storm at Qandahar.
Eight years had passed since their hasty escape from Persia. Sitting here in this safe room, Ghias was suddenly transported to that moment before his introduction to Emperor Akbar in the darbar hall by Malik Masud. They had entered past the forbidding palace guards into the blinding sunshine of the Diwan-i-am, the Hall of Public Audience at Fatehpur Sikri. The courtyard was crowded. The Emperor's war elephants stood at the very back in a row, shifting their weight from one heavy foot to another. Their foreheads were draped with gold and silver livery, and mahouts were seated atop their thick necks, knees dug into their ears. Next came a row of cavalry officers on perfectly matched black Arabian horses. Then came the third, and outermost tier, for commoners. The second tier around the imperial throne was for merchants and lesser noblemen, and this was where Ghias and Masud took their places, behind the nobles of the court.
When the Emperor was announced, they bowed low from the waist. Ghias glanced behind him to see the elephants lumber to their knees, tilting the mahouts to a sharp angle, and the horses and cavalry officers bend their heads. When they rose from the salutation, he gazed with awe at the figure on the faraway throne across a sea of jeweled turbans.
They all stood silent as the Mir Arz, in charge of official petitions, read out the day's business in his singsong voice. Ghias watched and listened to the proceedings in a daze. The cloud of sandalwood incense, the richness of the Emperor's throne with its jasper-studded beaten gold pillars and red velvet cushions, the sleek gray marble floor in front of the throne -- all overwhelmed him. Finally, Masud was called forward. Ghias went with him, and in unison they performed the taslim, touching their right hands to their foreheads and bending from the waist.
"Welcome back, Mirza Masud," Akbar said.
"Thank you, your Majesty," Masud replied, straightening.
"You had a good journey, we trust?"
"By the grace of Allah and your Majesty," Masud said.
"Is this all you have brought us from your travels, Mirza Masud?" Emperor Akbar asked, gesturing toward the horses, and the plates of piled silks and fruits from the caravan.
"One more gift, your Majesty," Masud nodded to Ghias. "If I may humbly be allowed to introduce Mirza Ghias Beg to your court."
"Come forward, Mirza Beg. Our eyes are not as good as they once were. Come forward so we may see you well."
Ghias finally straightened from his taslim and took a few steps forward, raising his eyes to the Emperor. He saw a stout, majestic man with a kind face, a mole on his upper lip. "Where are you from, Mirza Beg? Who is your father?"
Stumbling over his words, Ghias told him. Every sentence he spoke echoed in his ears. His throat was dry, his palms damp with sweat. When he had finished, he looked at the Emperor anxiously. Had he pleased him?
"A good family," Akbar said. Turning to his right, he asked, "What do you think, Shaiku Baba?"
Ghias then saw the child seated next to the emperor, a little boy perhaps eight or nine years old, his hair slicked back, wearing a short peshwaz coat and trousers of gold shot silk. Prince Salim, heir to the empire. Salim nodded solemnly, the heron feather in his small turban bobbing. Trying to mirror his father's tone of voice, he said in his clear, childish voice, "We like him, your Majesty."
Akbar smiled. "Yes, we do. Come back to see us sometime, Mirza Beg."
Ghias bowed. "Your Majesty is too kind. It will be a great honor for me."
Akbar inclined his head to the Mir Arz, who read out the name of the next supplicant from his scroll. Malik Masud gestured to Ghias and both men bowed again and backed to their places. They did not talk. When the darbar was over, Ghias left the hall in a stupor, the Emperor's kind words singing in his ear. He had gone back to the court the next day, waiting for hours until the Emperor was free to talk with him for five minutes. After a few days of conversation, Akbar had graciously granted Ghias a mansab of three hundred horses and appointed him courtier.
The mansab system was used by Mughal kings to confer honors and estates. The mansabs translated into parcels of land used to support the upkeep of cavalry or infantry for the imperial army, so Ghias's mansab could support, from its produce, a cavalry of three hundred horses. All this Ghias had to learn anew. The Mughal courts were different from the counts at Persia.
As the years passed, Ghias made himself indispensable to Akbar, accompanying him on hunting parties and campaigns and entertaining him with stories of the Persian courts. Akbar replied to Ghias's efforts in kind, granting him the land and building materials for two splendid houses: one at Agra, the other at Fatehpur Sikri.
Today, they sat down to their midday meal at a rented house in Lahore. A few months ago, a new threat had reared its head on the northwestern frontier of the empire. The Emperor's spies had brought news that Abdullah Khan, king of Uzbekistan, was planning to invade India. Fatehpur Sikri, though nominally the capital of the empire, was too far southeast for the Emperor's comfort. Akbar wanted to be closer to the campaign mounted against the Uzbeg king, and he gave orders for the move to Lahore. The entire court had traveled with the Emperor, leaving the newly built city of Fatehpur Sikri deserted.
Allah had been kind to his family, Ghias mused as he stroked his bearded chin. Opulence surrounded them, a far cry from the destitute manner in which they had entered India. Thick Persian and Kashmiri rugs were piled on the stone floors. The lime-washed walls were hung with paintings and miniatures framed in brass. Little burnished teak and sandalwood tables held artifacts from around the world: Chinese porcelain statues, silver and gold boxes from Persia, ivory figurines from Africa. The children were clothed in the finest muslin and silks, and Asmat wore enough jewelry to feed a poor family for a year.
He still could not believe the blessings that had come his way and how much they had gained in the past years. The children had flourished here, strong and resilient, taking to the country and its people as though their own. Abul, Muhammad, and Saliha had been diffident at first about learning new languages and customs and playing with the children of the neighboring lords and nobles. Young as they were, they remembered much of the long, traumatic journey from Persia. For Mehrunnisa, everything was new and wonderful. The dialects in Agra had come more easily to her mouth. The blistering dry heat of the Indo-Gangetic plains did not seem to bother her; until she was five she ran about the house in a thin cotton shift, balking at having to dress up for festivals and occasions. She took their position for granted as promotions came to Ghias and they moved from one house to a bigger one until Akbar gave them a home of their own. This was the only life she had known. Ghias had worried most about Asmat, anxious about uprooting her and bringing her here. When her father had entrusted her to his care, he surely would not have expected that Ghias would take her away from her family.
Ghias looked at her, warming with pride and love. Asmat was in the early stages of yet another pregnancy, visible only by a slight rounding of her stomach. The passing years had not diminished Asmat's beauty. Time had painted some gray in her hair and etched a few lines on her face. But it was the same dear face, the same trusting eyes. She had been brave, giving him strength at night when they lay beside each other in silence, darkness closing around them, and during the day when he was home working or reading, and she passed by, her anklets chiming, her ghagara murmuring on the floor. Islamic law allowed four wives, but with Asmat, Ghias had found a deep, abiding peace. There was no need to even look at another woman or think of taking another wife. She was everything to him.
A sudden movement caught his eye. Mehrunnisa was sitting at the edge of her divan, her eyes sparkling with excitement, smoothing the long pleats of her ghagara with impatient fingers. He knew she wanted to say something and could not keep still. He looked at her, thinking again of these past eight years, of how they would have been different if she had not been with them. A huge gap would have opened in their lives, never to be filled no matter how many children they had. How he would have missed her musical "Bapa!" when he came home and she flung herself into his arms with a "Kiss me first, before anyone else. Me first. Me first."
Ghias bowed his head. Thank you, Allah.
Then he put down his cup and said, "His Majesty was in a good mood at the darbar this morning. He is very happy about Prince Salim's forthcoming marriage."
"Bapa -- " Both Abul and Mehrunnisa spoke simultaneously, relieved that the enforced silence during lunch had finally been broken. Asmat and Ghias were very strict about not speaking during meals: a sign of good manners. And only when Ghias spoke could the rest of the family join in.
"Yes, Mehrunnisa?" Ghias hushed Abul with a hand.
"I want to go to the royal palace for the wedding," Mehrunnisa said. Then she added hastily, "Please."
Ghias raised an eyebrow at Asmat.
She nodded. "You can take the boys. Mehrunnisa and Saliha will be with me."
Mehrunnisa tugged at her sister's veil. "Can you see anything?"
"No," Saliha said, her voice almost a wail. Just then, one of the ladies in the zenana balcony elbowed them to one side, allowing the crowd to swarm to the marble lattice-worked screen.
Mehrunnisa craned her neck, standing on tiptoe until the arches of her feet hurt. It was of no use. All she could see were the backs of the ladies of Akbar's harem as they stood exclaiming at the scene below in the Diwan-i-Am.
She fell back on her heels, her foot tapping impatiently on the stone floor. The day of the wedding had finally arrived, and she had not been able to catch a glimpse of the ceremony or of Prince Salim. It was unfair that her bothers were allowed to be present at the courtyard below while she had to be confined behind the parda with the royal harem. And what made it all the more unfair was that she was not even old enough to wear the veil, but for some reason her mother had insisted on keeping her in the zenana balcony.
Mehrunnisa jumped up and down, trying to look over the heads of the zenana ladies. At that moment, it did not strike her that she was actually in the imperial palace. Everything, every thought, centered on Salim. When the gates had opened and the female guards had eyed them with suspicion before letting them into the zenana area, Saliha had bowed to them in awe. Mehrunnisa had ignored them, her eyes running everywhere, not seeing the rainbow silks or the luminous jewels or the flawlessly painted faces. Her only thought had been to find a good spot at the screen to see the prince. And now they had been pushed to the back because they were younger and smaller than all the other women.
"I am going to push them aside and take a look."
"You cannot do that. This is the Emperor's harem; they are the most exalted ladies in the realm," Saliha said in a horrified whisper, holding Mehrunnisa's hand tight in hers.
"With very bad manners," Mehrunnisa replied, her voice pert. "I have been pushed out of the way four times already. How are we supposed to see Prince Salim? They are not made of water that we can see through them."
She pulled her hand out of Saliha's grasp and ran to the front of the balcony. She tapped one of the concubines on the shoulder and, when she turned, slipped through the opening to press her face against the screen, her fingers clutching the marble.
Mehrunnisa blinked rapidly to adjust her eyes to the blinding sunshine in the Diwan-i-Am and gazed at the figure seated on the throne at the far end. Akbar was dressed in his magnificent robes of state, the jewels on his turban glittering as he nodded graciously to his ministers. The Emperor's eyes were suspiciously bright when he looked at his son.
Mehrunnisa shifted her gaze to Prince Salim and held her breath. From here she could only see him in profile. He held himself with grace, shoulders squared, feet planted firmly apart, right hand on the jeweled dagger tucked into his cummerbund. Princess Man Bai stood next to him, head covered with a red muslin veil heavily embroidered in gold zari. If only the princess would move back a step so she could see Salim a little better, Mehrunnisa thought, her face glued to the screen. Perhaps if she leaned over to the right...The Qazi who was performing the ceremony had just finished asking Prince Salim if he would take the Princess Man Bai to be his wife. He now turned to the princess.
Mehrunnisa, along with the rest of the court, waited in silence for Man Bai to respond. Just then, someone rudely pulled her by the shoulder. She turned around to see the irate concubine glaring at her.
"How dare you?" the concubine hissed between clenched teeth, her face twisted in anger.
Mehrunnisa opened her mouth to reply, but before she could, the girl lifted her hand and slapped Mehrunnisa's face, her jeweled rings cutting into her cheek.
Mehrunnisa raised a trembling hand to her face and stared at her, eyes huge in a pale face. No one -- no one -- had hit her before, not even her parents.
Tears sprang to her eyes as she glowered at the woman, spilling down her cheeks before she could stop them. Mehrunnisa wiped them away with the back of her hand. The concubine leaned over her, hands on hips. Mehrunnisa did not flinch. Instead, she bit her lip to keep back a retort, the slap still ringing in her ears. Suddenly she was terribly lonely. Somewhere in the background she saw Saliha, her face drained of color. But where was Maji?
"I beg your pardon." Asmat had come up behind Mehrunnisa. She put an arm around her daughter and pulled her away from the furious concubine. "She is just a child -- "
"Let her be!" a rich, imperious voice commanded.
Mother and daughter turned to look at the speaker, Ruqayya Sultan Begam, Akbar's chief Queen, or Padshah Begam. Sensing conflict, the ladies around them turned from the Diwan-i-am to the drama in the zenana balcony. Their faces were tinged with excitement. So rarely did Ruqayya interfere in squabbles that this child must be special. A path cleared from Mehrunnisa to the Padshah Begam, and all eyes turned to Akbar's main consort.
She was not a beautiful woman; in fact, she was quite plain. Her hair was streaked with gray, which she made no effort to conceal with a henna rinse. Inquisitive black eyes glittered out of a round, plump face.
Ruqayya's importance to Akbar was far more than the brief physical satisfaction his mindless concubines could provide him. He valued her quick mind, sharp wit, and comfortable presence. Her position in the zenana secure, Ruqayya made no further attempt to beguile the Emperor -- a waste of time in any case, when every day a fresh, new face appeared at the harem. So she left the satisfaction of Akbar's physical needs to the younger girls while she made sure that he came to her for all else. That security lent her a calm demeanor, an arrogance, and a self-assurance. She was the Padshah Begam.
Ruqayya beckoned to Mehrunnisa with a plump jewel-studded hand. "Come here." Turning to the concubine, she said harshly, "You should know better than to hit a child."
The girl subsided mutinously to one corner, her kohl-rimmed eyes flashing.
Her mouth suddenly dry, Mehrunnisa walked up to the Padshah Begam. She wiped clammy hands against her ghagara, wishing she were anywhere but here.
The scent of ketaki flowers wafted to Mehrunnisa's nostrils as the Empress put a finger under her chin and tilted her face. "So you like to watch the wedding celebrations, eh?" Ruqayya's voice was surprisingly soft.
"Yes, your Majesty," Mehrunnisa replied in a low voice, head bent to hide the gap in her teeth.
"Do you like Prince Salim?"
"Yes, your Majesty." Mehrunnisa hesitated and looked up with a smile, the gap forgotten. "He is...he is more beautiful than my brothers."
All the ladies around them burst out laughing, their laughter carrying down into the courtyard.
Ruqayya held up an imperious hand. "This child thinks Salim to be beautiful," she announced to the ladies. "I wonder how long it will be before she finds him handsome." Laughter swept through the room again.
Mehrunnisa looked around, bemused.
The wedding ceremony had just been completed, and the Qazi was registering the marriage in his book. The ladies shifted their attention to the Dwian-i-am, and Mehrunnisa escaped thankfully into her mother's arms. Asmat pushed her daughter toward the door, signaling Saliha to join them.
As they were leaving, Ruqayya said, without looking in their direction, "The child amuses me. Bring her to wait upon me soon."
Mehrunnisa and Asmat Begam bowed low to the Empress and let themselves out.
The wedding parties continued for almost a week, but Mehrunnisa, frightened after her encounter with Ruqayya, refused to go for the festivities. The concubine had merely made her angry; the Empress, with her glittering eyes and her aura of power alarmed Mehrunnisa. Asmat Begam and Ghias Beg went every day to pay their respects to Akbar and his queens and to take part in the rejoicing.
A few days later, Ruqayya sent an imperial summons commanding Mehrunnisa's presence at the royal zenana.
Copyright © 2002 by Indu Sundaresan
Product details
- Publisher : Washington Square Press; Illustrated edition (February 18, 2003)
- Language : English
- Paperback : 416 pages
- ISBN-10 : 0743428188
- ISBN-13 : 978-0743428187
- Item Weight : 12.8 ounces
- Dimensions : 5.31 x 1.04 x 8.25 inches
- Best Sellers Rank: #211,309 in Books (See Top 100 in Books)
- #248 in Sea Adventures Fiction (Books)
- #854 in Romantic Action & Adventure
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About the author

Indu Sundaresan was born and brought up in India, on Air Force bases around the country. Her father, a fighter pilot with the Indian Air Force, was also an avid storyteller--as was his father, Indu's grandfather. She grew up on their stories on various themes--Hindu mythology and fictional tales of an elephant and a horse living in the wilderness.
She came to the U.S. for graduate school at the University of Delaware and has two degrees; an M.S. in operations research and an M.A. in economics. But, the storytelling gene beckoned and she began writing soon after graduate school.
The Twentieth Wife (2002), based on the life of Mehrunnisa, Empress Nur Jahan, is the tale of one of India's most powerful women. This was her first published novel, but the third one she wrote--the first two still languish on the hard drive of some forgotten old computer and are never to be revived; they were practice runs and taught her how to write a novel.
She is the author of five books so far. The Twentieth Wife (2002); The Feast of Roses (2003); The Splendor of Silence (2006); In the Convent of Little Flowers (2008) and Shadow Princess (2010).
All of Indu's work has been published, in hardcover and paperback, in the U.S. by Pocket Books/Atria Books/Washington Square Press--imprints of Simon & Schuster. Her work has been translated into 17 languages to date.
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Sundaresan creates a wonderful, vivid picture of the world of late 16th to early 17th Century India. The vastness of the Mughal Empire, the climate and customs of the period, the variety of it's people, and the complexity of the politics of the time are woven together to create an engaging story. There was a nice balance between providing the details and terms while not reading like a textbook explaining every term and custom. All of the main characters were distinct, and fully realized — each with their own voice and behaviors, letting me sink into the story despite my unfamiliarity with the setting - historical and cultural.
I look forward to reading the two following books by Sundaresan - the next dealing with Mehrunnisa's rise to be the premier wife, and the power behind the thrown. I always enjoy reading about the unconventional women of history.
To be honest, I read the first 50 pages of the book and decided not to read any more. It seemed formulaic at first. And I also have a politically correct streak in me about books always being written about empires rather than common people. And so I put the book in my give-away pile. Then I went to sleep and when I woke up I was thinking about the story. And so, I raced home that evening, picked up the book, and read another 150 pages at once, gobbling the book up in big chunks until I had thoroughly read and enjoyed all 396 pages.
What a book! What a story! What an interesting history lesson!
The Mughal Empire was so vast and so rich that it was inevitable that there would be lots of in-fighting for the throne. The Empire had a harem but only one of his sons could be Emperor. Competition was ugly. Wars were fought. Lives were lost. There was splendor and love and plain old fashioned good storytelling with the violence real but understated, as was the romance. I was totally captivated.
I loved it the book so much I am ordering the sequel. Can't wait to read it.
Of course, Mehrunissa's beauty stuns all who see her. Yes, Salim, prince and heir to the Mughal throne, sees and so desires her. Does he get his wish? With a treasure like that of Aladdin's and where a wish is always a command, emperors and their sons always do. Sundaresan does not endow Salim with any extraordinary traits; on the contrary, she depicts him as one who enjoys his indulgences, connives to supplant his father and meters out punishment to his enemies in the cruelest most impulsive way possible. Not particularly wise, but infinitely self-protective in the diabolical way of all contenders to a throne where rivals share blood, Salim is not a man of infinite goodness with his head and shoulders symbolically higher to those of other men. Only as emperor does he have power. Are we to believe that Mehrunissa loves the man Sundaresan portrays or does she love his status?
Likewise, Mehrunissa's character is not fully fleshed out either. We see her through her childhood as a semi-willful child. Educated and a bit outspoken, she contains herself to play within the rules of the harem of which she becomes a part from her days as the Emperor's head wife's pet. As all other women of that time, she marries the man she is told to marry for the sake of property and alliances, but other than that we learn little about her in terms of her drive and motivation. She is intrigued with Salim, but what can she do to get what she wants as she controls so little?
Sundaresan uses a third person narrative, but would have been better off approaching the story from the perspectives of the two major characters. Show me the development of Mehrunissa's thoughts so that I understand how she feels about the heir to the throne. Just how strongly does she feel when she succeeds, how does the fact that she is a woman in a country where females live behind a veil impact her actions? How frustrated do the laws that regulate her make her feel? Would we, as modern readers, object to her having contemporary thoughts? Surely the idea of freedom is timeless and universal.
Sundaresan tells us that Salim attempted to sicken his father with tainted food--we understand that he does this to ascend to the throne, but we do not have his reasons from his vantage point. How does he feel about being manipulated by his women and advisors who want power for themselves? With all this turmoil swirling about this world at this time, I would have liked to see the two characters come together as if finding an oasis in one another. I wanted to feel the romance and get so immersed in the palace intrigues that I did not know or care what time it was or that I needed to put the book down in order to do other things. Sadly, this sense of losing time within the pages of this book never happened.
"The Twentieth Wife" is not a quick read. Somehow the author does not make the story compelling enough to have the reader reading like mad and flipping the pages to get that satisfaction that only a good climatic ending can give. In fact, the novel ends on a flat note, with the promise of a second novel detailing Mehrunissa's reign as Salim's favorite wife rather than bringing to fruition an important theme like `love as completion' or `hardship and sacrifice has long-lasting rewards." Some of the wars and plots to unseat the emperor detailed within the middle sections of the novel seem never-ending. The focus should be on Salim and Mehrunissa and how their love either completes or destroys them. The rest adds historical authenticity but frustrates the reader with too much detail and action with secondary characters with difficult sounding names.
Bottom line? The Mughal Empire depicts an India of lush power and infinite beauty as symbolized by the sublime architecture of the Taj Mahal. "The Twentieth Wife" by Indu Sundaresan attempts to portray that slice of time with her version of the love story of the Emperor Jahangir and his last wife Mehrunissa. Whether or not she achieves historical authenticity I do not have the scholarship to judge. Nonetheless her prose becomes dry at times; her characters semi-fleshed out and their motivations never really explored. Like other novels focusing on the power of the harem denizens, this one's strength lies in its ability to depict the manipulations and machinations of the women behind the seraglio walls. If you enjoy this time frame look also at Beneath a Marble Sky: A Love Story . If the harem is your forte try the novels of Janet Wallace ( Seraglio: A Novel ), Ann Chamberlin ( Sofia , The Sultan's Daughter , Tamar ) and Katie Hickman( The Aviary Gate: A Novel ). Recommended only if you must read something fictitious about Mughal India.
Diana Faillace Von Behren
"reneofc"
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The novel tells the journey of a common girl, from her commonness to her royal hood, from a mere woman MehrUnNisa to the Mughal empress NurJahan. Indu has chosen such a topic for her novel that is not very common in the history of fiction. To know the historical characters we do have to rely upon the history books or documents preserved in the libraries. That too sometimes seems boring. But Indu has taken the boring and tough job and made her way to that bygone era. The novel is a work of fiction but very much ground to historical realities. Sometimes Indu has taken literal liberties but that are too to suit her purpose of writing.
The novel opens with the birth of MehrUnNisa and proceeds with various happenings around it. The forsake of her by her parents after the birth, then coming back to them by a generous man who also took her father Ghias Beg to the court of Mughal Emperor Akbar, then managing a official post for himself, and resettle his family inside the domain of the Mughal India after the disaster of his fortune. MehrUnNisa was being brought up under the care of her mother with her other siblings. Some teachers were appointed to teach the children Persian, Arabic, Turkish, or even Sanskrit. Then she got the chance to enter into the royal zenana of the Mughal Emperor to witness the marriage of prince Salim (later emperor Jahangir & her second husband) and became the favourite of Ruqaiyya Sultan Begum, the imperial consort of Akbar. From then on Nisa cherished the dream of becoming an empress. She gradually fallen in love with Salim and started dreaming to marry him. But some at that very moment that didn’t happen and she was betrothed to a brave soldier named Quli Khan by the wish of Emperor Akbar. After her betrothal she met Salim inside the royal palace and the latter was enormously becharmed by her heavenly beauty. They even shared a passionate kiss. Salim did try in various ways to get Nisa but it didn’t take place and she was married to Quli Khan at the age of 17 and sent away with her husband from the royal court to the Bengal. Then passed the long gap of 14 years. In the mean time after several miscarriages Nisa finally got her one and only girl child from her husband and named her Ladli. She adjusted with her marriage and sometimes she gave her husband political opinions too. The royal court witnessed many treacheries, betrayals for the imperial throne by the royal princes themselves. After a bad health Akbar died naming Salim as the next heir to the throne. In 1605 Salim ascended to the throne as the Emperor and renamed himself as Jahangir. Jahangir did not forget Nisa. In order to gain her he planned for a political murder of Quli Khan. But in this course of action he lost his childhood cohort and court minister Mirza Koka who got killed by Quli Khan. However after the death of her husband in 1607 MehrUnNisa was brought back to Mughal zenana with her daughter Ladli to serve as a lady-in-waiting to the dowager empress Ruqaiyya. Thus another 4 years passed and Jahangir almost tended to forget Nisa upon the persuasion and instigation from the court and even from the royal Zenana and Nisa was also hopeless of her becoming a royal empress. But history was to be made in a different way. In a meena bazzar Ruqaiyya begum made a trick to arrange a meeting for Jahangir and MehrUnNisa as she really wanted Nisa to be married with Jahangir. Her trick was successful and the emperor again got back his lost affection for Nisa. After various turmoils finally in 1611 Jahangir married MehrUnNisa as his twentieth and last wife. He renamed her as NurJahan (light of the world). The novel ends here granting her wish to be an empress. From a common Persian girl MehrUnNisa to a wife of a brave soldier to the Mughal empress NurJahan.
Indu Sundaresan has pursued her studies in economics. But surely everyone would think her as a student of history. She has surpassed her talent beyond any brilliance. Her descriptions of each and every happening are rich with details. The then Mughal Court, its etiquettes, manners, emperor and his ministers, the royal zenana, the veiled empresses, concubines, eunuchs, ladies in waiting, the meena bazaar, the dresses, the jewelleries, the food & beverages, the recreations, the royal journeys, the gardens, the palaces, the court politics, the harem intrigues, the treacheries, the open betrayals, exercising powers according ranks, the marriages, the justices, the punishments, the rewards, the many startling means to get an end, the swift swiping of allegiances, the loyalties to the emperor and the empire, the suppressed desires to ascend to the throne, the royal treasuries, the security systems, the imperial army, the diplomatic steps, the trading, the Agra, Lahore, Kabul, Fatehpur Sikri, Mewar, most importantly MehrUnNisa’s beauty all are so much detailed that one could actually see them right in front of his eyes. Indu has drawn the pictures of the characters using vivid details and descriptions with her words. Everything is so much grand that it suits the purpose and subject of the novel which is grand in itself. The incidents are so much rich with detailing that they come alive in front of our eyes or to be more specific take us back to that bygone era of history when these were being happened. Beside Indu has depicted the royal zenana with the same importact she has given to the court. It was the world of ladies. The veiled Mughal empresses, the padshah begum, the attendants all were engaged in harem politics to hold their positions in their world within the walls. Sometime we feel for Nisa and sometime we get irritated at her. Ruqaiyya Begum had various shades in her character which are also awe striking.
The novel undoubtedly is a masterpiece having a few technical and historical faults in it. Though it is a work of fiction but it has a strong base to the historical realities. Indu has deliberately and consciously avoided the birth-mother of Jahangir MariamUzZamani denying her even a small place in the novel. May be as it was Ruqaiyya who had more influence on MehrUnNisa. Next Hamida Banu Begum was Akbar’s mother and not his hindu wife who was none but Mariam Zamani. Then Indu has made the children of Persia to address their parents as ‘Maa’ and ‘Bapa’. The descriptions are detailed but sometime this detailing brings monotony in reading. Even if some pages are turned over without reading then it does not affect much in understanding. Indu has used very less almost nothing of the Urdu language in her writing which was a prominent language in the Mughal India. But that she has done a marvellous and vivid research to write her book we come to know from her ‘AfterWord’ and ‘Acknowledgements’ where she clears much of the doubts the readers would come across while going through the book. To know Mughal history in a regular way there are many ways for it. But if one wants to explore it in a fascinating and fictional way, Indu Sundaresan has already provided us the contrivance in the shape of ‘The Twentieth Wife’. After getting married empress NurJahan had thought that if people would remember her for the next 100 years. If she only were alive to see that posterity has remembered her through the centuries and it continues……..
The book commences with Meherunisa's birth and traces her family's journey to Agra, where her father becomes a significant figure in Akbar's empire. Meherunisa's lifelong fascination with Prince Salim is beautifully portrayed, and her intelligence shines as she gains insight into the challenges women faced in the Mughal empire while working in the Harem under Padshah Ruqaya Begum.
The initial encounter between Salim and Meherunisa is depicted with elegance, although there could have been a deeper exploration of Salim's feelings. Meherunisa's marriage to Ali Quli, mandated by the emperor, doesn't deter her unwavering love for Salim. Her ability to balance her duties as a wife to Ali Quli while harboring her love for Salim is both admirable and unique.
In a time when women had limited agency and their primary role was marriage and childbearing, Meherunisa's journey to becoming Jahangir's wife and the Empress of the Mughal Empire is nothing short of extraordinary.
"The Twentieth Wife" is a beautifully narrated tale that skillfully weaves Meherunisa and Salim's individual narratives alongside their love story. It's a compelling read for history enthusiasts who appreciate a touch of fiction and enjoy exploring the love stories of a bygone era. This book effortlessly transports readers to the rich tapestry of Mughal history while celebrating the indomitable spirit of its characters.
Reviewed in India on September 3, 2023
The book commences with Meherunisa's birth and traces her family's journey to Agra, where her father becomes a significant figure in Akbar's empire. Meherunisa's lifelong fascination with Prince Salim is beautifully portrayed, and her intelligence shines as she gains insight into the challenges women faced in the Mughal empire while working in the Harem under Padshah Ruqaya Begum.
The initial encounter between Salim and Meherunisa is depicted with elegance, although there could have been a deeper exploration of Salim's feelings. Meherunisa's marriage to Ali Quli, mandated by the emperor, doesn't deter her unwavering love for Salim. Her ability to balance her duties as a wife to Ali Quli while harboring her love for Salim is both admirable and unique.
In a time when women had limited agency and their primary role was marriage and childbearing, Meherunisa's journey to becoming Jahangir's wife and the Empress of the Mughal Empire is nothing short of extraordinary.
"The Twentieth Wife" is a beautifully narrated tale that skillfully weaves Meherunisa and Salim's individual narratives alongside their love story. It's a compelling read for history enthusiasts who appreciate a touch of fiction and enjoy exploring the love stories of a bygone era. This book effortlessly transports readers to the rich tapestry of Mughal history while celebrating the indomitable spirit of its characters.






