Ultimate X-Men Vol. 9: The Tempest Paperback – August 30, 2006
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- Publisher : Marvel; Direct Ed edition (August 30, 2006)
- Language : English
- Paperback : 112 pages
- ISBN-10 : 0785114041
- ISBN-13 : 978-0785114048
- Reading age : Baby and up
- Grade level : Preschool and up
- Item Weight : 8.3 ounces
- Dimensions : 6.75 x 0.25 x 10.25 inches
- Best Sellers Rank: #876,668 in Books (See Top 100 in Books)
- Customer Reviews:
Top reviews from the United States
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I've posted reviews for hardcovers 1-3 in this series. Reviews that trashed the bloated, stupid mess that Mark Millar made of the first three years of Ultimate X-Men. In the issues contained in this volume, Brian Vaughn pulls off a work of genius: he manages to work with everything he's been given, and make it real, personal, exciting, fun, and actually resets the book on the path it should have been on all along: presenting the X-men as teenagers, who behave like teenagers, with all of their problems and flaws, plus the problems of learning about their mutant powers and roles. He makes the characters lovable. He writes plotlines that are taught and tense. He writes dialog that provides a particular voice to each character, and is frequently laugh-out-loud funny.
The artwork is exceptional throughout the whole book, with Brandon Peterson's typically serviceable pencils jacked up to ultimate levels by the incredible inking and coloring, and Stuart Immonen's typically genius work perfectly fitting the "teen" feel of the book.
Let's get specific. The first arc, The Tempest, features a gleeful gutting of the Mr Sinister concept from the original series. This is a trademark of Vaughn's UXM-- take a familiar character or storyline, and recast it in a way that gives a wink and a nod to the old, but reinvents the concept in an unexpected way. Who cares if you loved the original Sinister? You can see him back in action in recent X-men titles like Messiah Complex, ok? He's scary AND ridiculous here, and it works.
The second arc, Cry Wolf, once again ties some "legacy" concepts in new knots: Gambit is introduced, as well as the villains Fenris. The Gambit character works well here-- amazingly, Vaughn sets up the relationship between him and Rougue so well. Gambit's powers are used very effectively, as well--the fight between him and the X-Men, including an awesome throw-down with Wolverine, is perfectly choreographed!
The third arc, The Most Dangerous Game, is another genius reinterpretation of a classic: Longshot/Spiral/Mojo!! It is brilliantly plotted with a kicker twist. The character of Longshot is very well done, including his powers, which are used in some really clever ways.
Throughout each of these arcs, there is an excellent balance of character development and action. The fight scenes are are very well worked-out, with the character's powers feeling real, and playing off of each other in surprising ways. This is another monster improvement over Millar's UXM. In the earlier issues, the characters' powers were jacked up through the roof and they were always used in the bluntest manner possible. Vaughn takes the hard road and shows the X-Men regularly getting their butts kicked by resourceful villains. When they win battles, they win by working together and letting their powers play off of each other, or by digging in to reserves of powers or using their powers in new ways. (And NOT new ways like Pheonix cutting out a piece of the Earth's crust and sending it into outer space, ahem, Mark Millar, that was just STUPID.)
But the real focus of these stories is putting the characters on new footing--grounding their personalities, personal stories, and relationships with each other in utterly credible ways. Each character gets space and BV establishes motivations for them that will carry through the next two years of the book. Incredibly, he manages to work with all the plot and character elements that have been preestablished, and in many cases, he makes those prior events more believable and meaningful in retrospect than they ever were in their original forms, due to Millar's hack jobs. For example, Storm's relationship with Beast was always completely contrived. It never felt REAL, just invented for a plot device. But Vaughn uses it to establish motivation for Storm. He uses it to show her character, to give her motivation. He makes their relationship poignant in retrospect and gives it power and weight.
Professor X is, thank god, toned way down from the inexplicable maniac that Millar portrayed him as in issues 1-36. He's still icy cold and calculating, but hardly the stupid, deluded jackass prone to speechifying and pontificating he was. He's generally just less of an ever-present nuisance. His character takes a backseat so the kids can drive.
Jean Grey and Cyclops's relationship gets a much deeper treatment from Vauhgn as well. He's frightened of her powers, jealous of her mental intimacy with Xavier. Vaughn subtly introduces the idea that Cyclops is terribly scared to lose Jean-- to her powers, or to an identity as a world-class telepath--it is clear he is starting to cling. You finally feel the love--at least from Scott! All so ominous...It is all done with subtlety.
Wolverine and Storm work brilliantly together. Vaughn seems to have been inspired by the deep and conflicted relationship that Claremont established in the original series. The character's play off each other to reveal each other's personalities and inner turmoil. Previously, these characters were shown to be moody and conflicted, but in a vacuum--they always lacked motivation. Here, by putting them together in dramatic situations and deep conversations, we actually see what makes them tic.
Other character's seem to have their own natural pairings that allow their personalities and personal stories to bounce off of each other: Dazzler/Angel, Colossus/Nightcrawler, Iceman/Kitty Pride, this gang of six junior leaguers also get their due, with deep relationships and stories of their own. They also provide tons of comic relief. Vaughn's gift for humorous dialog shines when writing these characters. I was constantly laughing at the way they relentlessly crack on each other.
Back a few issues, I was pretty skeptical when Dazzler was introduced as a pissed-off (and utterly fake and cheesy) punk rock singer. But BKV does the character right-- she's hilarious and believable. In a lesser writer's hands, she'd be a caricature of teen angst with a loud mouth. In this gifted writer's hands, she's intelligent, disaffected, funny, and, unbeknownst to herself, completely lost and crazy.
Similarly, when Millar suggested Colossus was gay, I took it as yet another ploy to add "cool", "edgy", and "contemporary" elements to the book (another Millarism that ruined the first 3 years). But Vaughn makes him real. He's twisted up inside and feels like a mutant among mutants.
I could go on, but by now you get the picture: it is all here. Fantastic art, great characters, inventive plots and battles...this is the Ultimate X-Men we've been waiting for, and a worthy companion book to Ultimate Spider-Man, or Ultimate Fantastic Four. This is a work of super-hero genius, and luckily, it's just the first of two years with BKV at the helm!
The scenes with the X-Men are great, but don't dig too deep and the lackluster Sinister plot takes away from the overall story quite a bit. The artwork is top of the line however, so it is a shame the story wasn't as inspired.
In "The Tempest", new writer Brian K. Vaughan uses Ultimate X-Men not as a venue to develop the core characters so much as it becomes a forum for Vaughan to state how lame he thinks staple villians are, namely Mr. Sinister, and how much better they would be if only they used guns and wore wife-beaters.
Top reviews from other countries
The Ultimate series started with all the original X-Men along with a few of the fans favourite, Wolverine is an assassin working for Magneto, and is giver a pretty hard ass image, which is expected of him because he is famous for being hard as nails. However as the volumes continued I started to grow tired of every single character, Wolverine acts like a three year old in the Wolverine, Cyclops, Marvel Girl love triangle, and that gets old really really quick, Beast is a wet rag who gets duped by internet chat when everyone knows that you shouldn't try meeting up with people you meet on the chat room, and considering he is dating Storm who is younger and fitter than Original Marvel Storm, which also doesn't make sense. The only character is like reading is Kitty because her revamped character is better than the original, which is the whole point of redoing the series. The other problem I have with the Ultimate Universe is that is rushes some stories, apart from the Wolverine, Cyclops, Marvel Girl Love Triangle because God forbid they try something different, and most of these stories that are rushed have the backbone of something that could be brilliant.
This volume is no exception to my opinion. Mr Sinister is going around shooting mutants because he is "such a bad ass" no wait he's "Nuttier than a Wholenut bar". It isn't long before he targets the X-Men and there is the expected fight from the surprised members in the house when he strikes (the members aren't the though ones just to drag out a classic bit of suspense). This volume also continues from the fallout of the New Mutants volume, which was as annoying as this version.
I can only hope that the further into the series I go I will realise that there are completely new plot lines, and not just the revamped plots from the Original X-Men. If you want to make something different then change the entire demographic as this will give writers free reign to drastically change the course of the future of the Ultimate Universe, it is the main reason I enjoyed Ultimatum because there were twists no one would expect to happen, even though I didn't like that they killed Peter Parker I love the thought of bringing in a brand new Spiderman and reading how his character can branch out in ways that Peter never could.. I truly hope that later on in these volumes I can write a review saying that I take back what I said here, but well...we'll see.