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$250.00
Condition: Used: Very Good
Comment: Edition: Limited edition; Fine; Norwalk, CT: Easton Press, 1996. Limited facsimile edition, no. 257 of 1000 issued. Leather bound. 732 pp. Fine, with just a touch of rubbing to the gilt at the bottom corner. Bound in full, gilt stamped, blue-green leather; all edges gilt with silk moire endpapers and silk sewn-in placeholder. Illustrations by Henri Matisse.
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Ulysses Leather Bound – 1996

3.8 out of 5 stars 872 customer reviews

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The latest book club pick from Oprah
"The Underground Railroad" by Colson Whitehead is a magnificent novel chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum South. See more

Product Details

  • Leather Bound: 732 pages
  • Publisher: Easton Press; Limited edition edition (1996)
  • Language: English
  • ASIN: B000I3NUU6
  • Product Dimensions: 9.2 x 7.5 x 2.4 inches
  • Shipping Weight: 3.3 pounds
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (872 customer reviews)
  • Amazon Best Sellers Rank: #3,741,637 in Books (See Top 100 in Books)

Customer Reviews

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By A Customer on April 26, 2000
Format: Paperback
Ulysses is one of those big, mad bellwethers of a book that X will tell you is the biggest, best, most important blah blah blah and Y will tell you is a load of badly written tripe. Neither X nor Y tend to notice that the book consciously encourages both responses...but, well, I'll get back to the academic riffing in a minute.
I first tried to read Ulysses aged about 14 (I was an annoying little boy that way) and didn't get very far. The first three chapters are set in and around the mind of Stephen Dedalus, one of the most ridiculously clever and over-educated characters ever conceived, as he takes breakfast with some friends, teaches in a school some miles south of Dublin and walks along a beach. Along the way, his mind ruminates on subjects as diverse as 16th century underworld slang, his dead mother, and something he calls "the ineluctable modality of the visible" which I'm still struggling with. But he's a curiously ambiguous character, this Stephen; he fancies himself as a poet and rebel but when, on the beach, he picks his nose, he has a quick look around to see that nobody's watching before he smears the snot on a rock. (Joyce likes to poke fun at pretension this way - although he doesn't suggest that Stephen's ideas or rebel stance are completely hollow, either.)
The 14-year-old me didn't get that far. I gave up. It wasn't until I was 19 or so that I got as far as chapter four and encountered a Mr. Bloom, pottering around the kitchen making breakfast, that I started to get a grip. Bloom is one of the most likeable characters in fiction. He's a quiet, rather shy, oddly intelligent advertising salesman married to a voluptuous siren of a wife, Molly.
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By A Customer on April 24, 2000
Format: Hardcover
This is a wonderfully crafted book -- the physical object, that is, and not just the text. (Because if you're willing to pay this much for a copy of "Ulysses" you obviously take that for granted.) The volume is larger in size than typical hardcover books today, meaning that the type is a decent readable size and the margins are generous (for the note jotting fiends among us). Great care has clearly been taken in the choice of paper and the sewn binding, which allows the book to lay flat during reading and insures years of re-reading. Although there is no dustjacket the cover is made of very durable material; various cover protectors can be found to stand in or, for the really paranoid, a slipcase can be made or found. It should be added that the text is presented as originally published, so there are no notes or glosses to help the first-time or casual reader; neither are the episodes keyed to any of the line numberings found in other editions. However, those wishing to refer to notes would be best off buying one of the helpful readers' companions by Gifford or Blamires anyway. In relation to other available editions, this one occupies a vast middle ground between the throwaway mass-market paperbacks on the one hand and the out-of-reach collectors' editions on the other. The book's durability and elegant though understated presentation should prove most attractive to those readers who intend to read the text again and again, whether for pleasure or for study. In short, this volume is a keeper.
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Format: Paperback
I have frequently heard Ulysses proclaimed the best book ever written, but I could never understand why. I purchased this edition of the novel three years ago, and since then it sat on my shelf, a mighty 900 page undertaking that I kept putting off. I was reluctant to read it, for I have often heard how difficult it was to get through. Finally, I have read it, and though I believe it presumptuous to call any one book "the best book of all time", I certainly believe that Ulysses could claim that title. First off, it is not a difficult read. If you could get through A Portrait of the Artist as a Young Man, you can get through Ulysses. I heartily recommend this edition because of the brilliant introduction by Declan Kibard. Before I read Ulysses, I could not understand how this could be the best book of all time. According to my understanding, it was a novel detailing, in 900 pages, one day in the life of a Jewish Irishman, Leopold Bloom. A totally unremarkable day at that. After reading Kibard's introduction, I was fiercely eager to begin the novel. In his introduction, totally some 70 pages, Kibard answers the precise question I had: Why would this book be called the best of all time? This book is never boring, and is actually a quite enjoyable read. It is arranged in 18 chapters, and to me, the most astounding aspect of this piece of literature is the fact that every chapter is written in a different style. Joyce wanted to show that "originality" in terms of style was merely a new arrangement of previous styles, and so shows his brilliance as a writer by changing his technique and method completely in each chapter. It is indeed difficult to believe they were written by the same person.Read more ›
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