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Under The Boardwalk: A Dazzling Collection Of All New Summertime Love Stories (Sonnet Books) Mass Market Paperback – July 1, 1999

3.9 out of 5 stars 12 customer reviews

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Pierced by the Sun
A gripping tale of murder and redemption by the author of Like Water for Chocolate. Learn More
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Editorial Reviews

About the Author

Linda Howard is an award-winning author whose novels include the recent New York Times bestsellers Shadow Woman, Up Close and Dangerous, and Drop Dead Gorgeous, as well as the Pocket Books releases Kill and Tell, Now You See Her, All the Queen’s Men, Mr. Perfect, and Open Season. She lives in Alabama with her husband and two golden retrievers.

Geralyn Dawson is the critically acclaimed author of more than a dozen novels, including My Big Old Texas Heartache and My Long Tall Texas Heartthrob (both available from Pocket Star Books). A three-time RITA finalist, Geralyn has won numerous awards, including the National Readers' Choice Award and a Career Achievement Award from Romantic Times. She is an active volunteer for the Making Memories Foundation and lives in Forth Worth, Texas, with her family. Visit her website at www.GeralynDawson.com and watch for the first novel in her Bad Luck Brides series, Her Bodyguard.

Jillian Hunter has received several awards in the Romance Community, including Romantic Times Career Achievement Award. She lives in Southern California with her husband and three daughters.

Like most writers, I was a reader first, but I've also enjoyed writing and story-telling since I was a child. After working many years in public relations (which was a great background for fiction), I decided to stop talking about that book I was always going to write and actually do it. In 1990, when I was on maternity leave, I wrote my first book, Steal the Stars (now out of print.)
This was not as felicitous as it sounds. I was as fried as every other new mother, but at least while I was staying up all night, I was also writing. I didn't know how my book was going to end, I wandered around through the viewpoints of every single character, and my opening was so full of setting and backstory that I'm surprised any editor could stay awake to read it. Fortunately, one did, and with her help and understanding, I trimmed my manuscript by a third, tightened the plot, and pruned the extra characters, and duh-duh, on Valentine's Day, 1992 my first book was published and my writing career born.
Born, yes, but not totally prospering. I dutifully went back to my day job, writing at night, for another four years before I was earning enough to be able to write full time. I sold my first Fairbourne Family book, The Captain's Bride, to Pocket Books in 1996, and I've been happily writing for them ever since. My twentieth book, Star Bright, will be published by Sonnet Books in November, 2000, and I still can't believe I've come so far in eight years!
One of the things that has set my books apart from most of the other historical romances today has been the setting: colonial America. I'm not sure why this isn't a more popular setting among writers -- it's certainly one brimming with romantic possibilities! -- but it's a time and place I already knew something about, and an era that I especially enjoy. I went to college in Rhode Island, a place where the colonial past is still very much a part of modern life, and I'm sure that influenced me, too. I was especially fascinated by how fluid society was in New England at the time, with fabulous family fortunes made (and lost) in record time. It's a time of bold, daring, larger-than-life men and women, and that makes it a wonderful source for a writer.
With Starlight and Star Bright, I'm venturing back across the ocean to Georgian England, seeing the old country" through my colonial characters' eyes. This has been a new challenge for me, and a great deal of fun as well. This is, after all, the time and place that virtually invented the rake and the rogue! Visiting the London of Hogarth and Tom Jones, dancing at the pleasure gardens on the Thames and being presented at King George's court, wearing powder and paint and silk gowns and finding love with the most dashing of swashbuckling heroes -- what better vicarious fun could an author -- and, I hope, readers! -- possibly wish for?
And I do love research, and finding the exact little-known fact to bring a scene or event to life is one of the real joys of writing for me. As much as possible, I depend on original sources -- books written at the time, diaries, log-books, journals -- rather than later historical interpretations.
One of the advantages of writing books all set more or less in the same time and place means that, by now, I have a pretty good sense of the details of everyday colonial life. For example, I don't have to stop writing to look up what kind of underwear the heroine should have under her gown; I already know she's got a shift, stays, maybe a quilted petticoat or two, but nary a pair of knickers or bloomers no matter how cold the winter!
I also volunteer at a local living history museum, an eighteenth-century working farm and farmhouse. Dressed in period clothing, hauling water from a well and cooking over an open hearth has helped with the sorts of things books don't convey. Yes, the water in the wash-bowl does freeze in your bedchamber in January, and there's nothing like hefting an oak bucket full of water to build up those colonial biceps.
As you can doubtless tell, I love to write, and each morning I wake grateful for having such a wonderful way to spend my day (and night), and such wonderful readers to share my story-telling adventures with me and my characters. History and happy endings -- it doesn't get any better than this!
Please visit my website, www.mirandajarrett.com, or write me:
email: MJarrett21@aol.com
snail: PO Box 1102, Paoli, PA 19301-0792

Mariah Stewart is the award-winning New York Times and USA TODAY bestselling author of numerous novels and several novellas and short stories. A native of Hightstown, New Jersey, she lives with her husband and two rambunctious rescue dogs amid the rolling hills of Chester County, Pennsylvania, where she savors country life and tends her gardens while she works on her next novel. Visit her website at MariahStewart.com, and like her on Facebook at Facebook.com/AuthorMariahStewart.

Excerpt. © Reprinted by permission. All rights reserved.

From: "Blue Moon"
Chapter One

One full moon a month was bad enough, Sheriff Jackson Brody thought sourly; two should be outlawed. Nature's rule of survival of the fittest had been all but negated by humans, with advances in modem medicine and the generally held view that all life was worth saving, with the result that there were a lot of very weird, and/or stupid people out there, and they all seemed to surface during a full moon.
He was not in a good mood after working a car accident on a county road. As sheriff, his duties were not supposed to include working wrecks, but damned if every full moon he didn't find himself doing exactly that. The county was small and poor, mostly rural, and couldn't afford the number of deputies he needed, so he was always juggling schedules anyway. Add the madness of a full moon to an understaffed department, and the problems multiplied.
The accident he had just worked made him so furious he had been stretching the limits of his willpower not to cuss at the participants. He couldn't call them victims, unless it was of their own stupidity. The only victim was the poor little boy who had been in the passenger seat of the car.
It all started when the driver of the first vehicle, a pickup truck, woke up and realized he had missed his turn by about a quarter of a mile. Instead of going on and finding a place to turn around, the idiot began backing up, going the wrong way down a narrow two-lane blacktop, around a blind curve. He was an accident waiting to happen, and he hadn't had to wait long. A woman came speeding around the curve, doing over sixty miles an hour on a road with a posted speed limit of thirty-five, and plowed into the rear of the pickup. She wasn't wearing a seatbelt. Neither was the four-year-old sitting in the front seat. For that matter, neither was the driver of the pickup. It was nothing less than a miracle that all three had survived, though the little boy was severely injured and Jackson had seen enough accident victims to know his chances were no better than fifty-fifty, at best. The car had had airbags, at least, which had kept the two in the car from going through the windshield.
He had given the woman citations for reckless driving, not wearing a seatbelt, and not properly securing her child, and she began screaming at him. Had he ever tried to make a four-year-old sit down and wear a seatbelt? The blankety-blank things chafed her blankety-blank neck, and the state had no business telling people what they could do on their private property, which her car was, and the car had airbags anyway so there was no need for seatbelts, blah blah blah. There she was, with bulging eyes and unkempt hair, a living testament to the destructive power of recessive genes, throwing a hissy fit about getting traffic tickets while her screaming child was being carried away in an ambulance. Privately, Jackson thought people like her had no business having children in their care, but he made a heroic effort and kept the observation to himself.
Then the driver of the pickup, he of the bulging beer belly and breath that would fell a moose at fifty paces, added his opinion that he thought her driver's license should be taken away because this was all her fault for rear-ending him. When Jackson then gave him citations for reckless driving and driving in the wrong lane, he was enraged. This accident wasn't his fault, he bellowed, and damned if he was going to get stuck with higher insurance premiums because a stupid hick sheriff didn't know an accident was always the fault of the one doing the rear-ending. Any fool could look at where his truck was hit and tell who was at fault here.
Jackson didn't bother explaining the difference between the truck's hood being pointed in the right direction while the truck itself was going in reverse. He just wrote the tickets and in the accident report stated that both drivers were at fault, and seriously pondered whether or not he should lock these two up for the safety of the universe. Terminal stupidity wasn't on the books as a chargeable offense, but it should be, in his opinion.
But he restrained himself, and oversaw the transportation of both furious drivers to the local hospital to be checked out, and the removal of the damaged vehicles. When he finally crawled back into his jeep Cherokee it was pushing four o'clock, long past lunch time. He was tired, hungry, and both angry and discouraged.
Generally he loved his work. It was a job where he could make a difference in people's lives, in society. Granted, it was usually scut work; he dealt with the worst of society, while having to maneuver on tippy-toes through a tangle of laws and regulations. But when everything worked and a drug dealer got sent away for a few years, or a murderer was put away forever, or a burglary gang was rounded up and an old lady on Social Security got her 19-inch television back, that made it all worthwhile.
He was a good sheriff, though he hated the political side of it, hated having to campaign for office. He was just thirty-five, young for the office, but the county was so poor it couldn't afford someone who was both good and with a lot of experience, because those people went where the pay was better. The citizens had taken a chance with him two years ago and he'd been doing his best at a job he loved. Not many people had that chance.
During full moons, however, he doubted his own sanity. He had to be a fool or an idiot, or both, to want a job that put him on the front lines during the periods of rampant weirdness. Cops and emergency room personnel could all testify to the craziness that went on during a full moon.
A nurse at the local hospital, after reading a report that the tales about full moons were just myths, that the accident rate didn't really go up, kept a record for a year. Not only did the number of accidents go up, but that was when they got the really strange ones, like the guy who had his buddy nail his hands together so his wife wouldn't ask him to help with the housework on his day off. It was obvious to them: a man couldn't very well work with his hands nailed together, now could he? The scariest thing about it was that both of them had been sober.
So one full moon a month was all Jackson felt any human should be called upon to endure. A blue moon, the second full moon in a single month, fell under the heading of cruel and unusual punishment.
And because it was a blue moon, he wasn't surprised, when he radioed in that he was finished with the accident and heading for a bite to eat, that the dispatcher said, "You might want to hold off on the food, and check in on a secure line."
Jackson stifled a groan. A couple of clues told him he really didn't want to know what this one was. For one thing, though the radio traffic was usually businesslike, for the benefit of the good citizens who listened in on their scanners, the dispatcher had fallen into a more personal tone. And they didn't bother to check in on a secure line unless there was something going on they didn't want the listeners to know about, which meant it was either something sensitive like one of the town fathers acting up, or something personal. He hoped the issue was sensitive, because he sure as hell didn't feel like dealing with anything personal, like his mother running amuck at her regular Wednesday bingo game.
He picked up his digital cell phone and checked whether or not he had service in this part of the county; he did, though it wasn't the strongest signal. He flipped the cover open and dialed the dispatcher. "This is Brody. What's up?"
Jo Vaughn had been the dispatcher for ten years, and he couldn't think of anyone he would rather have on the job. Not only did she know just about every inhabitant of the small south Alabama county, something that had been a tremendous aid to him, but she also had an eerily accurate instinct for what was urgent and what wasn't. Sometimes the citizens involved might not agree, but Jackson always did.
"I've got a bad feeling," she announced. "Shirley Waters saw Thaniel Vargas hauling his flat-bottom down Old Boggy Road. There's nothing out that way except the Jones's place, and you know how Thaniel is."
Jackson took a moment to reflect. This was one of those times when growing up in west Texas instead of south Alabama was a definite handicap. He knew where Old Boggy Road was, but only because he had spent days looking at county maps and memorizing the roads. He had never personally been on Old Boggy, though. And he knew who Thaniel Vargas was; a slightly thick-headed troublemaker, the type found in every community. Thaniel was hot-tempered, a bit of a bully, and he liked his beer a little too much. He'd been in some trouble with the law, but nothing serious enough to rate more than a few fines and warnings.
Other than that, though, Jackson drew a blank. "Refresh me."
"Well, you know how superstitious he is."
His eyebrows lifted. He hadn't expected that. "No, I didn't know," he said drily. "What does that have to do with him taking his boat down Old Boggy Road, and who are the Joneses?"
"Jones," Jo corrected. "There's just one now, since old man Jones died four -- no, let's see, it was right after Beatrice Marbut's husband died in his girlfriend's trailer, so that would make it five years ago -- "
Jackson closed his eyes and refrained from asking what difference it made how lone ago old man Jones died. Hurrying a Southerner through a conversation was like trying to push a rope, though sometimes he couldn't stop himself from trying.
" -- and Delilah's been out there alone ever since."
He took a wild stab at getting to the point of Jo's anxiety. "And Thaniel Vargas dislikes Mrs. Jones?"
"Miss. She's never been married."
The wild stab hadn't worked. "Then old man Jones was -- "
"Her father."
"Okay." He tried again. "Why does Thaniel dislike Miss Jones?"
"Oh, I wouldn't say he dislikes her. It's more like he's scared to death of her."
He took a deep breath. "Because...?"
"Because of the witch thing, of course."
That did it. Some things just weren't worth fighting. Jackson surrendered and let himself go with the flow. "Witch thing," he repeated. That was twice in one minute Jo had surprised him.
"You mean you never heard about that?" Jo sounded surprised.
"Not a word." He wished he wasn't hearing about it now.
Well, folks think she's a witch. Not that I think so, mind, but I can see where some would be uneasy."
"Why is that?"
Oh, she keeps to herself, hardly ever comes to town. And old man Jones was strange, didn't let anyone come around. Even the mail is delivered by boat, because there's no road going out to the Jones place. The only way to get there is to hike in, or by the river." Background established, she settled into her explanation.
"Now, if Thaniel was going fishing, the best fishing is down river, not up. There's no reason he'd be launching a boat from the Old Boggy ramp unless he was going up river, and there's nothing up there but the Jones place. He wouldn't have the nerve unless he'd been drinking, because he's so afraid of Delilah, so I think you need to go out there and make sure he's not up to no good."
Jackson wondered how many sheriffs were bossed around by their dispatchers. He wondered just what the hell he was supposed to do, since Jo had just told him the only way to get to the Jones place was by boat. And he wondered, not for the first time, whether or not he was going to survive this damn blue moon.
Well, until it killed him, he had a job to do. He assessed the situation and began solving the most immediate problems. "Call Frank at the Rescue Squad and tell him to meet me at the launch ramp on Old Boggy -- "
"You don't want one of the Rescue Squad boats," Jo interrupted. "They're too slow, and the guys are all helping with the clean-up at the tractor-trailer wreck out on the big highway, anyway. I called Charlotte Watkins. Her husband's a bass fisherman -- you know Jerry Watkins, don't you?"
"I've met both of them," Jackson said.
"He's got one of those real fast boats. He's gone to Chattanooga on business, but Charlotte was going to hook up the boat and take it to the ramp. She should be there by the time you get there."
"Okay," he said, "I'm on my way." He pinched the top of his nose, between his eyebrows, feeling a headache beginning to form. He wished he could ignore Jo's intuition, but it was too accurate for him to doubt her. "Send some backup as soon as someone comes available. And how in hell do I find the Jones place?"
"Just go upriver, you can't miss it. It's about five miles up. The house is hard to see, it kind of blends in, but it's dead ahead and you'll think you're going to run right into it, but then the river curves real sharp to the right and gets too shallow to go much farther. Oh, and be careful of the snags. Stay in the middle of the river." She paused. "You do know how to drive a boat, don't you?"
"I'll figure it out," he said, and flipped the phone cover down to end the call. Let her stew for a while, wondering if she had made a bad mistake sending the sheriff out alone into a possibly dangerous situation, on a river he didn't know and in a piece of powerful equipment he didn't know how to operate. He'd driven a boat for the first time at the age of eleven, but Jo didn't know that, and it would do her good to realize she wasn't omnipotent.
He didn't use his lights or siren, but he did jam his boot down on the accelerator and keep it there. By his estimation he was at least fifteen minutes from Old Bog Road, and he had no idea how far down the road the launch ramp was. In a powerful boat he could easily go sixty miles an hour, putting him at the Jones place in five minutes or less, once he was on the water. That meant it would take him at least twenty minutes to get there, probably longer. If Thaniel Vargas was up to no good, Jackson was afraid he would have plenty of time to accomplish it.
He felt a surge of adrenaline, the surge every law enforcement officer felt when going into a potentially dangerous situation. He hoped he wouldn't find any thing out of the ordinary, though. He hoped like hell he out, because if he did, that would mean Miss Jones -- had Jo actually said her name was Delilah? -- was either hurt or dead.
Witch? Why hadn't he heard anything about this before? He'd lived here for three years, been sheriff for two, and in that time he thought he'd learned about all the county's unusual citizens. There hadn't been a peep about Delilah Jones, though, not from his deputies, not from the mayor or her secretary, who was the most gossipy person Jackson had ever met, not from the bar crowd or the women he dated, not from the blue-hair bingo circuit, not even from Jo. He hadn't missed the fact that Jo seemed well-informed on how to get to the Jones house. How would she know that, unless she'd been there? And why would she go, considering everything she'd said about the Jones woman being reclusive and her father being strange?
If anyone was practicing witchcraft in his county, he should have known about it. It was all bullshit, in his opinion, but if anyone else took it seriously then there could be trouble. From the sound of things, that was exactly what was happening.
First there was the general blue moon craziness, then the wreck between the two idiots, and now this. He was hungry, tired, and had a headache. He was beginning to get severely pissed.

Copyright © 1999 by Linda Howington

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Product Details

  • Series: Sonnet Books
  • Mass Market Paperback: 480 pages
  • Publisher: Pocket Books (July 1, 1999)
  • Language: English
  • ISBN-10: 0671027948
  • ISBN-13: 978-0671027940
  • Product Dimensions: 4.2 x 1 x 6.8 inches
  • Shipping Weight: 8 ounces
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #1,038,813 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Mass Market Paperback
The novella can be a challenging genre for an author, since she has to create believable characters and develop a satisfying romance in a much smaller amount of time.
While "Under the Boardwalk" is not one of the best collections out there, it's still a decent collection of stories. My biggest complaint with the book, as a whole, is the combination of historical and modern stories. While I, personally, enjoy both types, I know a lot of romance readers have definite preferences one way or the other. Also, it's more difficult to create a distinctive yet satisfying and smooth collection of stories set in different periods.
I bought this collection for Howard's entry, and the story itself contains many of the elements I enjoy in Howard's work. However, the story was almost too short, and a bit unsatisfying, and I really wanted to know more about the characters and their romance.
Dawson's "Castaway" is a decent entry, with appealing characters and a believable romance. There were some funny moments. My major complaint is that it seemed more a contemporary romance than an historical one.
Hunter's "Ruined" was my favorite of the bunch. I loved the hero and heroine, and enjoyed Hunter's writing style. I can't wait to check out more of her work!
Jarrett's "Buried Treasure" was, I think, the weakest of the bunch. I couldn't get into the characters and didn't really enjoy the romantic plot. However, I must disclaim that the American colonial period isn't a period I typically enjoy reading about.
Stewart's "Swept Away" was another solid addition, with good characters and a decent romance. I appreciated the emotional depth provided by Jeremy's facing of his past, and the sunburn provided a few chuckles.
All in all, this is a solid addition to the compilation genre.
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Format: Mass Market Paperback
I bought this book because of Linda Howard's short story, "Blue Moon." I was disappointed that she had the shortest entry in the book. The other stories were okay. I really wanted more from the Howard storyline. The story was great, there just wasn't enough of it.
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Format: Mass Market Paperback
I know Linda Howard is the big headliner here, but her story (and the other contemporary one) left me cold.I bought this book for the historical stories, which were quite good.Why didn't the publisher do all historicals (or all contemps) instead of half and half?Surely I'm not the only reader who likes one or the other but not both.I kept imagining this collection with a story by Mary Jo Putney or Jude Devereux instead. Now that would be a real five-star collection!
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Format: Mass Market Paperback
An odd mix of contemporary and historical from 5 strong writers.
I enjoyed them all, but wished Howard's would be done into a full book. It left you wanting more. It is a really neat quirky tale of a harassed sheriff hating the "blue moon" because things went wrong and there were more weirdos out than usual. He meets a witch called called Lilah. Just wish these characters could have been made into a full story. This was so quick, especially considering it was Howard's name pushing the book.
"Ruined" by Jillian Hunter is wonderful. A very strong, almost Gothic story that also could have benefited from a longer treatment. In 1843 her yacht crashed off of his cove of Cornwall. Rylan " DeWilde never expected to fall in love with his guest Sydney Windsor, especially after he learns she is engaged to marry his enemy. Would have made a super Big book!!!
The weakest was "Buried Treasure" by Miranda Jarrett. About two men competing for the same woman, and one a pirate.
Really enjoyed "Swept Away" about a PI chasing a woman he loves. But in order to keep on her trail, he must go home to a town full of bad memories.
I am not big on westerns, but Geralyn Dawson's "Castaway" was very good. In 1883 Texas, Drew Coryell lives alone on an island. He peace is shattered when his ex-wife arrives, needing a big favour. She wants his help in tracing a precious heirloom, but finds love the second time around even more precious.
Odd mix of contemporaries and historicals, but still very nice collection.
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By A Customer on January 30, 2002
Format: Mass Market Paperback
I got this book for Christmas and Linda Howard's story made me laugh, it was so bad. It could have been made into a great novel, but it was extremely unbelivable, the characters were two-dimensional, and her story was pretty bad. The other stories are pretty good. I don't think I've read the other authors, so I don't have anything to compare them to, but Howard's story disappointed me.She is usually a thought-provoking author, and in my opinion one of, if not the, best authors I've ever read. Also, the switching between historical and contemporary when I was expecting all contemporary was frustrating. All in all, it was an ok book at best.
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By A Customer on July 8, 1999
Format: Mass Market Paperback
The love story in "The Triumph and the Glory" was a much deeper journey into romance than anything in "Under The Boardwalk", but this is still a very satisfying book. By all means, get a copy and take it to the beach or the lake, you'll enjoy yourself.
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