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Under A Glass Bell (Swallow Paperbook) Paperback – January 1, 1948
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Although Under a Glass Bell is now considered one of Anaïs Nin’s finest collections of stories, it was initially deemed unpublishable. Refusing to give up on her vision, in 1944 Nin founded her own press and brought out the first edition, illustrated with striking black-and-white engravings by her husband, Hugh Guiler. Shortly thereafter, it caught the attention of literary critic Edmund Wilson, who reviewed the collection in the New Yorker. The first printing sold out in three weeks.
This new Swallow Press edition includes an introduction by noted modernist scholar Elizabeth Podnieks, as well as editor Gunther Stuhlmann’s erudite but controversial foreword to the 1995 edition. Together, they place the collection in its historical context and sort out the individuals and events recorded in the diary that served as its inspiration. The new Swallow Press edition also restores the thirteen stories to the order Nin specified for the first commercial edition in 1948.
- Print length101 pages
- LanguageEnglish
- PublisherAlan Swllow
- Publication dateJanuary 1, 1948
- Dimensions5.25 x 0.25 x 8.25 inches
- ISBN-100804003025
- ISBN-13978-0804003025
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― Edmund Wilson, The New Yorker
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Product details
- Publisher : Alan Swllow (January 1, 1948)
- Language : English
- Paperback : 101 pages
- ISBN-10 : 0804003025
- ISBN-13 : 978-0804003025
- Item Weight : 4.8 ounces
- Dimensions : 5.25 x 0.25 x 8.25 inches
- Best Sellers Rank: #7,323,372 in Books (See Top 100 in Books)
- #55,537 in Short Stories Anthologies
- #98,128 in Short Stories (Books)
- Customer Reviews:
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About the author

Anaïs Nin (1903-1977) was born in Paris and aspired at an early age to be a writer. An influential artist and thinker, she wrote primarily fiction until 1964, when her last novel, Collages, was published. She wrote The House of Incest, a prose-poem (1936), three novellas collected in The Winter of Artifice (1939), short stories collected in Under a Glass Bell (1944), and a five-volume continuous novel consisting of Ladders to Fire (1946), Children of the Albatross (1947), The Four-Chambered Heart (1950), A Spy in the House of Love (1954), and Seduction of the Minotaur (1961). These novels were collected as Cities of the Interior (1974). She gained commercial and critical success with the publication of the first volume of her diary (1966); to date, fifteen diary volumes have been published. Her most commercially successful books were her erotica published as Delta of Venus (1977) and Little Birds (1979). Today, her books are appearing digitally, most notably with the anthology The Portable Anais Nin (2011).
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Because of Edmund Wilson's favorable review (and he was, of course, the king of critics) this was the collection of stories that finally brought Nin's work to the attention of public. Her writing style is simply stunning. Imagine distilling a story, as one distills a liquid, down to the final crystals. Or creating a beautiful and poetic ritual out of something mundane (such as the Geisha's tea ceremony).
I think my personal favorites in this collection are "Ragtime," an amazing description of the poverty-stricken rag-picking community in 1930s Paris, "The Mouse," about Nin's fearful maid, and "Birth," the now notorious story about Nin's abortion. Seem like ugly topics? You'd be amazed at how beautiful Nin can render them.
It takes a sensitive reader to understand Anais Nin's writing, but if you are that, I think you will find value in these stories.
I recommend this book only if you are a Nin-lover and ready for some stories that could come from nowhere but her own pen (or typewriter).
Short stories/poems that seem very personal and dark. She has a labyrinth of a mind that seems to hold her prisoner.
My advice is to buy another edition.










