Understanding Exposure, 3rd Edition: How to Shoot Great Photographs with Any Camera 3rd Edition
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About the Author
- Publisher : Amphoto Books; 3rd edition (August 10, 2010)
- Language : English
- Paperback : 176 pages
- ISBN-10 : 0817439390
- ISBN-13 : 978-0817439392
- Item Weight : 1.6 pounds
- Dimensions : 8.53 x 0.43 x 11.08 inches
- Best Sellers Rank: #322,306 in Books (See Top 100 in Books)
- Customer Reviews:
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Top reviews from the United States
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Now, my review:
I celebrate this book's powerful impact on my photography, an impact that occurred because I read the book as a 176 page persuasive argument in favor of manual exposure.
On colorful, glossy, and attractively arrayed pages, Peterson argues for a distinction between an image's "correct exposure" and its "creatively correct exposure." The former, your camera's light meter will reliably report; the latter, you must derive based on the scene and your intentions for it. Camera light meters don't care about which items photographers want in focus or left intentionally over- or underexposed; they care only about the degree to which the areas of frames assigned to their attention meet the accepted standard 18% grey specification. When that standard produces an image to your liking, great! But many times, your intended image is not possible if the meter's guidance is accepted. Hence, the need for manual exposure.
This book is a concise, yet thorough and eminently readable discussion of factors that affect an image's exposure: aperture (how wide open is the hole that lets light in through the lens to reach the camera's sensor), shutter speed (how long is that hole open), and light (that which allows the camera and its photographer to "see" anything). Interestingly, Peterson does not spend nearly as much time on ISO (the sensitivity of the camera's sensor to light) as he does on aperture and shutter speed, but his choice does not damage the book's final excellence.
Appearing, on average, about once per page are wonderful images from his professional work that showcase whatever subject matter is currently under review. More importantly, each of those images is accompanied by a marvelously detailed report as to the reason for his presence at the scene reflected, as well as his thought process that yielded the settings and methods choices he made before pushing the shutter button. I am a big fan of such process captions, and Peterson writes them VERY well.
Earlier I said this book functioned for me as a persuasive argument for shooting in manual exposure. Because of this book, I made the choice to shoot manual from now on, except when conditions require aperture- or shutter priority. Before reading "Understanding Exposure," I would have snickered at the suggestion that I would shoot in manual. But Peterson's work convinced me that if you understand the interplay of aperture, shutter, ISO, and light well enough - and I think I do - then manual mode is the mode that offers the best chance of producing the image of your vision. As important, the book convinced me that manual mode is not nearly as challenging or cumbersome to employ as I once thought it was. Now that I have been shooting in manual for a couple of weeks, I tell you the book is right.
I heartily, unconditionally recommend "Understanding Exposure, 3rd Edition."
I'm pretty frustrated with the quality of the site but I still love the book itself.
- AMAZING book. I knew next to nothing about photography before someone recommended this book to me. I just finished it today and I now feel like I have a really strong grasp of the fundamentals. I plan to read it again now that I have the basic idea to see if I can absorb even more.
used many of the principles with my Nikon D3200. but the author explains well about all brands and how to use them.
Mr. Peterson shares from his vast experience, including some amazing pictures. I especially appreciated his frequent use of two side-by-side pictures, one showing what NOT to do and the second showing the right thing to do.
Although the author appears to favor Nikon cameras, he writes in a very generic way that applies to all camera brands.
My only complaint about this book is that there is not a one-stop summary page. All of the pointers that indicate the type of settings to use for certain situations are simply included in prose format throughout the book. This will make it difficult to use as a reference without a lot of sticky notes or folding of page corners down. I would have appreciated a simple table presenting the scenario (i.e. shooting with backlight) and the recommended approach (i.e. Aperture Priority, f/11, ISO 400, shutter 1/250).
Still a great read for anyone who is new to photography or would like to benefit from Mr. Peterson's expertise.
Top reviews from other countries
I really appreciated the author's emphasis, not just on getting correct exposure, but getting a "creatively correct exposure", providing guidance so that each photographer has the freedom and skills to obtain the desired result for any photograph.
I have always disliked seeing beautiful pictures in magazines with the information on shutter speed and aperture numbers - for me, useless information as without an explanation they mean almost nothing. Bryan describes a system for arriving at these settings taking into account desired depth of field or motion capture so you know how to do it for yourself every time.
Before reading this book I was making good images but really didn't know how I did it or how to reproduce what I had done. Modern DSLR cameras are so confusing to use. This book makes the process simple and doable. I finally feel 'in control' of my camera.
It's filled with sets of multiple pictures of the same thing showing for a clear demonstration of how the resulting image is affected when you make small changes on the camera.
The authors tone is very approachable.