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Understanding Exposure, 3rd Edition: How to Shoot Great Photographs with Any Camera Paperback – August 10, 2010
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With more than 350,000 copies sold, Understanding Exposure has demystified the complex concepts of exposure for countless photographers. Now updated with current technologies, more than one hundred new images, and an all-new chapter, this new edition will inspire you more than ever to free yourself from “auto” and create the pictures you truly want.
In his trademark easy-to-understand style, author Bryan Peterson explains the relationship between aperture and shutter speed, including how to achieve successful exposures in seemingly difficult situations. You’ll learn:
• Which aperture gives you the greatest contrast and sharpness, and when to use it
• Which apertures guarantee the background remains an out-of-focus tone
• Which one aperture—when combined with the right lens—creates an area of sharpness from three feet to infinity
• How to creatively use shutter speed to either freeze an action or imply motion
• Where to take a meter reading when shooting a sunset, snow, or a city at dusk
With new information on white balance, flash, HDR, and more, this updated classic will inspire you to stop guessing and take control of your settings for better photos anytime, anywhere, and with any camera.
- Print length176 pages
- LanguageEnglish
- PublisherAmphoto Books
- Publication dateAugust 10, 2010
- Dimensions8.53 x 0.43 x 11.08 inches
- ISBN-100817439390
- ISBN-13978-0817439392
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- Publisher : Amphoto Books; 3rd edition (August 10, 2010)
- Language : English
- Paperback : 176 pages
- ISBN-10 : 0817439390
- ISBN-13 : 978-0817439392
- Item Weight : 1.6 pounds
- Dimensions : 8.53 x 0.43 x 11.08 inches
- Best Sellers Rank: #303,738 in Books (See Top 100 in Books)
- #125 in Photography Equipment (Books)
- #217 in Digital Photography (Books)
- #221 in Photography Reference (Books)
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About the author

BRYAN PETERSON is a professional photographer, internationally known instructor, and founder of www.ppsop.com, The Perfect Picture School of Photography. He is the best-selling author of Understanding Exposure, Understanding Shutter Speed, Understanding Close-Up Photography, Learning to See Creatively Understanding Digital Photography, Beyond Portraiture and, most recently, Bryan Peterson's Understanding Photography Field Guide. His easy-to-understand writing and teaching style breaks down the complex and often confusing aspects of photography, translating them into what his students routinely describe as "aha" moments. His trademark use of colour and strong, graphic composition have garnered him many photographic awards and a strong following. He lives in Chicago.
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THIS BOOK IS FOR BEGINNERS AND THOSE WHO NEED HELP UNDERSTANDING THE EXPOSURE TRIANGLE (aperture, shutter speed, and ISO). I cannot stress the previous statement enough because I have read many of the reviews of this book including the negative ones (the one and two star reviews seemed as if they were written by people with more experience than a beginner. For example one of them states that the author's opinion of depth field is wrong, which I'm not sure many beginners would know enough about photography to make such a statement.) If you are a beginner, and you have absolutely no clue on how to manually adjust your camera's settings so that you can consistently capture a "correct exposure," you need to buy this book!
I also must stress that this book is not about creating beautiful compositions or how to post-process photographs. It is simply a beginners book to understanding how to correctly expose your images. The author, Bryan Peterson, gives you the tools you need to take correctly exposed photographs (he even gives some tips on choosing the "creatively correct exposure" out of the many exposure options for a given shot). However, he leaves the composition of the photo up to you, the photographer, which in my mind is the way it should be. From the many professionals, amateurs, and seasoned hobbyists that I have spoken to, you will gradually develop an eye for photography as you become more experienced, which doesn't sound like something that you can learn from a book in my opinion. If you were looking for a complete guide to becoming a photographer, this book is not it; however, I strongly recommend it as a tool to help you get there.
--REVIEW--
I've been easing myself into the world of photography for a little over a year now, and I have purchased multiple books about photography, but none of them have covered the subject of exposure in the simple and understandable way Bryan does.
Most books I have read speak about the exposure triangle and how each element has an impact on the exposure, but I can honestly say that I was still guessing after reading those books, and when I was out shooting, I still relied heavily on my camera presets. I wanted to make the jump to the manual setting, but I just didn't understand enough about it, and being a hobbyist, I just didn't have the time to try to figure it out myself through trial and error.
However, Bryan explains exposure in such a simple and understandable way that after reading the first section of the book (which only takes about 15-20 min), I understood enough to be able to shoot in manual mode, which was extremely exciting to me. After almost a year of struggling, I understood enough about exposure to shoot the way I wanted to in only 15 min. I was so excited at this point, I almost put the book down to go out and shoot more photos, but I didn't, which was a positive because after the short introduction, he goes into more detail on what he calls "creative exposures," aperture, depth of field, and much more throughout the book.
I only received this book yesterday, so I'm only to page 83, but I plan on updating my review after finishing.
ONCE AGAIN, IF YOU ARE A BEGINNER, AND YOU ARE STRUGGLING TO UNDERSTAND YOUR CAMERA'S SETTINGS, BUY THIS BOOK. IF YOU ARE TRUELY A BEGINNER, YOU WILL NOT REGRET YOUR PURCHASE!
Now, my review:
I celebrate this book's powerful impact on my photography, an impact that occurred because I read the book as a 176 page persuasive argument in favor of manual exposure.
On colorful, glossy, and attractively arrayed pages, Peterson argues for a distinction between an image's "correct exposure" and its "creatively correct exposure." The former, your camera's light meter will reliably report; the latter, you must derive based on the scene and your intentions for it. Camera light meters don't care about which items photographers want in focus or left intentionally over- or underexposed; they care only about the degree to which the areas of frames assigned to their attention meet the accepted standard 18% grey specification. When that standard produces an image to your liking, great! But many times, your intended image is not possible if the meter's guidance is accepted. Hence, the need for manual exposure.
This book is a concise, yet thorough and eminently readable discussion of factors that affect an image's exposure: aperture (how wide open is the hole that lets light in through the lens to reach the camera's sensor), shutter speed (how long is that hole open), and light (that which allows the camera and its photographer to "see" anything). Interestingly, Peterson does not spend nearly as much time on ISO (the sensitivity of the camera's sensor to light) as he does on aperture and shutter speed, but his choice does not damage the book's final excellence.
Appearing, on average, about once per page are wonderful images from his professional work that showcase whatever subject matter is currently under review. More importantly, each of those images is accompanied by a marvelously detailed report as to the reason for his presence at the scene reflected, as well as his thought process that yielded the settings and methods choices he made before pushing the shutter button. I am a big fan of such process captions, and Peterson writes them VERY well.
Earlier I said this book functioned for me as a persuasive argument for shooting in manual exposure. Because of this book, I made the choice to shoot manual from now on, except when conditions require aperture- or shutter priority. Before reading "Understanding Exposure," I would have snickered at the suggestion that I would shoot in manual. But Peterson's work convinced me that if you understand the interplay of aperture, shutter, ISO, and light well enough - and I think I do - then manual mode is the mode that offers the best chance of producing the image of your vision. As important, the book convinced me that manual mode is not nearly as challenging or cumbersome to employ as I once thought it was. Now that I have been shooting in manual for a couple of weeks, I tell you the book is right.
I heartily, unconditionally recommend "Understanding Exposure, 3rd Edition."
Top reviews from other countries
I take good photographs, but not every time I press the shutter. For me I wanted the book to help me up my success rate. I wanted it to help me record the picture that I saw in my mind, and not necessarily exactly what stood before me. I think the book definitely helped me.
There are even some arguments and concepts that even the more advanced photographer may not have resolved. The section called Diffraction vs Satisfaction was of particular interest. In this passage the author discusses the benefits of going for maximum depth of field with the smallest available aperture or going with a more contemporary view and using an a more intermediate aperture. I tend to favour staying within the sweet spot of a lens, but Peterson is right. Nobody thought about any of this in the days of film, you always went for maximum depth of field. I must admit after reading this section I had cause to rethink my opinion.
In deed, much is written in the book about depth of field and hyperfocal distance. I found the authors view very interesting. I had always understood that there was a huge difference in the same apertures of different lenses. I had not understood the difference between apertures and camera formats. The concept that F8 on a point and shoot camera may be the equivalent of F32 on a DSLR had just not occurred to me. There is a cracking photograph of a village from his Leica point and shoot. He goes on to explain why such photographs are no good for commercial purposes. But, if there ever was an illustration that you can take good photographs on whatever camera you have, then this photograph is it.
If you have no idea what I am talking about in the above paragraphs, then read the book. You will get the idea in no time at all. It isn't complicated, but it is important if you want to improve your photography.
If you take perfect pictures every time then this book will be no good to you. If you need a refresher or want to take a step up the ladder or just see how professionals think, then you could do worse than this book.
This book is fantastic for the above! It starts with a brief introduction on some photographic theory, for example what the 'exposure triangle' is and what it means. It then carries on breaking down how to take good pictures and what settings to use, such as how to use aperture to control depth of field or how to use shutter speed to impart motion to photographs. The final section of the book goes over some other techniques which, while not strictly necessary (e.g. HDR photography) are something for me to aspire to when I get a bit quicker at regular photos and a bit more consistent.
I was also pleased to see the effort that has gone into the 3rd Edition. The 1st Edition was written in the early 90's and so I was a little unsure how revised this would be. Fortunately it seems to have been heavily rewritten, so now there's a lot of mention of digital cameras which is obviously more relevant to today.
The reason I've given 4 stars rather than 5 is that I was still a bit confused as I read through the early sections. I often had to flick back to the introduction to understand all the terminology with respect to f-stops and focal lengths. Perhaps this is me being slow, or perhaps it's just a hard subject to take in on a couple of reads. However I thought there was still some scope for improvement. Don't let this dissuade a potential purchase though - I can't think of how I'd have rewritten it and overall the book is excellent.
Great wording, great examples and tips, and most importantly great photographs!
Also, and this one really grates, how can you have a book on exposure that doesn't even try to explain how a light meter works, whether in your camera or a handheld one, or even broach the rudiments of the zone system? I'm left scratching my head and none the wiser. Instead we get a few rules of thumb from Uncle Bryan and pages and pages advertising his best selling photos. The book advises the reader to switch his camera to manual, yet if you have a completely manual camera, you would really struggle to use any of the material in this book.
Photography is painting with light. What we really need to understand as photographers is that negative film and especially digital camera sensors and reversal film have a narrow range in which they capture light, and so they will never capture what you can see with your eyes. Getting a perfect exposure is about understanding these limitations, and finding light of the right quality and the right quantity (the reason photographers and movie makers are up early in the morning), and knowing where to pitch your average exposure in a scene to get the results that you have visualised at the time you exposed the photo.
In my view Peterson doesn't really address the subject of getting the perfect exposure in different conditions all that well. His book is far too general, and could just as well have been called, "Switch your DSLR camera to Manual: How to take creative control of your photographs"; its more about the triangle of iso, shutter speed and aperture, and how each can be used to best effect in different situations, but even then, not in great detail.
I have since learned better information on exposure from 'The Negative' by Ansel Adams, and 'The Art of Photography' by Bruce Barnbaum, but then these men really understand what goes into fine art photography and will explain the art and the craft of exposing a good negative (or RAW file). I know a lot of photographers write books which are less about the craft, and more along the lines of "This is how I do things, if you want to create photos like the ones in this book, do this". This is one such book.
So to sum up, if you are an absolute beginner and have never used a DSLR camera on manual, this book is worth a tenner, but if you have the basics down, or you have a film camera and want understand how to make good exposures, my advice would be to look elsewhere.
I can honestly say, without a doubt this book hits the nail on the head, it goes through the various elements of exposure and gives pictures on the effects available. Effects which you can go out and practice without being in some bizarre far off country.
Theres a chap on here that says theres too many pictures - to that chap.... hello its a photography book, going into the science of photography and equations will learn you diddly squat - you may as well read a crossword.
This book gives you examples, examples which you may find are similar to the picture you want to compose, it gives an explanation of what the photographer did, the aperture and timing and mode of the camera he used to achieve it.... Its striking how little variation is needed to produce wonderful results.
But the main point is - the book is easy - its not filled with mumbo jumbo its straight to the point - you want to take pictures "go out and practice - heres what I did, start there and develop" excuse the pun!
All in all a great affordable book which isnt just a bunch of pictures advertising the writers own works.. Ive come across countless books giving information which just seems cut and paste and then they say heres a wonderful picture and tell you nothing about how it was achieved.
I can gladly say photography wise, an astounding informative read very easy for kids to apprehend and adults too shy to ask. It positively encourages you to go out and be creative. Make this the first book you ever buy on photography!!!!!!












