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Understanding Exposure: How to Shoot Great Photographs with a Film or Digital Camera (Updated Edition) Paperback – August 1, 2004
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- Print length160 pages
- LanguageEnglish
- PublisherAmphoto Books
- Publication dateAugust 1, 2004
- Dimensions8.3 x 0.4 x 11 inches
- ISBN-100817463003
- ISBN-13978-0817463007
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Product details
- Publisher : Amphoto Books; Revised edition (August 1, 2004)
- Language : English
- Paperback : 160 pages
- ISBN-10 : 0817463003
- ISBN-13 : 978-0817463007
- Item Weight : 1.4 pounds
- Dimensions : 8.3 x 0.4 x 11 inches
- Best Sellers Rank: #593,383 in Books (See Top 100 in Books)
- #288 in Photography Equipment (Books)
- #360 in Photo Essays (Books)
- #498 in Photography Reference (Books)
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About the author

BRYAN PETERSON is a professional photographer, internationally known instructor, and founder of www.ppsop.com, The Perfect Picture School of Photography. He is the best-selling author of Understanding Exposure, Understanding Shutter Speed, Understanding Close-Up Photography, Learning to See Creatively Understanding Digital Photography, Beyond Portraiture and, most recently, Bryan Peterson's Understanding Photography Field Guide. His easy-to-understand writing and teaching style breaks down the complex and often confusing aspects of photography, translating them into what his students routinely describe as "aha" moments. His trademark use of colour and strong, graphic composition have garnered him many photographic awards and a strong following. He lives in Chicago.
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To the book review -- The book focuses on three concepts and their inter-relationship of the concepts to come together and form an exposure:
1) Aperture
2) Shutter Speed
3) ISO
The author is clearly extremely knowledgeable and has mastery of photography to where he can explain all of these concepts in very easy to understand terms. The book also has a very sincere and down to earth "feel" to it. It's almost like I can hear the author is sitting next to me and explaining the concepts.
The book also helps the reader understand what he calls the "creatively correct" exposure. That is to say, the right combination of ISO, Shutter and Aperture to get the "best" picture.
There are tons of full color examples in the book that illustrate what the author is trying to convey complete with shutter speeds, aperture, lens, film type etc --- very helpful.
Back to me for a bit and how the book helped me after 2 years...In the last few years, I've progressed from using shooting in full automatic to shooting in Aperture Priority and in Shutter Priority. That is to say, semi-manual as I like to call it and I thought that's all I needed. Through it all, I stayed away from full manual mode.
After reading this book, I'm shooting most of my shots in full Manual mode and am considering getting a light meter. It wasn't so much that I didn't know, its that the book reinforced the concepts I've learned along the way to where I've made the leap to full Manual mode.
I still use full auto, aperture priority, and shutter priority but I find myself in full manual more of the time. So even after a few years of shooting -- (1 hour total shooting time by the author's measure), this book was still helpful to me......but I would've gotten here two years sooner if I had read this book back then. Mind you, I have no formal training in photography. I just got into it several years ago for a variety of reasons including avoiding royalty fees for pictures I needed for business presentations.
I must say I didn't read the book cover to cover but used it as a reference -- skipping around until I had gotten it all.
This is what I recommend:
1) If you're a novice photographer and want to learn how to shoot good exposures, this book will help.
2) If you're a semi serious amateur and haven't made the leap to full manual, this book will help you make the leap.
3) If you already know all of this but don't shoot very often, get this book and use it as a reference.
It's the easiest to understand book on exposure I have read to date mainly because it has enough full color examples combined with solid writing to help you learn.
Peterson makes a great teacher.
There is a weakness in this book, in my view, and that is the missed chance to explain a bit of the optics and physics. Not that this needed to be a technical book, but a few diagrams and a few numbers would have gone a long way to dispel some confusion.
For instance, Peterson at one point describes "stops", the settings in the camera that double (or half) the exposure. For instance, a jump in shutter speed from 1/30s to 1/60s is one stop. So is a jump from ISO 400 to ISO 800. For apertures, though, the numbers look like f/4, f/5.6, f/8, much less intuitive.
It would not have killed the author to explain that to double the surface area of the aperture, one needs to multiply the diameter by the square root of 2 (approx. = 1.4). This is simple geometry, available to most.
Then it would be clear that f/5.6 = 4 * 1.4, is one stop down in exposure from f/4.
Peterson explains exposure by comparing it to a faucet. If you open it wider, more water comes out, and less time is required to fill your glass. OK, but most people would have understood that if you let in twice as much light, you require half as much time to record an image on the sensor.
Depth of field and it's dependence on aperture is VERY easy to explain with a simple diagram. Another missed chance.
Another example: ISO. The metaphor here is that ISO is like bees, and more ISO equals more bees collecting honey, so they get done quicker. So why does higher ISO increase the noise and granularity of your photo?
If Peterson had included a bit of technical information, I would have recommended this book as the best one-stop resource. As it stands, I can just say it's very very good, but you need supplements. Kudos.
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It also shows all of the settings for every photo in the book, and this was incredibly helpful for me. It allows you to replicate the situations within (as near as possible) and pinch the settings to use yourself. I found the info given on using the light meter very helpful (didn't know it existed before this book) and just the general explanations on exposure were really good when you want to develop your own style.
This might be a bit basic for people who already know their way around a camera, but I suspect most amateur photographers would benefit from a copy of this book.
With my camera by my side as I read within moments I was out testing the suggestions for manual mode, something I had never dared try before. Over the course of the evening I captured some of my best ever portraits of my children and was honestly astounded by how easy it was.
Bryan is obviously a very talented photographer and teacher and his photos and explanations are testament to this.
If you crave information on exposure and really want to try working on manual and feeling like a real pro this is one book not to miss. I know I'll certainly be returning to it time and time again.

























