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Understanding Flash Photography: How to Shoot Great Photographs Using Electronic Flash Paperback – August 30, 2011
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This guide to on- and off-camera flash picks up where Peterson's previous title, Understanding Exposure, left off--helping free photographers from the limitations of auto to get the images they want when natural light isn't enough. For the many amateur photographers afraid to venture past natural lighting, here is the book that will finally help them master artificial light. In his trademark easy-to-understand style, Bryan Peterson explains not only how flash works, but how to go beyond TTL automatic flash exposure to master manual flash, allowing readers to control the quality, shape and direction of light for a perfect exposure, every time.
- Print length160 pages
- LanguageEnglish
- PublisherAmphoto Books
- Publication dateAugust 30, 2011
- Dimensions8.55 x 0.42 x 10.98 inches
- ISBN-100817439560
- ISBN-13978-0817439569
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- Publisher : Amphoto Books; NO-VALUE edition (August 30, 2011)
- Language : English
- Paperback : 160 pages
- ISBN-10 : 0817439560
- ISBN-13 : 978-0817439569
- Item Weight : 1.45 pounds
- Dimensions : 8.55 x 0.42 x 10.98 inches
- Best Sellers Rank: #550,817 in Books (See Top 100 in Books)
- #15 in Flash Photography
- #36 in Photography Lighting (Books)
- #374 in Photography Reference (Books)
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About the author

BRYAN PETERSON is a professional photographer, internationally known instructor, and founder of www.ppsop.com, The Perfect Picture School of Photography. He is the best-selling author of Understanding Exposure, Understanding Shutter Speed, Understanding Close-Up Photography, Learning to See Creatively Understanding Digital Photography, Beyond Portraiture and, most recently, Bryan Peterson's Understanding Photography Field Guide. His easy-to-understand writing and teaching style breaks down the complex and often confusing aspects of photography, translating them into what his students routinely describe as "aha" moments. His trademark use of colour and strong, graphic composition have garnered him many photographic awards and a strong following. He lives in Chicago.
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Fortunately, that is a small flaw in an otherwise educating book on flash. First, the concepts here don't pertain a whole lot to the camera anyway and the concepts of exposure and flash settings are the same no matter what camera you use. The bigger problem comes with regard to manual flash and the behaviors observed on today's cameras. Today's flashes don't necessarily have all the manual behaviors this book talks about. In today's automated world, the manual modes on a flash still assume the user is dumb and don't give you nearly the flexibility that the author assumes you'll have here.
This really isn't a flaw with the book as it is a flaw with the companies building our flashes and cameras. Unfortunately, I feel that the author should account for that to some extent.
I do love that the book at least goes over the concepts very clearly. The focus is on using your flash in manual mode, and that is useful even if it is difficult to implement with your own flash. It took me three days of reading my flash's manual and internet forums to get to a point where I could make the book work for me (again a flaw of my flash and its manual). Once I got to that point, I find that everything in this book is spot on. The concepts are useful. I especially like the discussion on essentially removing the ambient light from your photos.
I do question a little bit of the books organization. The discussion on power and guide numbers would have simplified the challenges I faced at the beginning if they would have been placed at the beginning of the book. The author calls the concepts advanced, but I think that Guide Numbers are essential to understand flash from the start.
Last, going back to digital vs. film. In the limited discussion on automatic flash settings, the author discusses TTL, which really doesn't exist anymore as the author describes. I don't think it is a big deal as the current iteration on TTL tends to work well enough as described in digital, but it does have its limits. The author does acknowledge that todays dSLRs have better capability in low light and gives examples of when flash shouldn't be used. As a user who tended to be scared of flash, I was aware of these abilities, but it can be just as easy for many users to use a flash for everything. I can't believe how often I see flashes at baseball games. The author does a good job of also showing how a flash can be used in situations where it may not be technically necessary but can hugely improve a photo.
The other item I question is the emphasis on items such as gels to color flash. My intuition is that there is value in the discussions, but the use isn't as necessary as it was during the film era. For one, digital editing allows us to shift the color of our images. Unchanged flash in combination with photo editing seems like it offers the most flexibility.
Ultimately, I give this book 4 stars because it feels like it could use just a bit more updating for its time (a book in 2011 needs a bit more digital emphasis). Never-the-less as a reference on Flash photography, it is a great starting point. As in any book on photography and in any learning of techniques, I suggest supplementing it with internet forums, blogs, etc. I also suggest reading up on your own camera's flash as well as possible.
Last, I wouldn't hesitate in buying an old flash (with care to ensure compatibility with your camera and its electric circuits). I picked up an old Pentax flash for my Pentax camera and found the concepts and use a lot easier to follow. It doesn't have to be the most powerful flash, but it will help to understand the concepts so that the use of your primary flash is much easier.
Have fun... This book has made flash photography a joy for me. Before I always felt it was a chore. That is worth the price alone.
I'm an amateur photographer: I really love photography; but I have a day job, so photography is only a hobby. I've read dozens of books, and I like to think I understand quite a bit about photography. But somehow, flash was always a bit mystifying. I understood some of the basics: flash is basically instantaneous, so flash exposure is entirely controlled by aperture and not shutter speed; however, beyond a certain speed, the sensor is never fully exposed, so you need a special mode (High-Speed Sync) to be able to use flash. But I never really understood what was going on with my flash: it gives me distances, and zooms, and power levels ... how was I supposed to use that information? Sure, I could use the automatic TTL mode and not worry about it. But if you're a true amateur, you want to know whats going on in order to experiment creatively. And I never quite got it. This book explains it well and painlessly! In fact, it's so easy, I'm amazed none of the other books I've read have explained it.
After explaining the basics, he goes on to explore some advanced topics. Not as many as some might like, and probably not in enough detail to make you an expert. But I don't care, and you shouldn't either. This is a book about UNDERSTANDING flash photography, not about mastering techniques. I went in confused and I came out feeling that I now understand flash. I can now read more advanced books, or just experiment and learn through experience. Either way, I'm much better off than I was before. And all thanks to Peterson.
I highly recommend this book!
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The book covers the basic concepts like aperture, shutter speed, ISO and their interrelationship in the context of flash photography. One thing I found particularly useful is better appreciating the different roles of aperture and shutter speed in flash photography: what they individually contribute to a properly exposed photograph using flash. The manual mode of the speed light was strongly emphasized by the author. I came to better appreciate the use of this mode in effectively exposing flash photographs both for pop up and off camera speed lights. I now use this mode to a greater degree and a lot more effectively than I formerly did.
Finally I ought to say that after reading this book I came away with a clearer understanding of flash photography and the factors that determine its success.








