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Understanding Media: The Extensions of Man Paperback – October 20, 1994
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This reissue of Understanding Media marks the thirtieth anniversary (1964-1994) of Marshall McLuhan's classic expose on the state of the then emerging phenomenon of mass media. Terms and phrases such as "the global village" and "the medium is the message" are now part of the lexicon, and McLuhan's theories continue to challenge our sensibilities and our assumptions about how and what we communicate.
There has been a notable resurgence of interest in McLuhan's work in the last few years, fueled by the recent and continuing conjunctions between the cable companies and the regional phone companies, the appearance of magazines such as WiRed, and the development of new media models and information ecologies, many of which were spawned from MIT's Media Lab. In effect, media now begs to be redefined. In a new introduction to this edition of Understanding Media, Harper's editor Lewis Lapham reevaluates McLuhan's work in the light of the technological as well as the political and social changes that have occurred in the last part of this century.
- Print length389 pages
- LanguageEnglish
- PublisherThe MIT Press
- Publication dateOctober 20, 1994
- Reading age18 years and up
- Dimensions8.9 x 5.94 x 0.97 inches
- ISBN-100262631598
- ISBN-13978-0262631594
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- Publisher : The MIT Press; Reprint edition (October 20, 1994)
- Language : English
- Paperback : 389 pages
- ISBN-10 : 0262631598
- ISBN-13 : 978-0262631594
- Reading age : 18 years and up
- Item Weight : 1.2 pounds
- Dimensions : 8.9 x 5.94 x 0.97 inches
- Best Sellers Rank: #129,960 in Books (See Top 100 in Books)
- #25 in Speech
- #87 in Journalism Writing Reference (Books)
- #287 in Communication & Media Studies
- Customer Reviews:
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The fact is that inventing dichotomies is like asserting theories without any evidence. How can you prove the validity of a dichotomy? Couldn't these dichotomies become distortions, even an abuse of language? And although Marshall doesn't proclaim any morality involved by using his dichotomies, it is implicitly there.
McLuhan's linguistic technique was to use dichotomies such as media and message, such as hot and cold media, such as electric and pre-electric culture. He placed his dichotomies like stones across a river. Once the readers step off the shore they must keep stepping on these stones, these dichotomies, or go splash. There is no way to turn around.
The problem with McLuhan's message, with his vocabulary, with particularly his terms "extensions" and "media" is that he implied a rather ridiculous metaphor with them. His term, "extensions" depicted man being jerked by the unseen puppeteer, outside strings attached to the numb puppet to make him dance.
As he discussed at length in Chapter 21, The Press, McLuhan was very aware that he was spinning the words. He had a corporate image of his own to enhance, UNDERSTANDING MEDIA, itself. He was his own press agent. Listen to him on P. 213,: "Today's press agent regard the newspaper as a ventriloquist does his dummy." McLuhan was both writing a book and advertising that book at the same time. He wasn't hung up on being accurate -- he knew the spinning power of fiction. On P. 216 he speaks of "dressing up language." It becomes obvious that he used all the techniques he discussed in advertising while writing this book.
His idea that man's brain was a blank tableau, a tabula rasa, set the reader up for his dichotomies that all media were extensions of man's brain or central nervous system, CNS. But is man's CNS a tabula rasa? One thinks not. The various media he listed are all part and parcel of man's CNS. It would have been more accurate to term McLuhan's so called "extensions" as dimensions. These "extensions" never actually existed outside McLuhan's thesis and vocabulary.
Although this may be McLuhan's great work, it is not best place to start. It is long and often incoherent. On page 39, McLuhan introduces a notoriously difficult metaphor that he uses through the book. It concerns hot and cool media. "Hot media are ... low in participation, and cool media are high in participation or completion by the audience." So, he explains, hieroglyphics and photographs are hot, but the phonetic alphabet and cartoons are cool. Radio and movies are hot, but the TV and the telephone are cool.
Does that make any sense? If not, the better place to start is his earlier work, The Gutenberg Galaxy. It is shorter, and the logic is much easier to follow. It lays out the basis of McLuhan's thinking about how changes in media reshape culture. If you are a systematic thinker like me, it is a far better book to get the basics of McLuhan's analytical method and ideas.
Even if you have the basics, UM is a dense, inspiring, and unsettling work. In each of the 33 chapters, McLuhan makes connections that change the way I think about culture. But just as often, he makes some nonsensical analogy or leap of logic and then fails to explain it.
In the end, it helps to stop trying to understand UM and let it inspire you to think.
In other words, it is very cool.
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Reviewed in India on January 28, 2022
In other words, and in acknowldgement of Nicholas Carr's own work, how shallow can you get?






