- File Size: 1436 KB
- Print Length: 97 pages
- Publisher: Raw Dog Screaming Press (April 4, 2016)
- Publication Date: April 4, 2016
- Sold by: Amazon Digital Services LLC
- Language: English
- ASIN: B01DUZKXOY
- Text-to-Speech: Enabled
- Word Wise: Not Enabled
- Lending: Enabled
- Amazon Best Sellers Rank: #1,147,788 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Another thing I hear all the time is that everything that can be done in creative literature--or art of any form, for that matter--has already been done. To quote a much overused ecclesiastic verse,
"What has been will be again, what has been done will be done again; there is nothing new under the sun."
It's said that all a writer--of any form of literature--can do is try to do the same things in a different way. Even some well known and highly successful authors adhere to that opinion. My scholarly interpretation of that line of thought is that it's a crock of steaming bullcrap. This book I want to talk about today, Matt Betts' UNDERWATER FISTFIGHT, is proof positive that there is always something new under the sun, that creativity is boundless.
The poems that make up this delightfully wicked and unique volume are at best difficult to characterize. Matt Betts has an uncanny ability to evoke emotion and imagery, combining a pirate's love of the sea with a poet's sensibility in a mishmash of sci-fi, horror, and raucous humor. In UNDERWATER FISTFIGHTS you'll find humor aplenty and darkness too, and also humorous darkness. You'll find poems of diving and poems of dreams, you'll even find some deathbots. Betts likes his deathbots:
"Everyone has a Deathbot following them
waiting for the perfect moment
to fulfill its mission.
There’s one in the dark alley
between the flower shop
on the way home.
Two-by-two they hide behind
lamp posts along the path
jog down every day.
A shiny gleaming Deathbot
crouches behind a Volvo
right this very moment in the mall
From ...as Deathbots and Taxes
The excerpt above is from one of the four poems of deathbots, poems that are simultaneously humorous and creepy.
As with the example above, a lot of the poems in this collection are sublimely funny, often with veins of black running through them, but Betts is not afraid of the dark and a lot of these poems are pure, brooding, spine tingling darkness:
"I hit the water hard— sinking fast. My buoyancy halts my descent and I hang there in the water, neither sinking nor floating upward. A grape in gelatin. The water is dark. I realize that I don’t know which way is up. I release some water from my mouth to see which way the bubbles go, but they cling to my body. I spin myself in circles but I can’t decide which way is up."
From Just a Legend, I'm Afraid
Another thing you'll find, the most important thing you'll find in this book, is the sheer humanity of the thing. Sure, there's laughter here. But there's also sadness and joy, fear and redemption. Betts has a deep understanding of the human condition and he doles it out a piece at a time in the poems I've mentioned and in works such as this:
"Stones and sticks airborne at my legs?
I’ve felt that.
Words, Words, Words?
My ears are full of them.
The blows of hatred?
I know too well."
From I Think He's Looking for Something
He has a voice all his own, engaging and natural, almost conversational, and sometimes with a very noir-ish feel to it. His words flow with an often rhythmic syncopation that feels--as most verse should--like it could quite easily transition from poem to song as with the following work that reads with the rhythm and the flair of a Tom Waits tune:
"There’s a girl behind the bar in the hotel lounge. Dark hair, tattoo of maybe a dragon on her neck, maybe a two-headed snake. The man at the piano is letting The Eagles have it with an ambivalence that belies the hour. This is yesterday, and before that, and before that.
The three other men in the place are huddled around a table with a dying candle, talking low about the white man with the beard. They grin. Their tone assumes I don’t speak their language. This is last week, and before that, and before that."
From The Heart of an Extinct Volcano
Matt Betts says on his website that UNDERWATER FISTFIGHT is "...inspired by 80s cartoons, old monster movies, and massive amounts of pop culture..." and that influence is readily evident throughout the book. This is speculative poetry at it's absolute finest, wondrous, weird and full of fun and a bit of mayhem. Betts also says that the book was fun to write and hopefully fun to read, and I can assure him--and you--that he got his wish in spades. I had so much fun with this book and I can't wait to see more from this guy.
UNDERWATER FISTFIGHT reads like a captivating novel that you can't put down, but that's okay because you won't want to. Matt Betts is a poet of extraordinary talent and he's also one of my new favorites. If you like poetry--and even if you don't--there's something for everyone in here and it's a safe bet that after you read it, Betts will be one of your favorites too.
I received this book free in exchange for an honest and unbiased review.
But Matt Betts succeeds in both realms with this collection of his poetry. All of it is informed by years of geekiness, of which I heartily approve. Zombies. Mothra. Deathbots. You’ll find something you like herein. I highly recommend “The Patchwork Monster Looks On As the Mad Scientist Shaves Himself,” and “UFOs over Toledo Spell Out Dirty Word.”
And “The Secondary Character’s Revenge.” And “The Great Zombie Pyramid Scheme.”
I need more of this. Get to work, Matt. Are you done yet? What about now? (reviewed by Joe Crowe,[...], [...])