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Universal Principles of Design, Revised and Updated: 125 Ways to Enhance Usability, Influence Perception, Increase Appeal, Make Better Design Decisions, and Teach through Design Flexibound – January 1, 2010

4.6 4.6 out of 5 stars 1,062 ratings

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Universal Principles of Design, Revised and Updated is a comprehensive, cross-disciplinary encyclopedia covering 125 laws, guidelines, human biases, and general considerations important to successful design. Richly illustrated and easy to navigate, it pairs clear explanations of every design concept with visual examples of the ideas applied in practice. From the 80/20 Rule to the Weakest Link, every major design concept is defined and illustrated.

Whether a marketing campaign or a museum exhibit, a video game or a complex control system, the design we see is the culmination of many concepts and practices brought together from a variety of disciplines. Because no one can be an expert on everything, designers have always had to scramble to find the information and know-how required to make a design work—until now.

Just a few of the principles that will
broaden your design knowledge, promote brainstorming, and help you check the quality of your work:

  • Baby-Face Bias
  • Expectation Effect
  • Golden Ration
  • Ockham's Razor
  • Proximity
  • Scaling Fallacy

The book is organized alphabetically so that principles can be easily and quickly referenced by name. For those interested in addressing a specific problem of design, the principles havealso been indexed by questions commonly confronting designers (How can I help people learn from my design? How can I enhance the usability of a design? How can I make better design decisions? ...).

Each principle is presented in a two-page format. The left-hand page contains a
succinct definition, a full description of the principle, examples of its use, and guidelines for use. Side notes appear to the right of the text, and provide elaborations and references. The right-hand page contains visual examples and related graphics to support a deeper understanding of the principle.

This landmark reference is the standard for designers, engineers, architects, and students who seek to broaden and improve their design expertise.

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From the Publisher

Universal Principles of Design, Revised and Updated:

26 Anthropomorphic Form

A tendency to find forms that appear humanoid or exhibit human-like characteristics appealing. The Method Dish Soap bottle designed by Karim Rashid put the Method brand on the map. Though not free of functional deficiencies (e.g., leaking valve), its abstract anthropomorphic form gave it a sculptural, affective quality not previously found in soap bottles. Contrast it with its disappointing replacement.

62 Contour Bias

A tendency to favor objects with contours over objects with sharp angles or points. From top left to bottom right, the Alessi il Conico, 9093, 9091, and Mami kettles arranged from most angular to most contoured. At the extremes of this continuum, the il Conico will be most effective at grabbing attention, and the Mami will be most liked generally. The 9093 and 9091 incorporate both angular and contoured features, balancing attention-getting with likeability. Historically, the il Conico and 9093 are Alessi’s best-selling kettles.

120 Hick’s Law

The time it takes to make a decision increases as the number of alternatives increases. The Hick’s Law equation is RT = a + b log2 (n), where RT = response time, a = the total time that is not involved with decision making, b = an empirically derived constant based on the cognitive processing time for each option (in this case 0.155 seconds for humans), n= number of equally probable alternatives. For example, assume it takes 2 seconds to detect an alarm and understand it’s meaning. Further, assume that pressing one of five buttons will solve the problem caused by the alarm. The time to respond would be RT = (2 sec) + (0.155 sec)(log2 (5)) = 2.36 sec.

168 Not Invented Here

A bias against ideas and innovations that originate elsewhere. In 1982, the Sinclair ZX81 was licensed to Timex for resale in the United States as the Timex Sinclair 1000. The computers were identical except for the name on the case and minor motherboard differences. Sales were strong. With subsequent models, however, NIH syndrome inclined Timex to introduce more and more changes. Eventually, the product divergence created issues of software compatibility — costs went up, sales went down. Timex dropped out of the computer market in 1984.

Editorial Reviews

About the Author

William Lidwell is the Chief R&D Officer at Avenues: The World School, where he leads teams tasked with conducting research in education and the learning sciences; the development of new educational curricula, programming, and technologies; and the architecture and design of new campuses around the world. The co-author of Universal Principles of Design and The Pocket Universal Principles of Design, he has written other books in a variety of disciplines, including design, education, and management. His online lectures on the psychology of color are available at TheGreatCourses.com, and his online courses on the universal principles of design and logo design are available at LinkedInLearning.com. He lives in Houston, Texas.

Kritina Holden is a Human Factors Technical Fellow with Leidos at the NASA Johnson Space Center. She has over thirty years of experience working in the area of Human Factors, with a focus on human-computer interaction (HCI), human-centered design, and usability. She has served as Principal Investigator for several NASA-funded research efforts, including studies onboard the International Space Station. She is also a subject-matter expert for all of the major spaceflight programs. Tina received her Ph.D. in Engineering Psychology from Rice University. She lives in Houston, Texas.

Jill Butler is the founder and president of Stuff Creators Design, an interaction design consultancy. She has over twenty years of experience designing, teaching, and consulting in the areas of graphic design, information design, and typography. She has designed covers, layouts, and typography for more than a hundred published novels and children's books, and more websites than she can count. Her current focus is the UI/UX design of global online K-12 learning systems. Her online courses on the universal principles of design and typography are available at LinkedInLearning.com. She lives in Houston, Texas.

Product details

  • Publisher ‏ : ‎ Rockport Publishers; Updated edition (January 1, 2010)
  • Language ‏ : ‎ English
  • Flexibound ‏ : ‎ 272 pages
  • ISBN-10 ‏ : ‎ 1592535879
  • ISBN-13 ‏ : ‎ 978-1592535873
  • Item Weight ‏ : ‎ 2.06 pounds
  • Dimensions ‏ : ‎ 8.8 x 0.5 x 10.25 inches
  • Customer Reviews:
    4.6 4.6 out of 5 stars 1,062 ratings

About the author

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William Lidwell
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Will writes, speaks, and consults on matters of design and engineering psychology. He is particularly interested in cross-disciplinary design and the means by which organizations achieve and institutionalize innovation. He is a Stuff Creator in residence at Stuff Creators Design Studio and a Lecturer of Industrial Design at the University of Houston. Follow Will on Twitter at www.twitter.com/williamlidwell.

Customer reviews

4.6 out of 5 stars
1,062 global ratings

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Customers say

Customers find the book provides useful design principles for product and graphic designers. It offers educational content that is interesting and applicable to everyday life. The content is concise, easy to read, and clearly explained. Readers consider it a good reference book worth the price. However, some feel the content is disappointing and boring.

AI-generated from the text of customer reviews

80 customers mention "Design principles"71 positive9 negative

Customers find the book's design principles useful for professional designers. It provides insights into design approaches across multiple disciplines in an engaging layout. The hardcover is attractive and has a nice feel. Overall, it's a well-written and insightful resource for art and design.

"...Hardcover is attractive and has a nice feel to it Cons: - For the hardcover there could be a quicker way to look up principles...." Read more

"...It sets out design principles, based in the way the human brain and visual system work...." Read more

"...useful structure, almost like an encyclopedia - it takes you to major principles of design in few words per principle, explains them, gives examples..." Read more

"...supplemental reading/reference for students as well as professional product/graphic designers...." Read more

72 customers mention "Information quality"72 positive0 negative

Customers find the book informative and educational. They say it's a good reference book with interesting applications to everyday life. The book provides meaningful data that empowers understanding and encourages critical thinking. The graphics are informative and demonstrate principles clearly. The hardcover is attractive and has a useful structure, almost like an encyclopedia. It dedicates a short section to each idea and is very economical with words.

"...Graphics are informative and directly demonstrate the principle - Hardcover is attractive and has a nice feel to it Cons: -..." Read more

"...It is the best single resource available for the principles of design...." Read more

"A real gem. This book has a very useful structure, almost like an encyclopedia - it takes you to major principles of design in few words per..." Read more

"...I would imagine that this book is an valuable supplemental reading/reference for students as well as professional product/graphic designers...." Read more

56 customers mention "Readability"43 positive13 negative

Customers find the book concise and easy to read, with clear explanations of topics. They appreciate the intelligent writing style and concise explanations of principles on a single page. The paragraphs are packed with insight and no fluff. Readers recommend it for students, designers, user interface experts, and anyone involved in creating user interfaces.

"...A good reference for students, designers, user interface experts or anyone involved in creating, maintaining or managing a product...." Read more

"...Each principle is summarized in a single page, and the face page shows examples of the principles in action, or being violated...." Read more

"...you to major principles of design in few words per principle, explains them, gives examples, and cites some basic references...." Read more

"...The title is a bit confusing "universal design" is a term that is used by environmental designers to indicate an approach towards inclusion of the..." Read more

8 customers mention "Value for money"8 positive0 negative

Customers find the book a good value for money. They say it has sections for each idea and is economical with words.

"...Overall. Good book. Not bad and not great. But worth twenty bucks..." Read more

"...Don't hesitate, it's worth every penny!" Read more

"...It dedicates a short section to each idea and is very economical with words. The paragraphs are packed with insight and no fluff...." Read more

"...right or left brained the book is invaluable or at least worth whatever they're charging." Read more

7 customers mention "Organization"5 positive2 negative

Customers appreciate the book's organization. They find the content interesting and well-organized, with articles in alphabetical order. The pages are clean and the font is perfect. Readers also mention the book can be read in any order, providing insights.

"...It is also incredibly well organized, easy on the eye and the brain...." Read more

"...in many areas, but mainly focused on presenting and organizing information in a useful and effective manner...." Read more

"...The layout is useless. Alphabetical order by principle??? If you don't know the principle there's no way to look it up...." Read more

"...Like the title says it is a well designed book. The articles are in alphabetical order, the pages are clean, and the font perfect...." Read more

7 customers mention "Content quality"0 positive7 negative

Customers find the content disappointing and lacking in interest. They describe the book as a good but not great value for money. The cover is boring, and the practical use of the book is limited.

"...Overall. Good book. Not bad and not great. But worth twenty bucks..." Read more

"...Second- The practical use of the book is limited...." Read more

"AN ABSOLUTE DISAPPOINTMENT NOTHING BUT GLOSSY PAGES FILLED WITH DEFINITIONS" Read more

"extremely artistic oriented, not interesting at all. does not contribute anything to the product development process." Read more

I was very happy to finally order this book I have been wanting ...
4 out of 5 stars
I was very happy to finally order this book I have been wanting ...
I was very happy to finally order this book I have been wanting for a while. I wanted it to be a paper version as opposed to digital, because I intend to use it as a desk top reference for all my creative projects. It came very quickly in excellent condition. I have only started reading the book, but what I have read so far, everything seems to be very well written, and the concepts clearly explained. The illustrations are very helpful too. I am very excited to read every word in this book, but ironically enough, for a book called "Universal Principles of design" the text is too small to read comfortably. :( This is why the book gets four starts instead of five. But at least I now have an excuse to go get a huge magnifying glass I can wear around my neck for reading this book and jewelry making.
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Top reviews from the United States

  • Reviewed in the United States on August 31, 2013
    Review is for both the Kindle and hardcover versions of this book.

    An easy to use, high level reference of various design principles. A good reference for students, designers, user interface experts or anyone involved in creating, maintaining or managing a product. The language is concise, the principles are presented in an easy to understand manner.

    Each principle is summed up at the highest level in the subtitle with a more detailed description in the body. A list of related principles is included and in some instances visual aids. Footnotes are at the bottom of each section.

    The hardcover is an attractive book with the blue spine being a glossy finish and the white part being matt. The paper is a medium weight with a nice feel and a matt finish.

    The Kindle version faithfully follows the book but has the added benefit that e-books have such as search, contents viewable alongside page views, bookmarks, highlights, links, notes etc. which of course makes it much more effective as a reference.

    I generally use the Kindle version more often on my laptop where the reader is in color and there is greater viewing space for graphics. When reading it on the Kindle Paperwhite the experience is still enjoyable but not to the same level.

    Pros:
    - Covers a wide range of design principles
    - Information is presented in an effective way
    - Text is concise and clearly written
    - Related principles are presented for further study
    - Graphics are informative and directly demonstrate the principle
    - Hardcover is attractive and has a nice feel to it

    Cons:
    - For the hardcover there could be a quicker way to look up principles. The contents do a good job however something like tabs might help for quicker reference without having to return to the contents page
    - For the Kindle version, the graphics and illustrations often fall well below the text and so lose some of the effectiveness they have in the hardcover edition where they are easily viewed alongside the text.
    11 people found this helpful
    Report
  • Reviewed in the United States on August 27, 2017
    I've been using this book as the basis for content in my UX design courses for over seven years. It is the best single resource available for the principles of design. It sets out design principles, based in the way the human brain and visual system work. Using these principles, you can judge not only if a design is good or bad, but also *why* it's good or bad.

    Befitting a book on design, the book itself is well designed. Each principle is summarized in a single page, and the face page shows examples of the principles in action, or being violated.

    Don't read it at a sitting. Read ten or twelve of them and give them some time to digest. But definitely get through all of them. You'll never think about design of the products and software you use the same way.
    20 people found this helpful
    Report
  • Reviewed in the United States on May 28, 2011
    A real gem. This book has a very useful structure, almost like an encyclopedia - it takes you to major principles of design in few words per principle, explains them, gives examples, and cites some basic references. I think almost anyone will find something they did not know in there, or something that did at least make them think. This is not a textbook, nor a true professional encyclopedia, but a high level exposition of stuff that works. For what it's worth it obviously takes cues from Christopher Alexander's "A pattern language", by the goal and by the way it is organized. It is less coherent within the realm of design than "A pattern language" is within the realm of architecture - it does not completely form a body of ideas consistent within themselves. But this is simply because the principles covered are of various types and apply across disciplines (say, psychological, physical, etc...). I saw this book in a coffee shop (of all places) and had to buy one for myself almost right away.
    5 people found this helpful
    Report
  • Reviewed in the United States on February 23, 2010
    Lovely idea and format. I would imagine that this book is an valuable supplemental reading/reference for students as well as professional product/graphic designers. The references to seminal works that defined each principle were an excellent addition to the book.

    The description indicated that this was a cross-disciplinary text so I was somewhat disappointed that I found that few principles that applied specifically to the environmental design disciplines and even fewer examples that clarified how universal principles might be used in environmental design -- for example modularity was defined solely in terms of modular electronics when it is widely used in furnishings, interiors and buildings. However, one could quibble about the inclusion/exclusion of each principle and example and perhaps the range of scale is too great to include environments in a robust way.

    The title is a bit confusing "universal design" is a term that is used by environmental designers to indicate an approach towards inclusion of the widest segment of the population in design solutions (including disabled people, etc). Interdisciplinary design principles may have been a more clear description of the authors intent.

    Overall a valuable book -- I would certainly recommend to industrial/product design students and other related disciplines
    16 people found this helpful
    Report

Top reviews from other countries

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  • shekharsharma
    5.0 out of 5 stars Excellent
    Reviewed in India on September 24, 2024
    Very good 👍
  • CJ
    5.0 out of 5 stars Straight and to the point
    Reviewed in the United Kingdom on February 17, 2024
    This book is great because it’s one principle per page. Condensed, no waffling on like other design books. Imagery is quite dated but the principles still stand so it does not matter since we are looking to apply them to our own designs right?!

    Some principles seemed excessive but there’s 125 to choose from to fit your style, depending on what you are designing for.

    I personally loved the condensed delivery. Much better than the “design of everyday things” in my opinion since that book waffles on and this has the same points but on a single page.
  • Amazon-Kunde
    5.0 out of 5 stars Öffnet die Augen!
    Reviewed in Germany on January 3, 2024
    Dies ist kein Buch, das man von vorne nach hinten liest, aber es eignet sich hervorragend, um darin herumzublättern und reinzuschmökern. Viele Prinzipien werden so eingehend erklärt, dass man sie sich unweigerlich merkt.
    Ich weiß zwar nicht, ob es wirklich was gebracht hat, aber ich bilde mir gerne ein, dass ich seitdem intuitivere Benutzeroberflächen designe^^
  • Grete
    5.0 out of 5 stars Must read for designers
    Reviewed in Italy on July 26, 2023
    It's a must for any designer. I unfortunately didn't have all that range of learning about design in different industries at my design school. There were some principles I did learn, but some I definitely didn't and it's a book to reach out to sometimes :)
  • Aby
    5.0 out of 5 stars Muy buen libro de diseño de interacción
    Reviewed in Mexico on December 15, 2020
    Muy interesante, ejemplos en varias áreas de aplicación. Formato amigable, ilustraciones claras y con buen tamaño. Muy recomendable lectura si estás en diseño de experiencia de usuario o usabilidad.