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Unpossible and Other Stories Paperback – November 1, 2011
| Daryl Gregory (Author) Find all the books, read about the author, and more. See search results for this author |
| Price | New from | Used from |
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- Print length276 pages
- LanguageEnglish
- PublisherFairwood Press, Inc
- Publication dateNovember 1, 2011
- Dimensions5.51 x 0.62 x 8.5 inches
- ISBN-101933846305
- ISBN-13978-1933846309
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Editorial Reviews
Review
Faren Miller, Locus Magazine: "With three outstanding novels and plenty of stories on his résumé, Daryl Gregory has found ways to explore the human mind and spirit - for good, bad, or any of the strange places between such absolutes - that seem very much his own in his first collection." tinyurl.com/7ynb7s3
Gary K. Wolfe, Locus Magazine: "...One of the most consistently interesting and yet least predictable writers of the last decade... Gregory can write so fluently and convincingly about relationships that he barely needs the machinery of the fantastic at all."
Product details
- Publisher : Fairwood Press, Inc (November 1, 2011)
- Language : English
- Paperback : 276 pages
- ISBN-10 : 1933846305
- ISBN-13 : 978-1933846309
- Item Weight : 12.5 ounces
- Dimensions : 5.51 x 0.62 x 8.5 inches
- Best Sellers Rank: #1,708,056 in Books (See Top 100 in Books)
- #863 in Science Fiction Short Stories
- #25,224 in Short Stories (Books)
- #117,997 in Fantasy (Books)
- Customer Reviews:
About the author

Daryl Gregory is an award-winning writer of genre-mixing novels, stories, and comics. His latest novel, SPOONBENDERS, about a down-on-their-luck family with psychic powers, was published by Knopf in June, 2017, and is being developed for television by Paramount and Anonymous Content.
His recent work includes the young adult novel HARRISON SQUARED (Tor, March 2015), a Locus Award finalist which will be reissued by Tor Teen in 2018, along with two sequels. The novella WE ARE ALL COMPLETELY FINE won the World Fantasy award and the Shirley Jackson award, was a finalist for the Nebula, Sturgeon, and Locus awards, and is in development for television by Universal Cable Productions.
His SF novel AFTERPARTY was an NPR and Kirkus Best Fiction book of 2014, and a finalist for the Campbell and the Lambda Literary awards. His first novel, PANDEMONIUM, won the Crawford award and was a finalist for the World Fantasy award. His other novels are THE DEVIL'S ALPHABET (a Philip K. Dick award finalist) and RAISING STONY MAYHALL (a Library Journal best SF book of the year).
Many of his short stories are collected in UNPOSSIBLE AND OTHER STORIES, which was named one of the best books of 2011 by Publishers Weekly. He wrote the choose-you-own-adventure -style video game, "Flatline", for 3 Minute Games. His comics work includes the sereies "Legenderry: Green Hornet," "Planet of the Apes," "Dracula: The Company of Monsters" (co-written with Kurt Busiek), and the graphic novel "The Secret Battles of Genghis Khan."
He lives and writes full-time in Oakland, California.
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Yet, most of these have. Just to go over a few: Second Person, Present Tense (the first short story) will stick with me the rest of my life. It scared me in a weird way. It's something the idea behind it keeps popping up in the back of my head from time to time. It's worth the money just for that alone. Amazing, fantastic, and the way he explains the idea behind it is phenomenal. Damascus.. it's hard to even get into that one. It's a brilliant story, but left me feeling not okay. Sick even. Which is great... what's reading if you don't feel something? It's uncomfortable, yet doesn't quite let you go or allow you to escape and sticks with you... Again, worth the price of the entire book. And the Illustrated Biography of Lord Grimm. Wow, I loved this story. It's set in such a different world, not unlike our own, were superheroes, giant robots, and other human like creatures exist but the world and characters are so well fleshed out in such a small amount of space and words, it's hard to ignore. It's a fantastic read, one that'd make an epic summer blockbuster movie that'd be remembered as a classic were barely anyone would leave with dry eyes.
The opening sequence of the title piece, "Unpossible," accomplishes visceral immediacy: "somewhere in the dark a mirror or storm window smashes. The noise doesn't matter. There's no one in the house below him to disturb," the face of the compass is "scuffed white but uncracked," "the weight of the bike drags him down the attic stairs."
"He pays no attention to street names; he looks away when signs appear in his headlights." Who does that? Why? I was hooked on the first page, but with this line, on about the third page, Gregory sank the barb deeper.
"The road ahead doesn't exist until it appears under his headlights; he's driving a plow of light through the dark." Darn it. I wish I'd written that.
A car crash careers us out of what's left of the norm, "jouncing across ground. He bounces against the roof, ragdolling, unable to hold . . ." never mind the rest of this sentence. The word "ragdolling" just convinced me that by the time I was finished reading this story, I'd be in a fit of envy. (And I was.)
A bittersweet ending, swiftly trimmed of any maudlin fat, leaves you "somewhere between UNFAMILIAR and UNKNOWN," which pretty much nails the marvel of this collection.
It isn't possible to regret buying Unpossible.
And save the story notes for the end! It's far more fun to read the stories behind the stories and understand their chronology after you've read the entire collection.





