Enjoy fast, FREE delivery, exclusive deals and award-winning movies & TV shows with Prime
Try Prime
and start saving today with Fast, FREE Delivery
Amazon Prime includes:
Fast, FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with Fast, FREE Delivery" below the Add to Cart button.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited Free Two-Day Delivery
- Instant streaming of thousands of movies and TV episodes with Prime Video
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
- Unlimited photo storage with anywhere access
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
Buy new:
$10.68$10.68
FREE delivery: Wednesday, Aug 30 on orders over $25.00 shipped by Amazon.
Payment
Secure transaction
Ships from
Amazon.com
Sold by
Amazon.com
Returns
Eligible for Return, Refund or Replacement within 30 days of receipt
Buy used: $8.65
Other Sellers on Amazon
+ $4.80 shipping
97% positive over last 12 months
& FREE Shipping
95% positive over last 12 months
+ $3.99 shipping
83% positive over last 12 months
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. Learn more
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
An Untamed State Paperback – May 6, 2014
Purchase options and add-ons
“Once you start this book, you will not be able to put it down. An Untamed State is a novel of hope intermingled with fear, a book about possibilities mixed with horror and despair. It is written at a pace that will match your racing heart, and while you find yourself shocked, amazed, devastated, you also dare to hope for the best, for all involved.” —Edwidge Danticat, author of Breath, Eyes, Memory and The Dew Breaker
Roxane Gay is a powerful new literary voice whose short stories and essays have already earned her an enthusiastic audience. In An Untamed State, she delivers an assured debut about a woman kidnapped for ransom, her captivity as her father refuses to pay and her husband fights for her release over thirteen days, and her struggle to come to terms with the ordeal in its aftermath.
Mireille Duval Jameson is living a fairy tale. The strong-willed youngest daughter of one of Haiti’s richest sons, she has an adoring husband, a precocious infant son, by all appearances a perfect life. The fairy tale ends one day when Mireille is kidnapped in broad daylight by a gang of heavily armed men, in front of her father’s Port-au-Prince estate. Held captive by a man who calls himself "The Commander," Mireille waits for her father to pay her ransom. As it becomes clear her father intends to resist the kidnappers, Mireille must endure the torments of a man who resents everything she represents.
An Untamed State is a novel of privilege in the face of crushing poverty, and of the lawless anger that corrupt governments produce. It is the story of a willful woman attempting to find her way back to the person she once was, and of how redemption is found in the most unexpected of places. An Untamed State establishes Roxane Gay as a writer of prodigious, arresting talent.
“From the astonishing first line to the final scene, An Untamed State is magical and dangerous. I could not put it down. Pay attention to Roxane Gay; she’s here to stay.” —Tayari Jones, author of Silver Sparrow and Leaving Atlanta
“[Haiti’s] better scribes, among them Edwidge Danticat, Franketienne, Madison Smartt Bell, Lyonel Trouillot, and Marie Vieux Chavet, have produced some of the best literature in the world. . . . Add to their ranks Roxane Gay, a bright and shining star.” —Kyle Minor, author of In the Devil’s Territory, on Ayiti
- Print length368 pages
- LanguageEnglish
- PublisherGrove Press, Black Cat
- Publication dateMay 6, 2014
- Dimensions5.5 x 1.5 x 8 inches
- ISBN-100802122515
- ISBN-13978-0802122513
The Amazon Book Review
Book recommendations, author interviews, editors' picks, and more. Read it now.
Frequently bought together

Customers who viewed this item also viewed
Editorial Reviews
From Booklist
Review
Longlisted for the 2014 Flaherty-Dunnan First Novel Prize
“[A] commanding début . . . Mireille’s struggle to maintain a sense of self while being denied her freedom produces the novel’s most powerful chapters.” —New Yorker
“Roxane Gay’s riveting debut, An Untamed State, captivates from its opening sentence and doesn’t let go. . . . Let this be the year of Roxane Gay: you’ll tear through An Untamed State, but ponder it for long after.” —Nolan Feeney, Time.com
“A fairy tale . . . its complex and fragile moral arrived at through great pain and high cost. . . . Perhaps Haiti, too, is a beautiful princess, well-versed in the vagaries of men, still searching for a happily ever after.” —Holly Bass, The New York Times Book Review
“Poignant . . . haunting . . . When Mireille is finally freed, her rocky adjustment harkens to that of the mother in Emma Donoghue's Room. . . . Gay writes of her homeland beautifully, describing it in the conflicting, nuanced way that will ring familiar to Americans whose parents hail from troubled lands. . . . Gorgeous writing . . . A wonderful and affecting read.” —Rasha Madkour, Associated Press
“Gay may be working in territory many American readers know through the lyrical stories of Edwidge Danticat, but her style is wholly her own: direct, bracing and propulsive. . . . [A] smart, searing novel.” —Ron Charles, The Washington Post
“To say that An Untamed State ‘tells the story’ of Mireille Duval Jameson - an American lawyer, wife, and new mother, who, while visiting her Haitian parents in Port Au Prince, falls victim to the wave of kidnappings plaguing that city - would be inadequate. Rather, Gay compels her readers to breathe and bleed [it]. . . . Brutally and vividly rendered.” —Abby Frucht, The Philadelphia Inquirer
“Bold . . . A terrific read. . . . The character development of Gay’s protagonist, Mireille, is particularly well-crafted and nuanced; her portrayal of a woman who fights her strongest fight to resist being defeated by her captors is compelling and agonizingly felt by the reader. . . . This novel . . . will reward the reader.” —Jim Carmin, Minneapolis Star Tribune
“I applaud Gay’s courage: She writes candidly, vividly, and necessarily . . . You will find it difficult to resist her flawless pacing [and] sharp, clear prose.” —Ariel Gonzalez, The Miami Herald
“Set in Haiti, Roxane Gay’s first novel, An Untamed State, is a roundhouse kick to notions of privilege.” —Elissa Schappell, Vanity Fair (Hot Type)
“Wrenching . . . Vividly written.” —Jennifer Weiner, USA Today
“Clear your schedule now! Once you start this book, you will not be able to put it down. An Untamed State is a novel of hope intermingled with fear. . . . It is written at a pace that will match your racing heart.” —Edwidge Danticat, author of Claire of the Sea Light
“A gripping psychological portrait of how trauma remakes the body to respond only to itself . . . Fans of Gay’s work as an editor at The Rumpus and a columnist for Salon (among other places) will see a lush, sensual side to her writing here, turned to describe brutal facts of subjugation and punishment, the agony of waiting to be rescued and the protection of the brain." —Ellen Wernecke, The Onion AV Club
“Harrowing: truly, it harrows. With iron teeth it pulls up things that do not want to be pulled up. . . . Remarkable.” —NPR
“Excellent . . . Brilliant, eye opening, and necessary. . . . Gay’s prose is direct and muscular, unflinchingly confronting the reality she’s created. . . . To call it ‘hard to put down’ is an understatement; I lost sleep over it, and won’t forget it anytime soon.” —Alison Hallett, Portland Mercury
“[Roxane Gay] has written one of the most unsettling books of the year. And she’s just getting started. . . . Dark, gripping . . . It’s a compelling and at times painful read that addresses the issues of economic privilege, immigration, and sexual assault.” —Tomi Obaro, Chicago Magazine
“A gripping tale of a young mother ensnared in Haiti’s explosive class struggle.” —Natalie Beach, O Magazine (“15 Titles to Pick Up Now”)
“An Untamed State is breathless, artful, disturbing and original. I won’t ever forget it.” —Meg Wolitzer, author of The Interestings
“Poised to affect anyone who reads the book. . . . Gay weaves a story that is thrilling and readable and, surprisingly, incredibly enjoyable. It is, ultimately, about survival, but walking away from the story unaffected—both the reader and the characters within—is impossible.” —Jessi Cape, The Austin Chronicle
“There are times when reading a novel is painful. Not because the prose is lacking or the narrative lags, but because the subject matter verges on the unbearable. Roxane Gay’s debut novel, An Untamed State, falls under this last category. And yet, you must read it anyway. For beyond missing out on a story of such emotional power, you will miss out, as well, on this emerging writer’s abundant talent and insight, all on stunning display here. . . . An Untamed State is a rich, beautifully crafted novel, which should establish Roxane Gay as a writer who has something important to say and who knows how to say it.” —Susan Buttenwieser, The Brooklyn Rail
“An Untamed State is the kind of book you have to keep putting down because you can’t believe how good it is. Awesome, powerful, impossible to ignore, Roxane Gay is a literary force of nature. An Untamed State arrives like a hurricane.” —Mat Johnson, author of Pym
“Roxane Gay is a rockstar talent who’s already left her mark on the literary world, and her dazzling debut novel is certain to cement her place. . . . [a] haunting tale.” —Morgan Ribera, Bustle (“May 2014’s Best Books”)
“Riveting.” —Anjali Enjeti, Paste Magazine (“The Best Novels of 2014 (So Far)”)
“[A] startling debut novel . . . There are no easy answers to be found in An Untamed State, and Gay, in elegant, fierce, poetic prose that evokes early-career Margaret Atwood, forces her characters to reach across all borders to find some final sense of reason. It’s a hard-won discovery, surely, but one absolutely worth the journey. This is a novel not easily forgotten.” —Tod Goldberg, Las Vegas Weekly (4/5 stars)
“An Untamed State is a harrowing, suspenseful novel about the connections between sexual violence and political rage, narrated in a voice at once traumatized and eerily controlled. Roxane Gay is a remarkable writer, an astute observer of Haitian society and a deeply sympathetic, unflinching chronicler of the compromises people make in order to survive under the most extreme conditions.” —Tom Perrotta, author of Little Children and Nine Inches
“[A] riveting debut novel . . . There is such a staggering sense of strength, confidence and integrity to Gay's telling. . . . An Untamed State is a gem, blasted into beauty by the world's harshest conditions. This gripping debut has set the table for many great works to come.” —Margaret Wappler, Bookforum
“[A] superbly written and excoriating first tale of terror and suspense . . . Gay is a daring and transfixing storyteller. . . . Ferocious, gripping, and unforgettable.” —Donna Seaman, Booklist (starred review)
“From the astonishing first line to the final scene, An Untamed State is magical and dangerous. I could not put it down. Pay attention to Roxane Gay; she’s here to stay.” —Tayari Jones, author of Silver Sparrow and Leaving Atlanta
“Harrowing . . . It’s terrifying, this novel, but heartbreaking, because [Mireille’s] relationships are part of the dilemma. . . . I felt this powerfully.” —John Freeman, BOMB
“Gay brilliantly writes of the story’s external events while skillfully capturing Mireille’s internal anguish.” —Library Journal (starred review)
“A simmering, sometimes brutal examination of love, privilege, the meaning of home, and the horrific damage that can come to women at the hands of men. . . . It would be a spoiler to say who does the most to help Mireille out of the horrors and back into life, but there is someone. And in that memorably lovely arc, An Untamed State — a novel partly about betrayal by one’s own family — becomes a novel about familial redemption, too.” —Laura Collins-Hughes, The Boston Globe
“A harrowing and emotionally cleareyed vision of one woman’s ordeal during and after her kidnapping in Haiti. . . remarkable . . . A cutting and resonant debut.” —Kirkus Reviews (starred review)
“A searing portrait of a politically and economically divided Haiti . . . Deeply felt . . . Disturbing and frighteningly resonant.” —Publishers Weekly
“Incredible and unflinching.” —Jessica Valenti, The Guardian U.S.
About the Author
ROXANE GAY is also the New York Times bestselling author of the memoir Hunger; the story collection Difficult Women; the novel An Untamed State, which was a finalist for the Dayton Literary Peace Prize; the essay collection Bad Feminist; and several comic books in Marvel’s Black Panther: World of Wakanda series. She divides her time between Indiana and Los Angeles.
Excerpt. © Reprinted by permission. All rights reserved.
An Untamed State
By Roxane GayGrove Atlantic, Inc.
Copyright © 2014 Roxane GayAll rights reserved.
ISBN: 978-0-8021-2251-3
CHAPTER 1
Once upon a time, in a far-off land, I was kidnapped by a gang of fearless yet terrified young men with so much impossible hope beating inside their bodies it burned their very skin and strengthened their will right through their bones.
They held me captive for thirteen days.
They wanted to break me.
It was not personal.
I was not broken.
This is what I tell myself.
It was hot, nearly a hundred degrees, the air so thick it felt like warm rain. I dressed my son, Christophe, in a pair of miniature red board shorts and a light blue T-shirt with a sailboat across the front. I covered his smooth brown arms and his beaming face with sunscreen. I kissed his nose and brushed his thick, dirty-blond curls away from his face as he pressed his palms against my cheeks and shouted, "Mama! Mama! Mama!" My husband, Michael, the baby, and I said goodbye to my parents, told them we would be back in time for dinner.
Michael and I were taking Christophe to the ocean for the first time. We were going to hold him in the warm salt water as he wiggled his toes and kicked his chubby legs. We were going to throw him toward the sun and catch him safely in our arms.
My mother smiled from the balcony where she watered her plants, wearing a crisp linen outfit and high heels. She blew a kiss to her grandson. She reminded us to be safe.
We put our son into his car seat. We handed him his favorite stuffed animal, a little bulldog named Baba. He clenched his beloved toy tightly in his little fist, still smiling. He has his father's temperament. He is usually happy. That is important to me. Before getting into the car, Michael double-checked that Christophe was strapped securely in his car seat. He put our beach bags into the trunk.
Michael held my door open. When he closed it, he pressed his face against the window, and blew air until his cheeks filled. I laughed and pressed my hand against his face through the glass. "I love you," I mouthed. I don't say those words often, but he knows. Michael ran around to his side of the car. After he slid behind the steering wheel and adjusted the rearview mirror so he could see the baby, he leaned into me and we kissed. He rested an arm on the armrest between us and I idly brushed the golden wisps of hair on his arms. I smiled and rested my head on his shoulder. We drove down the long steep hill of my parents' driveway and waited quietly for the heavy steel gates, the gates keeping us safe, to open.
In the backseat, Christophe cooed softly, still smiling. As the gates closed behind us, three black Land Cruisers surrounded our car. The air filled with a high-pitched squealing and the smell of burning rubber. Michael's tanned knuckles turned white as he gripped the steering wheel and looked frantically for a way out. His body shook. The doors of all three trucks opened at the same time and men we did not know spilled out, all limbs and gunmetal. There was silence, the air thin, still hot. My breath caught painfully in my rib cage. There was shouting.
Two men stood behind our car, machine guns raised. Michael pressed his foot against the gas pedal to move forward but a tall man with a red bandana across the lower half of his face, a man holding a machine gun, pounded his fist on the hood of the car. He left a small dent in the shape of his closed hand. He glared at us, then raised his gun, pointed it directly at Michael's chest. I threw my arm across Michael's body. It was a silly, impotent gesture. Michael's eyes were bright, and arcs of tears trembled along his lower eyelids. He grabbed my hand between both of his, held me so fiercely it felt like all those slender bones would be crushed.
Two men slammed the butts of their rifles against the car windows. Their bodies glowed with anger. The glass cracked, fractures spreading. Michael and I pulled apart, waited tensely, and then the windshield broke, the sound loud and echoing. We covered our faces as shards of glass shattered around us, refracting sharp prisms of light. Michael and I reached for Christophe at the same time. The baby was still smiling but his lips quivered, his eyes wide. My hands could not quite reach him. My child was so close my fingers thrummed. If I touched my child, we would all be fine; this terrible thing would not happen. A man reached into the window and unlocked my door. He started to pull me out of the car roughly, growling as the seat belt held me inside. After he slapped my face, he ordered me to unlock my seat belt. My hands shook as I depressed the button. I was lifted up and out of our car and thrown onto the street. The skin covering my face stung.
My body deflated. My body was just skin stretched too tightly over bone, nothing more, no air. The man sneered at me, called me dyaspora with the resentment those Haitians who cannot leave hold for those of us who can. His skin was slick. I couldn't hold on to him. I tried to scratch, but my fingers only collected a thick layer of sweat. I tried to grab on to the car door. He slammed his gun against my fingers. I yelled, "My baby. Don't hurt my baby." One of the men grabbed me by my hair, threw me to the ground, kicked me in my stomach. I gasped as I wrapped my arms around myself. A small crowd gathered. I begged them to help. They did not. They stood and watched me screaming and fighting with all the muscle in my heart. I saw their faces and the indifference in their eyes, the relief that it was not yet their time; the wolves had not yet come for them.
I was pulled to my feet and again I tried to break free, I tried to run, to reach for my son, to feel his skin against mine just one last time. I shouted at him through the broken window. I shouted, "Christophe!" banging my fist against his window so he would look at me. I said the things any mother would say to her child in that moment even though he was too young to understand any of it. My voice was stripped raw. He stared, reaching for me. He kicked his legs. I studied the dimples over each of his knuckles. I broke free and pulled the rear door open, wrapped the seat belt around my hand as a strange pair of hands tried to pull me loose. The man on Michael's side hit him in the face with a closed fist again and again. Michael slumped forward, his forehead pressed against the horn. The horn wailed, the whine of it filling the air. A thick, dark stream of blood slowly slid from my husband's forehead, down between his eyes, along his nose and over his lips. In the backseat, Christophe started crying, his face burning a bright red.
The cold steel of a gun barrel dug into my skin. I froze. A voice said, "Go easy or we kill your family. We kill everything you've ever loved." I did not move. The gun dug deeper and deeper. I unclenched my fingers and stood. I stared at my family. I do not love easy. I raised my hands over my head. My thighs trembled uncontrollably. I could not move. A hand grabbed my neck, pushing me toward a waiting vehicle. I turned to look back, a sudden calm filling me. Michael slowly raised his head. I looked at him hard, wanted him to know this was not how our story would end. He shouted my name. The desperation in his voice made me nauseous. I mouthed I love you and he nodded. He shouted, "I love you." I heard him. I felt him. I watched as he tried to open his door but passed out again, his body slumping.
My captors put a burlap sack over my head and shoved me into the backseat. The delicate construction of bone in my cheeks throbbed angrily. My skin hurt. My captors told me, in broken English, to do as they said and I would be back with my family soon. I needed to hold the fragile hope that I could find my way back to my happily ever after. I didn't know any better. That was the before.
I sat very still as two men flanked me. Their muscular legs pressed against mine. Each man held one of my wrists, so tightly they would leave dark red circles. The air was filled with the stench of sweaty young bodies and my blood and the sunscreen I had rubbed into my child's skin. Before I passed out I heard cold laughter, my son crying and the desperate wail of the car horn.
CHAPTER 2I opened my eyes and couldn't see anything but bright spots of light and gray shadow. My head hurt. I gasped and began thrashing wildly as I remembered where I was, my baby crying, my husband. The burlap sack made it difficult to breathe. I needed a breath of clean air. A strong hand grabbed my shoulder, shoved me back into the seat. I was warned to sit still. I began to hum. I hummed so loudly my teeth vibrated. I rocked back and forth. A hand grabbed the back of my neck. I rocked harder. Someone muttered, "She's crazy."
I was on the edge of crazy. I hadn't fallen in yet.
I was scared, dizzy and nauseous, my mouth dry. As the car lurched I leaned forward and vomited, bile seeping through the burlap, the rest dripping down my shirt. I was repulsive, already. The man to my left started yelling, grabbed me by my hair, slammed my head into the seat in front of me. My mouth soured as I tried to protect my face.
And then, inexplicably, I thought about my friends in Miami, where Michael and I live, and how they would talk when news of a kidnapping reached them. I am a curiosity to my American friends — a Haitian who is not from the slums or the countryside, a Haitian who has enjoyed a life of privilege. When I talk about my life in Haiti, they listen to my stories as if they are fairy tales, stories that could not possibly be true by nature of their goodness.
My husband and I love to entertain, dinner parties. We cook fancy meals from Gourmet and Bon Appétit and drink expensive wine and try to solve the world's problems. At least we did this, in the before, when we were less aware of the spectacle we were and when we thought we had anything even remotely relevant to say about the things that tear the world apart.
At one such party, where we entertained his friends and my friends, some of whom we liked and many of whom we hated, everyone drank lots of wine and danced to a fine selection of music. We ate excellent food and engaged in pretentious but interesting conversation. Talk turned to Haiti, as it often does. We sat on our lanai, illuminated by paper lanterns and candles, all of us drunk on the happiness of too much money and too much food and too much freedom. I was on Michael's lap, drawing small circles on the back of his neck with my fingernails, his arm around my waist. Everyone leaned forward, earnest in their desire to understand a place they would likely never visit. One of my friends mentioned a magazine article he read about how Haiti had surpassed Colombia as the kidnapping capital of the world. Another told us about a recent feature in a national magazine on the kidnapping epidemic — that was the word he used, as if kidnapping were a disease, a contagion that could not be controlled. There were comments about Vodou and that one movie with Lisa Bonet that made Bill Cosby mad at her. Soon everyone was offering their own desperate piece of information about my country, my people, about the violence and the poverty and the hopelessness, conjuring a place that does not exist anywhere but the American imagination.
That night, I buried my face against Michael's neck, felt his pulse against my cheek. He held me closer. He understood. There are three Haitis — the country Americans know and the country Haitians know and the country I thought I knew.
In the back of the Land Cruiser the day I was kidnapped, I was in a new country altogether. I was not home or I was and did not know it yet. Someone turned up the radio. A song I recognized was playing. I began to sing along, wanted to be part of this one familiar thing. Someone told me to shut up. I sang louder. I sang so loud I couldn't hear anything around me. A fist connected with my jaw. I slumped to the side, my head ringing. I didn't stop singing though my words slowed, slurred.
I was supposed to be at the beach with my husband. I was supposed to wrap my legs around Michael's waist as he carried me into the ocean and away from the shore while our son napped. I would trace his jaw with my fingertips and my lips. I would taste the salt and sun and sea on his skin and he would hold me so tight it hurt to breathe. We would ignore everything around us and he would kiss me like he always kisses me — hard, with purpose, the soft of our lip flesh bruising, pulpy, his tongue in my mouth, a hand twisting through my hair possessively. He always tries so hard to hold on to me because he does not realize I am with him always. We are a lock and key. We are nothing without each other. When the sun became too much, when our desire became too much for that moment, I would pull away and we would climb out of the water, our bodies heavy. We would lie on the hot white sand with our sleeping son between us. The salt from the sea would dry on our skin. We would drink something cold and bask in the perfection of our happily ever after.
But we weren't there. I wasn't there. I was alone in a country I did not know, one that did not belong to me or my father, one that belonged to men who obeyed no kind of law.
We drove for hours along winding, narrow roads. The men discussed financial matters, speculating as to the kind of ransom I would fetch. A hand grabbed at my breast, slowly swelling with milk, and I sat straight up, my spine locked. I whispered, "Do not touch me." There was a laugh. A voice said, "Not yet," but the hand squeezed harder. I tried to pull away from the violation but there was nowhere to go. I was in a cage, the first of many.
"You're never going to get away with this," I said, my voice already hoarsening.
There was laughter. "We already have."
CHAPTER 3We stopped on a noisy street. My kidnappers pulled the burlap sack off my head and I swallowed as much air as I could. I squinted as my eyes adjusted to my surroundings. The sun was still out but fading into pink along the horizon. It was beautiful how the color stretched across the sky in sweeping arcs. I stared into that pink, wanted to remember everything about it, until a hand grabbed my elbow. I winced, stumbled forward.
A few people in the street stared but no one moved to help me. I shouted, "This is not right," knowing my words were useless. There's no room for such distinctions in a country where too many people have to claw for what they need and still have nothing to hold.
My captors walked me through a dark room with three couches and a large, flat-screen television. A woman sat on one of the couches in a red tank top, denim skirt, and flip-flops, the kind with a high chunky heel. My eyes widened as I watched her watching me. She didn't look surprised. She shook her head and resumed watching her program, some kind of talk show.
In another room, four men played cards. There were bottles of Prestige beer on the table and an overflowing ashtray. One of them licked his lips as we walked by. We passed through a child's bedroom. My breasts ached uncomfortably. I thought about Christophe, my sweet baby boy, whom I hadn't yet weaned, who hungered for his mother's breast and could not be satisfied.
Finally, we reached a room with a small bed along one wall and a large bucket against the other. There was a small window covered with bars looking out onto an alley, and below the window a faded poster for the Fanmi Lavalas political party, bearing the likeness of a man I didn't recognize. They threw me in this room and closed the door. They left me in a new cage. I immediately grabbed the doorknob, twisting it frantically. The door was locked. It was impossible not to panic. I started beating the door. I was going to beat that door down but the door was strong and my arms were less so.
When I was completely worn-out, I sank to the floor. The heat overwhelmed me. Already, my clothes clung to my body. I could smell myself. The edges of my face were damp with sweat.
Heat takes on a peculiar quality during the summer in Portau-Prince. The air is thick and inescapable. It wraps itself around you and applies pressure relentlessly. The summer I was kidnapped, the heat was relentless. That heat pressed up, so close against my skin. That heat invaded my senses until I forgot nearly everything, until I forgot the meaning of hope.
I waited and tried not to imagine what could happen to me. I could not allow myself to think of such things or there would be no reason to believe I would be saved. Instead, I tried to remember why my parents would ever return to the country they once left, the country they once loved, the country I thought I loved.
(Continues...)Excerpted from An Untamed State by Roxane Gay. Copyright © 2014 Roxane Gay. Excerpted by permission of Grove Atlantic, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Grove Press, Black Cat; First Edition (May 6, 2014)
- Language : English
- Paperback : 368 pages
- ISBN-10 : 0802122515
- ISBN-13 : 978-0802122513
- Item Weight : 1 pounds
- Dimensions : 5.5 x 1.5 x 8 inches
- Best Sellers Rank: #114,195 in Books (See Top 100 in Books)
- #1,618 in Black & African American Women's Fiction (Books)
- #4,459 in Contemporary Women Fiction
- #7,441 in Literary Fiction (Books)
- Customer Reviews:
Videos
Videos for this product

5:01
Click to play video

An Untamed State
Merchant Video
Important information
To report an issue with this product, click here.
About the author

Roxane Gay’s writing appears in Best American Mystery Stories 2014, Best American Short Stories 2012, Best Sex Writing 2012, Harper’s Bazaar, A Public Space, McSweeney’s, Tin House, Oxford American, American Short Fiction, Virginia Quarterly Review, and many others. She is a contributing opinion writer for The New York Times. She is the author of the books Ayiti, An Untamed State, the New York Times bestselling Bad Feminist, the nationally bestselling Difficult Women and New York Times bestselling Hunger: A Memoir of My Body. She is also the author of World of Wakanda for Marvel.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviews with images
Submit a report
- Harassment, profanity
- Spam, advertisement, promotions
- Given in exchange for cash, discounts
Sorry, there was an error
Please try again later.-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
We learn about her life through the memories she experiences while she's captive. How she grew up, watching her talented father chafe against the ways in which he was treated as "lesser than" because of his status as an immigrant. Her relationship with her siblings, especially her sister. The way she and her husband Michael met and fell in love. Their privileged life together in Miami, where she's an immigration attorney and he's an engineer. And then when she gets back, how very unable she is to resume that life. The second half of the novel relates Mireille's flight to Michael's family farm in Nebraska to heal...or more accurately, recover enough to be able to deal. The wounds she's suffered aren't the kind that really heal, after all.
The motif of fairy tales is everywhere, from the beginning, where the book literally opens with "once upon a time", to the end, in which Mireille is given the chance to confront one of her captors. When I first read it, the ending bothered me. It seemed too convenient, to tie things up too neatly. Life doesn't work that way, and otherwise the book is deeply, unflinchingly realistic. When you think about it through the context of fairy tales, though, it has that kind of wish fulfillment that the modern versions of these stories often do. But the bulk of the story is filled with the things that get cut out of the tales for today's world: the violence inflicted on Mireille is completely unvarnished and it is very difficult to read.
And that difficulty of reading is the only reason I'm not more enthusiastic about this novel. Roxane Gay is a phenomenal writer and the book is compelling and hard to put down. She draws realistic, captivating characters who have shades of gray and consistent internal logic, and the way she subverts Mireille's "fairy tale" narrative of her life with Michael by showing us its sometimes-ugly underbelly is brilliant. I could go on forever about how incredibly-written it is. But with the subject matter being what it is, it's hard to recommend this book widely. There's a great deal of sexual, physical and emotional abuse. If that's something you're able to handle, I'd definitely recommend it.
In the late 1970's, I traveled to Haiti with a missionary group. Port au Prince was a cauldron of activity and filled with color. The houses were painted brilliant blues and pastel pinks and the markets were filled with the press of bodies engaged in the commerce of everyday life. In my early 20's, I had briefly considered the life of a missionary. Haiti quickly changed my mind. Accosted by beggars on every side, one day in a busy market, a double amputee tugged at my skirt tail. His stumps were lashed to a board that he manuvered in and out of the crowd. Separated for a moment from my group, I will never forget that small moment of fear. During our stay we helped paint a church, attended services, and shared a meal with some Haitian church members. The meal included chicken feet. How can I forget the orphans who lived in rooms at the back of the house where we were staying. The oldest girl looked to be about 12 and assumned responsibility for 5 to 6 younger children. She appeared unfazed. Many families, unable to provide for their children, left them at churches and other places, established as orphanages.
Gay's novel brings back all my memories of Haiti. Such a land of contrasts. Our group never visited the palatial estates. I do remember a huge ocean liner in the harbor and I remember thinking, even then, how far away from reality the ocean liner seemed.
Gay's novel rang true for me, in every way. Mireille's experiences at the hands of her kidnappers were violent. Gay handles the narrative expertly not forsaking her character in any sense of the telling.
Secondary characters are so richly wonderful. Gay provides the background that allows the reader to know what makes them tick. Occasional chapters give us husband, Michael's POV. Can you imagine what it feels like to have your wife kidnapped right in front of your eyes and not be able to do a thing? Gay takes us there.
This is a rich, multi-layered novel with difficult thematic issues, which Gay handles deftly. I missed an opportunity to hear this author speak at a nearby college. If the occasion should arise again, I won't make the same mistake.
Top reviews from other countries
Although I knew the story by heart, this time I picked up on other more subtle things that transformed the main character into much more of an - if you will - "feminist" character for me, or at the very least a character who has been very obviously fleshed out by an excellent modern feminist writer.
I don't just mean Mireille's resistance to her captors or her "sassiness" in general. I mean her agency, her sense of self, and then when she loses this sense of self, the way she gets it back. Which is through the help of another woman, her mother-in-law, a likewise strong, ornery woman whom Mireille had helped get through a serious illness a number of years prior to this story.
The story is also about how Mireille demands from her husband that he "also step up to the plate" and become stronger in order to balance out their relationship. Many scenes stick out in my mind; the "cringeworthy" ones (as one reviewer put it), not so much. If I were forced to choose, I would say that the second part of the book, Mireille's "recovery" fascinates me more. But of course that can't be separated from the first part of the book.
All in all, an outstanding book and I look forward to what Roxane Gay will write in the future.
The writing is impeccable. The story is told in such detail that it felt like I was standing beside Mireille experiencing everything with her. Some parts of this book were difficult to read because of the realism in her writing. I have never before read a book that describes PTSD so accurately and the roller-coaster of emotions that accompany it.
The character development was amazing as well, particularly with the main character, Mirieille, who was incredibly strong and determined before and throughout her traumatic experience and then became feral after the events became too much for her.
I can say with confidence that this is one of the best books I have ever read in any genre.











