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V. (Perennial Classics) Paperback – July 5, 2005
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"This work may well stand as one of the very best works of the century." —Atlantic Review
Acclaimed writer Thomas Pynchon's wild, macabre tale of the twentieth century and of two men—one looking for something he has lost, the other with nothing much to lose—and "V.," the unknown woman of the title.
Pynchon's debut novel follows discharged Navy sailor Benny Profane as he reconnects with an eclectic collection of artists in New York known as the "Whole Sick Crew" along with his sidekick Pig Bodine, and the plot of Herbert Stencil, looking to find the woman he knows only as she is described in his father's diary: "V."
Brimming with madcap characters, the novel meanders from New York to Alexandria, Cairo, Paris, Florence, and Africa, and traverses generations. Time magazine raves, "Few books haunt the waking or the sleeping mind, but this is one."
- Print length544 pages
- LanguageEnglish
- PublisherHarper Perennial Modern Classics
- Publication dateJuly 5, 2005
- Dimensions5.31 x 1.26 x 8 inches
- ISBN-109780060930219
- ISBN-13978-0060930219
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Editorial Reviews
Review
"Filled with wild humor, inventive wordplay and a darkly imaginative power." — Philadelphia Inquirer
“[V.] sails with majesty through caverns measureless to man. What does it mean? Who. finally, is V.? Few books haunt the waking or the sleeping mind, but this is one. Who, indeed?" — Time
"[A] brilliant and turbulent first novel." — George Plimpton, New York Times Book Review
"This work may well stand as one of the very best works of the century." — Atlantic Review
"[V.] leaves the imagination spent and the mind reeling." — New York Herald Tribune
“One of the most interesting productions of our century. . . . Pynchon’s creative imagination is amazing. . . . This work may well stand as one of the very best novels of the century.” — Atlanta Journal-Constitution
“The underpinnings of Pynchon’s satire—the mathematical precision of his settings, the feverishly-sustained atmosphere of his conspiracy—are part of his book’s fascination. But even more exciting to behold here is the scope of a highly-energized mind at work.” — Boston Globe
“Highly original. . . . [Pynchon] has produced as sophisticated and worldly a string of words as anyone has put together in novel form. . . . There is something for everyone here.” — Chicago Tribune
“The pace is breathless and the spectacle breathtaking . . . . I hope his next book will be every bit as wild, as unrestrained, as inventive, as hilarious, as invigorating as this one. . . . Benny Profane—and Thomas Pynchon—look with a wry eye at our cockeyed world and its people, with a welcome and astringent irony. ” — Globe and Mail
“A cool, skilled, enigmatic first novel.” — New Yorker
"It is easier to nail a blob of mercury than to describe this novel by Thomas Pynchon." — Saturday Review
From the Back Cover
The wild, macabre tale of the twentieth century and of two men -- one looking for something he has lost, the other with nothing much to lose -- and "V.," the unknown woman of the title.
About the Author
Thomas Pynchon was born in 1937. His books include V, Gravity's Rainbow, Vineland, Mason & Dixon, Against the Day, Inherent Vice, and Bleeding Edge.
Excerpt. © Reprinted by permission. All rights reserved.
V.
By Pynchon, ThomasPerennial
Copyright ©2004 Thomas PynchonAll right reserved.
ISBN: 0060930217
Chapter One
In which Benny Profane,
a schlemihl and
human yo-yo,
gets to
an apo-
cheir
V
Christmas Eve, 1955, Benny Profane, wearing black levis, suede jacket, sneakers and big cowboy hat, happened to pass through Norfolk, Virginia. Given to sentimental impulses, he thought he'd look in on the Sailor's Grave, his old tin can's tavern on East Main Street. He got there by way of the Arcade, at the East Main end of which sat an old street singer with a guitar and an empty Sterno can for donations. Out in the street a chief yeoman was trying to urinate in the gas tank of a '54 Packard Patrician and five or six seamen apprentice were standing around giving encouragement. The old man was singing, in a fine, firm baritone:
Every night is Christmas Eve on old East Main,
Sailors and their sweethearts all agree.
Neon signs of red and green
Shine upon the friendly scene,
Welcoming you in from off the sea.
Santa's bag is filled with all your dreams come true:
Nickel beers that sparkle like champagne,
Barmaids who all love to screw,
All of them reminding you
It's Christmas Eve on old East Main.
"Yay chief," yelled a seaman deuce. Profane rounded the corner. With its usual lack of warning, East Main was on him.
Since his discharge from the Navy Profane had been roadlaboring and when there wasn't work just traveling, up and down the east coast like a yo-yo; and this had been going on for maybe a year and a half. After that long of more named pavements than he'd care to count, Profane had grown a little leery of streets, especially streets like this. They had in fact all fused into a single abstracted Street, which come the full moon he would have nightmares about. East Main, a ghetto for Drunken Sailors nobody knew what to Do With, sprang on your nerves with all the abruptness of a normal night's dream turning to nightmare. Dog into wolf, light into twilight, emptiness into waiting presence, here were your underage Marine barfing in the street, barmaid with a ship's propeller tattooed on each buttock, one potential berserk studying the best technique for jumping through a plate glass window (when to scream Geronimo? before or after the glass breaks?), a drunken deck ape crying back in the alley because last time the SP's caught him like this they put him in a strait jacket. Underfoot, now and again, came vibration in the sidewalk from an SP streetlights away, beating out a Hey Rube with his night stick; overhead, turning everybody's face green and ugly, shone mercury-vapor lamps, receding in an asymmetric V to the east where it's dark and there are no more bars.
Arriving at the Sailor's Grave, Profane found a small fight in progress between sailors and jarheads. He stood in the doorway a moment watching; then realizing he had one foot in the Grave anyway, dived out of the way of the fight and lay more or less doggo near the brass rail.
"Why can't man live in peace with his fellow man," wondered a voice behind Profane's left ear. It was Beatrice the barmaid, sweetheart of DesDiv 22, not to mention Profane's old ship, the destroyer U.S.S. Scaffold. "Benny," she cried. They became tender, meeting again after so long. Profane began to draw in the sawdust hearts, arrows through them, sea gulls carrying a banner in their beaks which read Dear Beatrice.
The Scaffold-boat's crew were absent, this tin can having got under way for the Mediterranean two evenings ago amid a storm of bitching from the crew which was heard out in the cloudy Roads (so the yarn went) like voices off a ghost ship; heard as far away as Little Creek. Accordingly, there were a few more barmaids than usual tonight, working tables all up and down East Main. For it's said (and not without reason) that no sooner does a ship like the Scaffold single up all lines than certain Navy wives are out of their civvies and into barmaid uniform, flexing their beer-carrying arms and practicing a hooker's sweet smile; even as the N.O.B. band is playing Auld Lang Syne and the destroyers are blowing stacks in black flakes all over the cuckolds-to-be standing manly at attention, taking leave with me and a tiny grin.
Beatrice brought beer. There was a piercing yelp from one of the back tables, she flinched, beer slopped over the edge of the glass.
"God," she said, "it's Ploy again." Ploy was now an engineman on the mine sweeper Impulsive and a scandal the length of East Main. He stood five feet nothing in sea boots and was always picking fights with the biggest people on the ship, knowing they would never take him seriously. Ten months ago (just before he'd transferred off the Scaffold) the Navy had decided to remove all of Ploy's teeth. Incensed, Ploy managed to punch his way through a chief corpsman and two dental officers before it was decided he was in earnest about keeping his teeth. "But think," the officers shouted, trying not to laugh, fending off his tiny fists: "root canal work, gum abscesses. . . ." "No," screamed Ploy. They finally had to hit him in the bicep with a Pentothal injection. On waking up, Ploy saw apocalypse, screamed lengthy obscenities. For two months he roamed ghastly around the Scaffold...
Continues...Excerpted from V.by Pynchon, Thomas Copyright ©2004 by Thomas Pynchon. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- ASIN : 0060930217
- Publisher : Harper Perennial Modern Classics (July 5, 2005)
- Language : English
- Paperback : 544 pages
- ISBN-10 : 9780060930219
- ISBN-13 : 978-0060930219
- Item Weight : 14.7 ounces
- Dimensions : 5.31 x 1.26 x 8 inches
- Best Sellers Rank: #159,078 in Books (See Top 100 in Books)
- #526 in Classic American Literature
- #4,762 in Classic Literature & Fiction
- #10,084 in Literary Fiction (Books)
- Customer Reviews:
About the author

Thomas Pynchon was born in 1937. His books include The Crying of Lot 49, Gravity's Rainbow, Vineland, and Mason & Dixon.
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Learn more how customers reviews work on AmazonCustomers say
Customers find the content insightful, brilliant, and entertaining. They also find the characters insubstantial and the story difficult to follow. Opinions are mixed on readability, with some finding the prose incredible and easy to read, while others find it hard to read and difficult to understand. Readers also have mixed feelings about the story length, with others finding it clearer and compressible, while still others find the plot incompressible.
AI-generated from the text of customer reviews
Customers find the content wonderfully entertaining, deeply insightful, and clever. They also appreciate the author's talents for visually describing a scene, and social commentary, technical and historical knowledge.
"...social commentary, technical and historical knowledge, and a variety other things...." Read more
"...The author does impress me with what appears to be a vast wealth of knowledge...." Read more
"It is technically well written and somewhat interesting, but just kinda lame...." Read more
"...this is a great introduction to his wonderfully entertaining, deeply insightful, historical novels...." Read more
Customers find the book very funny and entertaining. They also say it's a great introduction to the 20th century.
"...keep in mind the reviewers who noted that this is really a very funny book are dead on. The situations are oftentiimes laugh out loud funny...." Read more
"V. Is violent, it is dark, it is comical, and it is poetic...." Read more
"...second half of the 20th century , and this is a great introduction to his wonderfully entertaining, deeply insightful, historical novels...." Read more
"...It's been pretty funny. my copy was stolen from a library and sold on Amazon." Read more
Customers have mixed opinions about the readability of the book. Some find the prose incredible, while others say it's hard to read. They also mention that the writing is disjointed, the plot is cartoonish, and the dialogue is implausible. Overall, some find the book more challenging than page-turning, and find the chapters very different from each other.
"...I'm glad I picked up the hardcover version, because I found it easier to read than my previous paperback version...." Read more
"...In any case, it was difficult...." Read more
"...All of those complaints aside, I loved the writing and the characters. The bits of history I was familiar with were wonderfully worked into the story." Read more
"...But I found the characters insubstantial and the story difficult to follow to the point where I lost the thread over and over again." Read more
Customers have mixed opinions about the story length. Some find the story clearer and challenging, while others find it confusing and repetitive.
"...That said, the writing is beautiful, even if overly complicated...." Read more
"...the story is much clearer, and what Pynchon was going for seems much more approachable...." Read more
"...mess of a book, an altogether annoying experience featuring an incompressible plot, cartoonish characters, implausible dialogue and self conscious..." Read more
"...It often becomes confusing and it is to be understood that Pynchon will deliver you to the end with an understanding of what has happened, so don't..." Read more
Customers find the characters in the book insubstantial and difficult to follow.
"...But I found the characters insubstantial and the story difficult to follow to the point where I lost the thread over and over again." Read more
"...annoying experience featuring an incompressible plot, cartoonish characters, implausible dialogue and self conscious writing, Ugh." Read more
"...I found the names of characters to be silly, and the imagery is just not very good...." Read more
"...It's still good but the characters often seemed not quite in focus." Read more
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Tthis book focuses on two main characters in Benny Profane and Herbert Stencil. Profane just kind of goes with the flow, while Stencil is in search of the mysterious woman known as V. Now, you'd have to be completely non-Pynchon to think that V is as simple as being just a woman that Stencil searches for - his whole identity counts on her (spoiler or not, I don't know, sorry if it is). These characters are wonderfully explored, Profane more from his emotional standpoint and Stencil from a driven perspective (he is, after all, searching for answers). Along the way, Profane and Stencil inhabit close proximity, but their stories don't merge until near the end of the book. Overall, I think the dichotomy offered by these two characters is the central theme of this book.
The story...
Basically, this story is about the two men mentioned above - Profane and Stencil. However, it manages to tell the stories of the two characters in parallel, since the characters don't interact until late in the book. Profane's life is pretty simple and non-committal, simply going with the flow. Stencil has studied many different documents to try to determine his mother's identity as well as, to some extent, his own. Stencil knows his father, but was very young when he last saw him, and he knows nothing of his mother.
The chapters are evenly distributed among those devoted to Profane, and those of Stencil.
In the end, I think the novel tied up strings fairly well - I pretty much felt closure with all the main characters. Stencil's story saddened me the most, while I think Profane's ended as expected. Along the way, Pynchon displays his talents for visually describing a scene (the best of anyone I've read - when I remember his novels, I do so visually), social commentary, technical and historical knowledge, and a variety other things. That this is the first novel of anyone seems hard to believe.
To people who have a hard time with Pynchon, and I guess that means pretty much everyone, I have this advice - read it with someone. My fiance' and I read this book at the same time (not at the exact same time, but at the same pace), and we were able to discuss each chapter and, together, we were able to understand the book quite well (I think). She's not exactly a Pynchon fan, but she was willing to make the sacrifice for my benefit. While she liked the novel (4 out of 5 from her), and she recognizes Pynchon's skill as a writer, she felt that some of the stories dragged and also felt that some didn't have a real connection to the rest of the book (the end of one chapter seems to simply list disasters in August of 1956 - anyone who wants to comment to clarify is quite welcomed to do so).
As with any other Pynchon book, I have felt a strong connection with the main characters, and I truly was sad to have to end the book. I believe that the meaning of entropy was most clearly explored here - Profane goes on and on almost as time does. Socially, every sequence seems to end in chaos or decay. To me, these were themes that I could grasp, but not in Pynchon's later works, and I think that I need this book to help me understand those later books. About 21 years ago, I read Gravity's Rainbow and I hardly understood it - there is no doubt that I will reread that one, but I have to convince my fiance' to read it with me (she'll be my wife by then).
I mean, who writes at this level from the beginning of their career? It's the type of stuff you could read five times and still scoff at the idea of "total comprehension". It's just full. Nothing is by accident. He plays with form and structure in ways that make you feel less pretentious about using the term postmodern, because reading this, and picturing someone reading it in 1963, one gets the sense that Pynchon was, and probably still is, in a league of his own.
He relishes in mystery and grand conspiracy. Enigma. Obsession. He explores the entropic slide into decadence within society; within the human heart, and the inhuman as well. Recurrent mechanistic imagery. The Kingdom of Death, and of Life. Dream streets, and what lies beneath them. To pin him down thematically seems as fruitless as Stencil's "mad time-search" for the woman V., but you get the sense that each connection within the text is woven subtly, with care. There is so much here that it feels hard to even describe, or "review", because so much of the book is... So much of it is detailed foreign politics and espionage. It is art heists and Navy brawls. Small-skirmish military history and alligator hunts through the New York sewer system. There's late-nineteenth-century anarchism. There are plastic surgeons, soul-dentists, and war pilots. There are a multitude of projections, impersonations, and paranoia. It's just— It's weird! It's Pynchon, man.
And is it without flaw? No. A debut novel is a debut novel, no matter how excellently crafted. And a modern reader will likely squirm at some of his writing of female characters. But it is a look inside the mind of someone who is responsible for some of the most compelling literature we can display.








