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The Vampire Armand (The Vampire Chronicles) Book 6 Mass Market Paperback – October 3, 2000
| Anne Rice (Author) Find all the books, read about the author, and more. See search results for this author |
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* About Large Print
All Random House Large Print editions are published in a 16-point typeface
In the latest installment of The Vampire Chronicles, Anne Rice summons up dazzling worlds to bring us the story of Armand - eternally young, with the face of a Botticelli angel. Armand, who first appeared in all his dark glory more than twenty years ago in the now-classic Interview with the Vampire, the first of The Vampire Chronicles, the novel that established its author worldwide as a magnificent storyteller and creator of magical realms.
Now, we go with Armand across the centuries to the Kiev Rus of his boyhood - a ruined city under Mongol dominion - and to ancient Constantinople, where Tartar raiders sell him into slavery. And in a magnificent palazzo in the Venice of the Renaissance we see him emotionally and intellectually in thrall to the great vampire Marius, who masquerades among humankind as a mysterious, reclusive painter and who will bestow upon Armand the gift of vampiric blood.
As the novel races to its climax, moving through scenes of luxury and elegance, of ambush, fire, and devil worship to nineteenth-century Paris and today's New Orleans, we see its eternally vulnerable and romantic hero forced to choose between his twilight immortality and the salvation of his immortal soul.
- Print length457 pages
- LanguageEnglish
- PublisherBallantine Books
- Publication dateOctober 3, 2000
- Dimensions4.17 x 1.07 x 6.8 inches
- ISBN-100345434803
- ISBN-13978-0345434807
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Editorial Reviews
Review
--USA Today
"ARMAND'S LIFE UNFOLDS IN RICH, VELVETY PROSE. . . . THIS IS A SUMPTUOUS ADDITION TO THE SERIES."
--Library Journal
"ANNE RICE FANS WILL NO DOUBT BE THRILLED. . . . [Armand] until now has played a small role in the Vampire Chronicles. Here he assumes center stage, relating his five hundred years of life to fledgling vampire David Talbot, who plays amanuensis to Armand as he did to Lestat. . . . It's not just the epic plot but Rice's voluptuary worldview that's the main attraction. . . . Elegant narrative has always been her hallmark. . . . Rice is equally effective in showing how Armand eventually loses his religion and becomes 'the vagabond angel child of Satan,' living under the Paris cemeteries and founding the Grand Guignol-ish Théâtre des Vampires. In the twentieth century, a rehabilitated Armand regains his faith but falls in love with two children who save his life. By the conclusion of Armand, the pupil has become the mentor."
--The Washington Post
"A FASCINATING AND DAZZLING HISTORICAL TAPESTRY . . . BEAUTIFULLY WRITTEN, INCREDIBLY ABSORBING."
--Booklist
From the Inside Flap
* About Large Print
All Random House Large Print editions are published in a 16-point typeface
In the latest installment of The Vampire Chronicles, Anne Rice summons up dazzling worlds to bring us the story of Armand - eternally young, with the face of a Botticelli angel. Armand, who first appeared in all his dark glory more than twenty years ago in the now-classic Interview with the Vampire, the first of The Vampire Chronicles, the novel that established its author worldwide as a magnificent storyteller and creator of magical realms.
Now, we go with Armand across the centuries to the Kiev Rus of his boyhood - a ruined city under Mongol dominion - and to ancient Constantinople, where Tartar raiders sell him into slavery. And in a magnificent palazzo in the Venice of the Renaissance we see him emotionally and intellectually in thrall to the great vampire Marius, who masquerades among humankind as a mysterious, reclusive painter and who will bestow upon Armand the gift of vampiric blood.
As the novel races to its climax, moving through scenes of luxury and elegance, of ambush, fire, and devil worship to nineteenth-century Paris and today's New Orleans, we see its eternally vulnerable and romantic hero forced to choose between his twilight immortality and the salvation of his immortal soul.
From the Trade Paperback edition.
From the Back Cover
* About Large Print
All Random House Large Print editions are published in a 16-point typeface
In the latest installment of The Vampire Chronicles, Anne Rice summons up dazzling worlds to bring us the story of Armand - eternally young, with the face of a Botticelli angel. Armand, who first appeared in all his dark glory more than twenty years ago in the now-classic "Interview with the Vampire, the first of The Vampire Chronicles, the novel that established its author worldwide as a magnificent storyteller and creator of magical realms.
Now, we go with Armand across the centuries to the Kiev Rus of his boyhood - a ruined city under Mongol dominion - and to ancient Constantinople, where Tartar raiders sell him into slavery. And in a magnificent palazzo in the Venice of the Renaissance we see him emotionally and intellectually in thrall to the great vampire Marius, who masquerades among humankind as a mysterious, reclusive painter and who will bestow upon Armand the gift of vampiric blood.
As the novel races to its climax, moving through scenes of luxury and elegance, of ambush, fire, and devil worship to nineteenth-century Paris and today's New Orleans, we see its eternally vulnerable and romantic hero forced to choose between his twilight immortality and the salvation of his immortal soul.
"From the Trade Paperback edition.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
I wanted to go up there, and to lie down near the wall, and be alone.
They'd seen her ghost now and then, the child. But none of these vampires could see spirits, really, at least not the way that I could see them. No matter. It wasn't the company of the child I wanted. It was to be in that place.
Nothing more could be gained from lingering near Lestat. I'd come. I'd fulfilled my purpose. I couldn't help him.
The sight of his sharply focused and unchanging eyes unnerved me, and I was quiet inside and full of love for those nearest me--my human children, my dark-haired little Benji and my tender willowy Sybelle--but I was not strong enough just yet to take them away.
I left the chapel.
I didn't even take note of who was there. The whole convent was now the dwelling place of vampires. It was not an unruly place, or a neglected place, but I didn't notice who remained in the chapel when I left.
Lestat lay as he had all along, on the marble floor of the chapel in front of the huge crucifix, on his side, his hands slack, the left hand just below the right hand, its fingers touching the marble lightly, as if with a purpose, when there was no purpose at all. The fingers of his right hand curled, making a little hollow in the palm where the light fell, and that too seemed to have a meaning, but there was no meaning.
This was simply the preternatural body lying there without will or animation, no more purposeful than the face, its expression almost defiantly intelligent, given that months had passed in which Lestat had not moved.
The high stained-glass windows were dutifully draped for him before sunrise. At night, they shone with all the wondrous candles scattered about the fine statues and relics which filled this once sanctified and holy place. Little mortal children had heard Mass under this high coved roof; a priest had sung out the Latin words from an altar.
It was ours now. It belonged to him--Lestat, the man who lay motionless on the marble floor.
Man. Vampire. Immortal. Child of Darkness. Any and all are excellent words for him.
Looking over my shoulder at him, I never felt so much like a child.
That's what I am. I fill out the definition, as if it were encoded in me perfectly, and there had never been any other genetic design.
I was perhaps seventeen years old when Marius made me into a vampire. I had stopped growing by that time. For a year, I'd been five feet six inches. My hands are as delicate as those of a young woman, and I was beardless, as we used to say in that time, the years of the sixteenth century. Not a eunuch, no, not that, most certainly, but a boy.
It was fashionable then for boys to be as beautiful as girls. Only now does it seem something worthwhile, and that's because I love the others--my own: Sybelle with her woman's breasts and long girlish limbs, and Benji with his round intense little Arab face.
I stood at the foot of the stairs. No mirrors here, only the high brick walls stripped of their plaster, walls that were
old only for America, darkened by the damp even inside the convent, all textures and elements here softened by the simmering summers of New Orleans and her clammy crawling winters, green winters I call them because the trees here are almost never bare.
I was born in a place of eternal winter when one compares it to this place. No wonder in sunny Italy I forgot the beginnings altogether, and fashioned my life out of the present of my years with Marius. "I don't remember." It was a condition of loving so much vice, of being so addicted to Italian wine and sumptuous meals, and even the feel of the warm marble under my bare feet when the rooms of the palazzo were sinfully, wickedly heated by Marius's exorbitant fires.
His mortal friends . . . human beings like me at that time . . . scolded constantly about these expenditures: firewood, oil, candles. And for Marius only the finest candles of beeswax were acceptable. Every fragrance was significant.
Stop these thoughts. Memories can't hurt you now. You came here for a reason and now you have finished, and you must find those you love, your young mortals, Benji and Sybelle, and you must go on.
Life was no longer a theatrical stage where Banquo's ghost came again and again to seat himself at the grim table.
My soul hurt.
Up the stairs. Lie for a little while in this brick convent where the child's clothes were found. Lie with the child, murdered here in this convent, so say the rumormongers, the vampires who haunt these halls now, who have come to see the great Vampire Lestat in his Endymionlike sleep.
I felt no murder here, only the tender voices of nuns.
I went up the staircase, letting my body find its human weight and human tread.
After five hundred years, I know such tricks. I could frighten all the young ones--the hangers-on and the gawkers--just as surely as the other ancient ones did it, even the most modest, uttering words to evince their telepathy, or vanishing when they chose to leave, or now and then even making the building tremble with their power--an interesting accomplishment even with these walls eighteen inches thick with cypress sills that will never rot.
He must like the fragrances here, I thought. Marius, where is he? Before I had visited Lestat, I had not wanted to talk very much to Marius, and had spoken only a few civil words when I left my treasures in his charge.
After all, I had brought my children into a menagerie of the Undead. Who better to safeguard them than my beloved Marius, so powerful that none here dared question his smallest request.
There is no telepathic link between us naturally--Marius made me, I am forever his fledgling--but as soon as this occurred to me, I realized without the aid of this telepathic link that I could not feel the presence of Marius in the building. I didn't know what had happened in that brief interval when I knelt down to look at Lestat. I didn't know where Marius was. I couldn't catch the familiar human scents of Benji or Sybelle. A little stab of panic paralyzed me.
I stood on the second story of the building. I leaned against the wall, my eyes settling with determined calm on the deeply varnished heart pine floor. The light made pools of yellow on the boards.
Where were they, Benji and Sybelle? What had I done in bringing them here, two ripe and glorious humans? Benji was a spirited boy of twelve, Sybelle, a womanling of twenty-five. What if Marius, so generous in his own soul, had carelessly let them out of his sight?
"I'm here, young one." The voice was abrupt, soft, welcome.
My Maker stood on the landing just below me, having come up the steps behind me, or more truly, with his powers, having placed himself there, covering the preceding distance with silent and invisible speed.
"Master," I said with a little trace of a smile. "I was afraid for them for a moment." It was an apology. "This place makes me sad."
He nodded. "I have them, Armand," he said. "The city seethes with mortals. There's food enough for all the vaga-
bonds wandering here. No one will hurt them. Even if I weren't here to say so, no one would dare."
It was I who nodded now. I wasn't so sure, really. Vampires are by their very nature perverse and do wicked and terrible things simply for the sport of it. To kill another's mortal pet would be a worthy entertainment for some grim and alien creature, skirting the fringes here, drawn by remarkable events.
Product details
- Publisher : Ballantine Books; 1st edition (October 3, 2000)
- Language : English
- Mass Market Paperback : 457 pages
- ISBN-10 : 0345434803
- ISBN-13 : 978-0345434807
- Item Weight : 8.3 ounces
- Dimensions : 4.17 x 1.07 x 6.8 inches
- Best Sellers Rank: #85,333 in Books (See Top 100 in Books)
- #89 in Vampire Horror
- #153 in Vampire Thrillers
- #693 in Historical Thrillers (Books)
- Customer Reviews:
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About the author

Anne Rice was born and raised in New Orleans, Louisiana. She holds a Master of Arts Degree in English and Creative Writing from San Francisco State University, as well as a Bachelor's Degree in Political Science. Anne has spent more of her life in California than in New Orleans, but New Orleans is her true home and provides the back drop for many of her famous novels. The French Quarter provided the setting for her first novel, Interview with the Vampire. And her ante-bellum house in the Garden District was the fictional home of her imaginary Mayfair Witches.
She is the author of over 30 books, most recently the Toby O'Dare novels Of Love and Evil, and Angel Time; the memoir, Called Out of Darkness;and her two novels about Jesus, Christ the Lord: Out of Egypt and Christ the Lord: The Road to Cana. (Anne regards Christ the Lord: The Road to Cana as her best novel.) ---- Under the pen name, A.N. Roquelaure, Anne is the author of the erotic (BDSM) fantasy series, The Sleeping Beauty Trilogy. Under the pen name Anne Rampling she is the author of two erotic novels, Exit to Eden and Belinda.
Anne publicly broke with organized religion in July of 2010 on moral grounds, affirming her faith in God, but refusing any longer to be called "Christian." The story attracted surprising media attention, with Rice's remarks being quoted in stories all over the world. Anne hopes that her two novels about Jesus will be accepted on their merits by readers and transcend her personal difficulties with religion. "Both my Christ the Lord novels were written with deep conviction and a desire to write the best novels possible about Jesus that were rooted in the bible and in the Christian tradition. I think they are among the best books I've ever been able to write, and I do dream of a day when they are evaluated without any connection to me personally. I continue to get a lot of very favorable feedback on them from believers and non believers. I remain very proud of them."
Anne is very active on her FaceBook Fan Page and has well over a million followers. She answers questions every day on the page, and also posts on a variety of topics, including literature, film, music, politics, religion, and her own writings. Many indie authors follow the page, and Anne welcomes posts that include advice for indie authors. She welcomes discussion there on numerous topics. She frequently asks her readers questions about their response to her work and joins in the discussions prompted by these questions.
Her novel, "The Wolves of Midwinter," a sequel to "The Wolf Gift" and part of a werewolf series set in Northern California in the present time, will be published on October 15, 2013. In these books --- The Wolf Gift Chronicles -- Anne returns to the classic monsters and themes of supernatural literature, similar to those she explored in her Vampire Chronicles, and tales of the Mayfair Witches. Her new "man wolf" hero, Reuben Golding, is a talented young man in his twenties who suddenly discovers himself in possession of werewolf powers that catapult him into the life of a comic book style super hero. How Reuben learns to control what he is, how he discovers others who possess the same mysterious "wolf gift," and how he learns to live with what he has become --- is the main focus of the series. "The Wolves of Midwinter" is a big Christmas book --- a book about Christmas traditions, customs, and the old haunting rituals of Midwinter practiced in Europe and in America. It's about how the werewolves celebrate these rituals, as humans and as werewolves. But the book also carries forward the story of Reuben's interactions with his girl friend, Laura, and with his human family, with particular focus on Reuben's father, Phil, and his brother, Jim. As a big family novel with elements of the supernatural, "The Wolves of Midwinter" has much in common with Anne's earlier book, "The Witching Hour." Among the treats of "The Wolves of Midwinter" is a tragic ghost who appears in the great house at Nideck Point, and other "ageless ones" who add their mystery and history to the unfolding revelations that at times overwhelm Reuben.
In October of 2014, with the publication of "Prince Lestat," Anne returned to the fabled "Brat Prince" of the Vampire Chronicles, catching up with him in present time. This is the first of several books planned focusing on Lestat's new adventures with other members of the Vampire tribe. When the publication of "Prince Lestat" was announced on Christopher Rice's "The Dinner Party Show," a weekly internet radio broadcast, it made headlines in the US and around the world. "Prince Lestat" debuted at #3 on the New York Times Best Seller list and ran for nine weeks during the height of the competitive Fall-Winter season, with another week on the extended NYTBSL. ----
"Beauty's Kingdom," is the fourth in her "Sleeping Beauty Erotica Series," and the first to be launched in hardcover. Though the first three novels were published in the 1980's under the pseudonym, A.N. Roquelaure, the name, Anne Rice, was added to the series in the 1990's. About her erotica, Anne has this to say: "I believe in the erotic imagination. I believe men and women have a right to write and read erotic fantasies. My goal with the "Sleeping Beauty" books is to provide the most authentic erotica that I can for those who share BDSM fantasies."
"Prince Lestat and the Realms of Atlantis" was published on November 29th, 2016 revealing a new adventure in the life of the Brat Prince of the vampires, and the entire tribe --- as they confront the most difficult challenge they've ever faced. This novel may introduce Lestat and extend his appeal to science fiction readers and fantasy readers who love differing versions of the lost kingdom of Atlantis. The novel does justice to both themes: Atlantis and Lestat. So far, as of early 2016, this novel has received a remarkably positive response with Amazon reviewers.
Anne's first novel, Interview with the Vampire, was published in 1976 and has gone on to become one of the best-selling novels of all time. She continued her saga of the Vampire Lestat in a series of books, collectively known as The Vampire Chronicles, which have had both great mainstream and cult followings.
Interview with the Vampire was made into a motion picture in 1994, directed by Neil Jordan, and starring Brad Pitt, Tom Cruise, Kirsten Dunst and Antonio Banderas. The film became an international success. Anne's novel, Feast of All Saints about the free people of color of ante-bellum New Orleans became a Showtime mini series in 2001 and is available now on dvd. The script for the mini series by John Wilder was a faithful adaptation of the novel.
Near the end of 2016, the theatrical rights to the Vampire Chronicles reverted fully and completely to Anne. She and her son, Christopher Rice, are now developing outlines and scripts for a new television series based on the adventures of The Vampire Lestat. Anne's announcement of this on FB reached well over 2 million people. "The reception in the Hollywood community" has been very simply wonderful," says Anne. "We have high hopes that we will see the Lestat television series go into production before the end of 2017."
Anne Rice is also the author of other novels, including The Witching Hour, Servant of the Bones, Merrick, Blackwood Farm, Blood Canticle, Violin, and Cry to Heaven. She lives in Palm Desert, California, but misses her home in New Orleans. She hopes to obtain a pied a terre in the French Quarter there some time in the near future.
Anne has this to say of her work: "I have always written about outsiders, about outcasts, about those whom others tend to shun or persecute. And it does seem that I write a lot about their interaction with others like them and their struggle to find some community of their own. The supernatural novel is my favorite way of talking about my reality. I see vampires and witches and ghosts as metaphors for the outsider in each of us, the predator in each of us...the lonely one who must grapple day in and day out with cosmic uncertainty."
------
Anne's announcement of the Vampire Chronicles series as it appeared on FB.
"The theatrical rights to the Vampire Chronicles are once again in my hands, free and clear! I could not be more excited about this! --- A television series of the highest quality is now my dream for Lestat, Louis, Armand, Marius and the entire tribe. In this the new Golden Age of television, such a series is THE way to let the entire story of the vampires unfold. --- My son Christopher Rice and I will be developing a pilot script and a detailed outline for an open ended series, faithfully presenting Lestat’s story as it is told in the books, complete with the many situations that readers expect to see. We will likely begin with “The Vampire Lestat” and move on from there. ----- When we sit down finally to talk to producers, we will have a fully realized vision of this project with Christopher as the executive producer at the helm. I will also be an executive producer all the way. ---- Again, I cannot tell you how happy it makes me to be able to announce this. ---- As many of you know, Universal Studios and Imagine Entertainment had optioned the series to develop motion pictures from it, and though we had the pleasure of working with many fine people in connection with this plan, it did not work out. It is, more than ever, abundantly clear that television is where the vampires belong. ---- Over the years you all have told me how much you want to see a “Game of Thrones” style faithful rendering of this material, and how much you want for the series to remain in my control. Well, I have heard you. I have always heard you. What you want is what I want. --- You, the readers, made these books a success before any movie was ever made based on them, and I will never forget that fact. ---- Christopher and I will be posting many questions on the page for your input in the days to come. ----- I am filled with optimism this morning about the future for my beloved Brat Prince. What better way to start a tour for the new book!"










