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Legendary monster hunter Van Helsing (Hugh Jackman) is summoned to mysterious Transylvania on a mission that will thrust him into a sweeping battle against the forces of darkness! With non-stop action and electrifying special effects, Van Helsing is an adrenaline-powered motion picture event Roger Ebert calls "Spectacular!"
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There are fights galore, lots of explosions, and impossible feats of a gymnastic variety―entirely CGI. This movie is loony, wacky, and a lot of fun. If you’re looking for realism, an expansive plot, and dramatic emoting, look elsewhere.
The interlude scene with Mr. Hyde was interesting. Comparing the fight scenes with the CGI used for the Hulk and Jabba the Hut in Star Wars shows just how far the technology and acting has come in the past twenty years.
Creature design for the Frankenstein Monster was well thought out, with just enough of a nod to Karloff's body dynamics and voice as the Frankenstein monster to keep it recognizable. The CGI and makeup for Adam (The monster) has clear descent from Jack Pierce's design, (which was based on early 20th century anatomy), was enhanced nicely by the four section glowing, crackling skull and lightning effects, which were also present in the monster's heart.
When asked what he wanted the simple response- "To Exist!" was brilliant! No need for anything else.
Wisely, the studio didn't try to imitate Lugosi's Dracula. The visual transformations were beautiful, though I didn't find this Dracula as creepy as the Lugosi portrayal. This Dracula is certainly as evil as any other on screen, but he is a complex being, driven but lacking in some basic human emotions-providing a nice development that I hope Universal will pick up on in another movie down the line.
The brides of Dracula were well-designed, the actresses beautiful, and were believable as the undead brides who are immortal, bereft of higher reasoning faculties, cruel, devoted and more than a little terrified of their master.
Lon Chaney Sr., the first choice to play Dracula in the 1930's for Universal, had an on-screen homage in the makeup and visage of the village Undertaker. This character and his clothing is clearly based on Chaney's makeup in "London After Midnight", an unfortunately lost silent movie.
Van Helsing's side kick provided just the right amount of humor to break up some of the scenes.
Hugh Jackman does a good if not outstanding job as a driven monster hunter unaware of most of his past. One can only wonder what sort of sins warranted a memory wipe as part of his penance. How did he come to be taken in by this Brotherhood of Monster Hunters?
The werewolves were different from those in other Universal Pictures, "The Howling" series or "Underworld". Each new generation of CGI and makeup provides us with fuzzier- and much bigger-werewolves. Designers might consider dropping the dog as a template for this creature and use an extinct bear-dog or similar canid that was bigger and scarier than a wolf.The werewolves simply did not move in a believable manner.
The scene of death by artificial sunlight in Dracula's Palace was interesting, if lifted from a Quentin Tarantino movie some years back, where the vampires were killed by sunlight reflecting off of a disco ball.
Kate Beckinsdale was stunning as an acrobatic gypsy trying to save generations of her family from their badly conceived (in my opinion) bargain with the Church. It was never clear what her plan was for killing Dracula, as she knew that everything in her arsenal was ineffectual.
In all, a good movie. Not a spectacular box office success, but I do hope in a few years for a sequel or prequel built around Gabriel.
And I am in love with the Dracula in this movie. I'm sooo happy they didn't go the stereotypical route of "i vant to suck your blood" . I know some people hated it, but I found it so refreshing and humanizing how the character was portrayed in the film