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The Vegetarian Paperback – August 23, 2016
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“Ferocious.”—The New York Times Book Review (Ten Best Books of the Year)
“Both terrifying and terrific.”—Lauren Groff
“Provocative [and] shocking.”—The Washington Post
Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.
Celebrated by critics around the world, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.
One of the Best Books of the Year—BuzzFeed, Entertainment Weekly, Wall Street Journal, Time, Elle, The Economist, HuffPost, Slate, Bustle, The St. Louis Dispatch, Electric Literature, Publishers Weekly
- Print length208 pages
- LanguageEnglish
- PublisherHogarth
- Publication dateAugust 23, 2016
- Dimensions5.15 x 0.56 x 7.97 inches
- ISBN-109781101906118
- ISBN-13978-1101906118
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Editorial Reviews
Review
“[Han Kang] has been rightfully celebrated as a visionary in South Korea . . . Han’s glorious treatments of agency, personal choice, submission and subversion find form in the parable. . . . Ultimately, though, how could we not go back to Kafka? More than The Metamorphosis, Kafka’s journals and ‘A Hunger Artist’ haunt this text.”—Porochista Khakpour, New York Times Book Review
“Indebted to Kafka, this story of a South Korean woman’s radical transformation, which begins after she forsakes meat, will have you reading with your hand over your mouth in shock.”—O: The Oprah Magazine
“The Vegetarian has an eerie universality that gets under your skin and stays put irrespective of nation or gender.”—Laura Miller, Slate
“Slim and spiky and extremely disturbing . . . I find myself thinking about it weeks after I finished.” Jennifer Weiner, PopSugar
“It takes a gifted storyteller to get you feeling ill at ease in your own body. Yet Han Kang often set me squirming with her first novel in English, at once claustrophobic and transcendent.”—Chicago Tribune
"Compelling . . . [A] seamless union of the visceral and the surreal.”—Los Angeles Review of Books
“A complex, terrifying look at how seemingly simple decisions can affect multiple lives . . . In a world where women’s bodies are constantly under scrutiny, the protagonist’s desire to disappear inside of herself feels scarily familiar.”—Vanity Fair
“Elegant . . . a stripped-down, thoughtful narrative . . . about human psychology and physiology.”—HuffPost
“This elegant-yet-twisted horror story is all about power and its relationship with identity. It's chilling in the best ways, so buckle in and turn down the lights.”—Elle
“This haunting, original tale explores the eros, isolation and outer limits of a gripping metamorphosis that happens in plain sight. . . . Han Kang has written a remarkable novel with universal themes about isolation, obsession, duty and desire.”—Minneapolis Star Tribune
“Complex and strange . . . Han’s prose moves swiftly, riveted on the scene unfolding in a way that makes this story compulsively readable. . . . [The Vegetarian] demands you to ask important questions, and its vivid images will be hard to shake. This is a book that will stay with you.”—St. Louis Post-Dispatch
“Dark dreams, simmering tensions, chilling violence . . . This South Korean novel is a feast. . . . It is sensual, provocative and violent, ripe with potent images, startling colors and disturbing questions. . . . Sentence by sentence, The Vegetarian is an extraordinary experience.”—The Guardian
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Copyright © 2015 Han Kang
1
The Vegetarian
Before my wife turned vegetarian, I’d always thought of her as completely unremarkable in every way. To be frank, the first time I met her I wasn’t even attracted to her. Middling height; bobbed hair neither long nor short; jaundiced, sickly-looking skin; somewhat prominent cheekbones; her timid, sallow aspect told me all I needed to know. As she came up to the table where I was waiting, I couldn’t help but notice her shoes – the plainest black shoes imaginable. And that walk of hers – neither fast nor slow, striding nor mincing.
However, if there wasn’t any special attraction, nor did any particular drawbacks present themselves, and therefore there was no reason for the two of us not to get married. The passive personality of this woman in whom I could detect neither freshness nor charm, or anything especially refined, suited me down to the ground. There was no need to affect intellectual leanings in order to win her over, or to worry that she might be comparing me to the preening men who pose in fashion catalogues, and she didn’t get worked up if I happened to be late for one of our meetings. The paunch that started appearing in my mid-twenties, my skinny legs and forearms that steadfastly refused to bulk up in spite of my best efforts, the inferiority complex I used to have about the size of my penis – I could rest assured that I wouldn’t have to fret about such things on her account.
I’ve always inclined towards the middle course in life. At school I chose to boss around those who were two or three years my junior, and with whom I could act the ringleader, rather than take my chances with those my own age, and later I chose which college to apply to based on my chances of obtaining a scholarship large enough for my needs. Ultimately, I settled for a job where I would be provided with a decent monthly salary in return for diligently carrying out my allotted tasks, at a company whose small size meant they would value my unremarkable skills. And so it was only natural that I would marry the most run-of-the-mill woman in the world. As for women who were pretty, intelligent, strikingly sensual, the daughters of rich families – they would only ever have served to disrupt my carefully ordered existence.
In keeping with my expectations, she made for a completely ordinary wife who went about things without any distasteful frivolousness. Every morning she got up at six a.m. to prepare rice and soup, and usually a bit of fish. From adolescence she’d contributed to her family’s income through the odd bit of part-time work. She ended up with a job as an assistant instructor at the computer graphics college she’d attended for a year, and was subcontracted by a manhwa publisher to work on the words for their speech bubbles, which she could do from home.
She was a woman of few words. It was rare for her to demand anything of me, and however late I was in getting home she never took it upon herself to kick up a fuss. Even when our days off happened to coincide, it wouldn’t occur to her to suggest we go out somewhere together. While I idled the afternoon away, TV remote in hand, she would shut herself up in her room. More than likely she would spend the time reading, which was practically her only hobby. For some unfathomable reason, reading was something she was able to really immerse herself in – reading books that looked so dull I couldn’t even bring myself to so much as take a look inside the covers. Only at mealtimes would she open the door and silently emerge to prepare the food. To be sure, that kind of wife, and that kind of lifestyle, did mean that I was unlikely to find my days particularly stimulating. On the other hand, if I’d had one of those wives whose phones ring on and off all day long with calls from friends or co-workers, or whose nagging periodically leads to screaming rows with their husbands, I would have been grateful when she finally wore herself out.
The only respect in which my wife was at all unusual was that she didn’t like wearing a bra. When I was a young man barely out of adolescence, and my wife and I were dating, I happened to put my hand on her back only to find that I couldn’t feel a bra strap under her sweater, and when I realized what this meant I became quite aroused. In order to judge whether she might possibly have been trying to tell me something, I spent a minute or two looking at her through new eyes, studying her attitude. The outcome of my studies was that she wasn’t, in fact, trying to send any kind of signal. So if not, was it laziness, or just a sheer lack of concern? I couldn’t get my head round it. It wasn’t even as though she had shapely breasts which might suit the ‘no-bra look’. I would have preferred her to go around wearing one that was thickly padded, so that I could save face in front of my acquaintances.
Even in the summer, when I managed to persuade her to wear one for a while, she’d have it unhooked barely a minute after leaving the house. The undone hook would be clearly visible under her thin, light-coloured tops, but she wasn’t remotely concerned. I tried reproaching her, lecturing her to layer up with a vest instead of a bra in that sultry heat. She tried to justify herself by saying that she couldn’t stand wearing a bra because of the way it squeezed her breasts, and that I’d never worn one myself so I couldn’t understand how constricting it felt. Nevertheless, considering I knew for a fact that there were plenty of other women who, unlike her, didn’t have anything particularly against bras, I began to have doubts about this hypersensitivity of hers.
In all other respects, the course of our our married life ran smoothly. We were approaching the five-year mark, and since we were never madly in love to begin with we were able to avoid falling into that stage of weariness and boredom that can otherwise turn married life into a trial. The only thing was, because we’d decided to put off trying for children until we’d managed to secure a place of our own, which had only happened last autumn, I sometimes wondered whether I would ever get to hear the reassuring sound of a child gurgling ‘dada’, and meaning me. Until a certain day last February, when I came across my wife standing in the kitchen at day-break in just her nightclothes, I had never considered the possibility that our life together might undergo such an appalling change.
‘What are you doing standing there?’
I’d been about to switch on the bathroom light when I was brought up short. It was around four in the morning, and I’d woken up with a raging thirst from the bottle and a half of soju I’d had with dinner, which also meant I was taking longer to come to my senses than usual.
‘Hello? I asked what you’re doing?’
It was cold enough as it was, but the sight of my wife was even more chilling. Any lingering alcohol-induced drowsiness swiftly passed. She was standing, motionless, in front of the fridge. Her face was submerged in the darkness so I couldn’t make out her expression, but the potential options all filled me with fear. Her thick, naturally black hair was fluffed up, dishevelled, and she was wearing her usual white ankle-length nightdress.
On such a night, my wife would ordinarily have hurriedly slipped on a cardigan and searched for her towelling slippers. How long might she have been standing there like that – barefoot, in thin summer nightwear, ramrod straight as though perfectly oblivious to my repeated interrogation? Her face was turned away from me, and she was standing there so unnaturally still it was almost as if she were some kind of ghost, silently standing its ground.
What was going on? If she couldn’t hear me then perhaps that meant she was sleepwalking.
I went towards her, craning my neck to try and get a look at her face.
‘Why are you standing there like that? What’s going on . . .’
When I put my hand on her shoulder I was surprised by her complete lack of reaction. I had no doubt that I was in my right mind and all this was really happening; I had been fully conscious of everything I had done since emerging from the living room, asking her what she was doing, and moving towards her. She was the one standing there completely unresponsive, as though lost in her own world. It was like those rare occasions when, absorbed in a late-night TV drama, she’d failed to notice me arriving home. But what could there be to absorb her attention in the pale gleam of the fridge’s white door, in the pitch-black kitchen at four in the morning?
‘Hey!’
Her profile swam towards me out of the darkness. I took in her eyes, bright but not feverish, as her lips slowly parted.
‘. . . I had a dream.’
Her voice was surprisingly clear.
‘A dream? What the hell are you talking about? Do you know what time it is?’
She turned so that her body was facing me, then slowly walked off through the open door into the living room. As she entered the room she stretched out her foot and calmly pushed the door to. I was left alone in the dark kitchen, looking helplessly on as her retreating figure was swallowed up through the door.
I turned on the bathroom light and went in. The cold snap had continued for several days now, consistently hovering around -10°C. I’d showered only a few hours ago, so my plastic shower slippers were still cold and damp. The loneliness of this cruel season began to make itself felt, seeping from the black opening of the ventilation fan above the bath, leaching out of the white tiles covering the floor and walls.
When I went back into the living room my wife was lying down, her legs curled up to her chest, the silence so weighted I might as well have been alone in the room. Of course, this was just my fancy. If I stood perfectly still, held my breath and strained to listen, I was able to hear the faintest sound of breathing coming from where she lay. Yet it didn’t sound like the deep, regular breathing of someone who has fallen asleep. I could have reached out to her, and my hand would have encountered her warm skin. But for some reason I found myself unable to touch her. I didn’t even want to reach out to her with words.
For the few moments immediately after I opened my eyes the next morning, when reality had yet to assume its usual concreteness, I lay with the quilt wrapped about me, absent-mindedly assessing the quality of the winter sunshine as it filtered into the room through the white curtain. In the middle of this fit of abstraction I happened to glance at the wall clock and jumped up the instant I saw the time, kicked the door open and hurried out of the room. My wife was in front of the fridge.
‘Are you crazy? Why didn’t you wake me up? What time is . . .’
Something squashed under my foot, stopping me in mid-sentence. I couldn’t believe my eyes.
She was crouching, still wearing her nightclothes, her dishevelled, tangled hair a shapeless mass around her face. Around her, the kitchen floor was covered with plastic bags and airtight containers, scattered all over so that there was nowhere I could put my feet without treading on them. Beef for shabu-shabu, belly pork, two sides of black beef shin, some squid in a vacuum-packed bag, sliced eel that my mother-in-law had sent us from the countryside ages ago, dried croaker tied with yellow string, unopened packs of frozen dumplings and endless bundles of unidentified stuff dragged from the depths of the fridge. There was a rustling sound; my wife was busy putting the things around her one by one into black rubbish bags. Eventually I lost control.
‘What the hell are you up to now?’ I shouted.
She kept on putting the parcels of meat into the rubbish bags, seemingly no more aware of my existence than she had been last night. Beef and pork, pieces of chicken, at least 200,000-won worth of saltwater eel.
‘Have you lost your mind? Why on earth are you throwing all this stuff out?’
I hurriedly stumbled my way through the plastic bags and grabbed her wrist, trying to prise the bags from her grip. Stunned to find her fiercely tugging back against me, I almost faltered for a moment, but my outrage soon gave me the strength to overpower her. Massaging her reddened wrist, she spoke in the same ordinary, calm tone of voice she’d used before.
‘I had a dream.’
Those words again. Her expression as she looked at me was perfectly composed. Just then my mobile rang.
‘Damn it!’
I started to fumble through the pockets of my coat, which I’d tossed onto the living room sofa the previous evening. Finally, in the last inside pocket, my fingers closed around my recalcitrant phone.
‘I’m sorry. Something’s come up, an urgent family matter, so . . . I’m very sorry. I’ll be there as quickly as possible. No, I’m going to leave right now. It’s just . . . no, I couldn’t possibly have you do that. Please wait just a little longer. I’m very sorry. Yes, I really can’t talk right now . . .’
I flipped my phone shut and dashed into the bathroom, where I shaved so hurriedly that I cut myself in two places.
‘Haven’t you even ironed my white shirt?’
There was no answer. I splashed water on myself and rummaged in the laundry basket, searching for yesterday’s shirt. Luckily it wasn’t too creased. Not once did my wife bother to peer out from the kitchen in the time it took me to get ready, slinging my tie round my neck like a scarf, pulling on my socks, and getting my notebook and wallet together. In the five years we’d been married this was the first time I’d had to go to work without her handing me my things and seeing me off.
‘You’re insane! You’ve completely lost it.’
I crammed my feet into my recently purchased shoes, which were too narrow and pinched uncomfortably, threw open the front door and ran out. I checked whether the lift was going to go all the way up to the top floor, and then dashed down three flights of stairs. Only once I’d managed to jump on the underground train as it was just about to leave did I have time to take in my appearance, reflected in the dark carriage window. I ran my fingers through my hair, did up my tie, and attempted to smooth out the creases in my shirt. My wife’s unnaturally serene face, her incongruously firm voice, surfaced in my mind.
I had a dream – she’d said that twice now. Beyond the window, in the dark tunnel, her face flitted by – her face, but unfamiliar, as though I was seeing it for the first time. However, as I had thirty minutes in which to concoct an excuse for my client that would justify my lateness, as well as putting together a draft proposal for today’s meeting, there was no time for mulling over the strange behaviour of my even-stranger wife. Having said that, I told myself that somehow or other I had to leave the office early today (never mind that in the several months since I’d switched to my new position there hadn’t been a single day where I’d got off before midnight), and steeled myself for a confrontation.
Dark woods. No people. The sharp-pointed leaves on the trees, my torn feet. This place, almost remembered, but I’m lost now. Frightened. Cold. Across the frozen ravine, a red barn-like building. Straw matting flapping limp across the door. Roll it up and I’m inside, it’s inside. A long bamboo stick strung with great blood-red gashes of meat, blood still dripping down. Try to push past but the meat, there’s no end to the meat, and no exit. Blood in my mouth, blood-soaked clothes sucked onto my skin.
Somehow a way out. Running, running through the valley, then suddenly the woods open out. Trees thick with leaves, springtime’s green light. Families picnicking, little children running about, and that smell, that delicious smell. Almost painfully vivid. The babbling stream, people spreading out rush mats to sit on, snacking on kimbap. Barbecuing meat, the sounds of singing and happy laughter.
But the fear. My clothes still wet with blood. Hide, hide behind the trees. Crouch down, don’t let anybody see. My bloody hands. My bloody mouth. In that barn, what had I done? Pushed that red raw mass into my mouth, felt it squish against my gums, the roof of my mouth, slick with crimson blood.
Chewing on something that felt so real, but couldn’t have been, it couldn’t. My face, the look in my eyes . . . my face, undoubtedly, but never seen before. Or no, not mine, but so familiar. . . nothing makes sense. Familiar and yet not . . . that vivid, strange, horribly uncanny feeling.
On the dining table my wife had laid out lettuce and soybean paste, plain seaweed soup without the usual beef or clams, and kimchi.
‘What the hell? So all because of some ridiculous dream, you’ve gone and chucked out all the meat? Worth how much?’
I got up from my chair and opened the freezer. It was practically empty – nothing but miso powder, chilli powder, frozen fresh chillies, and a pack of minced garlic.
‘Just make me some fried eggs. I’m really tired today. I didn’t even get to have a proper lunch.’
‘I threw the eggs out as well.’
‘What?’
‘And I’ve given up milk too.’
‘This is unbelievable. You’re telling me not to eat meat?’
‘I couldn’t let those things stay in the fridge. It wouldn’t be right.’
How on earth could she be so self-centred? I stared at her lowered eyes, her expression of cool self-possession. The very idea that there should be this other side to her, one where she selfishly did as she pleased, was astonishing. Who would have thought she could be so unreasonable?
‘So you’re saying that from now on, there’ll be no meat in this house?’
‘Well, after all, you usually only eat breakfast at home. And I suppose you often have meat with your lunch and dinner, so . . . it’s not as if you’ll die if you go without meat just for one meal.’
Her reply was so methodical, it was as if she thought that this ridiculous decision of hers was something completely rational and appropriate.
‘Oh good, so that’s me sorted then. And what about you? You’re claiming that you’re not going to eat meat at all from now on?’ She nodded. ‘Oh, really? Until when?
‘I suppose . . . forever.’
I was lost for words, though at the same time I was aware that choosing a vegetarian diet wasn’t quite so rare as it had been in the past. People turn vegetarian for all sorts of reasons: to try and alter their genetic predisposition towards certain allergies, for example, or else because it’s seen as more environmentally friendly not to eat meat. Of course, Buddhist priests who have taken certain vows are morally obliged not to participate in the destruction of life, but surely not even impressionable young girls take it quite that far. As far as I was concerned, the only reasonable grounds for altering one’s eating habits were the desire to lose weight, an attempt to alleviate certain physical ailments, being possessed by an evil spirit, or having your sleep disturbed by indigestion. In any other case, it was nothing but sheer obstinacy for a wife to go against her husband’s wishes as mine had done.
If you’d said that my wife had always been faintly nauseated by meat, then I could have understood it, but in reality it was quite the opposite – ever since we’d got married she had proved herself a more than competent cook, and I’d always been impressed by her way with food. Tongs in one hand and a large pair of scissors in the other, she’d flipped rib meat in a sizzling pan whilst snipping it into bite-sized pieces, her movements deft and practised. Her fragrant, caramelised deep-fried belly pork was achieved by marinating the meat in minced ginger and glutinous starch syrup. Her signature dish had been wafer-thin slices of beef seasoned with black pepper and sesame oil, then coated with sticky rice powder as generously as you would with rice cakes or pancakes, and dipped in bubbling shabu-shabu broth. She’d made bibimbap with bean sprouts, minced beef, and pre-soaked rice stir-fried in sesame oil. There had also been a thick chicken and duck soup with large chunks of potato, and a spicy broth packed full of tender clams and mussels, of which I could happily polish off three helpings in a single sitting.
What I was presented with now was a sorry excuse for a meal. Her chair pulled back at an angle, my wife spooned up some seaweed soup, which was quite clearly going to taste of water and nothing else. She balanced rice and soybean paste on a lettuce leaf, then bundled the wrap into her mouth and chewed it slowly.
I just couldn’t understand her. Only then did I realize: I really didn’t have a clue when it came to this woman.
‘Not eating?’ she asked absent-mindedly, for all the world like some middle-aged woman addressing her grown-up son. I sat in silence, steadfastly uninterested in this poor excuse for a meal, crunching on kimchi for what felt like an age.
Product details
- ASIN : 1101906111
- Publisher : Hogarth; Reprint edition (August 23, 2016)
- Language : English
- Paperback : 208 pages
- ISBN-10 : 9781101906118
- ISBN-13 : 978-1101906118
- Item Weight : 6.4 ounces
- Dimensions : 5.15 x 0.56 x 7.97 inches
- Best Sellers Rank: #23,534 in Books (See Top 100 in Books)
- #179 in Cultural Heritage Fiction
- #736 in Psychological Fiction (Books)
- #2,327 in Literary Fiction (Books)
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The Vegetarian a Korean novel written by Han Kang, is a story that shows the main character’s, Yong-hye, journey after deciding to become vegetarian. Though it is her story, the book only contains the points of view of the people around her. Separated into three parts, it starts with the moment she makes her decision. Told by her husband, Mr. Cheong. He describes what he thought of his wife in detail, before and after the life-changing events. Part 2, Yong-hye’s brother-in-law's point of view shows his obsession with wanting to film a certain side of Yong-hye, and now his obsession starts to affect his family. The ending of part two sets up the thoughts and feelings of the last point of view, Yong-hye’s sister In-hye. In-hye is left to care for her sister after she is abandoned by everyone around her and placed into a mental hospital.
Yong-hye’s true thoughts are never shown, besides the dream she explain to her husband that started her change. Her words and actions show only a glimpse of what is going on in her head, which is hidden from the reader just like it is hidden from her family. Han Kang probably wanted to write this story to show the inner workings of a Korean family when dealing with a mental illness. In Korea, like in many other places mental illness is not easily accepted; it is even refused to be accepted by the ones affected by it. Causing a problem big or small in a relationship it's frowned upon disregarding what your parents elders and partner stays is utterly disrespectful in Korean culture if there is no love that the relationship should be treated as a business you have to play your part wanted to show how this is all destroyed by the mere action of not eating meat
I enjoyed reading this sort of story after randomly coming across the short and simple plot was enough to get me started. I soon realized that it was more than what I expected to be this novel to be more than just getting to see how this affects a Korean family it shows how the people who seem the most composed on the outside are lost and a mess on the inside, whether it be from themselves or others, they can't seem to find a solution. Being referred to as insane, is just a measurement of how well you fooled others to think you were okay, because even you know you are not okay.
One character who shared his confusion the most is Mr.Cheong. He was the first one that noticed the change in his wife. Knowing her as just an ordinary women who, goes along with what he says, and seeing her make a decision disregarding his opinion was a lot to handle. He wasn’t afraid to tell her that she had gone insane. His reaction to this is understandable because he knew her one way for a longtime. “If the hints of hysteria, delusion, weak nerves and so on, that I thought I could detect in what she said, ended up leading to something more?” This showed how much Mr.Cheong feared the woman he called his wife. By this point, she was a completely different person to him.
The other character completely lost with the situation is In-hye, the older sister. She has known Yong-hye far longer than most, so she feels she knows who Yong-hye is. Seeing the events that happened after the family dinner just proved her wrong. Yong-hye has put on a strong face since she was little, and In-hye didn’t see through it. “Dreams...and I could let myself dissolve into them, let them take me over...but surely the dream isn’t all there is?” In-hye does not want Yong-hye to continue what she is doing. She wants to make herself believe that it is all a dream. A part of her understands Yong-hye, but the recent events can’t let her share that. The only thing she wants is for Yong-hye to go back to ‘the way she was.’
The book overall did a good job in telling the story jumping from points of views, but still getting the information the reader wants and needs. The only thing that I did not like about the book was the fact that we never got to see the point of view of Yong-hye. The only parts that we get close to hearing her thoughts is when she is describing her dreams, but that is still the husband's point of view. I wanted to know more about what she was thinking and how her mind got to this point. I feel just like the other characters, trying to find out why Yong-hye is like this, without being able to talk to her. It is amazing to think that the characters lives could all have been much different if the dream never came to Yong-hye, but I still think it would all have come to this. They don’t understand Yong-hye because they don’t know her, they only claim to. Yong-hye’s wish of being a tree shows how she dislikes being a human, and the ones around her are part of that reason. If you don’t mind the images that Yong-hye paints in the readers head, much like the images her brother-in-law draws, you can try and understand the pain Yong-he feels in her chest and how she wants to break free.
I am a vegetarian and so of course the title caught my attention. I have honestly never really examined the fact of my vegetarianism very much, it just is and I am fortunate to live in a family and a country that thinks nothing much of my choice. The notion that someone becoming a vegetarian could be so radical was fascinating to me. The further notion that this decision, prompted by a dream, could be the catalyst for a deepening mental illness was mind-blowing. I think that is why for the first two-thirds of the book I never really thought that Yeong-hye was insane. How is it possible that your failure to conform with majority view makes you crazy? Heck, I think that lack of conformity is what the United States was, in part, built on. Maybe that is what this book is about? Maybe it is a commentary on South Korean society and the expectations for conformity therein – but I am honestly not sure.
While I did think some about conformity and submission and acquiescence to our fate and Yeong-hye’s rejection of all that. I was mostly struck by how base we all are. We are so animalistic and needy and selfish and some of us reign that in better than others. Han Kang gives us a front row seat to all of those thoughts as they run through the minds of the three main point-of-view characters in the book – Yeong-hye’s husband Mr. Cheong, her brother-in-law and her sister, In-hye. Those thoughts are sexual, sensual, morbid, sad, selfish and violent. There seem to be no happy thoughts. I think we all have dark thoughts at times, but this is exceptional and it made me wonder if this is the product of a post-Christian world, or the decline in birth rates in Korea that exemplifies a lack of hopefulness in a nation. Perhaps it is as simple as the people in this novel are messed up – they are sad and ill and lost.
I devoured the first two-thirds of this book. I was desperate to see what happened to Yeong-hye. I was disappointed in the last third of the book – it was slow and gave me a conclusion that I did not really want. As I finished the last page I was dissatisfied with the ending. I felt cheated out of a resolution that I felt the book had been promising. But then I realized, just as the book had been telling me all along, life is messy. There are no neat and tidy endings. Everything is more complicated than it seems. It also often more simple – sometimes we just need someone to really hear us, to see us, to accept our strange non-conformity with a simple acknowledgment that we are all strange, weird and dark in own ways and that we all long to give into it even when everyone tells us to fight against it.
Top reviews from other countries
Before the nightmare, Yeong-hye and her husband lived an ordinary life. But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more “plant-like” existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hye—impossibly, ecstatically, tragically—far from her once-known self altogether.
First of all, I have to admit that at first I just didn't get this book. It was disturbing enough that I kept reading but it wasn't what I was expecting at all and when I put the book down I was very confused. It wasn't until after I had done a bit of research and read about what Han Kang was trying to get at that I really began to appreciate all the themes in this story. You're not supposed to understand everything that happens here and if you go looking for a "right" answer to everything then you've missed the point entirely.
Told from three different perspectives, we see Yeong-hye descend into a sort of quiet madness through the eyes of her husband, her best friend and said friend's husband. Each chapter is very distinct and we get a glimpse at the inner workings of this family that once seemed "normal" from the outside. Kang shows us how our inner demons can haunt us and what happens when they finally break loose. There's conflict between father and daughter, husband and wife, sister and sister. Through these relationships and conflicts we are given a glimpse into Korean culture. Of course, this book is not representative of all Korean culture (I would be pretty worried if it did), but it certainly makes you aware of some of the stark cultural differences between the East and the West. Being half Chinese myself, I can imagine that turning vegetarian could actually have such a huge impact on your family.
The plot seems a little surreal at times and the writing can be rather abstract. The imagery is disturbing and yet beautiful all at once. Kang weaves together these two notions, completely captivating the reader and compelling you to read on even though alarm bells are ringing at the back of your brain. Reading The Vegetarian almost brings you into a trance-like state, much like the leading character herself, Yeong-hye.
Finally, I must say that The Vegetarian isn't for the faint hearted or the squeamish. Whilst I wouldn't go quite so far as to say there are "gory" parts, there were a couple of passages that made my stomach squirm. Make no mistake, this story isn't the happy story of how a woman moved towards a plant based diet - it is dark, it is disturbing, it is distressing. Kang's description of the protagonist through the eyes of her narrators is frighteningly compelling and it's certainly not a book I'll be forgetting anytime soon.
It is split into three parts. In the first a Korean business man tells of his wife becoming a vegetarian. He is a man without empathy for his wife in a marriage of convenience. That is all she is to him, his wife, and his only concern as she spirals towards anorexia is that she is no longer fulfilling the role of being his wife in his professional life.
The second section is written in the third person, from the viewpoint of a rich, spoilt artist who never grew up and who is obsessed by his sister in law, or more specifically, her birth mark. He is desperate to paint on her naked body. The sister in law onto whom he is literally projecting his desires is the wife of the first section, who along the way we have learned is called Yeong-hye.
In the final section, again told in the third person, the artist's ex-wife, In-hye, visits her sister in a mental institution, where she is deep within a form of anorexia, and reflects on her own life in the mirror of Yeong-hye.
The vegetarian is about a lot of things, it is about the place of and expectations placed on women in a male dominated society. It is about the roles demanded of women by that society. It is a book which is both extremely direct in its imagery, the artist painting on the canvas of Yeong-hye's body, and extremely obscure. I still don't think I've fully grasped everything that author Han Kang is saying.
I started by saying that this isn't a pleasant book,but it is utterly gripping, fiercely intelligent, deeply challenging, and highly rewarding.
There is so much going on in this book, so much that is unsaid, so much that is left for the reader to decide. It is a book about men and women—men using women to further their own goals. It is a book about families breaking apart and coming together. It is a book about human connection and the lack thereof.
It is a book about mental health, about a descent into madness. There is a dreamlike quality to it, but the language is precise and objective (often reminding me of Hilary Mantel or Angel Carter). As one of the characters seems to lose her grip on reality, readers find themselves more and more grounded in reality. Strangely, this is unsettling rather than reassuring.
The Vegetarian is beautiful and sad, exquisite and gut-wrenching, terrifying and ultimately redemptive. It is one of those books that will come back to me in those strange moments when images from books I've weave themselves into the threads of my wandering thoughts.
*Rape, Abuse, Anorexia*
I feel icky that is the only way to explain my response on finishing this book.
You are not meant to like this book thats why it still gets 5 stars its meant to be voyeuristic and weird and is a syle choice of the author to get the point across.
This book is so beautifully written and elicits such a visceral response it was impossible to put down until I read the entire thing!
This book is based on the myth of Daphne and Apollo and therefor I was not expecting anything other than a disturbing story line. However, the points of view of the people inflicting suffering on Yeong-Hye is horrific. The exploration of violence, madness and patriarchy is startling but needed. I'm not sure if I would tell people to go read this book but if you want to read something and like the sound of the review it is an incredible book.
This book is odd. I can't skirt around that issue. You will either love this book or you will detest it; and I can see both sides of view. I, personally, quite liked this.
Just a background to this story: arranged marriage is somewhat common in South Korea, though this is mostly in rural areas than anything else. Women and men have traditional gender roles and women are expected to be obedient to the men in their lives (husband, father etc). Vegetarianism is still not a common practice. This is a very general background and, of course, does not apply to all South Koreans.
The book, on the outside, looks at one woman's choice to become a vegetarian, but really it is about mental illness and the constraints of society on a woman. It examines the impact of mental illness of the people around the woman rather than of the woman itself.
The book is written in 3 sections and each section tells the story from the perspective of someone connected to Yeong-hye (the main character).
It starts with Yeong-hye's husband and his initial reaction to her desire to become vegetarian. Her actions and refusal to obey her husband and father see her break social norms and she becomes somewhat of an outcast. The narrative here is rather easy to read and a part of me felt for her husband, initially.
The second section is written from the perspective of Yeong-hye's brother-in-law who develops an unhealthy obsession with Yeong-hye after her admittance to a psychiatric hospital. I saw real parallels between his obsession of Yeong-hye and Yeong-hye's obsession with trees and flowers. This part of the book is erotic and looks at the exploitation of Yeong-hye mental state.
The third section is written from the perspective of Yeong-hye's sister. It is such a depressing and dreary read that sees the aftermath of Yeong-hye's illness on her family. I think it is quite fitting and it is here that I realised that the narrative over the 3 sections gradually became darker and more difficult to process. This, to some degree, mirrors the erosion of Yeong-hye mental state.
I love how this book was written, but the ending really spoilt it for me. I didn't really understand it and did not answer any questions I had.

















