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Vernon God Little: A 21st Century Comedy in the Presence of Death (Man Booker Prize) Hardcover – January 1, 2003
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Amazon.com Review
Vernon God Little is a daring novel and demands a patient reader, not because it is challenging to read--Pierre's prose flows effortlessly, only occasionally slipping from the unmistakable voice of his hero--but because the book skates so precariously between the almost taboo subject of school violence and the literary gamesmanship of postmodern fiction. Yet, as the novel unfolds, Pierre's parodic version of American culture never crosses the line into caricature, even when it climaxes in a death-row reality TV show. And Vernon, whose cynicism and smart-ass "learnings" give way to a poignant curiosity about the meaning of life, becomes a fully human, profoundly sympathetic character. --Patrick O'Kelley
From Publishers Weekly
Copyright 2003 Reed Business Information, Inc.
From Booklist
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Review
"A scabrously funny debut...Pierre has channeled the most afflicted and endearing hero since Rushmore's Max Fischer." -- Entertainment Weekly, September 29, 2003
"Vernon God Little brings its timeless, twisted young protagonist to the front of an illustrious class." -- Time Out New York, October 27, 2003
"Vernon Little's polymorphous voice is the star of the novel...his simmeringly funny monologue [has] the scent of cracked poetry." -- Los Angeles Times, September 26, 2003
"Vernon has a gift for wordplay that would keep the shade of James Joyce amused." -- Boston Globe, October 26, 2003
DBC Pierre has a fiendish sense of humour, never turning down an opportunity to wrongfoot us. -- The Guardian (London), February 1, 2003
This is a book about finding the good in yourself and in other people. -- The Independent (London), February 3, 2003
This is quite a debut. -- The Times (London), January 18, 2003
- Print length279 pages
- LanguageEnglish
- PublisherCanongate Books Ltd
- Publication dateJanuary 1, 2003
- Dimensions6 x 1.25 x 8.5 inches
- ISBN-101841954608
- ISBN-13978-1841954608
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Product details
- Publisher : Canongate Books Ltd; First Edition (January 1, 2003)
- Language : English
- Hardcover : 279 pages
- ISBN-10 : 1841954608
- ISBN-13 : 978-1841954608
- Item Weight : 15.2 ounces
- Dimensions : 6 x 1.25 x 8.5 inches
- Best Sellers Rank: #2,073,286 in Books (See Top 100 in Books)
- #94,165 in American Literature (Books)
- Customer Reviews:
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About the authors

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DBC Pierre was a late surprise or an accident (depending on who you ask), for a bomber-pilot-turned-scientist, and an air-traffic-controller-turned-pianist with an all-female swing band, in Australia in 1961. Barely two years later, Pierre's father (who had christened him Peter, though it didn't stick past his teens) shot a picture of his child in Washington, USA, for the cover of Pierre's first novel, Vernon God Little, which went on to win the Man Booker Prize.
Except his father hadn't known where the picture would end up, and it took thirty-six more years for Pierre to write the novel, or to even realise he had to write a novel. In those intervening years he had grown up in Mexico - or had made an unconvincing attempt at it - had lived in half a dozen countries besides, had gotten into trouble and gotten back out of it, had been a cartoonist, a photographer, a designer and filmmaker, had been sniped with a gun by his neighbour (they were friends after that), had virtually died in a terrible car accident, and had been bitten by a vampire bat. And that all generated a pile of observations and feelings.
All that combustion has to go somewhere, so it goes into books. Pierre takes special pleasure in breathing life into his writing, all the curious laws of personal physics, of mad contemporary life, that nobody can really explain; and he particularly loves the magical meeting of minds between writer and reader, sharing adventures together in silence.
There's a corner on a street at sundown, a spat at a battered table, an epiphany after some dusty caper resolves in one of his works - where he hopes to meet you too.

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Moments after the shooter, his best buddy, turns the gun on himself, Vernon is pinned as an accomplice. Out for revenge are the townspeople, the cable news networks, and Deputy Vain Gurie, a woman whose zeal for the Pritikin diet is eclipsed only by her appetite for barbecued ribs from the Bar-B-Chew Barn. So Vernon does what any red-blooded American teenager would do: he takes of for Mexico.
I like this book because the author needs few words to characterize the 'white trash' background and to describe the feelings of Vernon who is about to be accused of murder.
If nothing else, this book reads like an engrossing mystery novel. One thing though: the novel doesn't ask much intellectual firepower to read it but is that so bad?
Learning that this book has won a major literary prize and gotten showered with accolades, makes me feel like that annoying guy. It's a coming-of-age novel that has been compared to "Catcher in the Rye", as these kinds of books invariably do. Yes, if Salinger had been bedridden for years and force fed a steady diet of American TV. It's that bad.
Vernon God Little is a teenager who has gotten mixed up in a school shooting by his best friend, now dead. He lives in one of those strenuously wacky Southern towns that only occur in literature such as this and Hollywood movies. Everyone is overweight, talks in slang, has a colorful name, and is a few sandwiches short of a picnic. Ha ha. Aren't Americans trashy? This is not exactly new news, and cariactures may be amusing but don't make a lasting impression on the reader, at least not this one.
Little's clumsy attempts to clear his name all backfire and he winds up on death row. There, he suddenly gets fed a heavy dose of life lessons. Does he die? If you make it to the end, you'll find out, but by then you might be exasperated with the book.
Authors like Jodi Picoult, who recently came out with a school shooting novel, clearly have done their homework and interviewed people who were actually involved. Although their books are fiction, they are based on real events and sound authentic.
Also there were no real sympathetic characters, unless you counted the dimbulb blond girl who liked sex. The deceased school shooter sounded as if he might have been an interesting character to flesh out more, but he remained as sketchy as the rest. The genius of "Catcher," as dated as the slang is now is the lasting impact of Holden's desire for human connection. He loved his mom, as clueless as she was, whereas Vernon regards everything his poor one does as a "knife in his back." While this may be accurate, it wound up making me more sympathetic toward his mom, not him.
When this novel won the Booker it got my attention. But then I saw most of the critics panned it (e.g. NY Times), so I put if off. Recently I decided the critics might be wrong so I read (suffered through) the whole book.
The author mixes Holden Caulfield and Beavis, and throws in pinches of Columbine and America the Great Satan. But that could have been an interesting combo. The reason this book blows is it's poorly written. For instance, in trying to ridicule Texan intellect, he has one if his characters mispronounce a big word. But then being so pleased with this great notion, he goes into malaprop overdrive and does it again and again. OK, it was slightly humorous the first time, but must we be beaten upon the head and shoulders?
And then there's the trial. No one says an author has to accurately portray a real trial (Kafka's "The Trial" is one of my favorite books, and that trial sure wasn't a model of verisimilitude). But this author didn't even do the minimum legal research to craft a decent parody.
I kept hoping that the critics were wrong and the Booker committee was right.
Not.
If you love to waste money, but this book.
Top reviews from other countries
No complaints here!
Poignant too.








