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The View from the Cheap Seats: Selected Nonfiction Paperback – May 16, 2017
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An enthralling collection of nonfiction essays on a myriad of topics—from art and artists to dreams, myths, and memories—observed in #1 New York Times bestselling author Neil Gaiman’s probing, amusing, and distinctive style.
An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his bestselling fiction. Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.
Insightful, incisive, witty, and wise, The View from the Cheap Seats explores the issues and subjects that matter most to Neil Gaiman—offering a glimpse into the head and heart of one of the most acclaimed, beloved, and influential artists of our time.
- Print length544 pages
- LanguageEnglish
- PublisherWilliam Morrow Paperbacks
- Publication dateMay 16, 2017
- Dimensions1 x 5.2 x 7.9 inches
- ISBN-100062262270
- ISBN-13978-0062262271
- Lexile measure1140L
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“Gaiman’s prose reveals the relaxed intimacy of a cherished dinner partner and never loses sight of the big picture. . . . Highly recommended for readers of Gaiman’s work, specifically, and sf and fantasy generally, as well as those interested in cultural criticism and the art and craft of writing.” — Library Journal (starred review) on THE VIEW FROM THE CHEAP SEATS
“Full of devotion and erudition, this is also a glorious love-letter to reading, to writing, to dreaming, to an entire genre.” — Junot Díaz, Pulitzer Prize-winning author of THE BRIEF WONDROUS LIFE OF OSCAR WAO on THE VIEW FROM THE CHEAP SEATS
“If this book came to you during a despairing night, by dawn you would believe in ideas and hope and humans again. This is a beautiful, beautiful book.” — Caitlin Moran, journalist and New York Times bestselling author of How to Build a Girl
From the Back Cover
A fascinating collection of nonfiction pieces on myriad topics observed in award-winning, #1 New York Times bestselling author Neil Gaiman’s probing, amusing, and distinctive style.
Analytical yet playful, erudite yet accessible, these essays explore a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the touching title piece, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.
As Neil explains, “This book is not ‘the complete nonfiction of Neil Gaiman.’ It is, instead, a motley bunch of speeches and articles, introductions and essays. Some of them are serious and some of them are frivolous and some of them are earnest and some of them I wrote to try and make people listen.”
Illuminating and incisive, The View from the Cheap Seats explores some of the issues, subjects, and people that matter most to Neil Gaiman—and offers a unique glimpse into the mind of one of the most beloved and influential writers of our time.
About the Author
Neil Gaiman is a #1 New York Times bestselling author of books for children and adults whose award-winning titles include Norse Mythology, American Gods, The Graveyard Book, Good Omens (with Terry Pratchett), Coraline, and The Sandman graphic novels. Neil Gaiman is a Goodwill Ambassador for UNHCR and Professor in the Arts at Bard College.
Product details
- Publisher : William Morrow Paperbacks; Reprint edition (May 16, 2017)
- Language : English
- Paperback : 544 pages
- ISBN-10 : 0062262270
- ISBN-13 : 978-0062262271
- Lexile measure : 1140L
- Item Weight : 12.8 ounces
- Dimensions : 1 x 5.2 x 7.9 inches
- Best Sellers Rank: #424,951 in Books (See Top 100 in Books)
- #42 in Literary Speeches
- #315 in British & Irish Literature
- #16,098 in Literary Fiction (Books)
- Customer Reviews:
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About the author

Neil Gaiman is the #1 New York Times bestselling author of more than twenty books, including Norse Mythology, Neverwhere, and The Graveyard Book. Among his numerous literary awards are the Newbery and Carnegie medals, and the Hugo, Nebula, World Fantasy, and Will Eisner awards. He is a Professor in the Arts at Bard College.
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This was the end of his 1993 speech to a room full of comic shop owners and sellers who were experiencing an unprecedented boom in their business - comics were selling as they never had before, and were seen as great investments. Neil's speech was about tulips, and about good comics, and about history and economy. But mostly, it was about tulips.
It was a warning: Don't get complacent with the current scenario. We've seen this sort of thing before, and it didn't end well. Focus on selling good comics, the comics you love, and the future will be the brighter for it. "Remember what it is you're selling people," he implored. It was a strangely controversial speech, and was not well-received by many of those in attendance.
I thought it was brilliant. As an introduction to Neil Gaiman the man, beyond the visionary author behind Sandman, it's hard to imagine a better way to come to understand how he views the world around him. Neil was charming and witty and humble, but also strangely wise. He brought an obscure historical analogy about tulips, as described in a century-old book about popular delusions, into a room full of people enjoying their success in a modern medium, and he warned them of what the tulips had to say about the comics industry. For those listening, he made his point perfectly. For those listening, he was an inspiration to do better. Sadly, not everyone was listening.
The text of Neil's 1993 speech is reprinted in 'The View from the Cheap Seats.' It's one of many such speeches, introductions, articles, and musings you'll find in these pages, and here's the thing: they're all like that. All are written with wit and with wisdom, in a voice that is similar to the one you hear in Neil's fictions, but more distinctly him. There's a natural humility and warmth that exudes each piece, and with each one, you learn a little more about the things he's seen, what he loves, and who he is. Like that 1993 speech, each piece reveals an aspect of the man behind the fiction - these pieces read like a conversation, the good kind of conversation that keeps you up until the grey hours of the morning because you don't want it to end.
We see his love of literature, of course, and get a sense of the authors who shaped him as a writer and as a reader. We hear about people he's known and people he's worked with. We experience the change of a deeply British author who moves to midwestern America. We see his love of music and musicians, films and filmmakers, art and artists, and comic books. Of course, comic books.
Often in these little glimpses of his mind and heart, Neil is unabashedly enthusiastic. He gets to expound upon and explain why he loves the tales of Lord Dunsany, the comics of Will Eisner, the experience of working with Charles Vess. And these are delightful to read. But there is also the strange melancholy of Neil in attendance at the Oscars, on the first anniversary of the death of his father, and the barely-contained rage against the impending death of old friends. For their insight into Gaiman the man, and their insights into our own brief lives, these pieces are no less valuable than the jubilant ones.
If you're already a fan of Neil Gaiman, there's a good chance you've seen (or heard) some of these pieces already, as I had. As this collection spans over 25 years of material, there's an even better chance that you'll find something new, something you'd never even known about, that will surprise and delight you. Opening these pages is a little like meeting Neil for the first time, over and over again, and that is an experience not to be missed.
25 years ago, I was fortunate to meet Neil in person, on the same night he gave his speech, and to have a few minutes to talk to him. I remember that he was wearing sunglasses, even though we were indoors, and that he smiled. I don't remember what either of us said, but I remember that he seemed kind, and more than a little surprised at all the attention he was getting. I hope I told him how much I appreciated his work on Sandman, and how much I enjoyed and was inspired by the speech he shared with us.
But, just in case I failed to do so: Neil, you were brilliant. I won't forget about the tulips.
In one of the pieces near the beginning, a speech called “Why Our Future Depends on Libraries, Reading and Daydreaming,” Gaiman sets the tone when he says (one of my most favorite quotes in the book), “I’m going to suggest that reading fiction, that reading for pleasure, is one of the most important things one can do.” He admits that, in making such a strong plea for the importance of reading, “I’m biased as a writer. But,” he emphasizes, “I am much, much more biased as a reader.”
The View from the Cheap Seats shows his bias in spades. Truly, Gaiman is a reader’s writer: it seems you can’t wander through more than a few pages without tripping over another author or book he’s recommending wholeheartedly. But that is his intention: “I hope that, somewhere in here,” he says, “I will talk about a creator or their work—a book, perhaps, or even a film or a piece of music—that will intrigue you.” If you want to know which writers and artists influenced Gaiman, then and now, he’ll tell you in this book. My TBR has certainly grown from his many enticing recommendations.
However, The View from the Cheap Seats is more than a catalogue of books and works of art that have influenced Gaiman; it’s also a tribute to the many people who have touched his life. One of the things I love about being a Neil Gaiman fan is discovering with delight that he has a personal connection to other artists I admire. It’s like tracing a family lineage. I actually discovered Neil Gaiman in a roundabout way through Terry Pratchett. Years ago, I started reading Pratchett’s Discworld series and then found out that the two writers had co-authored a book called Good Omens. Although I started delving into Gaiman’s other work first before finally reading Good Omens years later, it thrilled me to no end knowing that two of my favorite fantasy writers not only knew each other but were also longtime friends and had written a book together. I remember, too, my excitement when I first discovered the friendship between Tori Amos and Neil Gaiman. I used to wonder who was this Neil she kept mentioning in her songs, and now I smile every time I hear the mentions, like it’s a special fan club secret. As a late-bloomer sci-fi fan, I’ve just started delving into Ray Bradbury, and I was happy to learn that Gaiman befriended Bradbury in his later years. The View from the Cheap Seats includes Gaiman’s tributes to all of these artists and many more, including, of course, his wife, the multi-talented, larger-than-life Amanda Palmer. So if you admire some of Gaiman’s friends, as I do, reading this book is like reading about a reunion of sorts: you begin to see family resemblances between Gaiman and the people he cares about.
As Gaiman explains, “Literature does not occur in a vacuum. It cannot be a monologue. It has to be a conversation, and new people, new readers, need to be brought into the conversation too.” With The View from the Cheap Seats, Gaiman’s inviting you and me to be part of the conversation.
P.S. The titular essay, “The View from the Cheap Seats,” is one of my favorites. I love how Gaiman can take an extraordinary situation like going to the Oscars and describe his experience of it in a way that makes him very human and relatable to the reader. I nodded and smiled throughout, thinking, “Oh, yes, if I ever went to the Oscars, that’s how I’d feel, too.”
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Unluckily for me, I’ve started my relationship with him as a writer with what is, for lack of a better word, his vanity project. “The View from the Cheap Seats” is a selfish book: it is the compilation of all the introductions to books, collections, book fairs and conferences that he was invited to compose / perform, peppered here and there with the odd interview or editorial. He’s bound it all up in a book and now this knowledge is “distributed,” if you will: He can finally throw his scrapbook away and phone up somebody else to borrow “The View from the Cheap Seats” if he ever needs to remind himself of what he once thought about “Bone” or Terry Pratchett and perhaps, one day, his wife Amanda.
All of the material is fascinating, but I don’t know much about science fiction (SF, invariably, in the book, which had me thinking “what’s San Francisco to do with all this” when I first encountered it) and even less about all the comics the author refers to, much as I was raised on Disney comics, Greek Κλασσικα Εικονογραφημενα, Asterix and Tintin.
So for three to five pages at a time I was introduced to a new author I knew nothing about, and whom three or four authors later I could be counted on to have forgotten totally about. It’s all written nicely enough that it was far from a nightmare, but my time would have been invested much more wisely reading one of Neil Gaiman’s proper books. This is one for his fanatics, who must have for their collection every word that’s ever come off of his pen and out of his mouth.
Even for said fanatics, the sundry encomiums and valedictions (this is often about the departed) must eventually become formulaic, I hate to say. Now, Neil Gaiman has the luxury of only reading fantastic authors he loves and it could be that what he loves about authors is very consistent, but as a guy who was not familiar with the sundry authors and artists, I was able to detect patterns, which eventually became entirely predictable. To wit:
1. “I’ve known so-and-so since either (i) I met him in person under some very funky circumstances or (ii) when I first read a book of his, much younger than Matilda was when she did
2. He can talk about ghosts so well because he was abducted by ghosts as a child
3. His writing is amazing because every word counts
4. I have read her work 97 times and every single reading meant something, because I had changed, and it is far from unthinkable that I had changed because I’d read her work
5. I am reasonably sure we share Kermit the frog’s little- known great uncle as an influence
6. It has found a way to let me know it also likes me.
7. Stop what you’re doing and read their work and it will leave a mark on you
In summary, if like the young Neil Gaiman, who regretted never having bought the bootleg compilation of Lou Reed lyrics, you want to stay close to all the man’s words, buy this. And, truth be told, the book is probably worth buying for the Lou Reed interview alone. Or the Syria piece toward the end. Or the inspirational “Make Good Art” speech. Certainly not for the Charlie Hebdo bit, I’ve seen elsewhere much much deeper consideration of the issues outlined here. And I loved the mugging story, I must say.
The highlight for me, the eye opener, came early on. I’ve been a daddy for almost eight years now, and I’m just doing it, rather than thinking deeply about it. Neil Gaiman politely explained to me that my job is to make sure my kids someday no longer need me. I found that to be profound. So I told my wife, Megumi, and she said “DUUUUUUUUUH.”
But hey, I had not thought about it.
Während Sir Terry in seinem Buch ein sehr breites Spektrum an Problemen aufgearbeitet hat, be-wegt sich Mr. Gaiman in erster Linie im Bereich seiner kreativen Arbeit – und der anderer Menschen, die er sehr schätzt und die ihn in der ein oder anderen Weise beeinflusst haben. Dazu vereinigt dieses Buch Reden, Ansprachen, kurze Vorlesungen, Einführungen bzw. Vorworte zu eigenen und fremden Büchern, Interviews (etwa mit Lou Reed übers Telefon) und einige Artikel, die er für den GUARDIAN oder andere Zeitungen geschrieben hat zwischen seinen beiden Buchrücken.
Nach einer Einleitung folgen Texte, die sich mit grundlegenden Glaubenssätzen Gaimans auseinan-dersetzen, wie zum Beispiel, wie wichtig Ideen sind – selbst falsche Ideen, und warum man sie nicht verbieten kann. Und welche Autoren ihn besonders beeinflusst haben in seiner Kindheit und Jugend und warum Bibliotheken und Buchhandlungen so überaus wichtig sind.
Im nächsten Abschnitt behandelt Gaiman dann Leute, die er gekannt hat, wie etwa Dave McKean, Douglas Adams, Harlan Ellison und andere, was ziemlich interessant ist. Hier findet sich auch ein Interview mit Stephen King, der anscheinend einen wesentlich größeren Einfluss auf Gaimans Arbeit gehabt hat, als mir bisher bewusst gewesen ist.
Der dritte Abschnitt dann gehört der SF und behandelt Fritz Leiber, Ray Bradbury, den er ja auch schon an anderer Stelle gewürdigt hat, Alfred Bester und Samuel R. Delaney. Diese Texte sind schön geschriebene Überlegungen zu einigen der wichtigsten Beitragenden zu diesem Genre und für jüngere Leserinnen und Leser vielleicht ein Anreiz, sich mal mit diesen Autoren auseinanderzusetzen.
Im vierten Abschnitt geht es dann um Gaimans Erfahrung mit Film, wobei „Mirror Mask“ im Vorder-grund steht, bevor der fünfte Abschnitt sich überaus ausgiebig der Comic-Industrie und ihrer Ent-wicklung widmet.
Der sechste Abschnitt zeigt dann, wie oft Gaiman als Vorwortschreiber für Jubiläumssammlungen einflußreicher literarischer Werke (Poe, „Dracula“, Kipling, H.G. Wells, Doctorow, G.K. Chesterton, H.P. Lovecraft, James Thurber, John James, Douglas Adams, Diane Wynne Jones, Alan Moore und Jim Steinmeyer) herangezogen worden ist – und wie ernst und tiefgründig er mit dieser Aufgabe umgegangen ist.
Abschnitt 7 schließlich widmet sich der Musik, seiner Freundschaft mit Tori Amos und seiner Bezie-hung zu Amanda Palmer, bevor er sich im vorletzten Abschnitt noch um Märchen und die Verfilmung seines Buchs „Stardust“ stürzt, das er ziemlich bewusst an Golding’s „Princess Bride“ angelehnt hat.
Nach einem Ein-Text-Abschnitt über das Schaffen von Kunst geht es dann im letzten Abschnitt um „Wirkliche“ Dinge, wie die Dresden Dolls, den Tod von Terry Pratchett und um die Erfahrungen in einem syrischen Flüchtlingslager, die er auf Bitte des UNHCR für den GUARDIAN niedergeschrieben hat. Das Buch schließt mit ausgiebigen Quellennachweisen und einem Index, der sich sicherlich als hilfreich erweisen wird, denn viele der Texte sind überaus zitierfähig – und auch sehr nachdenkenswert. Darum ist „A View from the Cheap Seats“ nicht nur für Fans von Gaimans Arbeit ein lesenswerter Titel.
I wanted to read The View from the Cheap Seats: Selected Non Fiction because I wanted to find out more about the man behind the writer. What was it that made Neil Gaiman so talented as a writer. It was the wrong thing for me to do. Neil Gaiman the man and Neil Gaiman the writer are one and the same. There is no line of distinction. What I did take from The View from the Cheap Seats: Selected Non Fiction is a deeper love for Neil Gaiman.
Truthfully, some of the essays in this selection did not have a massive impact on me. However, there were plenty that left me stunned. Personal highlights were:
On Stephen King, for the Sunday Times
2004 Harvey Awards Speech
Some Strangeness in the Proportion: The Exquisite Beauties of Edgar Allen Poe
Waiting for the Man: Lou Reed
The Dresden Dolls: Hallowe’en 2010
Eight Views of Mount Fuji: Beloved Demons and Anthony Martignetti
A Slip of the Keyboard: Terry Pratchett
All of these were fantastic reads. However, there were two essays that stood out for me. The first was Why Our Future Depends on Libraries, Reading and Daydreaming: The Reading Agency Lecture, 2013. I am a big advocate of libraries and the need for them in a community and so I sat reading this essay agreeing with every paragraph. Anyone who questions the need for libraries needs to read this essay.
The second essay that really had an impact on me was So Many Ways to Die in Syria Now: May 2014. It is heartbreaking. Truly.
Needless to say, my love for Neil Gaiman hasn’t wavered. The View from the Cheap Seats: Selected Non Fiction is a beautiful collection of essays and I fully recommend it.
The View from the Cheap Seats: Selected Non Fiction by Neil Gaiman is available now.
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Sandman was a unique comic book achievement, profound, literary AND popular. Echoes of Chesterton,Ellison, Leguin...and James ( both M R and Henry!) A story about storytelling. American Gods outKinged Steven King. Stardust was a new Princess Bride. He collaborated with the greats of fantasy fiction,notably Terry Pratchett.
And he is a genuinely good man, standing.up for liberty and freedom.of.expression, donating his time and talent as well as money to support the things he believes in....
He is popular and.talented, and hasn't put a foot wrong so far. So...how's his non fiction? Vanity project?
No. This is good stuff. It ranges from introductions to authors' works, journalism, articles on music, comics and films. And.statements of personal belief.
First point: he has astoundingly good taste. Make a note of.every author mentioned and go buy the books. I GUARANTEE your life will be enriched. ( especially the Einstein Intersection and The Stars my Destination- personal favourites!)
When emotionally involved, he writes beautifully. And.he always gets emotionally involved.A straight journalistic piece about Syrian refugees took me by surprise. Heartbreaking in its simplicity,it's worth the price of admission on its own.
Dammit, you end up loving the man
Just like everyone else. This is a real book, by a real author. Like life, it contains a little bit of everything. Like life, you won't like all of it equally. But (hopefully, like life.)you will leave it better than when you opened it. A dream of a book.
I really enjoyed the first half of this book; Gaiman explores his love of books, book stores, libraries and librarians. It’s kind of an ode to literature and everything we book lovers love about it. The second half, however, is a lot more niche. It’s a collection of introductions to books, talks he’s given and pieces he’s written for publications and the enjoyment of each piece depends heavily on your interest in the subject matter it’s proceeding or relating to.
But there were some great things in here. I enjoyed his piece about Stephen King, and his Stephen King impression. I enjoyed all of his talk about comics and how he got into them. Gaiman is, of course, a very smart and well written (well spoken) writer and everything here was brilliantly done. I was just hoping for a bit more insight into the mind of Gaiman, an imagined dark and haunting place I’d love to deeply explore.
Originally posted on citygirlscapes.com







