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Vintage Synthesizers: Pioneering Designers, Groundbreaking Instruments, Collecting Tips, Mutants of Technology Paperback – April 1, 2000
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This new edition is the ultimate exploration of the upstart instruments – and their unique analog growls and screams – that paved the way over the last four decades for today's fast-paced electronic music world. Explores the development of the modern synthesizer from 1962 on, with in-depth interviews with pioneering designers Bob Moog and Alan R. Pearlman of Moog Music and ARP Instruments fame. These and other designers reveal their initial ideas, reflect on their hits and misses, and discuss how star performers have used their creations. Histories of groundbreaking instruments examine modular, analog & digital synths and samplers, plus more unusual instruments like the Mellotron. Noted synthesist Keith Emerson and composer Wendy Carlos (“Switched-On Bach”) offer musical insights and performance techniques. Includes fully updated pricing and production info, and more than 200 photos.
- Print length352 pages
- LanguageEnglish
- PublisherBackbeat
- Publication dateApril 1, 2000
- Dimensions8.42 x 0.82 x 11.08 inches
- ISBN-100879306033
- ISBN-13978-0879306038
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"Informally anecdotal, yet packed with great info and historic detail. I couldnt put it down." -- Wendy Carlos, composer and synthesist, Switched-On Bach
"Mark Vails book could be the most entertaining and useful synth book yet." -- Sound On Sound
"The most comprehensive guide on this technology ever written. Highly recommended." --Mix
About the Author
Product details
- Publisher : Backbeat; Second edition (April 1, 2000)
- Language : English
- Paperback : 352 pages
- ISBN-10 : 0879306033
- ISBN-13 : 978-0879306038
- Item Weight : 1.14 pounds
- Dimensions : 8.42 x 0.82 x 11.08 inches
- Best Sellers Rank: #1,454,571 in Books (See Top 100 in Books)
- #216 in MIDI & Mixers
- #3,704 in Music History & Criticism (Books)
- #4,497 in Piano & Keyboards
- Customer Reviews:
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Customers find the book cool, thorough, and a real value off list price. They also appreciate the fast shipping.
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Customers find the book thorough, rich in information, and fascinating. They also say the collection of articles provides a fascinating panorama of the history and evolution of the subject.
"Interesting and informative read for me as just entering the synthesizer part of music." Read more
"...yhey deserve a chapterotherwise very good book" Read more
"...The book presents a fascinating panorama of the history and evolution of analog synths, and is a good study of what drives product success in the..." Read more
"Cool thorough book, but few color photos." Read more
Customers appreciate the value of the book. They say it's a real value off the list price.
"Book was in like new condition. Fast shipping. Book a real value off list price" Read more
"...read and a really cool history of the instrument... plus it gives you the current value of all of the instruments!" Read more
"Worth the price as an excellent reference guide on vintage synthesizers...." Read more
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I keep reading it
and okee I also keep looking at the pictures
one extra chapter should be in it, on Roland. yhey deserve a chapter
otherwise very good book
Top reviews from other countries
Reviewed in Italy on April 16, 2018
If I have a criticism, it could be that quite a bit of space is given over to the relative woes of US based manufacturers over and above those of other (dare I say more significant) makers from other parts...
I could also wish there were more colour pics throughout rather than just the early section of the book & the quality of some monochrome pics could use some improvement.
Still, this is a great book - if this is a subject which you love (I admit, I'm guilty here) and it owes its publication to one of the major US music publications (Keyboard magazine).
I'd still recommend it though!
Je suis tombé un peu par hasard sur ce bouquin en recherchant un ouvrage sur le Mellotron (qui est traité ici). Hormis quelques pages de photos en couleur au début du volume (ah, les couleurs des Roland jupiter 8 et Yamaha CS 80, bonjour les mirettes!) les photos noir et blanc sont assez moches tout comme la mise en page et la typographie assez cheap (souvent des articles publiés dans Keyboard Magazine).
Ce livre est à la fois intéressant et décevant. Intéressant, car il livre mille détails ou anecdotes sur la genèse des pionniers de la lutherie électronique (Moog, Arp, Oberheim, Ems,Sequential circuit, Mellotron) et explique pourquoi ces marques anglo-saxonnes ont disparu, à cause de leur mauvaise gestion, puis balayées par les japonais.
On y parle aussi des rarissimes synthés français (Kobol) ou italiens (Siel, Crumar, Elka).
Le livre est décevant car il ne traite pas assez le côté musical (ce qui est un comble pour un livre sur les instruments de musique). A part quelquefois Keith Emerson, peu de musiciens sont cités et les descriptions des synthés ne font pas mention des oeuvres importantes correspondantes.
Par contre, le dossier économique est très bien traité (magouilles financières, analyses comptables) et vous saurez tout ce qu'il ne faut pas faire si vous souhaitez devenir un jour fabricant d'instruments électroniques.
Si l'on passe sur ces détails négatifs, ceux qui ont fauté comme moi avec ces instruments du diable se retrouveront avec un certain plaisir dans ce musée du synthé vintage (le bouquin couvre la période 1965, date des premières armoires Moog, jusqu'en 1985 environ, période de l'omnipotence japonaise, DX7 et samplers). Le côté historique est très bien traité, bien qu'un peu "bordélique" et j'ai découvert nombre de marques inconnues (presque toutes américaines) car pas importées en France.
J'en ai profité pour faire le total de mes achats de l'époque (Roland, Yamaha, Korg, principalement j'étais trop jeune pour le mini-Moog) et le total à la revente des années après (très peu parfois, vu l'indice d'obsolèscence de certains de ces "petits bijoux") fait un peu froid dans le dos (j'aurais mieux fait de capitaliser dans la Les Paul!).
Un bouquin imparfait, intéressant malgré tout. Le grand livre sur les synthés reste à faire, et en français c'est pas demain la veille !









