From Publishers Weekly
Inspired storytelling drives this fictionalized narrative, which follows the Italian author's family to 1903 Ellis Island, where 12-year-old Diamante Mazzucco and his cousin Vita, age nine, evolve into star-crossed lovers striving to fulfill their destinies. Earning their keep in the squalid boardinghouse run by Vita's father, the two (along with other relatives) are more or less confined to Prince Street in Manhattan, where they are subject to a horrifying array of abuses and privations. Deeply in love with Vita by the time he is 16 and determined to earn enough to marry her, Diamante signs on with a railroad building crew and unwittingly begins four years of involuntary servitude under conditions that Mazzucco describes in unsparing detail; this underrepresented corner of the East Coast immigrant experience feels as fresh here as it is brutal. Vita, meanwhile, survives three years in reform school and betrayal by a man who seduces her. The narrative throughout is lively, deeply affecting and complex, involving dozens of striving minor characters, some of whom turn to crime. Four-time novelist Mazzucco also interjects nonfiction chapters that relate her search for family members in Italy and the U.S., adding a resonant sleuthing element that further distinguishes this literary take on early–20th-century Italian-America and enduring love. (Sept.)
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Mazzucco's intermittently commanding and moving epic about the Italian immigrant experience tells the story of two children from a rural village in southern Italy amid the fetid slums of New York, circa 1903. Diamante, aged twelve, is the author's paternal grandfather, and Mazzucco mixes fact with fiction in an attempt to imagine the life of his nine-year-old cousin Vita, a girl "with a great mass of dark hair and deep dark eyes." Some of the more factual sections flag (such as those describing the Italian campaign in the Second World War), but in the early, imaginative parts the narrative is full of pungent fictional details, like Vita in her boarding house making artificial flowers, and Diamante loading bodies on a cart at a funeral parlor and measuring them for coffins.
Copyright © 2005 The New Yorker