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Voices of Time: A Life in Stories Hardcover – May 2, 2006
| Eduardo Galeano (Author) Find all the books, read about the author, and more. See search results for this author |
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In this kaleidoscope of reflections, renowned South American author Eduardo Galeano ranges widely, from childhood to love, music, plants, fear, indignity, and indignation. In the signal style of his bestselling and much-admired Memory of Fire trilogy--brief fragments that build steadily into an organic whole--Galeano offers a rich, wry history of his life and times that is both calmly philosophical and fiercely political.
Beginning with blue algae, the earliest of life forms, these 333 vignettes alight on the Galeano family's immigration to Uruguay in the early twentieth century, the fate of love letters intercepted by a military dictatorship, abuses by the rich and powerful, the latest military outrages, and the author's own encounters with all manner of living matter, including generals, bums, dissidents, soccer stars, ducks, and trees. Out of these meditations emerges neither anger nor bitterness, but a celebration of a blessed life in a harsh world.
Poetic and passionate, scathing and lyrical, delivered with Galeano's inimitable mix of gentle comedy and fierce moral judgment, Voices of Time is a deeply personal statement from a great and beloved writer.
- Print length368 pages
- LanguageEnglish
- PublisherMetropolitan Books
- Publication dateMay 2, 2006
- Dimensions5.5 x 1.25 x 8.25 inches
- ISBN-100805077677
- ISBN-13978-0805077674
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From The New Yorker
Copyright © 2006 The New Yorker
About the Author
Cultural Freedom Prize in 1998, he is the author of Upside Down (0-312-42031-5), the Memory of Fire trilogy (for which he won the 1989 American Book Award), Open Veins of Latin America, and many other works. He lives in Montevideo, Uruguay.
From The Washington Post
But an entry in this idiosyncratic collection of musings could just as well be a meditation on modern events. "First Music" focuses on astronomers Arno Penzias and Robert Wilson as they stood on a ridge in the Appalachians one night in 1964, "trying to capture radio waves emitted by who knows which impossibly far-off galaxy." They kept hearing a buzz that hurt their ears, but only later did they figure out the momentous cause: "the very blast that began time and space and the planets and everything else" -- that is, the Big Bang. Galeano crowns the vignette with a poetic fillip: "I'd venture to say that the echo still resounded in the air because it wanted us to hear it, since we little Earth people are also echoes of that long-ago cry of the newborn universe."
Eduardo Galeano is one of South America's most distinguished literary figures, best known for his brilliant Memory of Fire trilogy, a fictionalized history of Latin America that won him the 1989 American Book Award. He is also a journalist and historian, renowned for his probing criticism.
But his work can be charming, too. Some of the pieces in Voices of Time seem like throwbacks to Art Linkletter's "Kids Say the Darnedest Things" franchise -- except that Galeano's kids are verbally brilliant rather than cutesy. In "Curious People," a 9-year-old boy wonders, "If God made himself, how did he make his back?" In "The Teacher," a 6th grader in Montevideo confides to a visitor after everyone in her entire class has been given an award -- that "she loved her teacher . . . loved him very very very much, because he'd taught her not to be afraid of being wrong."
The World in Bite Sizes
Copyright 2006, The Washington Post. All Rights Reserved.
Excerpt. © Reprinted by permission. All rights reserved.
We are made of time.
We are its feet and its voice.
The feet of time walk in our shoes.
Sooner or later, we all know, the winds of time will erase the tracks.
Passage of nothing, steps of no one? The voices of time tell of the voyage.
The Voyage
Oriol Vall, who works with newborns at a hospital in Barcelona, says that the first human gesture is the embrace. After coming into the world, at the beginning of their days, babies wave their arms as if seeking someone.
Other doctors, who work with people who have already lived their lives, say that the aged, at the end of their days, die trying to raise their arms.
And that's it, that's all, no matter how hard we strive or how many words we pile on. Everything comes down to this: between two flutterings, with no more explanation, the voyage occurs.
Witnesses
The professor and the journalist walk in the garden.
The professor, Jean-Marie Pelt, stops, points, and says, "Allow me to introduce you to our grandparents."
The journalist, Jacques Girardon, crouches down and finds a ball of foam peeking out from the blades of grass.
The ball is a town of microscopic blue algae. On very humid days, the blue algae allow themselves to be seen. They look like a wad of spit. The French journalist wrinkles his nose; the origin of life isn't what we might call attractive, but from that spittle, from that mess, come all of us who have legs or roots or wings.
Before there was a before, when the world was barely a baby, without color or sound, there was blue algae. Streaming oxygen, they gave color to the sea and the sky. Then one fine day, a day that lasted millions of years, some blue algae decided to turn green. And bit by tiny bit, the green algae begat lichens, mushrooms, mold, medusas, and all the color and sound that came later, as did we, to unsettle the sea and the land.
Other blue algae preferred to carry on as they were.
And still are.
From the distant world that was, they observe the world that is.
What they think of it we do not know.
Greeneries
When the sea became the sea, the land was still nothing but naked rock.
Then lichens, born of the sea, made meadows. They invaded the kingdom of stone, conquered it, turned it green.
That happened in the yesterday of yesterdays, and it is still going on. Lichens live where no one lives: on the frozen steppe, in the burning desert, on the peaks of the highest mountains.
Lichens live only as long as the marriage lasts between an alga and her son, the mushroom. If the marriage breaks up, the lichens break down.
Sometimes, fighting and disagreements lead the alga and mushroom to part. She complains that he keeps her hidden from the light. He says she makes him sick, feeding him sugar day and night.
Footprints
A couple was walking across the savannah in East Africa at the beginning of the rainy season. The woman and the man still looked a lot like apes, truth be told, although they were standing upright and had no tails.
A nearby volcano, now called Sadiman, was belching ash. The rain of ash preserved the couple's footprints, from that moment through time. Beneath their gray blanket, the tracks remained intact. Those footprints show that this Eve and that Adam had been walking side by side; at a certain point she stopped, turned away, and took a few steps on her own. Then she returned to the path they shared.
The world's oldest human footprints left traces of doubt. A few years have gone by. The doubt remains.
Copyright © 2006 by Eduardo Galeano
Translation copyright © 2006 by Mark Fried
Product details
- Publisher : Metropolitan Books; 1st edition (May 2, 2006)
- Language : English
- Hardcover : 368 pages
- ISBN-10 : 0805077677
- ISBN-13 : 978-0805077674
- Item Weight : 1.2 pounds
- Dimensions : 5.5 x 1.25 x 8.25 inches
- Best Sellers Rank: #3,155,597 in Books (See Top 100 in Books)
- #90,653 in Memoirs (Books)
- Customer Reviews:
About the author

Eduardo Hughes Galeano (Spanish pronunciation: [eˈðwarðo ɣaleˈano]; 3 September 1940 – 13 April 2015) was a Uruguayan journalist, writer and novelist considered, among other things, "global soccer's pre-eminent man of letters" and "a literary giant of the Latin American left".
Galeano's best-known works are Las venas abiertas de América Latina (Open Veins of Latin America, 1971) and Memoria del fuego (Memory of Fire Trilogy, 1982–6). "I'm a writer," the author once said of himself, ""obsessed with remembering, with remembering the past of America and above all that of Latin America, intimate land condemned to amnesia."
Author Isabelle Allende, who said her copy of Galeano's book was one of the few items with which she fled Chile in 1973 after the military coup of Augusto Pinochet, called Open Veins of Latin America, "a mixture of meticulous detail, political conviction, poetic flair, and good storytelling."
Bio from Wikipedia, the free encyclopedia. Photo by Donostia Kultura [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons.
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Time Plays Games
It is said that once upon a time two friends were admiring a painting. The work of art, by who knows who, was from China, a field of flowers at harvest time.
One of the friends, who knows why?, fixed his gaze on a figure in the painting, one of many women with baskets gathering poppies. She wore her hair loose, flowing over her shoulders.
At last she returned his gaze, let her basket fall, held out her arms, and, who knows how, carried him off.
He let himself be taken, who knows where, and with that woman he spent nights and days, who knows how many, until a gust of wind picked him up and returned him to the room where his friend remained standing before the painting.
So brief was that eternity that the friend had not noticed his absence. And neither had he noticed that woman, one of many women in the painting gathering poppies in their baskets, now wore her hair tied at the back of her neck.
Labor
At dawn Doña Tota walked into a hospital in the barrio of Lanus. She was carrying a child in her belly. In the entranceway she found a star, in the form of a brooch, lying on the floor.
The star sparkled on one side, but not the other. That happens whenever stars fall to earth and lay in the dirt. On one side they glow silver, invoking the nights of the world; on the other side, they’re just tin.
Gripped in her fist, that star of silver and tin accompanied Doña Tota in labor.
The newborn was named Diego Armando Maradona.
Geography
In Chicago everybody’s black. In New York, the midwinter sun bakes stones till they melt. In Brooklyn, anyone who reaches the age of thirty deserves a statue. The finest homes in Miami are built of trash. Hollywood is run by the rats.
Chicago, New York, Brooklyn, Miami, and Hollywood – these are the names of some of the barrios of Cité Solei, the most abject slum in the capital of Haiti.
Newscast
The entertainment industry thrives on the loneliness market.
The consoling industry thrives on the anguish market.
The security industry thrives on the fear market.
The lying industry thrives on the stupidity market.
How do they gauge their success? On the stock market.
The arms industry too. Their stock prices are the best new in every war.
The Tailor
He swore he would fly. He swore on all the buttonholes he’d ever opened and all the buttons he’d ever placed and all the suits and dresses and coats he’d ever measured, cut, basted, and sewn, stitch by stitch, day after day his entire life.
From then on, Reichelt the tailor spent his time sewing a pair of enormous bat wings. The wings folded so they’d fit in the grotty hold where he worked and lived.
At long last, after a huge effort, the elaborate cloth-covered framework of pipes and metal rods were ready.
The tailor spent the night unable to sleep, praying to God to give him a windy day. And in the morning, a gust morning in the year 1912, he climbed to the tip of the Eiffel Tower, spread his wings, and flew to his death.
(I saw a newsreel of this event back when I was 12 – this man standing with his wings spread and then a jump, quickly plummeting to the ground. I never will forget Here is the clip on Youtube: https://www.youtube.com/watch?v=FBN3xfGrx_U
And not only do we have Eduardo Galeano’s words of time, but the pages are peppered with small black-and-white images of timeless Peruvian art. Fantástico. This book reminds me that being alive is an unending celebration.
It is like a series of vignettes about ourselves and the world.




