FORMAT: DVD
UPC: 0-24543-24454-7
RELEASED: 2006-06-06
TITLE: I Wake Up Screaming (1941) • NR • 1:22:11
Betty Grable, Victor Mature, Carole Landis, Laird Cregar, Alan Mowbray, Allyn Joslyn
H. Bruce Humberstone (Director)
A little known (and VASTLY underrated) little film noir gem from the early 1940s. I'm fairly certain that the primary reason that more people haven't heard of this wonderful little movie is its terrible (and TOTALLY unrelated) title — this movie was originally to be released with the title "Hot Spot" (which they should have stuck with, since it matches the plot of the movie WAY more than "I Wake Up Screaming" does [which, since it sounds like the title to a second-rate horror flick, doesn't match the plot at all]). Oh, well.
Anyway, if you mainly know Betty Grable through her musical comedies and pin-up posters, then she may strike you as a strange choice for a film noir drama — and, ordinarily you'd be right. However, here she plays it (mostly) straight — but, she does, on occasion, add a little humor to the proceedings (guess she couldn't entirely help herself). Also, any movie that features Allyn Joslyn AND Alan Mowbray in its cast was probably never intended to be taken too seriously anyway. In any case, though the movie does have occasional comedic moments, it is DEFINITELY still a fine example of film noir — with its less-than-scrupulous policemen (which, in, and of, itself, is pretty UNUSUAL for a 1940s American made movie — since the Hayes Code pretty much DICTATED that all law enforcement institutions, and their associated members, should be portrayed as scrupulously honest and virtuous), with its many thinly-veiled salacious remarks, with its rampant sexual tension, and with its (mostly off-screen) violence.
So, if you are a film noir fan, you gotta check it out — then, tell your friends! Highly recommended.
NOTE: This movie is one of the films from Fox Home Video's exemplary "Fox Film Noir" series of DVDs (and, in some cases, blu-rays). Every one of the DVDs from this series that I have purchased (e.g.—this movie,
Fallen Angel (1945)
,
Boomerang! (1947)
,
Where the Sidewalk Ends (1950)
, etc.) has featured a VERY high average bit-rate, along with an EXCELLENT picture (for a DVD) and, at a minimum, good to better-than-good sound.
See the other reviews for more detail and/or other opinions regarding the plot of the movie.
VIDEO: 1.33:1 • B&W • 480p • MPEG-2 (9.2 Mbps)
Within the confines of the DVD format, this film exhibits good, to — on frequent occasions — VERY good, picture quality; due, in part, I'm sure, to a MUCH higher than average bit-rate than is normally used for a 4:3 (1.33:1) B&W catalogue title. Also, Fox Home Video doesn't state on the box that this movie has been restored or remastered, but it surely looks like it — because, artifacts such as black specks or white dots are nearly non-existent; and, I saw very few hair-lines, nor do I recall seeing any dropped frames. In addition, sharpness and detail (for a DVD [and for a movie of this age]) are usually very good — with the textures and patterns of most hair-styles, clothing and furnishings being easily discernible (although, some scenes were a little soft). Lastly, contrast, gray scale and shadow-detail (again, for a DVD) are pretty good overall, and in some scenes, bordering on excellent (however, a limited number of scenes were a little "murky" and exhibited fairly sever black-crush [probably due to inferior source elements]). Overall, this DVD looks good enough that I am definitely NOT too disappointed about NOT having the blu-ray version (which wasn't available anyway, when I bought this DVD version in November of 2013).
AUDIO: Dolby Digital 2.0 (Dual-Mono, 192 Kbps)
Fox Home Video has apparently also done some clean-up work on the film's soundtrack, because there are no loud bumps nor objectionably high levels of hiss. Also, dialog is very clear and all voices are easily understood. However, dynamic range is very limited, and there is not much bottom-end nor any top-end to speak of (which makes the musical score and the Foley work all sound a little 'thin', and somewhat less than realistic). Otherwise, considering the age of the source elements and the fact that this is a monophonic, dialog-driven movie from the early 1940s, its audio presentation has more than acceptable sound quality.
EXTRAS: Commentary by film historian Eddie Muller
"Daddy" Deleted Scene
"Hot Spot" opening title treatment and poster gallery
Poster Gallery
Production Still Gallery
Unit Photography Gallery
Theatrical Trailer
None of the extras were reviewed.
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I Wake Up Screaming
Betty Grable
(Actor),
Victor Mature
(Actor),
H. Bruce Humberstone
(Director)
&
0
more Rated: Format: DVD
Unrated
IMDb7.2/10.0
$8.97$8.97
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| Genre | Mystery & Suspense/Film Noir |
| Format | Black & White, Full Screen, NTSC |
| Contributor | Carole Landis, Robert L. Simpson, Victor Mature, Charles Lane, Morris Ankrum, Alan Mowbray, William Gargan, Cyril Ring, Betty Grable, Elisha Cook Jr., Milton Sperling, H. Bruce Humberstone, Allyn Joslyn, Chick Chandler, Edward Cronjager, Dwight Taylor, Laird Cregar, Steve Fisher See more |
| Language | Portuguese |
| Runtime | 1 hour and 22 minutes |
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Product Description
A detective finds a promoter hiding out with the sister of a slain actress client.
Product details
- Aspect Ratio : 1.33:1
- Is Discontinued By Manufacturer : No
- MPAA rating : Unrated (Not Rated)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.88 Ounces
- Item model number : FOXS2234455DVD
- Director : H. Bruce Humberstone
- Media Format : Black & White, Full Screen, NTSC
- Run time : 1 hour and 22 minutes
- Release date : June 6, 2006
- Actors : Betty Grable, Victor Mature, Carole Landis, Laird Cregar, William Gargan
- Subtitles: : English, Spanish
- Producers : Milton Sperling
- Language : English (Dolby Digital 1.0), English (Dolby Digital 2.0 Stereo), Unqualified
- Studio : 20th Century Fox
- ASIN : B000EXDSBQ
- Writers : Dwight Taylor, Steve Fisher
- Number of discs : 1
- Best Sellers Rank: #61,136 in Movies & TV (See Top 100 in Movies & TV)
- #3,636 in Romance (Movies & TV)
- #4,758 in Mystery & Thrillers (Movies & TV)
- #5,571 in Kids & Family DVDs
- Customer Reviews:
Customer reviews
4.6 out of 5 stars
4.6 out of 5
244 global ratings
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5.0 out of 5 stars
I Wake Up Screaming is a Top-Notch Noir Thriller!
Reviewed in the United States on March 14, 2006
I Wake Up Screaming (1941) is an excellent, atmospheric, pre - WWII Film Noir classic with Betty Grable, Victor Mature, Carole Landis, Laird Cregar and Elisha Cook, Jr. This under-rated film is a must for lover's of the genre. The cast is excellent, including Betty Grable who is best known for her Fox musicals. Laird Cregar is memorable in one of his best rolls of his short career, giving a complex and disturbing performance. The ending is a real chiller and you will be kept guessing as to who the murderer is. Check it out. You won't be disappointed. I rate this film up there with my other Film Noir favorites: Laura, Gilda, Double Indemnity, Out Of The Past, Woman In The Window and Murder My Sweet...footnote: The original title was Hot Spot, but Zanuck had it changed because as the film was to be released, USA entered WWII and he feared audiences might think it was a war movie. Fox re-made this film in 1953 as Vicki with Jeanne Crain and Jean Peters in the lead roles. However, Richard Boone's performance does not have the complexity and depth that Cregar brings to the role.
Reviewed in the United States on March 14, 2006
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Reviewed in the United States on November 1, 2017
4.0 out of 5 stars
Solid early noir may be headlined by Betty Grable, but really belongs to Laird Cregar
Reviewed in the United States on October 21, 2010
An up-and-coming glamor girl/starlet, Vicki Lynn (Carole Landis), has been murdered. The sports promoter Frankie Christopher (Victor Mature) who had been pushing her into the spotlight is suspected of the killing, and as the film opens, he's being questioned under the bright spotlights of pre-Miranda law police interrogation. There's a soft, velvety but sinister voice belonging to a big guy, hidden behind the light. He's the head investigator. He's trouble for Frankie, who of course didn't do it - or so he claims. The camera tracks through the police department to another room, where Vicki's sister Jill (Betty Grable) is also being questioned. Between them, over 82 minutes, they fill in the story of Vicki's rise and untimely death in flashback form, even as they struggle in the presence to clear Frankie's name - meanwhile falling in love.
The sinister velvet voice turns out to belong to Inspector Ed Cornell (Laird Cregar), a top cop who's never failed to solve a case, but who seems to take a delight in this one - and in particular, in hounding Frankie - out of proportion to his job. Cornell seems to show up everywhere in the present, and it turns out, in the past as well - he was paying attention to the sisters well before Vicki's death, for some reason that remains a mystery throughout the film. And then there are Frankie's friends, Robin (Allan Mowbray) and Larry (Allyn Joslyn) with whom he made a sort of Pygmalion-type bet when he decided to transform young uncultured waitress Vicki into a society girl - perhaps one of them knows something about the untimely demise of the starlet-to-be. And the clerk at Vicki and Jill's apartment building (Elisha Cook Jr) also seems to have a story - but will he reveal it, and will it be enough to save Frankie - if Frankie is innocent?
I'm making this very early noir effort out to be perhaps a little more suspenseful than it really is. Truth to tell, it's actually full of comedy, a "light" affair that was probably toned down quite a bit from Steve Fisher's novel so as to make it palatable for the audience of Betty Grable fans. Though I wouldn't quite call it a "comedy" noir like HIS KIND OF WOMAN, it definitely doesn't have the tension that we usually associate with prime examples of the style. Often we'll get a tense sequence but it will be immediately followed by a moment of light humor - even slapstick - which brings us out of the shadows and dread. Still, as the always-excellent commentary by Eddie Muller makes clear, this was a very early noir - shot at exactly the same time as THE MALTESE FALCON which is of course far more heralded and influential; the building blocks are all there in the terrific lighting by Edward Cronjager, the snappy dialogue by Dwight Taylor, and Humberstone's gorgeous framing and gliding camerawork. Most of all, it's the cast that makes this work; Grable and Landis are both fine, both showing aspects beyond the pretty faces that they're seen as by the men in the film, but it's Mature and especially Cregar who really lift this into near-classic status. Mature has to be one of the most underrated actors of all time; like Robert Mitchum he was very self-deprecating and had a habit of looking like he wasn't acting - unlike Mitchum he really was rather insecure, and sometimes didn't give his all when he felt like he was just there to be "Victor Mature, shirtless guy". In his noir work though - this film and especially Kiss of Death - he really does show some depth, an easy-going manner when it's called for but also some real pathos and animation.
Ultimately, though, good as he is in this film, he's upstaged by Cregar, who at 6'3" and about 300 pounds will probably remind most noir aficionados most of Orson Welles in TOUCH OF EVIL, or perhaps Raymond Burr. Cregar only lived a few more years after this film, dying from a heart attack after a too-quick crash diet for his last film, Hangover Square in 1944. He's got an incredible presence in this film, physically huge but emotionally tiny and wimpering, soft-voiced but menacing in intent. Like Mature he acts as much with his face, with his eyes and his forehead, as he does with his voice and his physique, but that hulking form combined with Cronjager's lighting assures that he dominates every scene, a Golem or Frankenstein figure always lurking about, waiting to crush the hopes of the protaganists for his own diabolical reasons.
It's not one of my very favorites of the style, but certainly it's important and worth seeing as an early example, and Cregar's performance is just stunning. As I mentioned above, this one has Eddie Muller commentary, and Muller is the absolute top guy for this stuff, both thoroughly engaging and knowledgeable, and funny and conversational. Right off the bat he's talking about how lucky the young actor who plays a newsboy in an early scene was to sleep with (and marry) Gloria Grahame a few years later, and his commentary on how the repetition of two musical themes - "Over the Rainbow" and "Street Scene" work in the film was quite revealing. He also talks a fair bit about Steve Fisher, author of the novel and a man with almost a hundred film and TV credits as a writer or screenwriter, as successful in his day as Chandler or Hammett, but almost completely forgotten now. I'm tempted to give this release an extra star just for Muller - but heck, I can't rate ALL the Fox Film Noir stuff 5 stars. In any case, a must for noir aficionados.
The sinister velvet voice turns out to belong to Inspector Ed Cornell (Laird Cregar), a top cop who's never failed to solve a case, but who seems to take a delight in this one - and in particular, in hounding Frankie - out of proportion to his job. Cornell seems to show up everywhere in the present, and it turns out, in the past as well - he was paying attention to the sisters well before Vicki's death, for some reason that remains a mystery throughout the film. And then there are Frankie's friends, Robin (Allan Mowbray) and Larry (Allyn Joslyn) with whom he made a sort of Pygmalion-type bet when he decided to transform young uncultured waitress Vicki into a society girl - perhaps one of them knows something about the untimely demise of the starlet-to-be. And the clerk at Vicki and Jill's apartment building (Elisha Cook Jr) also seems to have a story - but will he reveal it, and will it be enough to save Frankie - if Frankie is innocent?
I'm making this very early noir effort out to be perhaps a little more suspenseful than it really is. Truth to tell, it's actually full of comedy, a "light" affair that was probably toned down quite a bit from Steve Fisher's novel so as to make it palatable for the audience of Betty Grable fans. Though I wouldn't quite call it a "comedy" noir like HIS KIND OF WOMAN, it definitely doesn't have the tension that we usually associate with prime examples of the style. Often we'll get a tense sequence but it will be immediately followed by a moment of light humor - even slapstick - which brings us out of the shadows and dread. Still, as the always-excellent commentary by Eddie Muller makes clear, this was a very early noir - shot at exactly the same time as THE MALTESE FALCON which is of course far more heralded and influential; the building blocks are all there in the terrific lighting by Edward Cronjager, the snappy dialogue by Dwight Taylor, and Humberstone's gorgeous framing and gliding camerawork. Most of all, it's the cast that makes this work; Grable and Landis are both fine, both showing aspects beyond the pretty faces that they're seen as by the men in the film, but it's Mature and especially Cregar who really lift this into near-classic status. Mature has to be one of the most underrated actors of all time; like Robert Mitchum he was very self-deprecating and had a habit of looking like he wasn't acting - unlike Mitchum he really was rather insecure, and sometimes didn't give his all when he felt like he was just there to be "Victor Mature, shirtless guy". In his noir work though - this film and especially Kiss of Death - he really does show some depth, an easy-going manner when it's called for but also some real pathos and animation.
Ultimately, though, good as he is in this film, he's upstaged by Cregar, who at 6'3" and about 300 pounds will probably remind most noir aficionados most of Orson Welles in TOUCH OF EVIL, or perhaps Raymond Burr. Cregar only lived a few more years after this film, dying from a heart attack after a too-quick crash diet for his last film, Hangover Square in 1944. He's got an incredible presence in this film, physically huge but emotionally tiny and wimpering, soft-voiced but menacing in intent. Like Mature he acts as much with his face, with his eyes and his forehead, as he does with his voice and his physique, but that hulking form combined with Cronjager's lighting assures that he dominates every scene, a Golem or Frankenstein figure always lurking about, waiting to crush the hopes of the protaganists for his own diabolical reasons.
It's not one of my very favorites of the style, but certainly it's important and worth seeing as an early example, and Cregar's performance is just stunning. As I mentioned above, this one has Eddie Muller commentary, and Muller is the absolute top guy for this stuff, both thoroughly engaging and knowledgeable, and funny and conversational. Right off the bat he's talking about how lucky the young actor who plays a newsboy in an early scene was to sleep with (and marry) Gloria Grahame a few years later, and his commentary on how the repetition of two musical themes - "Over the Rainbow" and "Street Scene" work in the film was quite revealing. He also talks a fair bit about Steve Fisher, author of the novel and a man with almost a hundred film and TV credits as a writer or screenwriter, as successful in his day as Chandler or Hammett, but almost completely forgotten now. I'm tempted to give this release an extra star just for Muller - but heck, I can't rate ALL the Fox Film Noir stuff 5 stars. In any case, a must for noir aficionados.
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Big Bill
5.0 out of 5 stars
Outstanding entry in the Fox Film Noir lineup
Reviewed in Canada on August 12, 2013
Another entry in the Fox Film Noir lineup. This one is spooky , dark, and moody. Suspicions abound as the tragic tale is
told using various characters flashbacks. Weird factoid ; the melody of Somewhere over the Rainbow from Wizard of
Oz (1939) is re-used (melody only , no words ) in I Wake Up Screaming (1941). Taught , suspenseful story , with a great cast ; Betty Grable : the WWII Soldiers inspiration ,Carol Landis , and Victor Mature. The guy playing the cop is unknown to me , but is terrific . He's spooky . Reminds me of the killer in No Country for Old Men . Victor Mature wakes up during a (hopefully normal ) nights sleep , only to see the cop sitting there in the dark watching him . Yikes!! Watch for Red Buttons when
he was just a squirt. Leonard Maltin's Movie guide says it was remade as
Vicki , another great flick. Really good , highly recommended . ( If a movie is any good I will watch it again ; this one got it's
second screening immediately!!) Good Noir.
told using various characters flashbacks. Weird factoid ; the melody of Somewhere over the Rainbow from Wizard of
Oz (1939) is re-used (melody only , no words ) in I Wake Up Screaming (1941). Taught , suspenseful story , with a great cast ; Betty Grable : the WWII Soldiers inspiration ,Carol Landis , and Victor Mature. The guy playing the cop is unknown to me , but is terrific . He's spooky . Reminds me of the killer in No Country for Old Men . Victor Mature wakes up during a (hopefully normal ) nights sleep , only to see the cop sitting there in the dark watching him . Yikes!! Watch for Red Buttons when
he was just a squirt. Leonard Maltin's Movie guide says it was remade as
Vicki , another great flick. Really good , highly recommended . ( If a movie is any good I will watch it again ; this one got it's
second screening immediately!!) Good Noir.
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John Kirkby
5.0 out of 5 stars
Betty's Legs
Reviewed in Canada on October 1, 2014
Good quality for DVD. Betty Grable sure looks hot in the scene where shes in pajamas. OK movie and certainly a decent addition to any 1940's crime/noir library. Received quickly and packaged well...no complaints at all.
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S C F
5.0 out of 5 stars
A Cassic Film Noir Mystery.
Reviewed in Canada on July 9, 2017
A Great Piece of Film Noir. Terrific performances buy Victor Mature, Betty Grable and a real creepy performance by Laird Cregar. A must have for any collection.
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M. A. Dean
5.0 out of 5 stars
Review
Reviewed in Canada on October 26, 2014
Excellent cast and a wonderful movie. Excellent commentary with the DVD.
Francois Choquette
3.0 out of 5 stars
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Reviewed in Canada on January 12, 2018
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