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Walt Disney's Donald Duck: Lost in the Andes Hardcover – Illustrated, December 5, 2011
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The first in a historic series of books collecting the comic book stories of “The Good Duck Artist.”
Carl Barks’ Donald Duck and Uncle Scrooge comics are considered among the greatest artistic and storytelling achievements in the history of the medium. After serving a stint at the Walt Disney studios as an in-betweener and a gag-man, Barks began drawing the comic book adventures of Donald Duck in 1942. He quickly mastered every aspect of cartooning and over the next nearly 30 years created some of the most memorable comics ever drawn ― as well as some of the most memorable characters: Barks introduced Uncle Scrooge, the charmed and insufferable Gladstone Gander, the daffy inventor Gyro Gearloose, the bumbling and heedless Beagle Boys, the Junior Woodchucks, and many others.Barks alternated between longish, sprawling 20- or 30-page adventure yarns filled with the romance of danger, courage, and derring-do, whose exotic locales spanned the globe, and shorter stories that usually revolved around crazily ingenious domestic squabbles between Donald and various members of the Duckburg cast. Barks’s duck stories, famously enjoyed equally by both children and adults, are both evanescent celebrations of courage and perseverance and depictions of less commendable traits ― greed, resentment, and one-upmanship.
Our initial volume begins when Barks had reached his peak ― 1948-1950. Highlights include:
• The title story, “Lost in the Andes” (Barks’s own favorite). Donald and the nephews embark on an expedition to Peru to find where square eggs come from only to meet danger in a mysterious valley whose inhabitants all speak with a southern drawl, and where Huey, Dewey, and Louie save Unca’ Donald’s life by learning how to blow square bubbles!
• Two stories co-starring the unbearably lucky Gladstone, including the epic “Race to the South Seas,” as Donald and Gladstone try to win Uncle Scrooge’s favor by being the first to rescue him from a desert island.
• Two Christmas stories, including “The Golden Christmas Tree,” one of Barks’s most fantastic stories that pits him and the nephews against a witch who wants to destroy all the Christmas trees in the world.
• In other stories, Donald plays a TV quiz show contestant and ends up encased in a giant barrel of "Shaky-Jell," a truant officer who matches wits with his nephews, and a ranch hand who outwits cattle rustlers.
These new editions feature meticulously restored and re-colored pages in a beautifully designed, affordable format geared to the mainstream book buyer. Discover the genius of Carl Barks! 240 full-color pages of comics
- Reading age4 - 8 years
- Print length240 pages
- LanguageEnglish
- Dimensions7.6 x 1 x 10.3 inches
- PublisherFantagraphics
- Publication dateDecember 5, 2011
- ISBN-101606994743
- ISBN-13978-1606994740
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From the Publisher
Fantagraphics Books and Disney Publishing Worldwide proudly present The Complete Carl Barks Disney Library — these beautifully produced deluxe hardcover editions collect the complete Duck comics by Carl Barks, one of the medium's greatest artists and a Disney Hall of Fame Legend. Featuring Donald Duck, Uncle Scrooge, Huey, Dewey and Louie and more, these classic adventure comics are meticulously restored and newly recolored with insightful story notes by an international panel of Barks experts!
Editorial Reviews
Review
― George Lucas
"Mr. Barks taught me that comics could be high art, and I consider his work to be the best storytelling I’ve experienced in any form. …Fantagraphics… is publishing the Barks collection in beautiful hardcover books that do great honor to the cartoonist and his stories, and I can’t wait to buy them for my kids. Proof that great storytelling endures from generation to generation."
― Jeff Kinney (author of the Diary of a Wimpy Kid series)
"Carl Barks was a great storyteller… We had a deep appreciation of [his] comics when we were kids. We read his stories over and over again. Nobody knew his name. We just called him ‘The Good Artist’ because he was so much better than all the other Disney artists."
― R. Crumb
"The Hans Christian Andersen of comic books."
― Will Eisner
"Even the silliest premise, when executed by an artist in perfect control of his gifts, can land with deftness and grace - that's something that strikes you again and again as you read Barks' work. …[T]his collection makes a perfect introduction to one of the greatest all-ages comics artists of all time."
― Glen Weldon, NPR - Monkey See
"Barks’ strips combine high adventure with humor and subtle cultural commentaries, but they remain grounded in character... Lost in the Andes is a gorgeously packaged collection of some of the finest comics ever made."
― Garrett Martin, Paste
"This volume reprints tales from December 1948 through August 1949, when Barks was in high feather as a creator of breathless adventures and light comedies for his Ducks... Great pop culture, great analysis. Scrooge is always searching for more gold, and there’s plenty here. [Rating] 10/10"
― Michael Barrett, PopMatters
"(Starred Review) One of comics' revered masters gets a fresh new reprinting worthy of his work and accessible to kids.... This volume finds [Barks] at a creative peak, combining the bold adventuring of Tintin with the wisely cynical view of human weakness of John Stanley…. A wonderful project that should put Barks’s name in front of new generations of admirers."
― Publishers Weekly
"The initial volume in the Barks series is... all pleasure, a treasury of deceptively simple gag and adventure stories that fashioned with wit, irony, and impeccable craftsmanship…. The longer stories here... are suspenseful, surprising, funny, and fresh... These kids' comics are far from kids' stuff -- this is for everyone."
― Alan Scherstuhl, SF Weekly
"Even now, Barks’ stories are clever and funny, as he leads the ducks into impossible situations and then gives them unexpected ways out. And they’re poignant in their own way, too.... And for those who just want to curl up with more than 200 pages of some of the best-written comics ever published, Lost in the Andes has all the square eggs, rubber bricks, golden Christmas trees, and races around the world that any kid or grown-up could ever want."
― Noel Murray, The A.V. Club
"Barks, the artist, is a master cartoonist, drawing lively, expressive characters with a graceful sense of movement. His beautiful, detailed backgrounds plant the ducks in a fully realized world that adds weight to his storytelling.... Fantagraphics Books... does its usual high quality work here... For both newcomers to Barks' work and diehard fans, this is a book that any comic book reader would love..."
― Rich Clabaugh, The Christian Science Monitor
"...Fantagraphics made my dreams come true with this perfect book. For $25 you get 200 pages of some of the most important comics ever made and about 30 pages of the story of Carl Barks' life along with story notes and annotations. This is a f***ing steal."
― Nick Gazin, VICE
"Happily, the stories look great and the book is a wonder to hold in your hand.... As to the content, itself, it's just as remarkable an achievement in comics as I remembered.... The contents of the book are as good as they're going to get..."
― Augie DeBlieck Jr., Comic Book Resources
"Carl Barks used ducks to shine a light on the human condition and make jokes while also making commentary on us all. Despite these stories being published in 1948 and 1949, they truly stand the test of time...."
― Nick Boisson, Comics Bulletin
"This is as beautiful a book as I’ve purchased this year, and the stories within have much to offer both children and adult fans of visual storytelling and even comedy. Barks knew how to contract a joke, and this is a masterclass."
― Paul Montgomery, iFanboy
"In short, this is exactly the book that Barks fans and the curious have been waiting for. ...Barks remains an exemplary cartoonist. His work is thrilling, funny and rather knowing about human nature... How good was Carl Barks? Pretty goddamned good."
― Chris Mautner, Robot 6
"I like to think that Carl Barks, an unpretentious storyteller who created for an audience of children whose intelligence, ingenuity and decency he never doubted, would approve and be gladdened by how his work, this time around, is being put back out into the world."
― Tom De Haven, The Comics Journal
"...I’m impressed with the quality of the publication. In my estimation, the coloring is excellent and the format engaging…. The critical essays composed by a number of Barks scholars are also insightful and well written.... In my opinion, as a Carl Barks fan, this initial volume is well worth acquiring!"
― Carl Barks Fan Club Newsletter
"The stories, of course, are outstanding. Most of the long adventure tales are classics in their own right.... Walt Disney’s Donald Duck: Lost in the Andes is an excellent start to Fantagraphics’ Carl Barks Library."
― K.C. Carlson, Comics Worth Reading
"This is really fantastic storytelling.... I picked this up thinking it’d be a good chance to see if I liked Carl Barks and what the fuss was all about. Well, now I get it – and I’m hooked. ...[T]his is well worth the purchase for any fan of classic comics."
― Sean Gaffney, Manga Bookshelf
"The new Carl Barks book from Fantagraphics might be the best designed, best realized reprint book any company has done to date."
― Dustin Harbin (Dharbin, Diary Comics)
About the Author
Product details
- Publisher : Fantagraphics; Illustrated edition (December 5, 2011)
- Language : English
- Hardcover : 240 pages
- ISBN-10 : 1606994743
- ISBN-13 : 978-1606994740
- Reading age : 4 - 8 years
- Item Weight : 1.8 pounds
- Dimensions : 7.6 x 1 x 10.3 inches
- Best Sellers Rank: #156,575 in Books (See Top 100 in Books)
- #29 in Fantagraphics Comics & Graphic Novels
- #300 in Comic Strips (Books)
- #934 in Fiction Satire
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The printing is excellent. The art size is about 98% of the size the comics were published back in 1949, and a little larger than the size in modern Disney comics. You won't notice the difference unless you lay down an original comic book page next to the reprint. The height is less than an eighth of an inch shorter in the book than in the old comics. Contrast this with Archive Editions, which typically reprint old comics about 83% of original size and it is obvious to the eye that they are much smaller. The coloring is very close to the original comic book coloring, except the yellow is a bit brighter and more gold. But it is clearly an attempt to reproduce with honor the look and coloring with which the comics were originally published. It is arguably better since the registration is generally much better than in the old comics.
With one exception, the stories appear to be printed here exactly as originally published over 60 years ago (although I have not compared all the short stories to the original comic books). The exception is "Race to the South Seas". Apparently the negatives for "Race to the South Seas" and "Darkest Africa" (to be reprinted in a future volume) were lost or are unavailable. When these two stories were reprinted in Europe in the 1980s, they were published from redrawn versions by Daan Jippes, apparently re-inked over blowups of the original comic book printings. "Race to the South Seas" is very good (to be expected from Jippes) but there are subtle differences in details throughout the story as well as less subtle differences in the drawings of the South Seas islanders. When Another Rainbow published the Carl Barks Library 25 years ago, it used the redrawn versions of these two stories. The notes at the end of the book notwithstanding, Fantagraphics used the exact same "Dutch Version" drawings that Another Rainbow did two decades ago. Comparing the Fantagraphics book with the Another Rainbow book clearly shows the drawings are the same. Comparing either with the original March of Comics giveaway clearly shows that it is different from both the reprints. Perhaps their intent was to not use the "Dutch Version" of the story, but that IS what they printed. Perhaps they can use modern scanning techniques to restore the original version of "Darkest Africa" before they reprint it. Otherwise the Barks content of this volume is almost perfect in every way. My commendations to Fantagraphics.
The notes and commentary, especially that of Don Ault, are excellent. Young kids will probably skip over the text, but adults will find reading it rewarding. Even long time Barks fans and scholars--I count myself in that number--are likely to find new and interesting facts and insights.
Small things I would like to see in future volumes: Covers and gag pages reprinted with the stories they were originally published with instead of isolated at the back of the book. A table of contents at the beginning of the book.
You can stop waiting. Buy this book. Buy future volumes. It really is Barks done right. The Another Rainbow books were done by fans for fans. They attempted to get it right and did a phenomenal job under trying conditions set by Disney. They made it possible for this and other later editions to happen at all. The Fantagraphics edition is clearly done with the mass market in mind, and it should succeed there, but it can also be appreciated even more by the connoisseurs.
CORRECTION: "Darkest Africa" was not re-inked by Daan Jippes, but by Dick Vlottes. Apparently the version of "Race to the South Seas" in this book is a composite of Barks and Jippes versions, but mostly Jippes. If the book gets a second printing, they intend to use the Barks version, which, unfortunately, was not yet available at press time (and may not be even now).
ADDENDUM, 8/19/12: Most of the relatively minor flaws in this book are corrected in the second reprint volume, Walt Disney's Uncle Scrooge: "Only a Poor Old Man" (Vol. 12) (The Complete Carl Barks Disney Library) , which I have also reviewed. The coloring, in particular, uses a shade of yellow much truer to the original. That volume reprints the first 6 issues of Uncle Scrooge and is also highly recommended.
ADDENDUM, 11/29/13: In Walt Disney's Donald Duck: "Christmas On Bear Mountain" (The Complete Carl Barks Disney Library) , volume 5 of the series in both publication order and chronological sequence, the overly intense yellows in previous volumes (12, 11, & 6) have all but disappeared, appearing on only a few scattered pages; and even volume 6 was a great improvement on earlier volumes. And the excessively gold "yellow" in volume 7 Lost in the Andes, fortunately, appears nowhere else. Perhaps that can be corrected when there is a true Second Edition (not just a second printing) to this book which also restores Carl Barks' original version of Race to the South Seas. Volume 5 was published earlier this month and, like the other volumes, is highly recommended.
Given how popular these comics were at the time and since, they have all been reprinted many, many times. Some years ago, Another Rainbow reprinted all of Barks's duck stories in 30 slip-cased (and rather expensive) volumes. Those reprints were very good, but they were in black and white. While black-and-white reproductions arguably do a better job of reproducing the original art, they certainly lose the comic book feel. More recently, Another Rainbow/Gladstone Publishing published the Carl Barks Library in Color, which consisted of shorter paperbound volumes. I believe that series also reprinted all of Barks's duck stories. Now Fantagraphics is taking a crack at it, beginning with this volume.
I am a big fan of Fantagraphics's reprints of the Prince Valiant Sunday newspaper comics. Those volumes, though, have something this volume lacks -- a clear explanation of the scope of the project. Judging from some of the editorial comments printed on this page and from a brief Editorial Note, Fantagraphics may be planning to reprint all of Barks's duck stories. It is difficult to say, though, because this volume doesn't start with Barks's first duck work, "Donald Duck Finds Pirate Gold," which was first published in 1942. Instead, it begins with the cover story, "Lost in the Andes," which was first published in 1949. The volume also includes three other long stories from the same period, as well as a number of shorter stories. The Editorial Note states: "The stories will be published in chronological order by volume, but not within each volume." This is rather cryptic because, taken literally, it would mean that Barks's work prior to 1948 will not be reprinted in the series. Also, unlike with the Prince Valiant reprints, there is no discussion of whether these reprints are from the original art or from something else. Nor is there an explanation of what the brief reference on the back cover to "fully restored original coloring" means.
In addition to the stories, this volume contains an introduction by Donald Ault, perhaps the leading academic authority on Barks, as well as brief commentaries on each of the stories by a variety of people. Once again, the comments focus exclusively on the content of the stories rather than on the details of this particular reprinting. This is disappointing in the case of "Voodoo Hoodoo," which contains some -- to current sensibilities -- offensive caricatures of Africans and which, I believe, has typically been reprinted in a censored version. Whether what we have in this volume is the original or the censored version isn't discussed.
In any event, 1948-1949 was a prime period for Barks and "Lost in the Andes" is my favorite Barks story. So, whatever Fantagraphics is doing, I hope they keep it up!
Top reviews from other countries
P001: Lost in the Andes
P033: The Golden Christmas Tree
P053: Race to the South Seas!
P075: Voodoo Hoodoo
P107: `The Short Stories"
P109: Toyland
P117: The Crazy Quiz Show
P127: Truant Officer Donald
P137: Donald Duck's Worst Nightmare
P147: Pizen Spring Dude Ranch
P157: Rival Beachcombers
P167: The Sunken Yacht
P177: Managing the Eco System
P187: Plenty of Pets
P197: "The Gags"
P198: Jumping to Conclusions
P199: The True Test
P200: Ornaments on the Way
P201: Too Fit to Fit
P202: Sleepy Sitters
P203: Slippery Shine
P204: Tunnel Vision
P205: Story Notes
The 8-page introduction by Donald Ault is a short biography of Carl Barks; the 22 pages of Story Notes, which include 4 full-page covers and several relevant comic-book panels, give a detailed analysis of each story, which can be skipped if you have the good fortune to not be an obsessive footnote reader... The stories will be collected in chronological order, but the volumes will be released `out of sequence', so this is not actually volume 1, but the beginning of Carl Barks' `golden age' of storytelling. The first volume of Uncle Scrooge, released next in this series, is actually volume 12 in chronological order.
For more than 30 years I have read comics fans, reviewers and commentators praising Carl Barks stories, but until this volume came along, I had not actually read any of them, being more of a superhero / adventure comics' reader since childhood. Being now in my 50s and having more mature tastes, and (I haven`t stopped collecting stuff) seeing that this was the first volume of a collected edition, I was tempted to buy it to see what all the fuss was about. Well, now I have. It is simply just superb storytelling and artistry. You soon forget these are talking animals you are reading about, and just get caught up in the storytelling. Start collecting now! And your children and grandchildren can also read them.
The first volume of what will be a thirty volume collection, is not chronologically the first of Barks Duck stories. Fantagraphics have wisely chosen to kick off their series with the stories from December 1948 through to August 1949. The stories are broken down into three sections, commencing with the epic adventures at the start, including the title story "Lost in the Andes", which many connoisseurs of Barks regard as his masterpiece and also including "The Golden Christmas Tree", "Race to the South Seas", a story dominated by Donald's insufferably lucky Gladstone Gander and lastly a truly weird story entitled "Voodoo Hoodoo".
These are followed by a run of the short ten page stories that Bark's created for the monthly Walt Disney's Comics and Stories as well as an eight page Christmas story from the rare Firestone Giveaway Comic. The stories are all mini masterpieces and add even more depth to Uncle Scrooge and the aforementioned Gladstone Gander. All the single page strips as well as all the relevant Barks covers are included. Readers coming to these stories for the first time (how I envy them) will by this stage be totally seduced and desperate for more of Barks.
Which is really the only area I have a slight scintilla of criticism regarding Fantagraphics admirable reprinting of these stories. Two books a year is simply too long to wait!
However that minor gripe aside and with the hope that the publishers continue to focus on the "Golden Years" of Barks output, this collection represents the best incarnation of these stories ever to appear, and this is from a reader that has owned many previous editions of these stories, including the 1980's Another Rainbow slipcased editions, the 1990's Gladstone color albums as well as the original comics themselves.
I should at this juncture make mention of the design of these books which adds so much to the sheer pleasure of leafing through these timeless tales. The choice of display type and the layout is entirely sympathetic with Barks artwork and add to this the superb coloring that Rich Tommaso has applied to these stories and you are looking at the optimum best that any lover of Barks artistry could ever hope for. It's worth mentioning that Tommaso has sensibly avoided falling into the trap of applying computer coloring effects and stuck closely (but not slavishly) to the color schemes employed by the original colorists working on these stories. The result is beautiful flat laid back colors that allow Bark's drawings to work their magic without the distractions of ersatz gradients and the other equally unpleasant devices that have so compromised a lot of previous reprints of these stories.
All in all one of the most exciting comic reprint projects Fantagraphics has undertaken (and they have some astonishingly good projects already underway).
I can only wish them every success and hope that in the process they will recruit new legions of Barks devotees.
But this new series is amazing. Magic even!. The format is same size as the original mags from the 40-60s.. the colouring is spectacular, the paper and book it self is totally well selected..
Finally - the book cover, layout and extra material.. again, so well done.
A super modern book paying a lot of respect to both hard core Barks fans as wells a newcomers.
And it's at a very good price.
Can't wait to get them all..
I recommend especially to folks that grew up reading and traveling in our imagination and living those adventures but also to the young’s to see how supreme they are.
First time reading old Disney comics and as an adult I found them to be appreciable as a fine work of popular art.
So I would recommend to newcomers to the genre, young & old alike.
IMO, much more fun than watching the TV cartoons!










