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Walt Disney's Nine Old Men and the Art of Animation Hardcover – October 22, 2001
John Canemaker (Author) Find all the books, read about the author, and more. See search results for this author |
- Print length310 pages
- LanguageEnglish
- PublisherDisney Editions
- Publication dateOctober 22, 2001
- Grade levelPreschool and up
- Reading ageBaby and up
- Dimensions9.25 x 1.25 x 12.25 inches
- ISBN-100786864966
- ISBN-13978-0786864966
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From Library Journal
Copyright 2002 Reed Business Information, Inc.
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Product details
- Publisher : Disney Editions; 1st edition (October 22, 2001)
- Language : English
- Hardcover : 310 pages
- ISBN-10 : 0786864966
- ISBN-13 : 978-0786864966
- Reading age : Baby and up
- Grade level : Preschool and up
- Item Weight : 4.86 pounds
- Dimensions : 9.25 x 1.25 x 12.25 inches
- Best Sellers Rank: #1,811,320 in Books (See Top 100 in Books)
- #4,050 in Artist & Architect Biographies
- #312,911 in Children's Books
- Customer Reviews:
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There are problems with the Nine Old Men myth, which have resulted in misleading perspectives of the history of Disney Animation. It has overlooked the contributions of so many other animators that made major impacts at the studio. The nine old men largely didn't start coming into their own until the late 1930's and early 40's, when the studio had already established itself. This title was the result of Studio Politics and favoritism by Walt (Jack Kinney briefly discusses this in his memoir). Another problem is that there were only three films where they are all credited together as directing animators, which were released in the early 1950's. After that, majority of them started to work in different capacities in the company. Only Kahl, Thomas, Johnston (arguably the strongest animators of the nine) remained consistent in animation for their entire careers.
It's nice that there's a book that talks discusses John Lounsbery's career, because he isn't talked about as much as the other animators are, largely due to his untimely death.
Canemaker has written two other books about the storymen and sketch artists at the studio, much in the same fashion as this book. I'd like to see a book about the directors (such as Wilfred Jackson, Clyde Geronimi, Dave Hand, and Ben Sharpsteen) and one on the "earlier" generation of Disney animators.
Who could have imagined that Marc Davis' early life was as interesting as his work? Or that Kimball and Kahl were even crazier than you thought (and even more brilliant)? Ot that the master, Frank Thomas, actually struggled with his draftsmanship? Canemaker captures the promise of each of these men's pre-Disney careers and the spark in the work that caught Walt's attention is always evident. He also captures the human quirks that played a tremendous role in the golden age of the studio and often found its way onto the screen as well.
Much of this information and all of Canemaker's excellent insight would not have come to light without his diligent effort and research, and the result is a well-written, revealing, tasteful, and very visual masterpiece.
PS We lost the great, one-and-only Ward Kimball recently...only Ollie Johnston and Frank Thomas are still with us now. God bless you both.
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