Mr. Carter's previous work "The Late Shift" about the turmoil which ensued in finding a replacement for Johnny Carson was an excellent piece of reporting. "The War for Late Night" could be considered a sequel to the 1994 nonfiction book and just as good as its predecessor. However, it isn't necessary to read "The Late Shift" to understand what occurs in "The War for Late Night." The chaos which unfolded was more than simply a power struggle between Mr. Leno and Mr. O'Brien. There were also the decisions or demands made by the station affiliates, show producers, NBC executives and the parent company General Electric that contributed greatly to the mess. The author does a tremendous job describing what happened. Unlike in "The Late Shift" where Jay Leno manager, Helen Kushnick, came across as a stupendous a-hole, nobody in "The War for Late Night" fits that bill... well actually... if Mr. O'Brien's tv producer Gavin Polone and Helen Kushnick ever had a baby, the child would likely have the birthmark 666 on its forehead. But besides Mr. Polone's personality, the author's fair-minded depiction of the people involved is one reason the book is so appealing. Mr. Carter's work shows that even the best of intentions can still devolve into hurt feelings and people getting the royal shaft.
It's difficult to take anything at face value in politics. business or entertainment. BS is a major staple of these professions. All too often, the players involved portray to the public that such dramas are minor disagreements, while behind the scenes, the proverbial poop is hitting a warehouse of fans. The executives' primary responsibility is to make a profit. The producers' and entertainers' objective is to make entertaining and popular shows. The joining of these two parties is always ripe for conflict. Mr. Leno, Mr. Letterman, and anyone a party to the 1992 "Tonight Show" debacle certainly had no desire to have a repeat performance in 2010. And yet, they did. Mr. Carter takes time to give brief biographies of the main characters such as Conan O'Brien, Jay Leno, CEO Jeff Zucker, David Letterman and other power brokers as well as rising talents Jon Stewart, Jimmy Kimmel, Craig Ferguson, Jimmy Fallon and Stephen Colbert.
Mr. Carter explains how the ground beneath late-night entertainment has dramatically shifted since the days when either Johnny Carson was king or when Leno and Letterman were the only competitors on tv. I don't watch late-night television with the exception of a Internet clip here or there. Yet, the author's very fair, entertaining, and highly informative book kept me glued to my seat. The book's a keeper.
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The War for Late Night: When Leno Went Early and Television Went Crazy Paperback – Illustrated, September 27, 2011
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Bill Carter
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Bill Carter
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Print length432 pages
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LanguageEnglish
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Publication dateSeptember 27, 2011
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Dimensions5.5 x 0.98 x 8.44 inches
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ISBN-100452297494
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ISBN-13978-0452297494
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Editorial Reviews
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Praise for The War for Late Night
“Hugely entertaining...A suspenseful piece of business journalism.”—The New Yorker
“As thorough and detailed a story as he tells, Mr. Carter entertains us every step of the way, peppering the page with more rich comedic details than your average late-night monologue.”—The New York Times
“Makes last year’s battle royale seem far more interesting than the programs themselves.”—The Daily Beast
“A boisterous, two-timing, high-stakes drama about the business of comedy at a sinking TV network.”—Associated Press
“Hugely entertaining...A suspenseful piece of business journalism.”—The New Yorker
“As thorough and detailed a story as he tells, Mr. Carter entertains us every step of the way, peppering the page with more rich comedic details than your average late-night monologue.”—The New York Times
“Makes last year’s battle royale seem far more interesting than the programs themselves.”—The Daily Beast
“A boisterous, two-timing, high-stakes drama about the business of comedy at a sinking TV network.”—Associated Press
About the Author
Bill Carter joined The New York Times as a national media reporter in 1989. He is the author of the New York Times bestseller The Late Shift, two other books on the television industry, Monday Night Mayhem and Desperate Networks, and has written numerous articles for The New York Times Magazine and other publications. He has been a guest on Nightline, Today, CNN, Charlie Rose, NBC Nightly News with Brian Williams, and many other shows. He is the executive producer of CNN's docuseries The Story of Late Night and host of the Behind the Desk: Story of Late Night podcast.
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Product details
- Publisher : Penguin Publishing Group; Illustrated edition (September 27, 2011)
- Language : English
- Paperback : 432 pages
- ISBN-10 : 0452297494
- ISBN-13 : 978-0452297494
- Item Weight : 12.8 ounces
- Dimensions : 5.5 x 0.98 x 8.44 inches
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4.5 out of 5
211 global ratings
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Reviewed in the United States on July 28, 2014
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Reviewed in the United States on May 12, 2014
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This a balanced account of the late night debacle of a few years back. Carter sufficiently introduces all of the players: Leno, O'Brien, and Letterman, as well as more peripheral hosts like Kimmel, Fallon, Stewart, Colbert, Kilborn, and Ferguson, who each get their own backstory. Carter also breathes life into all the otherwise unknown network executives, agents, and producers. Apart from the participants themselves, the changing nature of the television industry also gets covered here; the events of this book cannot be understood apart from these developments.
Carter really doesn't come down in favor of either Leno or O'Brien. (He can't, really, if he hopes to secure interviews and comments from both.) But he does present both sides of the argument. The reader may get the sense, however, that Leno is a bit of a cold fish. Not diabolical, certainly, but unmoved by emotions and a creature of habit. While this doesn't necessarily make him an antagonist, it may tip the scales of opinion in Conan's favor.
As is to be expected in a piece about funnymen, there are plenty of jokes cited in these pages, many of which will bring a laugh to the reader. It's a serious work, but it has plenty of light moments.
I'd be interested to get Carter's take on what's happened since this book was written: Zucker at CNN, Leno out from the Tonight Show (again), Fallon on Tonight, Letterman leaving to be replaced by Colbert, and Meyers on Late Night. The late night landscape today, it seems, is in a near constant state of shift.
Even though the previous (1992) late night debacle was before my time, based on the strength of this work I may also check out Carter's earlier work, Late Shift.
Carter really doesn't come down in favor of either Leno or O'Brien. (He can't, really, if he hopes to secure interviews and comments from both.) But he does present both sides of the argument. The reader may get the sense, however, that Leno is a bit of a cold fish. Not diabolical, certainly, but unmoved by emotions and a creature of habit. While this doesn't necessarily make him an antagonist, it may tip the scales of opinion in Conan's favor.
As is to be expected in a piece about funnymen, there are plenty of jokes cited in these pages, many of which will bring a laugh to the reader. It's a serious work, but it has plenty of light moments.
I'd be interested to get Carter's take on what's happened since this book was written: Zucker at CNN, Leno out from the Tonight Show (again), Fallon on Tonight, Letterman leaving to be replaced by Colbert, and Meyers on Late Night. The late night landscape today, it seems, is in a near constant state of shift.
Even though the previous (1992) late night debacle was before my time, based on the strength of this work I may also check out Carter's earlier work, Late Shift.
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Reviewed in the United States on November 2, 2019
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If you really care about this issue, read this book. The book flows well and reads like a nonfiction novel. Really, who cares about these overpaid “artists” anyway. I enjoyed the drama and the insight into how scenarios are handled within the industry. My take, Conan was a fool to walk away because he felt the Tonight Show was some institution. Wake up pal, we don’t care about Carson, Leno, or you. We just want to be entertained. You’re nowhere near as important as you think.
One person found this helpful
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Top reviews from other countries
DanMarPinFer
3.0 out of 5 stars
Three Stars
Reviewed in the United Kingdom on July 12, 2018Verified Purchase
good reading
ulisses bota
5.0 out of 5 stars
Five Stars
Reviewed in the United Kingdom on August 19, 2016Verified Purchase
late night reading
Mr. Jolan Pedersen
4.0 out of 5 stars
Four Stars
Reviewed in the United Kingdom on January 11, 2016Verified Purchase
A heavy but good read
M. Krieg
5.0 out of 5 stars
Top!
Reviewed in Germany on September 7, 2020Verified Purchase
Ein Buch, dass einem super Einblicke in die amerikanische Fernsehlandschaft gibt, die teilweise wirklich erschreckend sind. Denn da geht es oft nicht um gute Unterhaltung, sondern da finden hinter den Kulissen die reinsten Mafiakriege statt.
David Hooper
3.0 out of 5 stars
Very interesting take on the late night ears!
Reviewed in Canada on November 2, 2015Verified Purchase
Still not sure what to make of Leno, but you have to feel badly for Conan, whether you like him or not. In the end, Lorne Michaels sums it up best, it's just a job and they're the network. Read it to see what that means.
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