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War and Peace (Vintage Classics) Paperback – December 2, 2008
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“Shimmering. . . . [It] offers an opportunity to see this great classic afresh, to approach it not as a monument but rather as a deeply touching story about our contradictory human hearts.”
—Michael Dirda, The Washington Post Book World
“A major new translation . . . [which] brings us the palpability [of Tolstoy's characters] as perhaps never before. . . . Pevear and Volokhonsky's new translation gives us new access to the spirit and order of the book.”
—James Wood, The New Yorker
“Excellent. . . . An extraordinary achievement. . . . Wonderfully fresh and readable. . . . The English-speaking world is indebted to these two magnificent translators for revealing more of its hidden riches than any who have tried to translated the book before.”
—Orlando Figes, The New York Review of Books
"Tolstoy's War and Peace has often been put in a league with Homer's epic poems; it seems to me that the same might be said for Pevear and Volokhonsky's translation of his great novel. . . . Their efforts convey a much closer equivalent in English to the experience of reading the original."
—Michael Katz, New England Review
Full review here: http://www.nereview.com/29-4/29-4Katz.htm
About the Author
Count Leo Tolstoy (1828-1910) was born in central Russia. After serving in the Crimean War, he retired to his estate and devoted himself to writing, farming, and raising his large family. His novels and outspoken social polemics brought him world fame.
Richard Pevear has published translations of Alain, Yves Bonnefoy, Alberto Savinio, Pavel Florensky, and Henri Volohonsky, as well as two books of poetry. He has received fellowships or grants for translation from the National Endowment for the Arts, the Ingram Merrill Foundation, the Guggenheim Foundation, the National Endowment for the Humanities, and the French Ministry of Culture. Larissa Volokhonsky was born in Leningrad. She has translated works by the prominent Orthodox theologians Alexander Schmemann and John Meyendorff into Russian.
Together, Pevear and Volokhonsky have translated Dead Souls and The Collected Stories by Nikolai Gogol, The Complete Short Novels of Chekhov, and The Brothers Karamazov, Crime and Punishment, Notes from Underground, Demons, The Idiot, and The Adolescent by Fyodor Dostoevsky. They were twice awarded the PEN Book-of-the-Month Club Translation Prize (for their version of Dostoevsky's The Brothers Karamazov and for Tolstoy's Anna Karenina), and their translation of Dostoevsky's Demons was one of three nominees for the same prize. They are married and live in France.
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translation by Richard Pevear and Larissa Volokhonsky
Alfred A. Knopf, publisher
This review is broken down into two segments, a Descriptive Summary and an Evaluative Summary. If you're already very familiar with the story of "War and Peace," you may wish to skip directly to the latter facet of my review which is essentially the critique of this particular volume.
In 1805, Napoleon Bonaparte invaded Austria to expand his European empire. Russia, being an ally of Austria, stood with their brethren against the infamous Emperor. Napoleon prevailed and a treaty was ultimately signed at Tilsit. In 1812, Napoleon invaded Russia, again in an effort to expand his empire. The end result of this tragic war was that Napoleon's army of about 600,000 soldiers was reduced to roughly 60,000 men as the defamed Emperor raced from Moscow (which he had taken), back across the frozen Russian tundra in his carriage (leaving his troops behind to fend for themselves) for Paris. That encapsulizes the military aspect of this work.
But the more intricate story involves both the activities and the peccadillos of, primarily, three Russian families of nobility: The Rostovs, the Bolkonskys, and the Bezukovs. The continual thorn of "The Antichrist," Napoleon, really just provides the wallpaper for this story of romance, riches, desolation, love, jealousy, hatred, retribution, joy, naiivety, stupidity and so much more. Tolstoy has woven an incredibly intricate web that interconnects these noble families, the wars, and the common Russian people to a degree that would seem incomprehensible to achieve - but Tolstoy perseveres with superb clarity and great insight to the human psyche. His characters are timeless and the reader who has any social experience whatever will immediately connect with them all.
"War and Peace" is a fictional, lengthy novel, based upon historical fact.
In his Epilogue, Tolstoy yields us a shrewd dissertation on the behavior of large organizations, much of it by way of analogy. It's actually an oblique, often sarcastic, commentary on the lunacy of government activities and the madness of their wars.
I feel compelled at the outset to offer a brief paragraph in response to certain reviews which I've seen listed here on Amazon. In regard to "ungrammatical" and "poor syntax" instances, it is prominently and clearly stated in Pevear's/Volokhonsky's introduction that a primary objective of this translation (paraphrasing) is to empower the reader with a real sense of Tolstoy's writing style - and that goal they achieved quite nicely; however, this caveat hardly rendered the work ungrammatical in any sense whatever. To the contrary, I found this rendering to read notably more fluidly than the renowned Maude edition, (which I have read twice), and much easier to initially digest (syntax) than the works, of say, William Faulkner or John O'Hara, both of whom also employed a unique, but brilliant writing style. As I didn't see any actual citations of poor grammar in the instant reviews I'll close my case regarding this topic on that particular note.
Here are some particularly positive points of this translation of "War and Peace":
1. Here we have a smooth and fluid read. Tolstoy's style yields some repetition but never redundancy - he does this in a clever manner and the translators have shrewdly served it up. We have not seen this before in prior translations.
2. This translation allows the reader to think for himself/herself. One of the best examples is actually discussed in the introduction: (P/V) "The school children in their chairs drove to Moscow." Another translation has it this way: "The School children played in their chairs as if they were driving to Moscow." See what I mean?
3. The names of the principals are conveyed more appropriately, "Andrei" instead of "Andrew," "Marya" instead of "Mary".
4. The language is more modern and the syntax less stilted than previous translations.
5. I felt, in a real sense, "the soul" of each of the principals, as well as that of Tolstoy himself, which I had not previously experienced. This is especially true in regard to characters Pierre Bezukov and Andrei Bolkonsky.
6. Two percent of the book's text was written in French and it is maintained that way, with a clear English translation in respective footnotes on the very pages in which the French passages appear. This makes for very convenient reading.
7. Brief endnotes exist where appropriate and the translators did not go overboard with lengthy passages which can be distracting in other versions of the work. They give you what you need to know to pursue these topics further, on your own, if you wish.
8. There is a fine map of The Battle of Borodino grounds (page 856) which is really about all one needs in order to understand the primary battle details (Borodino) within this work.
9. The character descriptions/identifications at the front of the book are spot-on and the Introduction adequately prepares the English reader to understand such Russian nuances as "patronymic" names.
10. Just past the endnotes, you'll find a very informative "Historical Index" which lists all the actual primary officers, European leaders, and nobility mentioned in "War and Peace".
11. This volume is nicely bound (sturdy red cardboard binding) with an equally high-quality, attractive dust cover. It will look nice on your bookshelf, either with or without the dustcover.
I have few criticisms of this tremendous work and of the appurtenant translation, but here they are:
1. I chuckled aloud when I read Pevear's and Volokhonsky's attempt to mimic the speech (dialogue) of the very likable character, Denisov - it wasn't very good. Denisov was clearly tongue-tied. The translators, for the most part, inserted a "gh" where I would have inserted a "w" (in regard to pronouncing "Rs and Ls"). I got the general feeling that neither of the translators had ever actually encountered a person plagued with this somewhat tragic speech impediment! To counter this gaff, as I read along where Denisov was engaged in dialogue, I simply mentally inserted my own "Ws" wherever I came across the egregious "GHs".
2. I encountered VERY FEW typographical errors, those occurring on pages 3, 355, and 484, respectively. I've already reported them directly to the publisher for correction in subsequent editions.
3. There is one error that will befuddle many readers. It's in regard to Pierre's numerology on page 665. If you add up the numbers as stated in the book, it adds up to 661, and not 666 (The Biblical Mark of the Beast), as the manuscript states. This caveat is noted in the Maude translation of "War and Peace" but not in this one. To correct the problem, one has to account for the implied letter "e" in "l'(e)empereur Napoléon," which has a numerical value of 5, making the formula work correctly, totaling 666 as stated in the manuscript. It's complicated... you'll probably have to read a page or two and work it out for yourself to grasp the problem. In any case, the P/V translation needs either a footnote or an endnote.
4. I encountered one strange incongruity which was initially a little disturbing to me and which appears on page 687. In the second to the last paragraph, it says, "...instead of Mademoiselle Bourienne, the boy Petrushka read to him..." In the Maude translation of "War and Peace," it reads, "...instead of Mademoiselle Bourienne -- a serf-boy read to him."
Now THAT is a significant difference in that it sounds like either Pevear and Volokhonsky actually added a character to Tolstoy's masterpiece, or, Maude ignored one! I could think of only two legitimate reasons for how this might ethically occur:
a. the two translations were derived from different source documents, one mentioning Petrushka, the other not, or,
b. the publisher may have made an "intentional error" that would likely not be noticed by anyone in an effort to enable the documentation of an unauthorized publication of copyrighted text by unscrupulous publishers at a later date.
In any case, I'm really curious about this and would love to hear the reason for the difference in translations. In the end, of course, actually adding a character would go far beyond the ethical purview of a translator (as would ignoring/omitting one).
To finalize, the newly published (10-07) Pevear and Volokhonsky translation of "War and Peace" is nothing short of superb. It clearly transcends the previous translations of Garnett and Maude. If you plan to read Tolstoy's masterpiece for the first time, this is the translation that you want.
02-29-'08 REVISION/EDIT: "Some comments about the 2005 BRIGGS and other translations"
I just received (02-28-'08) my new BRIGGS translation (Viking/Penguin) yesterday and it has a lovely binding, "sewn". Of course, it was originally priced at $40 bucks, ($56 Canadian) (!!!), initially way more pricey than the P/V translation. But now it's a steal because you can get a brand new copy for under $15 or pick up a very good used one for $10 here on Amazon, (mine was supposed to be used, at $10, but it looked brand new to me).
I would speculate that the Briggs translation was somewhat financially doomed at the outset, (hence, the heavily discounted 2008 price), just BECAUSE folks anticipated the near arrival of the P/V translation which came out just a year following Briggs' "War and Peace," in addition to the negative impacts of the latter's initial $40 price tag.
I just got started on Briggs last night and, so far, I'm VERY pleased with the smooth, modern-language translation, (but absent of any anachronistic/modern "buzzwords"), and, I'm even more copasetic with the book's straightforward layout. The main text is nicely supplemented with 5 or 6 detailed maps, a list of principals (both fictional and non-fictional), and 2 commentaries, all at the rear of the text. There is NO introduction by the translator and it's a direct read -- rendered entirely in English with almost no footnotes to bother with. There are historically-oriented endnotes but, as they are at the finale of the work, I find them useful and yet not distracting. The book is almost exactly the same size and weight as the P/V translation, with a beautiful white cover and dust jacket.
The few early complaints I hear on Briggs is that he "British-izes" the dialogue, using words like "mate" as soldiers address one another... so it's not written in "American" English. This fact, too, probably doomed him a bit in pecuniary terms, at least in the USA. But that is a very small caveat and I don't personally mind it at all. As Briggs pointed out in his commentary (paraphrasing), he had to choose an English dialect to translate it TO and, since he himself was English, that is the vernacular which he chose to utilize. Makes sense to me.
Briggs' credentials are well up to par as a former Professor of Russian at the University of Birmingham, (Edgbaston, 26,000 students), coupled with the fact that he has previously translated many other literary works from their original Russian language.
In any case, I'll do a full review when I've finished this alternative "War and Peace" English translation.
In addition to the Pevear/Volokhonsky (2007) and Briggs (2005) translations, "War and Peace" has also been translated by the following people: Clara Ball, (1886, from a French translation source document by "Une Russe," an unknown woman); N.H. Dole, (1889); Leo Weiner, (1904); Constance Garnett, (1904); Louise and Aylmer Maude, (1923... the Maudes, who lived in Russia, had actually consulted with Tolstoy himself during their work on the project); Rosemary Edmonds, (1957, updated version, 1978), and; Ann Dunnigan, (1968, which is lauded as "...a sound American version").
However, if you carry a copy of War and Peace with you anywhere, you will be subjected to ridicule of many varieties. This, of course, says more about the critics than the reader. It tells us first that most people have largely lived their lives deprived of reading one of the most "need to read" books in Western literature.
The book and an understanding of it are essential for a classically liberal and comprehensive education in Western civilization. No other single book so completely expresses the essence of a critical age in history than War and Peace. As such, the central reason to read it is that it is an efficient window into who we are and how we got here.
The customary joking and ridicule also tells us that many people have been forced to read War and Peace in school, but never understood or appreciated it. That is a very sad state of affairs. It implies a kind of abuse that comes from forcing any good thing on someone just because it is deemed good for them and before they have a chance to understand and benefit from it.
I guess what I am saying is that this is not a book for the young or anyone else, unless the reader is prepared and coached along the way. The only way, indeed, a youthful reader can get the lessons of War and Peace is through extensive preparation and contextual education. War and Peace requires a whole course of background to be fully revealing and illuminating.
The purpose of my review of War and Peace is not to praise it or to evaluate its literary achievements. I am simply not an expert in a position to do that.
My purpose is to draw on my experience with the book and to provide prospective readers of all ages and backgrounds with an efficient but penetrating guide that will make the journey through the pages of the book come to life and swell with enjoyment and comprehension.
For now the review will have to be a work in progress. But in the end, I promise to provide a comprehensive plan of syntopical reading complete with travel suggestions that cement the standing of the book and equip the reader with the ability to disarm any critic and, more importantly, enjoy a life of interesting cocktail conversations upon completion of this great work.
In addition to this review, I recommend that anyone getting ready to mount the challenge of reading War and Peace can and should refer to the reading lists I separately provide on the Age of Napoleon and on the reading of War and Peace, as well as travel to and enjoyment of Paris, Moscow and St. Petersburg.
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