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War of the Wakening Phantoms
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War of the Wakening Phantoms
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MP3 Music, July 26, 2005
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Editorial Reviews
Product Description
The High Dials are back with their second album "War of the Wakening Phantoms. This is a brilliant recording of jangle psychedelia and colorful melodies with a new romantic touch, reminiscent of the Flaming Lips (Soft Bulletin) with Cure-esque guitars that move throughout the album to give it a big Mercury Rev feel with more synths. "War Of The Wakening Phantoms" takes The High Dials a little more into the new wave then their first effort "A New Devotion".
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Although hailing from the francophone Montreal, the High Dials sound like pure first-wave British invasion with their close breathy harmonies, dreamy pop collages and intelligent wordplay. In fact anything on Wars Of the Wakening Phantoms, their mystically-titled second album could have been lifted from some lost Kinks sessions, if they morphed into the late career Flaming Lips without anyone being the wiser, right down to the high-minded philosophy couched in deceptively beautiful psychedelia and the smart, sardonic asides. This time out the Canadian quintet abandoned both their mod retro aesthetic and the concept album approach of 2003's New Devotion" for a more enigmatic song suite where the phantoms of the title aren't the kind that go bump in the night, but are the ghosts of lost love and innocence. If nothing else, this record is a compelling journey through heartbreak. --Jaan Uhelszki
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5 x 5.75 x 0.45 inches; 3.27 Ounces
- Manufacturer : Rainbow Quartz
- Date First Available : July 25, 2006
- Label : Rainbow Quartz
- ASIN : B0009R1A1C
- Number of discs : 1
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Best Sellers Rank:
#374,069 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #9,560 in Indie Rock
- #14,317 in Adult Alternative (CDs & Vinyl)
- #33,941 in Alternative Rock (CDs & Vinyl)
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You'll hear elements of shoegazer icons like Ride, Slowdive & Moose; contemporary psych/pop rockers like Brian Jonestown Massacre & Super Furry Animals; and a diverse array of 60's/70's influences from bands such as the Byrds, Kinks, Big Star, Zombies...even a touch of Donovan and Dylan. The album's openers, "The Holy Ground" & "Soul In Lust" are both powerful, rhythmic rock songs, with melodies you won't soon forget. "Our Time Is Coming Soon" melds a magically harmonic chorus line with an insistently pounding verse, augmented by an angelic fly-by with electric sitar. "Strandhill Sands" begins with a wash of wah-wah guitar that rolls easily into the soft underbelly of love, where an irresistibly sad, heavenly voice is oh-so-gently mutilated by rolling knives of gorgeous guitar sounds: A pure example of absolute beauty as disturbed entity. "Sick With the Old Fire", arguably the most memorable song here, radiates with a stunningly beautiful intensity, offering up the verse as sacrificial manna to the devouring Gods of the grinding, repetitive chorus. "The Lost Explorer" is a softly haunting, dreamy ballad that mixes 50's overtones with chiming guitars and poignant emotion. "Higher and Brighter" bounces along with a simplistic authenticity that recalls the more natural side of Blur or the Thrills. "Your Eyes Are A Door" is an 8 ½ minute epic ballad that only exists in the brief, fragile reality of post-orgasmic ecstasy: It's akin to the experience of hearing yourself drift in solitude--not really possible, but embraced in the pure, unconcerned splendor of the moment.
In making "War Of the Wakening Phantoms" the High Dials have created a new space. A space filled with the sparkly magic of gifted songwriting and the genuine joy of psychedelic pop perfection. They may not change the world, but for sixty minutes and forty three seconds, they've definitely made it a better place to be.
bought 'war of the wakening phantoms' the next day and it's been in steady rotation. the combination of influences and styles on display in these songs is intriguing: a blend of 60's psychedlia mixed with liberal dashes of 80's new wave and 90's britpop. with nods to bands from U2 to ride to the stone roses to echo & the bunnymen all coming onto the canvas to provide a welcome and familiar colour, the high dials filter it all through a melodic filter of stylings ranging from the early mod leanings of the who to the jangly psyche-pop of the byrds.
all of which is not to say that the album is derivitive or immitative -- it is quite an original pastiche, have no doubt. but like many young bands these days, the high dials don't shy away from a love of music from the 80's. it makes for a very interesting blend, the melodies and harmonies sitting nicely against the keyboards and the ocassional sitar (!). the end result is an album that feels like an old friend, one that sits quite comfortably on the cd shelf next to it's forebears and amongst it's contemporaries.
standouts:
the gorgeous opener 'the holy ground', an infenctious rave-up that bears many a repeat listen. 'winter ghosts', which is bowie meets jethro tull by way of genesis -- and that's saying something! check out 'sick with the old fire' where the band conjures the ghost of the ocean blue, which they do as well on 'strandhill sands' and 'a river haunting'.
overall, i'm impressed -- i don't listen to as much rock as i used to as i find so much of it is plodding, stale, or disposeable. but the high dials album is an interesting and diverse collection of songs that keep things airy and wide, never wallowing in the densities and dark that so many bands choose to explore.
a most welcome breath of fresh air. check it out.
They were the best live show (by far) of all the bands I saw in 2005, which must have included at least 30 concerts. If you're lucky enough to have them play in your town, make sure you go see them.
Saluto
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