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Warheart: A Richard and Kahlan Novel Kindle Edition
Terry Goodkind's New York Times bestseller, Warheart, is the direct sequel to, and the conclusion of, the story begun in The Omen Machine, The Third Kingdom, and Severed Souls.
All is lost. Evil will soon consume the D'Haran Empire. Richard Rahl lies on his funeral bier. It is the end of everything.
Except what isn't lost is Kahlan Amnell. Following an inner prompting beyond all reason, the last Confessor will wager everything on a final desperate gambit, and in so doing, she will change the world forever.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
- LanguageEnglish
- PublisherTor Books
- Publication dateNovember 17, 2015
- File size4070 KB
Editorial Reviews
Excerpt. © Reprinted by permission. All rights reserved.
Warheart
By Terry GoodkindTom Doherty Associates
Copyright © 2015 Terry GoodkindAll rights reserved.
ISBN: 978-0-7653-8308-2
CHAPTER 1
Feeling hot and light-headed, Kahlan stiffened her back as she stood at the head of the funeral pyre, staring down at Richard's body laid out before her. The light mist and fitful drizzle felt cold on her face, like ice against the grief burning inside her. Wet cobblestones glistened in the late-day light. Irregular pools of standing water reflected parts of the citadel rising up beyond and the stone guard tower nearby, with the occasional tears of rain distorting those reflections.
Although the mist and bouts of rain had soaked the neatly stacked wood of the pyre, she knew that it would burn. Thick layers of pitch had been slathered over the lower planks so that once the torches were tossed in, the entire stack would ignite and burn hot, even in the drizzle, and Richard's worldly remains would be consumed in the flames.
Kahlan's hopes and dreams would be consumed in them as well.
Everyone's hopes and dreams would be turned to ashes.
The dozen men ringing the funeral pyre had but to toss their torches into the wood and it would be over.
Everything would be over–for her, and for everyone.
The dozen grim soldiers gripping the torches all stood at attention, but their gazes were on her. None of these men of the First File, the Lord Rahl's personal guard, would be the one to decide to toss his torch and ignite the funeral pyre. It was up to her alone, the Mother Confessor–Richard's wife–to give the order.
The morning was dead silent but for the low hiss of those torches. Their flames spit and popped as they wavered gently in the damp breath of a breeze, as if waiting impatiently for her to give the word so they could be freed to get on with their grisly work.
Beyond the soldiers holding the torches, no one in the gathered crowd made a sound. Most shed tears silently.
Kahlan, standing at Richard's head, stared down at the handsome face of the man she loved. She hated seeing him still in death. She had feared for his life any number of times, but she had never once imagined one day standing over him laid out on a funeral pyre.
They had dressed him in a black shirt and over that a black, open-sided tunic bordered with a gold band decorated with symbols. The wide, multilayered leather belt that cinched the magnificent tunic at his waist bore the same sort of symbols, many in what she now knew to be the language of Creation. At each wrist crossed over his stilled heart he wore wide, leather-padded silver bands engraved with yet more of the ancient symbols. A cape hooked to his broad shoulders, appearing to be nothing so much as spun gold, lay spread under him so that it looked as if he were an offering being presented to the good spirits.
Where had those good spirits been when she needed them most?
Even as she asked the question, though, she knew that the concerns of the world of life were not the concerns of the spirits. The concerns of the living were those of the living alone.
A glimmer of light reflected off the bloodred stone in the center of the ancient amulet Richard wore on a chain around his neck. Intricate lines of silver surrounding the stone represented the dance with death. The amulet had been made by Baraccus, the war wizard at the time Emperor Sulachan had started the great war. The amulet, like the dance with death itself, had meaning to a war wizard. Richard, likely fated to be the last war wizard, was now laid out in the same, traditional outfit of that calling.
The only thing missing was the tooled-leather baldric with the magnificent gold-an
--This text refers to an alternate kindle_edition edition.Review
About the Author
Product details
- ASIN : B00WR9O8B4
- Publisher : Tor Books (November 17, 2015)
- Publication date : November 17, 2015
- Language : English
- File size : 4070 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 464 pages
- Best Sellers Rank: #110,110 in Kindle Store (See Top 100 in Kindle Store)
- #813 in Action & Adventure Fantasy (Kindle Store)
- #1,952 in Sword & Sorcery Fantasy eBooks
- #2,544 in Epic Fantasy (Kindle Store)
- Customer Reviews:
About the author

Terry Goodkind is a #1 New York Times Bestselling Author and creator of the critically acclaimed masterwork, ‘The Sword of Truth’. He has written 30+ major, bestselling novels, has been published in more than 20 languages world-wide, and has sold more than 26 Million books.
‘The Sword of Truth’ is a revered literary tour de force, comprised of 17 volumes, borne from over 25 years of dedicated writing. Terry Goodkind's brilliant books are character-driven stories, with a focus on the complexity of the human psyche. Goodkind has an uncanny grasp for crafting compelling stories about people like you and me, trapped in terrifying situations. With masterful storytelling, Goodkind brings us into the lives of his characters; characters that must rise to face not only challenges, but their deepest fears. For that reason, Goodkind’s characters speak to the best and worst in all of us.
While ‘The Sword of Truth’ series is confirmation enough of Goodkind’s incredible storytelling abilities, his broad talents are also clearly evident in his contemporary novels, set within our own world. His post-‘Sword of Truth’ books are a thrilling, dizzying, mix of modern narrative, with every bit of Goodkind’s masterful voice intact. The bond built between the reader and one of the world’s great authors, rises above worlds and settings, mere backdrops for Goodkind’s uniquely intricate stories of life, love, challenge, and triumph.
"My privilege in life is the joy of writing books and telling stories about people who fascinate me, the good and the bad. I am grateful to all of my readers for the critical role they play in making these books possible. Your passion is my passion, and I thank you." - Terry Goodkind
For more, please visit: http://terrygoodkind.com
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All of the plot-lines from all of the books were wrapped up in this book. (You might or might not be happy how they were wrapped up, but Terry Goodkind did wrap them up.)
Without giving any plot spoilers, no major characters are gratuitously killed in this book (unlike several of the last books in the series). That said, there are some examples of characters sacrificing themselves to save the world, and it fits with the plot and the characters as we understand them.
Overall, if you have read any of the last five books in the series then you probably owe to yourself to read this one to close things out. If you are just starting your Sword of Truth adventure, read the first three books, and take it a book at a time from there. If you have never read any of the Sword of Truth books then you might want to see the spoilers and decide for yourself whether you want to begin the epic journey.
Just to answer the question, yes, this book has the same issues in terms of editing that reviewers complained about in the last five books. There is a tremendous amount of exposition and repetition. To be fair, it would have been super hard to finish off a series that dealt with so many philosophical and high fantasy issues without some heavy exposition.
All in all, if you made it to the Omen Machine or beyond in the series then you definitely should read this one.
** Beware Spoilers Follow **
Just to be honest, Terry Goodkind does a better job of explaining all this than I can, but here is one reader's take.
The story begins with Mother Confessor getting ready to light Richard's funeral pyre. She is supposed to do it, but she can't. Oh, and it is raining outside. There are three chapters loaded with words for wet, cold, and rainy.
In the end, she can't bring herself to light Richard on fire. Instead, miraculously, the familiar from the Witch Woman Red is watching the Mother Confessor, and she decides that this must be some way to rescue Richard.
It leads to a jump cut that involves Nicci, the Mother Confessor, and Red going to the Underworld to rescue Richard. Very convenient for all concerned! Yeah, go team!
This gives the readers the chance to meet all of the people killed in the series and to say hello to them again as they swarm in to save Richard. It turns out that apparently Zed could have done this all along, but ... well, it is never really explained why he did not earlier.
Ok Ok. What, you are looking for a treatise on logic?
Richard comes back, but he is still loaded with the poison of death. Now, when Kahlen came back, he removed the poison from her, but for some reason he did not take the poison out of himself when he came back.
This leads to most of the subplots in the book about getting Richard to a containment field to get the poison out. This is the main tension in the book. Most of the time, it seems like the party will never make it.
(When the time comes for them finally to remove the poison, Richard takes off, leaving Kahlen and Nicci behind in what appears to be a strictly suicidal move.)
The party travels using the Slip at two separate locations. After leaving the border with the third kingdom, the group finds tens of thousands of spirits apparently left over from the last big war.
(Hold that thought.)
They finally make it back to the People's Palace, and Richard goes back to get his sword.
Remember all of those spirits that the party randomly happened upon? Yeah, well, they are all of the souls of the half-people. No, really. All of their souls were actually under the palace that the Mother Confessor was raised in, but no one knew anything about.
Very, very convenient for our intrepid heroes.
He is told by the Slip that it will bring Richard very close to death. He seems undeterred. As a reader, you are thinking this is just another Richard heroic ploy that is just shy of suicidal (it is a regular thing for Richard in the series), but in this case it has more significance.
You see (in a twisted turn that is equal parts Buddhism, animism, Calvert-ism, and New Age), it turns out that the Omen Machine was cast out of the world of the dead to prevent from the evil, undead Emperor from getting his hands on all of the prophecy that Regula contained. Alas, when Richard opened the portal using the power of Ordin to send the Old World to another magicless world, this created a celestial fold that is bringing the underworld to the world of the living, and this will destroy everything.
Why?
Well, the timelessness of the underworld that has no beginning or end actually only has meaning as a shadow of the world of life that has time, and ... yeah, it didn't make any sense to me either.
In any event, in the huge climactic scene, Richard uses the power of death in him to destroy the living form of the dread Undead Emperor, driving him and the Omen Machine back to the underworld for all eternity. (This is why he did not remove the poison of death when he came back to life.)
It turns out that Richard used the timelessness of the underworld to completely reprogram his gift to be an explosive charge that would push the power of death out of him at just the right time and destroy the big evil guy. (Which begs a lot of questions. Richard had been to the underworld on a number of occasions, why did he not use this underworld super power in book three to fix everything? ... We will never know.)
Then, there is a mini-scene at the end where Kahlen and Richard are both at the evil Bishop's mercy, but the Mord Sith that the Bishop converted to the Dark Side comes around to Richard's side **just** at the right moment and kills the remaining Bad Guy(tm).
Then, and somewhat surprisingly, Richard finally releases all the souls of the half people back to join with them. Off stage, those spirits that no longer have a half person to return to are granted "release" by Richard. We do not have any idea how this is done given that the doorways between the world has been closed, but we are told in exposition that it is true.
(Right, the timing of this reuniting of the souls does not make the best sense. The optimal time to do it would have been before the confrontations with the two big bad guys - then, the souls could have returned to the underworld using the open conduit of the Omen Machine, and many less people would have been killed in the People's Palace.)
The final scene is Richard and Kahlen admiring the new constellations in the sky, and Richard assuring Kahlen that this is the beginning of a new golden age.
Roll the credits.
There are some sacrifices made to recover Richard from the land of death.
All in all, if you made it to the Omen Machine, then you need to get through Severed Souls to get to this one to close it out.
I'm happy to say that I was wrong about this certain title. I'm again seeing the Terry Goodkind I used to know behind the words and lines, I see characters I used to admire - searching, thinking, getting into complicated matters to solve formidable problems etc. In certain spots, especially near the end, I had that already forgotten feeling of being anxious to know what comes next, and I remember myself being frustrated about the fact that I must take a break and finish reading next day - it's good to have these feelings back again, I missed them.
It should be remarked that a number of things about this conclusion feel like "deus ex machina", but I'm basically fine with that - logic and established laws can hardly be expected to function properly in a collapsing world. I'd also add that some elements of the plot feel rather compressed, and I wouldn't have minded if they were described in greater detail. A separation of Warheart into two books might have even been a better choice than releasing Severed Souls.
I'm also happy to see that an amount of critique contained in many reviews I read regarding previous books has obviously been taken into account and used to improve style, dynamics, environment and characters. Thank you for listening, Mr. Goodkind, and thank you for binding previous inconsistencies together so that they could have a kind of plausible explanation and get built into the general system.
So overall, it's a nice conclusion, and I like it. It left some positive emotions in me when I finished reading, and in that it is unlike some of the previous titles. It won't be going as high as some of the initial books, just for the mere technical reason of the universe being already described in tiniest detail and squeezed dry, but it's still a good effort. Unfortunately, there's a lot of "it wasn't as bad as I expected" in that "good" (and it certainly should not be like that with a writer of Terry Goodkind's imaginative force), but taking all the circumstances, there surely is something to be happy about.
So, it's all over. Time has come for a new era, the golden age, to begin. Thank you again, Mr. Goodkind, for all we've read in these years; it was an epic journey.
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Perhaps you can see were this is going but if you have read Goodkind's previous installments you will most likely be reading Warheart regardless of what any review tells you. Nevertheless these are my thoughts in the end.
Of the last four books in the Richard and Kahlan series beginning with The Omen Machine I would have to say Warheart is the best of them. I would not attribute any great weight to that assertion however as I have not found The Omen Machine, The Third Kingdom, Severed Souls or Warheart to be particularly engaging or enjoyable to read. While there were flashes of true immersion laced throughout the early sections of this volume which reminded me of my first read through of the early books those flashes were regretably brief and not indicative of what was to come.
The main problems I have with the last four volumes include offbeat dialog, underwhelming core story concept(it's reasons for being there make sense but it fails to be anything more than logical), lack of characters, main cast whose page presence feels washed out, too much time stranded in the oblique Dark Lands. Goodkind does manage to bring things together a bit better with Warheart but still if I had to describe the last four volumes with one word it would be a simple one; plain.
While I have never made claim that Goodkind produced something jaw dropping, inspired or truly original with the Sword of Truth series he didn't have to because I still have enjoyed reading everything including and pre-dating Confessor. It is not that Warheart is awful because that simply isn't true, it should just be so much more...characters should leap off the page and make you care about them, story arc's should excite and entice. Unfortunate twists of fate should leave you asking the question "Did that just actually happen!?!?!?". Since The Omen Machine I have not felt like I was on that wavelength. Rather these four books were rudimentary tasks to be completed because I had read twelve previous installments.
His mistake, in my opinion, was not that he advanced the story beyond Confessor but instead took it into the limbo of the Dark Lands where his characters floundered in isolation. But even in The Omen Machine at the People's Palace the story and characters were a poor reflection of what they had been but one volume ago. I would not say that he lost the ability to write, that is far too harsh. To me it felt like he took an overall not so great idea for his timeline and ran with it too soon. I personally feel that the last four books would have benefited greatly from more inviting locations and fleshed out plots. Forest A to mountain B to forest C does get rather old after a while. I wanted the story to continue beyond Confessor and not over the territory just traveled.
In the end there was no pang of regret that it was all over when I finally turned the last page and this, for me, was the crux of the issue because total apathy was not what I was looking for in the series finale. That bittersweet feeling that was present with the closing of Confessor's pages was sorely absent here.
This has roughly been my third re-read of the series. I am uncertain if there will be a fourth. In my opinion, these last four books have done the complete series a disservice. A generous 3/5.
First up this book is not perfect, there is so much crap such as Richard trying to explain to Samantha his reason for killing her mum and what not with such a self riotous attitude and basically being a massive hypocrite in the process it did my nut in. Next the whole series and how it framed at times just made me go WTF and feel like the whole story arc was being made up as it went along and condensed to try and make some semblance of a story. Other times we see major characters die and there death is literally a few lines long, I mean major characters.
I won't spoil it, but obviously being the final book the bad guys will die. There deaths are just so ridiculous I am pretty sure when reading those chapters I face palmed myself at the end. Were they even really these big baddies or merely used to help pad out content in the books?
Now its not all bad, one area I liked was the relationship between characters that lived (not the dead / ones that died as they seemed like such minor things). In a sense the book did flesh out and provide a basis on which to conclude the series which was good. The pacing of this titles was also much better then recent titles which kept details consistent and on point. Thankfully repetition was also kept to a minimum throughout the book compared to prior novels which was also appreciated.
Overall, this is a better finisher. There are still plot lines galore, some details are weak, but the book finishes much better then recent titles. I am glad that Kahlan and Richard Saga is over. Being honest I am looking forward to the Death Mistress book based on Nicci coming out Jan 2017 whom I found to be a much better character then these two towards the end of the series. Hopefully we see goodkind bring back some of the magic of his earlier novels with that titles.
If in every way. What an amazing writer could not put each one down. Never disappointed with each other and ever book
I was disappointed that one of the most loved characters seemed to be given a rather epic-less death scene, even though I understand the purpose behind it. I felt they could have been given a far more noble end.
However, I enjoyed the books and enjoyed having closure on so much rich history, and would never hesitate to recommend them to anyone.
I hope we get to see where Terry is going with his Law of Nines sideline story and think it would make great reading or even TV if you have seen the short film which was made based on it. Just don't let Disney near it again!
If you are a fan of the first epic saga, you will still be a fan after this conclusion.
As for me, I think I will now go back to the start and read them through to the end again (minus the agonizing waiting periods between books being completed and published) :-)
It has not only has avoided (well minimised) the repetition and fillers which plagued the previous books, but has drew up the story into an exciting and eventful conclusion.
The pacing of the novel is excellent, keeping you entertained throughout; you don’t want to put the book down! The author really has returned to his “A” game and produced a solid and entertaining book.
If you’ve read the other books but were reserved continuing after their poor execution, it is definitely worth forging on! If you stopped after Confessor however it’s more difficult to recommend reading the first three books to get here, but if your dedicated to the series its probably worth it.
Overall a great read and a high point in the series which towers monumentally above its predecessors! I only hope Terry Goodkind remains in this form when writing the next books in the First Confessor series!




