Warring Clans, Flashing Blades was Patrick Galloway’s second book on samurai films. The first, Stray Dogs and Lone Wolves was a great introduction to the genre. This one is more about the films.
It starts with a short introduction to the samurai era, and a few of the main actors before going into dozens of the films broken down by the time periods they cover. Each film is given a synopsis and then some comments. The focus is upon some of the Japanese classics that are not well known in the west like Samurai Saga featuring Toshiro Mifune as Cyrano de Bergerac, the famous ninja series Shinobi no mono, and some of the Zatoichi flicks. If you’re looking for Akira Kurosawa movies only one, Ran, is included. They are featured in his first book.
Warring Clans is a good read and has plenty of suggestions for movie viewing. I have three criticisms. First, he spends way too much time summing up the entirety of the movies. My personal preference is for a short overview of what the movie is about. I’m much more interested in some criticism and analysis rather than reading about the entire plot. Second, he praises some movies that I consider some real stinkers like those from the 1980s when the Japanese movie industry had fallen into a funk and all of them looked like anime or a kids TV show. Last, the majority of the films reviewed are not available in the West. That’s very frustrating because you can read about them in this book, and never be able to see them. Despite this is a very good overview of samurai movies.
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Warring Clans, Flashing Blades: A Samurai Film Companion Paperback – Illustrated, July 1, 2009
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Patrick Galloway
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Patrick Galloway
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Print length220 pages
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LanguageEnglish
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PublisherStone Bridge Press
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Publication dateJuly 1, 2009
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Dimensions7.1 x 0.7 x 9.1 inches
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ISBN-101933330783
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ISBN-13978-1933330785
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Editorial Reviews
About the Author
Film critic Patrick Galloway won over readers with film guides Stray Dogs & Lone Wolves: The Samurai Film Handbook, and Asia Shock: Horror and Dark Cinema from Japan, Korea, Hong Kong, and Thailand. A lifelong student of Asian philosophy and culture, Galloway has traveled in Japan, Hong Kong, India and Nepal. He lives in the Bay Area.
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Product details
- Publisher : Stone Bridge Press; Illustrated edition (July 1, 2009)
- Language : English
- Paperback : 220 pages
- ISBN-10 : 1933330783
- ISBN-13 : 978-1933330785
- Item Weight : 1.03 pounds
- Dimensions : 7.1 x 0.7 x 9.1 inches
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Reviewed in the United States on January 1, 2020
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Reviewed in the United States on July 16, 2009
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This is the first of Galloway's books I've purchased, but after reading this one, I'm tempted to buy the others as well, just for the joy of reading his conversational and informative style. If you've ever thought it would be nice to go beyond the "wow, this swordplay is really cool" stage of samurai film fandom, I absolutely recommend you pick up Galloway's books on the subject. While I haven't read the first title
Stray Dogs & Lone Wolves: The Samurai Film Handbook
(since I've seen lots and lots of samurai films already and didn't think I needed an "introduction"), I can wholeheartedly say that this title, Warring Clans, Flashing Blades, is a revelation, even for the movies I have already seen. That alone makes me consider going ahead and buying the first of his samurai movie volumes.
His style is casual and witty, very easy to read. His likes and dislikes are readily apparent, but he always explains his reasons. You don't have to be a college film studies major to enjoy his reviews, and the additional information is helpful and contained in short, easy-to-digest summary style. As Galloway says, he isn't a historian, but what he is is a keen observer and effective communicator. He knows what information is important and what isn't. This volume covers less well known films of the genre, while Stray Dogs is more of an introduction to chambara, so I'd call this one "Chambara 102," a good one to pick up if you want to delve more deeply than what Galloway refers to as "the usual suspects," this is a good one.
A special treat of this volume is a section at the beginning covering aspects of Japanese culture as seen depicted in these films: tea ceremony, swordsmithing, Zen, live theater (Noh, Kabuki and such) and more. Also fronting the reviews is a section with profiles on several prominent actors, directors and composers of these unique films. And look for sidebars throughout the reviews (Ask Takuan, the Know-it-All Priest) with useful tidbits of information that will help you understanding the context and atmosphere of these films as they were meant to be enjoyed (very helpful for the non-Japanese viewer, who is often assumed to be familiar with many things by which we Westerners are utterly baffled.) Oh yes, and I forgot to mention the extensive glossary of terms and great index at the back!
If you think it is just about sword clashes, think again. While chambara almost always has a swordplay set piece or two or six, other genres incorporate this as well, including the traditional ghost story, chivalrous yakuza tales (Zatoichi is a case in point), and straight jidai-geki drama. As the samurai class was an integral part of historical Japan, one could hardly tell a tale of Old Japan without some reference to them, could one? So, genres necessarily blur together and the "samurai film" can cover many different modes and topics in movies, not just your stereotypical sword clashing adventure movie.
The reviews are divided by era: Heian (Ancient Imperial Japan),Sengoku (Warring States), Tokugawa (Edo Era, 1600-1868, the reign of the Tokugawa Shoguns) and Bakumatsu (the tail end of the Tokugawa era that starts with the arrival of the American Commodore Perry's Black Ships in 1853 and ends with the Meiji Restoration in 1868). Anything after 1868 stops being jidai geki and becomes gendai geki (modern era).
One thing I particularly liked about the way Galloway reviewed the films is that he focuses on internal consistency more than historical accuracy, making his reviews more of a measure of whether a casual viewer can enjoy them or not. Longer reviews have encapsulated sidebar reviews of related films, and some of the more complicated plotty titles even come with helpful diagrams! For instance, he includes two diagrams for "Samurai Spy," which I had avoided because so many reviewers said it was horribly confusing. Now I can just open Galloway's book to the section on this title and consult the handy charts! He also includes one for the movie "Kill!" that I wish I had had when I watched it first. I found lots of useful information here and it was fun to read! Highly recommended. Buy it today! Buy it yesterday!
His style is casual and witty, very easy to read. His likes and dislikes are readily apparent, but he always explains his reasons. You don't have to be a college film studies major to enjoy his reviews, and the additional information is helpful and contained in short, easy-to-digest summary style. As Galloway says, he isn't a historian, but what he is is a keen observer and effective communicator. He knows what information is important and what isn't. This volume covers less well known films of the genre, while Stray Dogs is more of an introduction to chambara, so I'd call this one "Chambara 102," a good one to pick up if you want to delve more deeply than what Galloway refers to as "the usual suspects," this is a good one.
A special treat of this volume is a section at the beginning covering aspects of Japanese culture as seen depicted in these films: tea ceremony, swordsmithing, Zen, live theater (Noh, Kabuki and such) and more. Also fronting the reviews is a section with profiles on several prominent actors, directors and composers of these unique films. And look for sidebars throughout the reviews (Ask Takuan, the Know-it-All Priest) with useful tidbits of information that will help you understanding the context and atmosphere of these films as they were meant to be enjoyed (very helpful for the non-Japanese viewer, who is often assumed to be familiar with many things by which we Westerners are utterly baffled.) Oh yes, and I forgot to mention the extensive glossary of terms and great index at the back!
If you think it is just about sword clashes, think again. While chambara almost always has a swordplay set piece or two or six, other genres incorporate this as well, including the traditional ghost story, chivalrous yakuza tales (Zatoichi is a case in point), and straight jidai-geki drama. As the samurai class was an integral part of historical Japan, one could hardly tell a tale of Old Japan without some reference to them, could one? So, genres necessarily blur together and the "samurai film" can cover many different modes and topics in movies, not just your stereotypical sword clashing adventure movie.
The reviews are divided by era: Heian (Ancient Imperial Japan),Sengoku (Warring States), Tokugawa (Edo Era, 1600-1868, the reign of the Tokugawa Shoguns) and Bakumatsu (the tail end of the Tokugawa era that starts with the arrival of the American Commodore Perry's Black Ships in 1853 and ends with the Meiji Restoration in 1868). Anything after 1868 stops being jidai geki and becomes gendai geki (modern era).
One thing I particularly liked about the way Galloway reviewed the films is that he focuses on internal consistency more than historical accuracy, making his reviews more of a measure of whether a casual viewer can enjoy them or not. Longer reviews have encapsulated sidebar reviews of related films, and some of the more complicated plotty titles even come with helpful diagrams! For instance, he includes two diagrams for "Samurai Spy," which I had avoided because so many reviewers said it was horribly confusing. Now I can just open Galloway's book to the section on this title and consult the handy charts! He also includes one for the movie "Kill!" that I wish I had had when I watched it first. I found lots of useful information here and it was fun to read! Highly recommended. Buy it today! Buy it yesterday!
8 people found this helpful
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Reviewed in the United States on July 8, 2009
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Just got this book and I can't stop picking it up and reading it!
Patrick Galloway really knows his stuff when it comes to Samurai films and in this excellent follow-up to "Stray Dogs & Lone Wolves", he continues to review the best that the genre has to offer - doing the leg-work, if you will, for us newbies and steering us to the most worthy titles. If you have recently fallen in love with these films like I have and are hungry for more, Galloway leads you and educates you and he manages to make it a lot of fun as well. He's an expert on the subject, but he's not a stuffy academic, he's a diehard fan whose enthusiasm is evident in every line and very very contagious.
Just like the first book, the layout and style of WCFB make it very easy to read. It's loaded with great information about the movies, the directors, the actors, the many different variations on the Samurai theme, and this time he gives you some valuable historical background and insight into Japanese culture that really helps you understand the films better.
His reviews are simple, straightforward, written with humor and a casual movie-geek to movie-geek tone. He covers well-known classics, but also little-seen gems like KILL!, SAMURAI SPY and SAMURAI WOLF.
If you don't have the first book, do yourself a favor and buy the both of them together, because what Galloway has effectively done is compile a two-volume indispensible "bible" for the newly-converted fan.
Once initiated, these movies tend to become an obsession - I'm guilty - and these books make the perfect companion.
Patrick Galloway really knows his stuff when it comes to Samurai films and in this excellent follow-up to "Stray Dogs & Lone Wolves", he continues to review the best that the genre has to offer - doing the leg-work, if you will, for us newbies and steering us to the most worthy titles. If you have recently fallen in love with these films like I have and are hungry for more, Galloway leads you and educates you and he manages to make it a lot of fun as well. He's an expert on the subject, but he's not a stuffy academic, he's a diehard fan whose enthusiasm is evident in every line and very very contagious.
Just like the first book, the layout and style of WCFB make it very easy to read. It's loaded with great information about the movies, the directors, the actors, the many different variations on the Samurai theme, and this time he gives you some valuable historical background and insight into Japanese culture that really helps you understand the films better.
His reviews are simple, straightforward, written with humor and a casual movie-geek to movie-geek tone. He covers well-known classics, but also little-seen gems like KILL!, SAMURAI SPY and SAMURAI WOLF.
If you don't have the first book, do yourself a favor and buy the both of them together, because what Galloway has effectively done is compile a two-volume indispensible "bible" for the newly-converted fan.
Once initiated, these movies tend to become an obsession - I'm guilty - and these books make the perfect companion.
4 people found this helpful
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Reviewed in the United States on February 9, 2015
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The ONLY negative thing about this book is the list it gave me of all the great films now know I haven't seen yet.... but at least I have the list!
Reviewed in the United States on September 26, 2009
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Pat Galloway follows up on the winning formula that made "Stray Dogs and Lone Wloves" such a formidable (and fun) work. There is little I can add to the other reviews here, except that if you are either a newcomer to the genre or an old hand like me, Galloway can always entertain and educate. To do both simultaneously is quite a rare achievement - for any author. You want chambara with an attitude? Look no further.
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Reviewed in the United States on September 24, 2014
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I love the films, enjoyed Galloway's commentaries on films well known or obscure.
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Martin Lane
5.0 out of 5 stars
Galloway strikes again!
Reviewed in the United Kingdom on January 6, 2010Verified Purchase
The follow-up to 'Stray Dogs & Lone Wolves'(also worth checking out if you have not done so already) and Mr. Galloway has another winner with 50 more fine examples of samurai movies to consider. Once again he writes with the infectious enthusiasm of a total film lover, clearly a man who is not a jaded hack. The book is easily enjoyable with not a hint of the dry academia of say, Alain Silver. Go on, you owe it to yourself, all you samurai-eiga fans out there. Enjoy.
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e l russell
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Excellent service Would definitely use again
Reviewed in the United Kingdom on February 20, 2016Verified Purchase
Excellent service
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