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Someone’s killing our super heroes. The year is 1985 and super heroes have banded together to respond to the murder of one of their own. They soon uncover a sinister plot that puts all of humanity in grave danger. The super heroes fight to stop the impending doom only to find themselves a target for annihilation. But, if our super heroes are gone, who will save us?]]>
Everybody's favorite graphic novel comes to the screen (after years of rumors and false starts), less a roaring work of adaptation than a respectful and faithful take on a radical original. Watchmen is set in the mid-1980s, a time of increased nuclear tension between the United States and the Soviet Union, as Richard Nixon is enjoying his fifth term as president and the world's superheroes have been forcibly retired. (As you can probably tell, the mix of authentic history and alternate reality is heady.) Things begin with a bang: the mysterious high-rise murder of the Comedian (Jeffrey Dean Morgan), a masked hero with a checkered past, puts the rest of the retired superhero community on alert. The credits sequence, a series of tableaux that wittily catches us up on crime-fighting backstory, actually turns out to be the high point of the movie. Thereafter we meet the other caped and hooded avengers: the furious Rorschach (Jackie Earle Haley), the inexplicably naked Dr. Manhattan (Billy Crudup, amidst much blue-skinned, genital-swinging digital work), Silk Spectre II (Malin Akerman), Nite Owl II (Patrick Wilson), and Ozymandias (Matthew Goode). The corkscrewing storytelling, which worked well in the comic book, gives the movie the strange sense of never quite getting in gear, even as some of the episodes are arresting. Director Zack Snyder (300) doesn't try to approximate the electric impact of the original (written by Alan Moore--who declined to be credited on the movie--and illustrated by Dave Gibbons) but retains careful fidelity to his source material. That doesn't feel right, even with the generally enjoyable roll-out of anecdotes. Even less forgivable is the blah acting, excepting Jeffrey Dean Morgan (lusty) and Patrick Wilson (mellow). Watchmen certainly fills the eyes, although less so the ears: the song choices are regrettable, especially during an embarrassing mid-air coupling between Nite Owl II and Silk Spectre II as they unite their--ah--Roman numerals. In the end it feels as though a huge work of transcription has been successfully completed, which isn't the same as making a full-blooded movie experience. --Robert Horton
Also on the Blu-ray disc
The extended director's cut restores 24 minutes of connective tissue to the 162-minute film, most significantly the last scene of Hollis Mason, the first Nite Owl. Other elements help restore and fill in details that had been in the graphic novel. Fans of the film will be glad for the extra footage but there's nothing momentous that will change anyone's basic like or dislike of the film.
By far the most interesting Blu-ray feature (in addition to the great picture and DTS-HD Master Audio sound) is the Maximum Movie Mode, which incorporates several features into the viewing experience. Director Zack Snyder periodically appears on screen in front of two large monitors, one continuing to play the movie and the other displaying special-effects shots or scenes from the graphic novel. Snyder talks about how he shot the film and points out details in a variety of scenes: the opening with the Comedian, Dr. Manhattan's lab, the Nite Owl ship, Mars, Antarctica, and the ending (and why it was changed for the movie). This feature is much more interesting than an audio commentary or a standard picture-in-picture commentary so it'd be nice if it had been done for more scenes. Also appearing in Maximum Movie Mode is a timeline contrasting events in the Watchmen world with the "real world," occasional picture-in-picture comments by cast and crew, still galleries, and a series of 11 "focus points" that allow you to exit the film to watch these three-minute featurettes (sets, costumes, the Minutemen, etc.). Worthy of mention is how easy the Maximum Movie Mode material is to find: Snyder's footage and the focus points are very visible (even in fast-forward), and you can also access the focus points directly from the main menu.
The second disc has three documentaries. The first, "The Phenomenon: The Comic That Changed Comics," 29 min.), looks at the original graphic novel and its themes, and interviews artist Dave Gibbons, DC Comics executives Jenette Kahn and Paul Levitz, and cast and crew, illustrating its points with scenes from the movie, panels from the graphic novel, and parts of the motion comic. The next two are only on the Blu-ray disc but are less interesting and of varying relevance to the movie. "Real Superheroes, Real Vigilantes" (26 min.) examines real-life vigilantes including the Guardian Angels and New York subway gunman Bernard Goetz and compares them to Rorschach. "Mechanics: Technologies of a Future World" (17 min.) spotlights a physicist who served as a consultant on the movie. He talks about his experiences then discusses whether elements from the movie, such as Dr. Manhattan, the Owl Ship, and Rorschach's mask could really work. There's also My Chemical Romance's "Desolation Row" music video , and BD-Live offers even more making-of material. A third disc with a Digital Copy of the film (compatible with both iTunes and Windows Media; download code expires July 21, 2010) was included with early shipments of the Blu-ray disc but is no longer available. --David HoriuchiSee all Editorial Reviews
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One reviewer said see the movie first, then get the graphic novel. I think it would be better the other way. But I'm from
a generation brought up on comics. The graphic-novel version is a piece of art. I was surprised it was in a fixed, regular panel format. But the creators said why they did and, okay, they're the creatives. (But I maintain it's a graphic concept,
and as the movie has done, the more dramatic, innovative formatting, the better.)
Last kibitz: I liked WATCHMEN the first time I viewed it. So much so I viewed it again, and the second time through I saw/understood/appreciated it all the more. I waited a 10 days and again re-viewed it. And more came up and out.
If you agree with the really enthusiastic reviews, I'd suggest you see more than once. or twice. And next year, see it some more.
As a 69-year-old I often think many of 'you kids' are dumbed-down vis-a-vis those of us from the Gutenberg Galaxy (go google that phrase and be enlightened). But seeing the smart acceptance of this complex film and the sharp way reviewers have applauded it, I have hopes for the future after all. Amen, and see it again and again.
Note to parents: I couldn't help worrying that some young kid might accidentally see it and get emotionally scarred from the violence. There is some near pornographic violence in this film.
I understand why there is, too. This film is trying to push the genre as far as it can in every area, and it does. For the casual viewer, this might not work. For fans of comics, it's a deeply layered treat. But like a rich chocolate cake, maybe a bit much to digest in one sitting.
If there's one thing that really stood out for this viewer it was the feeling of nostalgia for a 1980s that might've been. And the music choices were wonderful. Billy Crudup and Jackie Earle Haley are perfection in their parts, and each the opposite pole of the american hero myth.
A film to be watched again and again, commented on, argued about for years to come. Anyone with a Bluray player shouldnt be without this.