I would rate this music as 4 of 5 stars. I really like the modern approach towards fusion inspired Miles Davis. Jeremy Pelt has got some unique ideas going here that's cool and fashionable enough to introduce to the modern music audience to Jazz, just like Miles Davis in his time. But I just couldn't get into Roxy Coss' saxophone...I felt no soul behind her playing.
But the main atrocity with this album is the sound quality. Why I subtracted 3 of 4 stars. It's just too freaking loud to enjoy, I can never finish the CD from start to finish with out becoming ear fatigued and irritated. In fact a lot of Jeremy Pelts albums are like this, all the MaxJazz issues, and most of the HighNote ones. The common link between them all is the mastering engineer Katsuhito Naito. This man is either deaf or he used to master loud heavy metal or something but he has ruined a number of Jeremy Pelts albums by making them sound like thick walls of noise. I must be hard on this because this trend of loudness in music has to stop!
Here are the results of the Dymamic Range Meter I ran this album through, it has a score of DR6 making it THE loudest jazz album I have in my collection. I will also post a image in the picture section of the waveform of the loudest track 6 'Stay' which is DR4 by itself.
foobar2000 1.2.6 / Dynamic Range Meter 1.1.1
log date: 2013-07-10 11:11:00
--------------------------------------------------------------------------------
Analyzed: Jeremy Pelt / Water and Earth
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR6 -0.10 dB -8.29 dB 3:52 01-Reimagine the World
DR6 -0.10 dB -8.10 dB 6:22 02-Mystique
DR6 -0.10 dB -8.47 dB 5:32 03-In Dreams
DR6 -0.10 dB -8.03 dB 8:22 04-Boom Bishop
DR9 -0.10 dB -12.73 dB 4:24 05-Meditations On a Conversation We Had
DR4 -0.10 dB -6.43 dB 3:40 06-Stay
DR6 -0.10 dB -7.35 dB 8:11 07-Pieces of a Dream
DR6 -0.10 dB -7.81 dB 7:22 08-Prior Convictions
DR6 -0.10 dB -8.45 dB 8:31 09-Butterfly Dreams
--------------------------------------------------------------------------------
Number of tracks: 9
Official DR value: DR6
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Editorial Reviews
From his first professional gig with the Mingus band through his 10 CDs as a leader, Pelt has maintained remarkable forward momentum. His bands have been lauded for their intense interplay which calls to mind Wayne Shorter and Tony Williams. It is the spirit 1969-70 Miles Davis that is conjured with this, Jeremy's 2013 ensemble recording. Using some electronics - including Rhodes, Prophet and trumpet effects - the band defies categorization and, in Jeremy's words, "isn't about a change in direction as much as it's about strengthening my commitment to my art at present."
Product details
- Is Discontinued By Manufacturer : No
- Product Dimensions : 5.5 x 5 x 0.25 inches; 2.84 Ounces
- Manufacturer : Highnote
- Original Release Date : 2013
- Date First Available : December 5, 2012
- Label : Highnote
- ASIN : B00AIA890K
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #407,812 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #50,989 in Jazz (CDs & Vinyl)
- #270,726 in Pop (CDs & Vinyl)
- Customer Reviews:
Customer reviews
3.7 out of 5 stars
3.7 out of 5
11 global ratings
How are ratings calculated?
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness.
Top reviews
Top reviews from the United States
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Reviewed in the United States on February 2, 2014
But the main atrocity with this album is the sound quality. Why I subtracted 3 of 4 stars. It's just too freaking loud to enjoy, I can never finish the CD from start to finish with out becoming ear fatigued and irritated. In fact a lot of Jeremy Pelts albums are like this, all the MaxJazz issues, and most of the HighNote ones. The common link between them all is the mastering engineer Katsuhito Naito. This man is either deaf or he used to master loud heavy metal or something but he has ruined a number of Jeremy Pelts albums by making them sound like thick walls of noise. I must be hard on this because this trend of loudness in music has to stop!
Here are the results of the Dymamic Range Meter I ran this album through, it has a score of DR6 making it THE loudest jazz album I have in my collection. I will also post a image in the picture section of the waveform of the loudest track 6 'Stay' which is DR4 by itself.
foobar2000 1.2.6 / Dynamic Range Meter 1.1.1
log date: 2013-07-10 11:11:00
--------------------------------------------------------------------------------
Analyzed: Jeremy Pelt / Water and Earth
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR6 -0.10 dB -8.29 dB 3:52 01-Reimagine the World
DR6 -0.10 dB -8.10 dB 6:22 02-Mystique
DR6 -0.10 dB -8.47 dB 5:32 03-In Dreams
DR6 -0.10 dB -8.03 dB 8:22 04-Boom Bishop
DR9 -0.10 dB -12.73 dB 4:24 05-Meditations On a Conversation We Had
DR4 -0.10 dB -6.43 dB 3:40 06-Stay
DR6 -0.10 dB -7.35 dB 8:11 07-Pieces of a Dream
DR6 -0.10 dB -7.81 dB 7:22 08-Prior Convictions
DR6 -0.10 dB -8.45 dB 8:31 09-Butterfly Dreams
--------------------------------------------------------------------------------
Number of tracks: 9
Official DR value: DR6
Verified Purchase
1.0 out of 5 stars
Good music, but poor quality presentation
By Timothy on February 2, 2014
I would rate this music as 4 of 5 stars. I really like the modern approach towards fusion inspired Miles Davis. Jeremy Pelt has got some unique ideas going here that's cool and fashionable enough to introduce to the modern music audience to Jazz, just like Miles Davis in his time. But I just couldn't get into Roxy Coss' saxophone...I felt no soul behind her playing.By Timothy on February 2, 2014
But the main atrocity with this album is the sound quality. Why I subtracted 3 of 4 stars. It's just too freaking loud to enjoy, I can never finish the CD from start to finish with out becoming ear fatigued and irritated. In fact a lot of Jeremy Pelts albums are like this, all the MaxJazz issues, and most of the HighNote ones. The common link between them all is the mastering engineer Katsuhito Naito. This man is either deaf or he used to master loud heavy metal or something but he has ruined a number of Jeremy Pelts albums by making them sound like thick walls of noise. I must be hard on this because this trend of loudness in music has to stop!
Here are the results of the Dymamic Range Meter I ran this album through, it has a score of DR6 making it THE loudest jazz album I have in my collection. I will also post a image in the picture section of the waveform of the loudest track 6 'Stay' which is DR4 by itself.
foobar2000 1.2.6 / Dynamic Range Meter 1.1.1
log date: 2013-07-10 11:11:00
--------------------------------------------------------------------------------
Analyzed: Jeremy Pelt / Water and Earth
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR6 -0.10 dB -8.29 dB 3:52 01-Reimagine the World
DR6 -0.10 dB -8.10 dB 6:22 02-Mystique
DR6 -0.10 dB -8.47 dB 5:32 03-In Dreams
DR6 -0.10 dB -8.03 dB 8:22 04-Boom Bishop
DR9 -0.10 dB -12.73 dB 4:24 05-Meditations On a Conversation We Had
DR4 -0.10 dB -6.43 dB 3:40 06-Stay
DR6 -0.10 dB -7.35 dB 8:11 07-Pieces of a Dream
DR6 -0.10 dB -7.81 dB 7:22 08-Prior Convictions
DR6 -0.10 dB -8.45 dB 8:31 09-Butterfly Dreams
--------------------------------------------------------------------------------
Number of tracks: 9
Official DR value: DR6
Images in this review
2 people found this helpful
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Reviewed in the United States on December 28, 2017
Verified Purchase
A great CD by a wonderful Jazz Trumpeter Jeremy Pelt, I recommend this CD to all Jazz enthusiast.
Reviewed in the United States on September 26, 2015
Verified Purchase
really enjoy it
Reviewed in the United States on March 25, 2013
Verified Purchase
He never puts anything less than good out. I love this album! If your a fan, you should get all his records.
5 people found this helpful
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Reviewed in the United States on February 17, 2013
Verified Purchase
Some of the same musicians that were on his Wired: Live at Smoke cd are on this one as well. Different feel from the longtime group with JD Allen, Danny Grissett, Dwayne Burno, and Gerald Cleaver but nice just the same. I especially like the reinterpretation of Mystique from his first release Profile. The vocalists also add a new dimension to the music.
3 people found this helpful
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Reviewed in the United States on February 1, 2013
Jeremy Pelt have a new group, more electric, less serious , more fun. The sound is clean and remember his own old staff . Is like "Identity" or more exactly his group Wired on is album "Shock Value, Live at smoke". After years with J.D Allen on sax (great man) his play with Roxy Cross (soprano and tenor saxophone) also great but more easy to hear. But the more important change is the return of Frank Locasto( piano, Fender Rhodes and Prophet) his sound is incredible, I remember the first Cick Corea, amazing . But also have a David Bryant in keyboard , specially with a Hammond B-· organ. Two man in keyboards, Burniss Earl Travis on bass, Dana Hawkins on drums and Jaffrey Haynes in percussion and the speciall collaboration in vocal, Ra-Re Valverde. The combination of the group is similar to the electric Miles Davis quintet, is nice and beautiful to rediscover this sound. Jeremy Pelt say "THis music isn't abaout a change in direction as much at it's about strengthening my commitment to art at present". It true. A good music for the present but not forget the past. Personally I prefer this direction that the other one, too neo classic and serious.
One person found this helpful
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Reviewed in the United States on July 14, 2013
I have listened to this CD several times. Its awesome and just totally relaxes me. The music has a more commercial feel than his previous releases but is outstanding for both casual and serious jazz fans.
One person found this helpful
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Reviewed in the United States on January 31, 2013
A true classic in the making. While it feels like you are back in the '70s listening to the Miles Davis fusion era, make no mistake, this is present day and Jeremy Pelt is the man behind this masterpiece. While Jeremy isn't inventing anything new here, what he has done is put all of his previous work into one cool collective. His band is super tight and talented and the music just flows with such grace and beauty.
I recommend listening to it from start to finish. It's an amazing journey the listener is taken on...one that any true music fan will appreciate.
I recommend listening to it from start to finish. It's an amazing journey the listener is taken on...one that any true music fan will appreciate.
10 people found this helpful
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Top reviews from other countries

Manuel Grosso Galvan
4.0 out of 5 stars
PELT VUELVE A SUS FUEROS
Reviewed in Spain on February 8, 2013Verified Purchase
Nuevo grupo, y vuelta a un Pelt mas actual y menos encorsetado. Dos teclados eléctricos, cambio de saxofonista y de bajista y percusio. Es un disco que nos retrotrae a su anterior época , su ultimo grupo con JD Allen al saxo había acabado por convertirse en algo demasiado académico y previsible. Aquí con su antiguo teclista eléctrico recupera esa frescura perdida y nos recuerda en parte al Miles Davis de la época de Corea-Jarret, y también por que no al Corea de sus primeros Return to Forever, pero en mas sobrio y menos fusión. Fresco e interesante me alegro que Jeremy Pelt vuelva a sus fueros. Un buen CD para un fantástico trompetista que empezaba a ser demasiado previsible.
jbh
2.0 out of 5 stars
Not this JP record
Reviewed in the United Kingdom on May 30, 2013Verified Purchase
JP's two previous records were excellent: 'The talented Mr Pelt' and the latter record (the name of which currently escapes me and which I cannot be bothered to go and look up in my CD collection, but which was the best of the two). As an avid Miles Davis fan who has been always looking for the next sort of Miles' minimalist sound, JP seemed to be the one at last (there are many modern trumpet players - Nick Payton, Wallace Roony, etc who have 'done' Miles, but none have got the sound of the second great Miles quintet). T Stanko is a different, brilliant story. Anyway, I am a big JP fan, but this record is really awful. The opening track is good, though just good. The next two tracks are lightweight fillers. Thereafter, the record is a disaster; grim 70s 'electric' squally and noodling trumpet and Rhodes piano leaden mixes. The trouble is, just because you integrate the MD Isle of Wight keyboards into a modern day mix doesn't mean that you are going to get a modern take, edgy MD jazz.They sound like a series of On The Corner out-takes that even Columbia would be too embarresed to pedal in Miles' name.
One person found this helpful
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