Enjoy fast, FREE delivery, exclusive deals and award-winning movies & TV shows with Prime
Try Prime
and start saving today with Fast, FREE Delivery
Amazon Prime includes:
Fast, FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with Fast, FREE Delivery" below the Add to Cart button.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited Free Two-Day Delivery
- Instant streaming of thousands of movies and TV episodes with Prime Video
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
- Unlimited photo storage with anywhere access
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
Buy new:
$10.19$10.19
FREE delivery: Friday, Aug 4 on orders over $25.00 shipped by Amazon.
Ships from: Amazon Sold by: CLARKSM
Buy used: $7.74
Other Sellers on Amazon
& FREE Shipping
82% positive over last 12 months
Usually ships within 2 to 3 days.
+ $3.99 shipping
95% positive over last 12 months
FREE Shipping
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. Learn more
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Water for Elephants: A Novel Paperback – April 9, 2007
Purchase options and add-ons
Over 10,000,000 copies in print worldwide
#1 New York Times Bestseller
A Los Angeles Times Bestseller
A Wall Street Journal Bestseller
A Newsday Favorite Book of 2006
A USA Today Bestseller
A Major Motion Picture starring Reese Witherspoon, Robert Pattinson, and Christoph Waltz
Jacob Janowski’s luck had run out--orphaned and penniless, he had no direction until he landed on a rickety train that was home to the Benzini Brothers Most Spectacular Show on Earth. A veterinary student just shy of a degree, he was put in charge of caring for the circus menagerie. It was the Great Depression and for Jacob the circus was both his salvation and a living hell. There he met Marlena, the beautiful equestrian star married to August, the charismatic but brutal animal trainer. And he met Rosie, an untrainable elephant who was the great hope for this third-rate traveling show. The bond that grew among this group of misfits was one of love and trust, and ultimately, it was their only hope for survival.
- Print length352 pages
- LanguageEnglish
- PublisherAlgonquin Books of Chapel Hill
- Publication dateApril 9, 2007
- Dimensions5.5 x 0.75 x 8.25 inches
- ISBN-101565125606
- ISBN-13978-1565125605
- Lexile measure730L
"Light to the Hills: A Novel" by Bonnie Blaylock for $7.91
A richly rewarding novel about family bonds, the power of words, and the resilience of mothers and daughters in 1930s Appalachia. | Learn more
Frequently bought together

More items to explore
With a secret like that, at some point the secret itself becomes irrelevant. The fact that you kept it does not.Highlighted by 2,790 Kindle readers
It’s no good. Even when I look straight into the milky blue eyes, I can’t find myself anymore. When did I stop being me?Highlighted by 1,471 Kindle readers
When will people learn that just because you can make something doesn’t mean you should?Highlighted by 1,188 Kindle readers
Editorial Reviews
Review
“Vibrant . . . gritty, sensual, and charged with dark secrets involving love, murder, and a majestic, mute heroine (Rosie the Elephant).”—Parade
“Novelist Gruen unearths a lost world with her rich and surprising portrayal of life in a traveling circus in the '30s. An emotional tale that will please history buffs--and others.”—People
“[This] sprightly tale has a ringmaster's crowd-pleasing pace.”—Entertainment Weekly
“A compulsive page-turner . . . a fascinating setting and a richly anecdotal story that's enjoyable right up to the final, inevitable revelation.”—The Onion
“A rich surprise, a delightful gem springing from a fascinating footnote to history that absolutely deserved to be mined.”—Denver Post
“One of the many pleasures of this novel is the opportunity to enter a bizarrely coded and private world with its own laws, superstitions and vocabulary. . . . I couldn't bear to be torn away from it for a single minute.”—Chicago Tribune
“You'll get lost in the tatty glamour of Gruen's meticulously researched world, from spangled equestrian pageantry and the sleazy side show to an ill-fated night at a Chicago speak-easy.”—Washington Post
"Riveting." —The Toronto Globe and Mail
“Life is good for Jacob Jankowski. He’s about to graduate from veterinary school and about to bed the girl of his dreams. Then his parents are killed in a car crash, leaving him in the middle of the Great Depression with no home, no family, and no career…This lushly romantic novel travels back in forth in time between Jacob’s present day in a nursing home and his adventures in the surprisingly harsh world of 1930s circuses…just like a circus, the magic of the story and the writing convinces you to suspend your disbelief.”—Booklist
“Old-fashioned and endearing, this is an enjoyable, fast-paced story.”—Library Journal
"Lovely and mesmerizing...genuine talent."—Kirkus Reviews
A "page-turner...Gruen skillfully humanizes the midgets, drunks, rubes and freaks who populate her book."—Publishers Weekly
“In this thrilling, romantic story set in a traveling circus in the 1930s, Sara Gruen has a Big Top’s worth of vivid characters and an exhilarating narrative that kept me up all night. From the perseverance of a terrier named Queenie, to the charm of Rosie the elephant, this masterpiece of storytelling is a book about what animals can teach people about love.” —Susan Cheever, author of My Name Is Bill
"The circus, the Great Depression, a complex elephant, equally complex love, the mists and twists of memory articulated in the utterly winning voice of a very old man who's seen it all—these are the irresistible elements of Water for Elephants. Sara Gruen has written an utterly transporting novel richly full of the stuff of life." —Robert Olen Butler
"So much more than a tale about a circus, Water for Elephants is a compelling journey not only under the big top, but into the protagonist's heart. Sara Gruen uses her talent as a writer to bring that world alive for the reader: I could smell it, taste it, feel every word of it. This is a fiction reader's dream come true." —Jeanne Ray, author of Julie and Romeo Get Lucky
“Gorgeous, brilliant, and superbly plotted, Water for Elephants swept me into the world of the circus during the Depression and it did not let me go until the very end. I don’t think it has let me go even now. Sara Gruen has a voice to rival John Irving’s, and I am hopelessly, unabashedly in love with this book. Read it.” —Joshilyn Jackson, author of Gods in Alabama
“An entirely original, captivating story of finding love in a down-at-the-heels traveling circus in the Great Depression. Sara Gruen writes with great tenderness and breathtaking drama which makes the novel impossible to put down.” —Stephanie Cowell, author of Marrying Mozart
"Gritty, sensual and charged with dark secrets involving love,murder and a majestic,mute heroine (Rosie the Elephant)."—Parade
From the Back Cover
Jacob was there because his luck had run out-- orphaned and penniless, he had no direction until he landed on this locomotive " ship of fools." It was the early part of the Great Depression, and everyone in this third-rate circus was lucky to have any job at all. Marlena, the star of the equestrian act, was there because she fell in love with the wrong man, a handsome circus boss with a wide mean streak. And Rosie the elephant was there because she was the great gray hope, the new act that was going to be the salvation of the circus; the only problem was, Rosie didn't have an act-- in fact, she couldn't even follow instructions. The bond that grew among this unlikely trio was one of love and trust, and ultimately, it was their only hope for survival.
Surprising, poignant, and funny, "Water for Elephants" is that rare novel with a story so engrossing, one is reluctant to put it down; with characters so engaging, they continue to live long after the last page has been turned; with a world built of wonder, a world so real, one starts to breathe its air.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The rest of the midway—so recently writhing with people—was empty but for a handful of employees and a small group of men waiting to be led to the cooch tent. They glanced nervously from side to side, with hats pulled low and hands thrust deep in their pockets. They wouldn’t be dis appointed: somewhere in the back Barbara and her ample charms awaited.
The other townsfolk—rubes, as Uncle Al called them—had already made their way through the menagerie tent and into the big top, which pulsed with frenetic music. The band was whipping through its repertoire at the usual earsplitting volume. I knew the routine by heart—at this very moment, the tail end of the Grand Spectacle was exiting and Lottie, the aerialist, was ascending her rigging in the center ring.
I stared at Grady, trying to process what he was saying. He glanced around and leaned in closer.
“Besides,” he said, locking eyes with me, “it seems to me you’ve got a lot to lose right now.” He raised his eyebrows for emphasis. My heart skipped a beat.
Thunderous applause exploded from the big top, and the band slid seamlessly into the Gounod waltz. I turned instinctively toward the menagerie because this was the cue for the elephant act. Marlena was either preparing to mount or was already sitting on Rosie’s head.
“I’ve got to go,” I said. “Sit,” said Grady. “Eat. If you’re thinking of clearing out, it may be a while before you see food again.”
That moment, the music screeched to a halt. There was an ungodly collision of brass, reed, and percussion—trombones and piccolos skidded into cacophony, a tuba farted, and the hollow clang of a cymbal wavered out of the big top, over our heads and into oblivion. Grady froze, crouched over his burger with his pinkies extended and lips spread wide. I looked from side to side. No one moved a muscle—all eyes were directed at the big top. A few wisps of hay swirled lazily across the hard dirt.
“What is it? What’s going on?” I said.
“Shh,” Grady hissed.
The band started up again, playing “Stars and Stripes Forever.”
“Oh Christ. Oh shit!” Grady tossed his food onto the table and leapt up, knocking over the bench.
“What? What is it?” I yelled, because he was already running away from me.
“The Disaster March!” he screamed over his shoulder.
I jerked around to the fry cook, who was ripping off his apron. “What the hell’s he talking about?”
“The Disaster March,” he said, wrestling the apron over his head. “Means something’s gone bad — real bad.”
“Like what?”
“ Could be anything—fire in the big top, stampede, whatever. Aw sweet Jesus. The poor rubes probably don’t even know it yet.” He ducked under the hinged door and took off.
Chaos—candy butchers vaulting over counters, workmen staggering out from under tent flaps, roustabouts racing headlong across the lot. Anyone and everyone associated with the Benzini Brothers Most Spectacular Show on Earth barreled toward the big top.
Diamond Joe passed me at the human equivalent of a full gallop.
“ Jacob—it’s the menagerie,” he screamed. “The animals are loose. Go, go, go!”
He didn’t need to tell me twice. Marlena was in that tent. A rumble coursed through me as I approached, and it scared the hell out of me because it was on a register lower than noise. The ground was vibrating.
I staggered inside and met a wall of yak—a great expanse of curlyhaired chest and churning hooves, of flared red nostrils and spinning eyes. It galloped past so close I leapt backward on tiptoe, flush with the canvas to avoid being impaled on one of its crooked horns. A terrified hyena clung to its shoulders.
The concession stand in the center of the tent had been flattened, and in its place was a roiling mass of spots and stripes—of haunches, heels, tails, and claws, all of it roaring, screeching, bellowing, or whinnying. A polar bear towered above it all, slashing blindly with skillet-sized paws. It made contact with a llama and knocked it flat—boom. The llama hit the ground, its neck and legs splayed like the five points of a star. Chimps screamed and chattered, swinging on ropes to stay above the cats. A wild-eyed zebra zigzagged too close to a crouching lion, who swiped, missed, and darted away, his belly close to the ground.
My eyes swept the tent, desperate to find Marlena. Instead I saw a cat slide through the connection leading to the big top—it was a panther, and as its lithe black body disappeared into the canvas tunnel I braced myself. If the rubes didn’t know, they were about to find out. It took several seconds to come, but come it did—one prolonged shriek followed by another, and then another, and then the whole place exploded with the thunderous sound of bodies trying to shove past other bodies and off the stands. The band screeched to a halt for a second time, and this time stayed silent. I shut my eyes: Please God let them leave by the back end. Please God don’t let them try to come through here.
I opened my eyes again and scanned the menagerie, frantic to find her. How hard can it be to find a girl and an elephant, for Christ’s sake?
When I caught sight of her pink sequins, I nearly cried out in relief—maybe I did. I don’t remember.
She was on the opposite side, standing against the sidewall, calm as a summer day. Her sequins flashed like liquid diamonds, a shimmering beacon between the multicolored hides. She saw me, too, and held my gaze for what seemed like forever. She was cool, languid. Smiling even. I started pushing my way toward her, but something about her expression stopped me cold.
That son of a bitch was standing with his back to her, red-faced and bellowing, flapping his arms and swinging his silver-tipped cane. His high-topped silk hat lay on the straw beside him. She reached for something.
A giraffe passed between us—its long neck bobbing gracefully even in panic—and when it was gone I saw that she’d picked up an iron stake. She held it loosely, resting its end on the hard dirt. She looked at me again, bemused. Then her gaze shifted to the back of his bare head.
“Oh Jesus,” I said, suddenly understanding. I stumbled forward, screaming even though there was no hope of my voice reaching her. “Don’t do it! Don’t do it!”
She lifted the stake high in the air and brought it down, splitting his head like a watermelon. His pate opened, his eyes grew wide, and his mouth froze into an O. He fell to his knees and then toppled forward into the straw.
I was too stunned to move, even as a young orangutan flung its elastic arms around my legs.
So long ago. So long. But still it haunts me.
I don’t talk much about those days. Never did. I don’t know why—I worked on circuses for nearly seven years, and if that isn’t fodder for conversation, I don’t know what is.
Actually I do know why: I never trusted myself. I was afraid I’d let it slip. I knew how important it was to keep her secret, and keep it I did — for the rest of her life, and then beyond.
In seventy years, I’ve never told a blessed soul.
Product details
- Publisher : Algonquin Books of Chapel Hill (April 9, 2007)
- Language : English
- Paperback : 352 pages
- ISBN-10 : 1565125606
- ISBN-13 : 978-1565125605
- Lexile measure : 730L
- Item Weight : 10.4 ounces
- Dimensions : 5.5 x 0.75 x 8.25 inches
- Best Sellers Rank: #24,414 in Books (See Top 100 in Books)
- #188 in TV, Movie & Game Tie-In Fiction
- #279 in Contemporary Literature & Fiction
- #2,172 in Literary Fiction (Books)
- Customer Reviews:
Important information
To report an issue with this product, click here.
About the author

Sara lives in America with her husband, three children, two dogs, two cats, three goats, and a horse. She already has her eye on another horse and a donkey.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviewed in the United States on January 23, 2017
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
His work puts him in close contact with Marlena, a young woman who performs nightly with her group of horses. Jacob is intrigued with Marlena from the first moment he sees her, but she is married to a volatile man named August. August oversees all of the animals at the circus, so Jacob's job depends on him. If August isn't happy with him, he could find himself thrown from the train in the night. "Red lighting" is the preferred method of the circus bosses for getting rid of employees who are causing a problem. (Sometimes the problem is that they just can't afford to pay them!) Jacob finds life with the circus so horrible and stomach-turning that he would probably quit (even though during the Great Depression that isn't a very wise idea). Then, Rosie enters his life. Rosie is the first elephant the Benzini Brothers' Circus has had since the owner, Uncle Al, took over. When Uncle Al buys the elephant, the previous caretaker tells him that she is the stupidest animal he has ever worked with. Jacob falls instantly in love with her, but August, who can't make her do anything, quickly becomes her most feared and hated enemy. August is inexcusably cruel to Rosie. As much as Jacob would like leave the Benzini Brothers' Circus (and maybe take Marlena with him) he can't leave Rosie with August. It seems that a happy ending for anyone involved is virtually impossible. The story comes to an incredible climax and one of the characters finally snaps.
This book actually contains two stories. The entire book is narrated by Jacob, but the story switches back and forth between Jacob's story of his life with the circus in his early twenties and his current life as an unhappy ninety-something year old man in a nursing home. In modern times a circus has set up right next to the nursing home where Jacob lives. This sparks his memories and makes him determined to go to the circus with or without his infrequently visiting family members.
This is the second time in a year's time that I have seen a trailer for a movie that made me want to read the book. First it happened with Eat, Pray, Love and now it has happened with Water for Elephants. I saw a trailer online, and thought, "Wow! That sounds like a great story. It's got romance, betrayal, danger, and a CIRCUS!" I remembering picking up this book in an airport years ago and deciding not to buy it even though I was really wanting to buy something to read. Whatever synopsis was written on the back of the book certainly didn't depict the story very well. But the movie trailer hooked me.
I have to begin my commentary by saying this is one of the best books I have read in a LONG time! It is on my list of new classics (along with the likes of the Time Traveler's Wife- which was absolutely BUTCHERED by Hollywood, by the way.) The characters are so wonderfully full of life. I truly came to care about so many of the minor characters as well as the major ones. The villains are real enough to be even scarier than your run of the mill bad guy. The time period (The Great Depression) is almost a character itself. It permeates the entire story. I love the way the author pulled you back and forth from the past to the present. I would get so caught up in the romance of Jacob's thrilling life as a young man. It was like being doused with cold water coming back to his life as an old man. But I loved the way that felt. And is that what it's like to be old? Inside you're this young person, who has had all these adventures, but your body has betrayed you, and people treat you not like a stupid child? All your rich experiences are completely ignored? It makes me shudder. Another thing I loved about this book was the way the author began the book with an excerpt from the climax at the end of the story. Number one: the excitement of it completely pulled me into the story right away. Number two: the whole time I was reading I knew that these characters were headed for a disaster. I just didn't know how they would get to that point and who would survive. It was a brilliant choice by the author! I also loved reading the interview with the author at the end of the book, too. It turns out she did extensive research on circuses and elephants while writing this book. And some of the craziest things that happen in this book are actually events that (reportedly) really happened in circus history. Makes the book even more interesting, doesn't it? I know I've used the word "love" a few times already, but here it goes one more time. I LOVED this book, and I think others will too. It is very rare that I read a book, finish it, and know for certain that I will read it again someday. But this book is one of those books! If I had borrowed it from the library I would be searching for a copy to buy. But as luck would have it, I did buy it already. I can begin reading it again anytime I want to!
P.S. Parents and teachers, be aware that this book contains some very adult content (some violence but mostly that of a sexual nature). I would not feel comfortable recommending it to a student who wasn't an adult.
The book starts with a horrendous scene in which the circus's animals stampede and a murder takes place. A man's head is split open by a big stake. The next chapter is in the nursing home where we get to meet a 90+ year old man named Jacob who is in a nursing home. Jacob is lucid and his mind is still sharp and he comments on the other residents of the nursing home who are much further along the path of dementia and senility. The rest of the book bounces around between Jacob in the nursing home, and Jacob as the brand-new minted veterinarian.
Putting the story in a time line, Jacob is about set to graduate from the Cornell Veterinary School when a tragic accident kills his parents. He is an only child and it turns out that his parents took all of their savings and a mortgage out on their house to be able to afford to send him to Cornell. When they die, there is nothing left for him so he returns to Cornell to sit for his final exams. His mind is not on schooling and he ends up leaving the school and wanders down the road. It's not long before he decides to hop on a train that is travelling by and this gets him introduced into the world of the circus as it just happens to be a circus train that he jumps on.
Being the time of the Great Depression, there is a chance that he will get thrown directly off the train as a hobo but he manages to make some friends among the crowd of laborers and they get him accepted as another laborer on the circus until it is discovered that he is almost a veterinarian. For the circus owner, that is close enough and Jacob is now the circus's vet. Now he moves up in the world and is allowed to travel in a train car with performers and meets the love of his life amongst them. He also meets up with animals that he treats with empathy and kindness - and they respond with friendship.
He also meets with some of the more zany and crazy people who inhabit that world and none of them are necessarily nice. There is a crazy horse trainer; violent security men; "patch men" who clean up the inevitable problems and messes that take place; and, of course, the associated laborers and hangers-on who populate the world. Jacob deals with them all in his own way and the story develops in a relatively predictable manner. It is no surprise that the animals respond to Jacob's kindness in kind and find ways to get back at the people who treat them badly. There are numerous anecdotes sprinkled throughout the book culled from the rich history of the circus world - things like the Lemonade Thief; the Animal who only understands Polish; and the less than legal activities that surrounded the circus.
The climax of the story is presented in the first chapter - the murder. There is no real mystery there - we know who will get murdered right after the first meeting with the man. What is left in doubt is who did the killing. That is resolved in a very satisfying way at the end of the book.
However, there is another storyline here too. The old Jacob finds out that a circus is coming to perform outside his nursing home and he would dearly like to go back to the world that he left 60-odd years before - if only for a visit. But, wouldn't you know it - that happens to be the week that his family forgets to come visit him in the nursing home. The twist that the author puts in at this point is brilliant and brings the whole book to a double satisfying ending which proves that once you are involved in a world that you really like, you never really leave it.
This was overall a very fun book to read. Being an animal lover, I really appreciated the insights into the world of the exotic - and not so exotic - animals provided. Of course, the whole glimpse into the world of circus life was also interesting. About the only negative thing I have to say about the book is its almost obsessive fascination with human sexuality. There is almost no single chapter that does not have a sex scene in it and it is not clear to me how most of them contribute to the overall story line. In other words, I would not give this story to your younger children to read, but, aside from that one quibble, this is a good read.
Top reviews from other countries
本書は物語の構成がすごくしっかりしていて、物語の進行がテンポよく話も面白くて興味がつきなかったことと、
もんすごくはっきりしたアメリカ英語で、サーカス用語が多かったにもかかわらず調べやすかったことがあります。
本書は、1930年前後の、世界恐慌後の禁酒法とspeakeasy の時代に
不況の中で生き残りをかけたサーカスで獣医を7年間やったことのある、
今は93歳の老人でホームで認知症の同居者たちのなかで、薄れゆく記憶力や意識を半ば自覚しながら、
それでも一般の人が考えるよりもまだまだ老人の域には達しきれない人物の、
若き日の喪失と挫折と性への目覚めから恋や冒険の回想として物語は進んでゆきます。
物語的には、93歳という、社会的に抹殺されそうな危機感に義憤を感じながらじっと耐える老人と
血気盛んな20代そこそこの青年という正反対の一人の人物の物語を平行させながらも、
新参者に対するどちらかといえば軽蔑と敵意の混じった扱いとか、
食堂の座る位置が恒に固定されていることとかに代表される集団内のヒエラルキーの様子が、
時代や場所や立場を変えてもオーバーラップされていて、サーカスという特殊な社会を描きながらも、
普遍的に人生を描いているところがいいですね。
また、各章の物語が始まる前に、プロローグとして、物語のkeyにあたる部分が書かれていて、
最初はなんのことか全然分からないのですが、読み進んで、その場面に行き当たったとき、
あとの結末が待ちきれなくて、本書を手放せなくなり、最後の100ページくらいは一気に読んでしまいました。
そして、さらに、最後には喜劇を超えたハッピーエンドが待っています。
老いるということ、老いた人にどう接するか、についても、考えさせられるものがありました。
私が読んだペーパーバックの版には、物語の最後に、著者へのインタビューがあり、
サーカスの詳細への取材がどんな風に行われたか、など、興味深く読むことができました。
また、更にそのあとには、読書会をするのに良さそうなトピックや設問が用意されていて、
教材としても使えそうな一冊だということを付け加えておきたいと思います。
Zum Einen ist die Wanderzirkuswelt der 20er Jahre in Amerika ein buntes, interessantes Setting, das den allermeisten wohl unbekannt sein dürfte. Allein das ist schon ein schöner Anreiz, weiterzulesen.
Zum Anderen sind die Charaktere so gut gestrickt, daß man schnell mit ihnen warm wird- für mich eine Hauptvoraussetzung für ein gutes Buch. Ich mochte sowohl den Hauptcharakter aus den 20er Jahren als auch den Senior, der seine Geschichte in der heutigen Zeit Revue passieren lässt.
Der Schreibstil ist flüssig und sehr angenehm zu lesen, also weder zu einfach noch zu kompliziert. Es war mein erstes Buch von Sara Gruen, aber mit Sicherheit nicht mein Letztes. Daß es am Ende dann noch eine möglicherweise überraschende Wendung gibt ist dann noch das Bonbon obendrauf (ich habe beim Lesen öfters gedacht "okay, so wird es wohl nicht kommen, aber wie cool wäre es, wenn sich am Ende herausstellt, daß..."- und dann kam es tatsächlich so!).
Ich habe das Buch sofort auf Deutsch nachbestellt und meinem Mann aufgenötigt, der es für seine Verhältnisse in Rekordzeit zu Ende gelesen hat, und von da aus wurde das Buch an die Schwiegermama verliehen, die es ebenfalls toll fand.
Ich hätte lediglich zwei (kleinere) Kritikpunkte:
1. Mir kam mir das vielzitierte Zirkusfeeling ein klein wenig zu kurz. Natürlich wird aus dem Zirkusalltag berichtet, aber Jacob ist letztendlich nur einige Wochen dabei, und meine Neugierde hätte sich hier noch mehr Infos gewünscht.
2. Der junge und der alte Jacob lesen sich so unterschiedlich voneinander, daß ich mir nicht so recht vorstellen konnte, daß sie ein und dieselbe Person sein sollten. Natürlich verändert man sich über die Jahrzehnte, aber Jacob Junior hat zum Beispiel kein bißchen von dem herrlichen Sarkasmus, den der Senior an den Tag legt. Das fand ich leider etwas unstimmig.
Das ist Jammern auf hohem Niveau, ich finde das Buch dennoch absolut super und werde es auf jeden Fall noch ein paar Mal guten Gewissens weiter verschenken. Ich bin mir sicher, daß die meisten genauso viel Spaß daran haben werden wie ich selbst. Danke, Sara Gruen!











