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The Water Knife Paperback – April 5, 2016
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An Amazon Best Book of June 2015: Three very different characters—an orphaned Texan teen marooned in Phoenix; the “water knife” Angel from Las Vegas who will break any law he needs to in order to pave the way for his boss to gain the water rights she wants; and journalist Lucy Monroe, who has adopted drought-decimated Phoenix as her own—thrust Bacigalupi’s near-future tale through violence and betrayal toward a blockbuster conclusion that could well be one of the best endings of the year. Murder and torture are everyday events in dusty Phoenix, which is loosely controlled by a sociopathic crime lord, a Chinese construction company that’s offering the only jobs in town, Californian interests, and Las Vegas’ shadowy water knives—former criminals and ex-military who enforce the water rights bought or extorted by their powerful boss. When a rumor surfaces of water rights so senior that they would trump all existing rights and give Phoenix a chance to bloom instead of continue its rampant slide into death by drought, the race is on to find the rights, and no one will survive unharmed. Bleak, troubling, and at the same time deeply hopeful as Bacigalupi’s complex characters define and defend their loyalties, The Water Knife delivers a final scene as unexpected as it is satisfying. --Adrian Liang--This text refers to an out of print or unavailable edition of this title.
· Amazon.com, Best Books of 2015
· NPR Book Concierge, Best Books of 2015
· Kansas City Star, Best Fiction of 2015
· Paste Magazine, Best Fiction of 2015
“[A] fresh, genre-bending thriller. . . . Reading Paolo Bacigalupi's richly imagined novel The Water Knife brings to mind the movie Chinatown. Although one is set in the past and the other in a dystopian future, both are neo-noir tales with jaded antiheroes and ruthless kingpins who wield water as lethal weapons to control life—and mete out death. . . . Bacigalupi weaves page-turning action with zeitgeisty themes. . . . His use of water as sacred currency evokes Frank Herbert's Dune. The casual violence and slang may bring to mind A Clockwork Orange. The book's nervous energy recalls William Gibson at his cyberpunk best. Its visual imagery evokes Dust Bowl Okies in the Great Depression and the catastrophic 1928 failure of the St. Francis Dam that killed 600 people and haunted its builder, Mulholland, into the grave. . . . Reading the novel in 93-degree March weather while L.A. newscasts warned of water rationing and extended drought, I felt the hot panting breath of the desert on my nape and I shivered, hoping that Bacigalupi's vision of the future won't be ours.” —Denise Hamilton, Los Angeles Times
“[A] water-wars thriller set in the Southwest only a few decades from now. . . . While Bacigalupi's environmental message could not be more powerful, it's neatly embedded in a nonstop action plot, full of murders and betrayals, that should satisfy thriller readers who didn't even think they cared about these issues.” —Gary K. Wolfe, The Chicago Tribune
“Mr. Bacigalupi’s is the most thought-provoking of the recent apocalypses. It’s a very timely read for policy-makers, as well as anyone living in the threatened American West. That’s the thing about sci-fi authors: Some of them really mean it.” —Tom Shippey, The Wall Street Journal
“Residents in the southwestern United States enduring that water crisis will appreciate the precision with which Bacigalupi imagines our thirsty future. . . . Bacigalupi is a grim, efficient and polished narrator. . . . Our waterless future looks hot—and filled with conflict.”—Hector Tobar, The Washington Post
“Bacigalupi's characters are engagingly unpredictable, and his story blasts along like a twin-battery Tesla. The Water Knife is splendid near-future fiction, a compelling thriller–and inordinately fun.”—Cleveland Plain Dealer
“A noir-ish, cinematic thriller set in the midst of a water war between Las Vegas and Phoenix. . . . Think Chinatown meets Mad Max.”—NPR, All Things Considered
“Paolo Bagicalupi's new near-future thriller arrives at a depressingly appropriate moment. . . . The Water Knife is a carefully constructed thriller, with elements ofChinatown and The Maltese Falcon. But the novel ultimately transcends its pulpier origins. Bacigalupi offers a carefully calibrated warning of what might happen if the US refuses to address global climate change and its own water-wasting ways. It's one we ignore at our peril.” —Michael Berry, Earth Island Journal
"These days are coming, and as always fiction explains them better than fact. This is a spectacular thriller, wonderfully imagined and written, and racing through it will make you think—and make you thirsty.” —Lee Child, author of Personal
"An intense thriller and a deeply insightful vision of the coming century, laid out in all its pain and glory. It's a water knife indeed, right to the heart." —Kim Stanley Robinson, author of Aurora
"Anyone can write about the future. Paolo Bacigalupi writes about the future that we're making today, if we keep going the way we are. It makes his writing beautiful . . . and terrifying."—John Scalzi, author of Lock In
"The Water Knife is an noir-tinged, apocalyptic vision of the near-future: What will the world be like, and how will we live in it? Bacigalupi already seems to live there. Once I started, I couldn’t put it down.” —Kelly Link, author of Get in Trouble
“A fresh cautionary tale classic, depicting an America newly shaped by scarcity of our most vital resource. The pages practically turn themselves in a tense, taut plot of crosses and double-crosses, given added depth by riveting characters. This brutal near-future thriller seems so plausible in the world it depicts that you will want to stock up on bottled water.”—Library Journal, starred review
"The frightening details of how the world might suffer from catastrophic drought are vividly imagined. The way the novel's environmental nightmare affects society, as individuals and larger entities—both official and criminal—vie for a limited and essential resource, feels solid, plausible, and disturbingly believable. The dust storms, Texan refugees, skyrocketing murder rate, and momentary hysteria of a public ravenous for quick hits of sensational news seem like logical extensions of our current reality. An absorbing . . . thriller full of violent action."--Kirkus
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At its best this is a cautionary tale, if not a harbinger of our future.
I found at times some of the main characters a bit cartoon-like, I would have liked to know more about them, besides their hopeless plights. The author did provide some background details but I would have liked to see more characterization.
Some readers will find this book a bit too harsh, if you like PA though, this could very well be a very good read for you.
Without saying too much, I was not enthusiastic about the ending. I thought after reading 370 pages there would have been more to it.
The book is set in a closer future than "The Windup Girl" or Bacigalupi's YA novels. As a result there is little in the way of SF concepts in play aside from some pharmaceutical improvements and the construction of desert arcologies. Teslas awkwardly abound, perhaps in an attempt to convey the message that not all of industry has broken down on the planet? And other contemporary touchstones such as Apache attack helicopters help place the work in the next couple of decades… even if the two-man vehicles are incorrectly identified as troop transporters.
When I first discovered Bacigaulpi’s work I was excited that he was exploring fresh areas of biospheric cautionary fiction with colorful detail, nuanced characters, and double-edged scientific advancement. While such dystopias are often grim by their nature, the stories are often ones of potential and/or redemption. Such was the case with “The Windup Girl”. But like his earlier work “The Drowned Cities”, “The Water Knife” just seemed to spend too much time reveling in its darkness and decay, not giving the characters (or us) much hope to prevail. Simply surviving is its only reward. While such a grim approach may be realistic, it’s not satisfying (for me). I’m just not enough of a “life sucks and then you die” kind of person.
The book is a turning point for me in that I’ll wait for reviews that I trust before pre-ordering Bacigaulpi’s future works. I hope he can regain that balance and fascinating detail that made “The Windup Girl” such a remarkable read.
However where the two differ is Chinatown is a classic story in the noir mode, this is more a story about haves and have nots, those who have water are prosperous this includes states as well as people, those who don't are eking out a painful existence at best. The level of corruption and desperation to secure an essential ingredient for life is not surprising, and most of us would probably do the same in a similar situation to survive.
Characters are interesting, there's some sex which isn't far fetched and quite a bit of violence. I've read it twice up to this point so far, and without giving too much away I'll say I liked the end, but I think they cheated in regards to a certain paper as we never really find out how it got to where it did, or why. Other than that leap of faith it's a good story, and if you want to see what the future will look like with with lots of people and not enough water to go around, you'll find this a good, if dark read.
Most recent customer reviews
That's easy. Nothing!
I regret that I wasted money and time plodding thru 152 pages of this book before tossing it in the...Read more