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The Waters of Our Time Paperback – April 22, 2014
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In this way, the project is a true collaboration, resembling the making of a movie in reverse, where the pictures function as the script and the text acts as the moving images, coming in response. The title comes from the song "Follow" (written by Jerry Merrick and famously sung by Richie Havens, also a Brooklyn native), whose lyrics are reproduced throughout the book, and serves as kind of a sound track to the story, adding to the cinematic quality.
The Waters of Our Time was conceived as an homage to Roy DeCarava and Langston Hughes' book The Sweet Flypaper of Life published in 1955, a cherished part of the elder Roma's library. The book remains true to Flypaper in terms of design (size, layout, font), but differs greatly in process. Whereas Hughes selected and sequenced DeCarava's photographs before writing the text for Flypaper, Roma selected and sequenced his own photographs first, leaving Giancarlo to write the text in the white space between pictures for The Waters.
- Print length100 pages
- LanguageEnglish
- PublisherpowerHouse Books
- Publication dateApril 22, 2014
- Dimensions4.75 x 0.4 x 7.13 inches
- ISBN-109781576876787
- ISBN-13978-1576876787
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—TIME Magazine's LightBox
"One of the most beautifully made books of photography I have ever seen."
—Vice
"The book is irrefutably one of the most rewarding reads I’ve ever had in one sitting."
—aCurator
Named one of photo-eye's best photo books of the year.
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- ASIN : 1576876780
- Publisher : powerHouse Books (April 22, 2014)
- Language : English
- Paperback : 100 pages
- ISBN-10 : 9781576876787
- ISBN-13 : 978-1576876787
- Item Weight : 6.2 ounces
- Dimensions : 4.75 x 0.4 x 7.13 inches
- Best Sellers Rank: #3,397,071 in Books (See Top 100 in Books)
- #2,258 in Individual Photographer Monographs
- #3,428 in Photo Essays (Books)
- #5,294 in Travel Writing Reference
- Customer Reviews:
About the authors

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Giancarlo T. Roma is a writer and the co-author of Show & Tell (2002) and The Waters of Our Time (2014), as well as articles published in Vice, The New York Times, and elsewhere. A graduate of Columbia University in the City of New York with a degree in English and African American Studies, he is an avid chess and guitar player.
Partnering with his grandfather, Lee Friedlander, he runs Haywire Press, which sells Friedlander books, special editions and portfolios from his personal stock, primarily through haywirepress.com. Roma continues to live in his hometown of Brooklyn, New York.

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Those familiar with Thomas Roma's hometown photographs of Brooklyn will take great pleasure in the number of new gems in this book. We've grown so accustomed to massive coffee table monographs that you might find yourself wishing for larger reproductions of his densely packed photographs, but the size literally draws you closer and gives the whole book a more intimate feel. At this viewing distance, both verso and recto pages can be clearly seen and the 3 or 4 images and snatches of text combine into visual poems.
Giancarlo's fictional story, which starts on the front cover and is broken up into free-verse chunks spread throughout the book, is an older woman's philosophical recollection of the people and places from her life in Brooklyn. The words evoke a world which can be glimpsed in the photographs--although they never directly address them like a caption would. The push and pull between Giancarlo's story and Thomas' photographs is further complicated by the lyrics to the Ritchie Havens song "Follow" which run alongside and provide the title to the book.
The inside front cover, like the liner notes to your favorite album, gives away one of this books secrets, that it was inspired by the Langston Hughes/Roy DeCarava book The Sweet Flypaper of Life. Indeed, a quick google image search (or trip to Mr. Roma's website) will show that the size and design of the first edition of The Sweet Flypaper of Life served as a template for The Waters of Our Time. Though their new book could be seen as an homage to their predecessors, this isn't an album of cover songs, and the Romas have created something new and clearly their own.
All of these elements are masterfully combined in this thin volume, the photographs and text don't merely illustrate each other and the synthesis is ultimately left to the delight of the viewer. So queue up Ritchie Havens and spend some time in The Waters of Our Time. Don't be surprised if you wind up slipping it in your back pocket to take it with you.



