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Watership Down: A Novel Paperback – November 1, 2005
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Watership Down has been a staple of high-school English classes for years. Despite the fact that it's often a hard sell at first (what teenager wouldn't cringe at the thought of 400-plus pages of talking rabbits?), Richard Adams's bunny-centric epic rarely fails to win the love and respect of anyone who reads it, regardless of age. Like most great novels, Watership Down is a rich story that can be read (and reread) on many different levels. The book is often praised as an allegory, with its analogs between human and rabbit culture (a fact sometimes used to goad skeptical teens, who resent the challenge that they won't "get" it, into reading it), but it's equally praiseworthy as just a corking good adventure.
The story follows a warren of Berkshire rabbits fleeing the destruction of their home by a land developer. As they search for a safe haven, skirting danger at every turn, we become acquainted with the band and its compelling culture and mythos. Adams has crafted a touching, involving world in the dirt and scrub of the English countryside, complete with its own folk history and language (the book comes with a "lapine" glossary, a guide to rabbitese). As much about freedom, ethics, and human nature as it is about a bunch of bunnies looking for a warm hidey-hole and some mates, Watership Down will continue to make the transition from classroom desk to bedside table for many generations to come. --Paul Hughes --This text refers to an out of print or unavailable edition of this title.
"Spellbinding...Marvelous...A taut tale of suspense, hot pursuit and derring-do."
-- Chicago Tribune
"A classic...A great book."
-- Los Angeles Times
"Quite marvelous...A powerful new vision of the great chain of being."
-- The New York Times Book Review
Top customer reviews
The story of Watership Down, edited originally in 1972, starts when the rabbit Fiver begins to have visions showing a great catastrophe destroying his colony. “The field is full of blood”, he says. This trope is based on Cassandra’s myth, and much like the Greek prophetess, the little bunny’s visions are ignored by the leaders and only a small group decides to escape in search of a better place.
When my girlfriend asks her English friends about Watership Down their expression shows love and fear at the same time. Love because the animal characters actions and personalities are built in a very endearing way by the author. Fear because the little furry creature’s deaths are many and bloody. Like all good children’s literature, Watership Down does not insult the young reader’s intelligence with simplified messages.
The bunnies have anthropomorphic thoughts and can speak, but the book was built around real rabbit’s behavior, their organization, their ways of feeding, etc. It’s interesting how the author imagined how it would be a society of hunted creatures, instead of hunters like us. They are in a constant state of fear, always alert to any weird sound or noise.
Adams also created a sort bunny speak, called “Lapine”, that even without the depth of other literary created languages like those made by Tolkien, has consistent prefixes and endings to convey and exotic but realistic tone. The rabbits also have a rich mythology with several stories intertwined.
There is the solar god Fritz, the black rabbit Inlé (bringer of death), the primordial rabbit El-ahraiah and his many tales deceiving dogs or stealthily attacking gardens. The characters are very well constructed. Fiver is the prophet flirting with madness, Hazel the leader, Bigwig the warrior, Blackberry is pretty much the scientist, Dandelion is the bard, and entertains his friend with his tales. The book has a curious flavor, like a Greek tragedy or a Shakespearean epic only with bunnies.
One of the best books I have ever read. The ambience makes the reader really imagine how life is a few centimeters from the ground and think about how frail life is. And also about the number of stories that are hidden everywhere.
Both the book and film are considered classics in their own right. Each deserves your full attention, as they truly compliment one another.
This copy is simply gorgeous and is an ABSOLUTE MUST for the collector. The dust jacket artwork is hauntingly lovely and has gold foil detailing that is echoed on the front cover. The end papers are a beautiful robin's egg blue, which is a nice complement to the cover art. The publisher really did this book justice with all of these thoughtful details.
But what really sets this edition apart is the illustrations. Simply put, they are stunning. There are around 20 or so full-color illustrations throughout, each of them beautifully capturing a scene from the book. Some of the illustrations spread across 2 pages, and one of them was also used as the dust jacket cover art. The illustrations have been printed on glossy pages, which showcases this artwork to full effect.
I was a little surprised to find the font was a bit larger than I'm used to, but it's by no means an issue. The book dimensions are 9.5"x7.5", so the slightly larger font actually makes sense, as it gives the impression that this edition is meant to be read aloud and shared, which I certainly intend to do with my young son.
The book was very well protected during shipping, and I was so pleased to receive this book in PERFECT condition from the seller.