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We Were Called Specimens: An Oral Archive of the Deity Marjorie Paperback – April 15, 2022
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This book has nothing to do with her. Or is it the key to the universe? You, reader, have summoned the Three, intertwining your fate with their own. Relationships are mutable and the world spins into another year.
We Were Called Specimens is Jason Teal’s first book of flash fictions. The collection centers on a mythical, supernatural Marjorie untethered to time and space. Follow her into the bleakest, harshest storms of humanity—and flee with her from the onslaught of dreamers and villains alike.
Introduction by Orrin Grey
Cover art by Matthew Revert
Interior illustrations by Daniel Williams
- Print length156 pages
- LanguageEnglish
- Publication dateApril 15, 2022
- Dimensions4.5 x 0.36 x 7.12 inches
- ISBN-101732325170
- ISBN-13978-1732325173
Product details
- Publisher : Kernpunkt Press (April 15, 2022)
- Language : English
- Paperback : 156 pages
- ISBN-10 : 1732325170
- ISBN-13 : 978-1732325173
- Item Weight : 6.9 ounces
- Dimensions : 4.5 x 0.36 x 7.12 inches
- Best Sellers Rank: #4,697,101 in Books (See Top 100 in Books)
- #24,962 in Occult Fiction
- #65,927 in Short Stories (Books)
- #165,909 in Literary Fiction (Books)
- Customer Reviews:
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About the author

Jason Teal is the author of We Were Called Specimens (KERNPUNKT Press, 2020), which was a finalist for Big Other’s Reader’s Choice and Best Fiction Book Awards. He edits and publishes Heavy Feather Review, heavyfeatherreview.org.
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The 30 micro-narratives in this collection feel like a web of tiny fever dreams - each adding a new layer of depth to Marjorie and those caught in her perpetual gravity. Where, in one story, Marjorie might be a hapless kiosk operator, the next depicts her as an Aunt exploiting her undead nephew or niece's newfound immortality, or as a powerful televangelist, or as a saintly presence that protects children from active shooters. The book isn't so much a revelation of Marjorie as it is a series of snapshots of her constant evolution, and we, as readers, are encouraged to unmoor our expectations and follow her supposed divinity in all its paradoxical forms.
The collection has a little bit of everything - horror, absurdism, fabulism, suspense, sadness - and one would be hard-pressed if asked to choose which one of these is the collection's defining element. What's certain, though, is that Teal has effortlessly woven these threads together to create something fresh, something snappy, something deep, and something varied.
WE WERE CALLED SPECIMENS is an entire spectrum of otherworldy experience and it is absolutely weird as hell. But, if you are looking for something unique, or strange, or experimental in a way that isn't at all tedious, then this book is a perfect book for you!
Reviewed in the United States on July 27, 2020
The 30 micro-narratives in this collection feel like a web of tiny fever dreams - each adding a new layer of depth to Marjorie and those caught in her perpetual gravity. Where, in one story, Marjorie might be a hapless kiosk operator, the next depicts her as an Aunt exploiting her undead nephew or niece's newfound immortality, or as a powerful televangelist, or as a saintly presence that protects children from active shooters. The book isn't so much a revelation of Marjorie as it is a series of snapshots of her constant evolution, and we, as readers, are encouraged to unmoor our expectations and follow her supposed divinity in all its paradoxical forms.
The collection has a little bit of everything - horror, absurdism, fabulism, suspense, sadness - and one would be hard-pressed if asked to choose which one of these is the collection's defining element. What's certain, though, is that Teal has effortlessly woven these threads together to create something fresh, something snappy, something deep, and something varied.
WE WERE CALLED SPECIMENS is an entire spectrum of otherworldy experience and it is absolutely weird as hell. But, if you are looking for something unique, or strange, or experimental in a way that isn't at all tedious, then this book is a perfect book for you!
I couldn't really figure out how to write a straightforward review of Jason Teal's We Were Called Specimens, but my hope is that this will do it more justice in the end. One of the most unique literary experiences I've had so far this year - and y'all know, I read a lot of weird shit - this exceedingly strange, funny, and beautiful little book pulled off the uncommon trick of having me already looking forward to rereading it before I was even done reading it the first time. It had me daydreaming about carrying it around in my back pocket (for it's definitely small enough) and revisiting it's 30 crypto-parables in completely different order, never the same way twice, opening it at random while waiting in bank and grocery lines (for they're definitely short enough), and letting the time-toppling, genre-destabilizing, language-frolicking, transuniversal mysteries of deity Marjorie find me again and again, at different times, in different ways, for months, if not years on end. It's that kind of book - the kind that nestles into your neural net and tickles your synapses until you can't help but dive back in; the kind that gives the distinct impression of holding fast whatever you might need from it within its deceptively diminutive proportions, for as long as you're willing to look.
To try and explain it further seems to me largely beside the point. Like trying to tell someone what a Kandinsky painting or a Cecil Taylor composition "means", I find that writing about "experimental" fiction (whatever that "means") is best approached as a matter of conveying sensations - of saying "this is how this made me feel" - and that when I get too far away from that approach, I more often that not just end up saying something I later regret. The best I can do here is to say that deity Marjorie, upon my first time through her fascinating, cantankerous lore, feels like a kind of conduit for all concepts. In a story nominally about a runway show, she is fashion. In a story nominally about a mayor, she is politics. In a story nominally about a murder case, she is violence. In a story nominally about religion, she is God. None of that is probably exactly right, but it's how the book made me feel. And sure, I can imagine a reality in which Teal's dreamy, squirmy, inveigling poetics origami and interlace their way into a clarified whole, but it feels like the type of "big picture" that will take a lifetime of study in bank and grocery lines to fully materialize - a kind of literary enlightenment to contemplate and strive for (and possibly never reach). In this way, We Were Called Specimens will "mean" something different to everyone, and just like the most enduring of civilization's communally recognized sacred texts, therein lies its power. It's about the seeking, more than the finding (though there is surely much to be found here). That's how it made me feel anyway. No telling what the next time will bring. But until then, All hail deity Marjorie.

