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The Weekend: A Novel Hardcover – October 12, 2010
| Bernhard Schlink (Author) Find all the books, read about the author, and more. See search results for this author |
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They excavate old memories and pass clandestine judgments on the wildly divergent paths they’ve taken since their youth. But this isn’t just any reunion, and their conversations about the old days aren’t your typical reminiscences: After twenty-four years, Jörg, a convicted murderer and terrorist, has been released from prison. The announcement of his pardon will send shock waves through the country, but before the announcement, his friends—some of whom were Baader-Meinhof sympathizers or those who clung to them—gather for his first weekend of freedom. They have been summoned by Jörg’s devoted sister, Christiane, whose concern for her brother’s safety is matched only by the unrelenting zeal of Marko, a young man intent on having Jörg continue to fight for the cause.
Bernhard Schlink is at his finest as The Weekend unfolds. Passions are pitted against pragmatism, ideas against actions, and hopes against heartbreaking realities.
- Print length224 pages
- LanguageEnglish
- PublisherPantheon
- Publication dateOctober 12, 2010
- Dimensions5.26 x 0.97 x 7.81 inches
- ISBN-109780307378156
- ISBN-13978-0307378156
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Editorial Reviews
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
“Schlink avoids the easy route of condemnation and salvation . . . The book’s real strength is the finely wrought dynamic among the characters, whose relationships and histories are fraught with a powerful sense of tension and possibly untoward potential.”
—Publishers Weekly
Praise for The Reader
“Arresting, philosophically elegant, morally complex . . . Schlink tells this story with marvelous directness and simplicity, his writing stripped bare of any of the standard gimmicks of dramatization.”
—The New York Times
“[A] beautiful, disturbing, and finally morally devastating novel. From the first page, The Reader ensnares both heart and mind.”
—Los Angeles Times
Praise for Homecoming
“A beguilingly oblique novel . . . Despite its intricate, mazelike progression, Homecoming has surprising narrative thrust.”
—The Economist
“Sensitive and disturbing . . . The reader’s mind opens to the story like a plant unfurling its leaves to the sun.”
—The New York Times Book Review
Praise for Flights of Love
“An outstanding collection.”
—The Wall Street Journal
“Intimate, smart, powerful . . . As memorable as The Reader . . . Dazzling.”
—The Washington Post Book World
About the Author
Bernhard Schlink is the author of the internationally best-selling novel The Reader, which was an Oprah’s Book Club selection. He divides his time between Berlin and New York.
Excerpt. © Reprinted by permission. All rights reserved.
One
She got there just before seven. She’d expected to make more headway and arrive sooner by traveling in the early morning. When she hit more road construction, and yet more, she grew nervous. Would he walk through the gate, look out for her in vain, his first reaction one of disappointment, of discouragement? The sun rose in the rearview mirror—she would rather have been driving toward it than away from it, even if it had dazzled her.
She parked where she had always parked and walked the short path to the gate as slowly as she had always walked. Everything to do with her own life she cleared from her mind, to make room for him. He always had a firm place in her mind; not an hour passed without her wondering what he was doing right now, how he was getting on. But each time she met him, he alone existed for her. Now that his life was no longer in suspended animation, now that it was starting to move once more, he needed her full attention.
The old sandstone building stood in the sun. As so often before, she was strangely moved that a building should serve such an ugly purpose and at the same time be so beautiful: the walls covered with Virginia creeper, field and forest green in spring and summer, yellow and red in autumn, the small towers on the corners and the large one in the middle, its windows like those of a church, the heavy gate, forbidding, as if it wished not to shut the inhabitants in but to shut their enemies out. She looked at the clock. The people in there liked to keep you waiting. She had often applied in vain for a two-hour visit, and after the hour granted, was simply not collected but went on sitting with him for another half hour, three quarters of an hour, without really being with him any longer.
But when the bells of the nearby church began to strike seven, the gate opened and he stepped out and blinked into the sun. She crossed the street and embraced him. She embraced him before he could set down his two big bags, and he stood in her embrace without returning it. “At last,” she said, “at last.”
“Let me drive,” he said as they stood by the car, “I’ve dreamed of it so many times.”
“Are you sure? Cars have got faster, the traffic’s heavier.”
He insisted, and kept driving even when the sweat stood out on his brow. She sat tensely next to him and said nothing when he made mistakes turning in the city and overtaking on the autobahn. Until they passed a sign for a service station and she said, “I need some breakfast, I’ve been up for five hours.”
She had visited him in prison every two weeks. But when he walked along the counter with her, filled his tray, stood at the till, came back from the toilet and sat down facing her, she felt as if she were seeing him for the first time in ages. She saw how old he had become, older than she had noticed or admitted during her visits.
At first glance he was still a handsome man, tall, square face, bright green eyes, thick salt- and- pepper hair. But his poor posture emphasized his little paunch, which didn’t match his thin arms and legs, his gait was slow, his face gray, and the wrinkles that crisscrossed his forehead, and were steep and long in his cheeks, indicated not concentration so much as a vague sense of strain. And when he spoke—she was startled by the awkwardness and hesitancy with which he responded to what she said, and the random, jittery hand movements with which he emphasized his words. How could she have failed to notice that on her visits? What else was happening, in him and to him, that she had also failed to notice?
“Are we going to your place?”
“We’re going to the country for the weekend. Margarete and I have bought a house in Brandenburg, rundown, no heating, no electricity, and the only water comes from the pump outside, but it’s got a big, old park. It’s gorgeous now, in the summer.”
“How do you cook?”
She laughed. “Are you interested in that? With great fat red gas canisters. I’ve ordered an extra two for the weekend; I’ve invited our old friends.”
She’d hoped he’d be pleased. But he showed no pleasure. He only asked: “Who?”
She had thought long and hard. Which old friends would do him good, which would only make him embarrassed or reserved? He needs to be among people, she thought. And more than that, he needs help. Who will he get that from, if not his old friends? Finally she decided that the ones who were pleased she had called, the ones who wanted to come, were also the right ones. In some of those who made excuses she sensed honest regret; they would have liked to be there if they’d known about it earlier, if they hadn’t already made other plans. But what was she to do? His release had come as a surprise.
“Henner, Ilse, Ulrich with his second wife and their daughter, Karin with her husband, Andreas, of course. With you, Margarete and me that’s eleven.”
“Marko Hahn?”
“Who?”
“You know the one—for a long time he just wrote to me. He visited me for the first time four years ago and he’s been a regular visitor ever since. Apart from you he’s ...”
“You mean that lunatic who nearly cost you your reprieve?”
“He only did as I asked. I wrote the welcoming speech, I knew who the addressees were, what the occasion was. You have nothing to reproach him for.”
“You couldn’t have known what you were doing. He did know, and he didn’t try to stop you, he just rode on into it. He uses you.” She was as furious now as she had been that morning, reading in the paper that he had written the welcoming address for an obscure left- wing conference on the theme of violence. His actions, the paper said, had revealed his incapacity for insight and remorse—such a person didn’t deserve to be reprieved.
“I’ll give him a call and invite him.” He got up, looked for and found some coins in his trouser pocket and walked to the phone. She got up too, was about to run after him and stop him, then sat back down again. When she saw he didn’t know where to take the conversation, she got back up, walked over to him, took the receiver and described the route to her house. He put his arm around her, and it felt so good that she was reconciled.
When they drove on, she was at the wheel. After a while he asked, “Why didn’t you invite my son?”
“I called him and he just put the phone down. Then I wrote him a letter.” She shrugged. “I knew you’d want him to be there. I also knew he wouldn’t come. He decided against you a long time ago.”
“That wasn’t him. That was them.”
“What difference does it make? He’s become the person they brought up.”
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Product details
- ASIN : 0307378152
- Publisher : Pantheon; 1st edition (October 12, 2010)
- Language : English
- Hardcover : 224 pages
- ISBN-10 : 9780307378156
- ISBN-13 : 978-0307378156
- Item Weight : 11.2 ounces
- Dimensions : 5.26 x 0.97 x 7.81 inches
- Best Sellers Rank: #1,876,281 in Books (See Top 100 in Books)
- #91,188 in Literary Fiction (Books)
- Customer Reviews:
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Customer reviews
Top reviews from the United States
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The setting of the novel is interesting and serves well as the context for raising some of these issues of responsibility and consequences. After 24 years of incarceration, the central character, Jorg, is released by order of the German president. Jorg apparently was a member of the Red Army Faction, better known here as the Baader-Meinhof group, a German terrorist group that functioned between 1970 and 1998, and killed at least 34 people. To celebrate his release, his older sister, who had raised him, organizes a weekend gathering at her home in a forest, and invites a number of Jorg's friends from the period before he was jailed.
Some of these friends apparently were youthful members of the same group with Jorg, but only he was accused of murder (4 victims). In the intervening years, how things have changed: one is a wealthy and conservative dental lab owner; a second a reporter; a third a female vicar; another a peaceful and meek woman teacher; yet another a lawyer. Also making an appearance is a present day member of Jorg's old group who wants him to make a public statement declaring that his war against the establishment will continue. So this part of the novel is rather like attending your high school reunion, where while everyone sort of knows everyone else, and thinks they remember them as the used to be, but actually much has changed. The dynamics of the novel are generated by the sometimes emotional interactions of this group.
The issue of responsibility arises because Jorg is of the mind that his 24 years in prison mean he has paid his debt to society--we hear this all the time in regard to released prisoners. But four murders are four murders, and some of the group make it clear they don't buy Jorg's argument. We as readers may or may not buy it as well. If this is not true, then how does this impact upon our conception of rehabilitation of lawbreakers, or is it even possible? Another issue is whether Jorg should make that combustible public declaration; has his long sentence so wiped out his crimes that he is free morally to declare his repugnance against society?
There are some subplots as well that sometimes approach being akin to "soap opera," but one even raises additional issues of responsibility and consequences. Schlink's novels make you think and consider issues that might not otherwise grab your attention. Moreover, he is a fine storyteller, skillfully developing his story for maximum effect. At 214 pages, this is a fairly fast moving novel that does not overstay its welcome. Such good writing is always a pleasure to read.
I'm only about halfway through this book, but I've had to slog through it so far.
Maybe I've just been spoiled by reading the "A Song of Ice and Fire" books, but it feels like nothing is happening so far.
A former terrorist gets out of jail and then goes to have a reunion with his old friends from 30 years before.
Then they all just talk talk talk about nothing. Then that dialogue is broken up with painfully boring to read action descriptions.
"Instead she looked out the window. The rain had stopped, the sky was clear, the moon shone on the park. It also shone on her feet. They gleamed quite whit on the dark floorboards. She took it as a challenge to get up, go downstairs and walk outside the door. Every footstep was difficult."
That's basically it. Just painstaking descriptions of every...single...little...move...the...character...makes. Ugh.
There's no clear plot.
Maybe it was interesting in the original German. I don't know.
There's not really even been anything about the ideas of terrorists or anything.
I wouldn't even finish this book if I didn't have to read it for school.
If it gets better I will update this review.
Top reviews from other countries
The translation some how failed to achieve the same effect as the original - this was particularly evident in the dialogue passages. The characters did not speak with convincing naturalness and distinction from one another.
However the book was, of course, still very worth reading.
The mentality of those who commit violence in the belief that their convictions will some how be served is something we are still struggling to comprehend and this novel provides us with some measure of understanding.

