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The Well and the Mine Paperback – April 8, 2009
"Rebound" by Kwame Alexander
Don't miss best-selling author Kwame Alexander's "Rebound," a new companion novel to his Newbery Award-winner, "The Crossover,"" illustrated with striking graphic novel panels. Pre-order today
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Amazon Exclusive:Gin Phillips on The Well and the Mine
The Well and the Mine is the story of one Depression-era family in an Alabama coal-mining town, and the single night that forever changes their view of the world around them. While the Moore family and their story are a product of my imagination, the world they live in was very real. It was a time and place shaped by the hard realities of poverty and racism, and there are still echoes of that world in the one we know today.
Let's start with 1931. Both banks in the coal-mining town of Carbon Hill had closed. The mining industry was close to shutting down, and 75 percent of the town's employment was tied to the mines. Property values were down 60 percent. For all the talk of an economic downturn now in 2009, the stark facts of the Great Depression highlight the gap between then and now. This was the Jim Crow South, with all the strictures of separate-but-not-equal in place. There was no Social Security, no disability, no Medicare or Medicaid, no aid for families with dependent children, no protection for unions. No heath insurance. It was, in large part, life without a safety net. And life was dangerous. If a man was killed in the mines, his widow and children could hope that neighbors or a charity or a church could offer help, but it was only a hope, there was no certainty. On the other side of hope was starvation and homelessness. Mining was demanding, mostly unregulated work. Each morning that a husband or father--there were no women in the mines yet--walked out the door, it was with a family acceptance of the chance that he might not come home. There was a very real chance that he could be killed during an average day's work. But that sense of life on a precipice is part of why this story appealed to me. In the midst of all the brutal labor and struggle and uncertainty, moments of beauty and transcendence have all the more power.
The plot of the book is entirely my invention. There was no baby thrown in a well, no investigation into the local mothers. Or at least none that I know of. But the people and the places do echo some real-life counterparts. Virgie, the Moore's oldest daughter, has my grandmother's sense of propriety. The youngest daughter, Tess, has my great-aunt's sense of fun. Their mother, Leta, has the efficiency and solidity of my great-grandmother, who died when she was 99 and I was 14. My great-grandfather, a coal-miner, died before I was born, but the stories about his razor-sharp sense of right and wrong are what gave Albert his backbone. My great-aunt still lives in the home my great-grandfather built, and I spent plenty of time in the house as I was writing this novel, sitting on the front porch and looking out over the woods, listening to the sound of the creek as I typed.
I grew up hearing stories about Carbon Hill in the 1920s and '30s being told across the dinner table or while sitting around the living room with my grandmother and her siblings. When I sat down to write the story of the fictional Moores, I delved back into my family's memories. Those memories helped bring 1931 rural Alabama to life--they gave me the sights and smells and the feel of the past. Bits and pieces of family lore found their way into the story, but also the domestic details and cultural perspectives that are hard to find in library books. Answers to questions like: What kind of underwear would you wear in 1931? What kind of floor cleaner would you use? How did a teenage girl feel about marriage? I never read good answers to those questions in library books, but I hear plenty of answers, simple and complicated, when I asked the right people.
And yet in the past, there are whispers of the future. The mining industry was unique in Alabama because it had an integrated workforce. In the mines, black men and white men worked side by side in the mines: It was a harbinger of things to come. Albert Moore wrestles with ideas of good and evil--of black and white--and comes face to face with complexities that haunt generations after him. Time and time again, he and the rest of his family struggle to do the right thing--and struggle all the harder to accept the fact that "right" may not always be such a concrete thing. It's that struggle, that drive to do what is fair and that need to see beyond their own perspective, that defines this family. And that struggle has as much relevance in 2009 as it did in 1931.
From Publishers Weekly
A tight-knit miner's family struggles against poverty and racism in Phillips's evocative first novel, set in Depression-era Alabama. Throughout, she moves skillfully between the points of view of miner father Albert, hard-working mother Leta, young daughter Tess and teenage daughter Virgie, and small son Jack. They see men who are frequently incapacitated or killed by accidents in the local mines; neighbors live off what they can grow on their patch of land; and blacks like Albert's fellow miner and friend Jonah are segregated in another part of Carbon Hill—and often hauled off to jail arbitrarily. When Tess witnesses a woman throwing a baby into their well, no one believes her until the dead child is found, and few are shocked. Tess, hounded by nightmares, and Virgie, on the cusp of womanhood and resistant to the thought of an early marriage to the local boys who court her, begin making inquiries of their own, visiting wives who've recently had babies and learning way more than they imagined. With a wisp of suspense, Phillips fully enters the lives of her honorable characters and brings them vibrantly to the page. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
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At the beginning of the book, Tess, the youngest daughter sees a woman drop a baby down a well in their back yard. The rest of the book is trying to solve the mystery but it is intermingled with stories about the coal mines, poor families and their struggles, and the neighbors.
I got bogged down reading the book, and thought about giving up on it several times, but I continued. I would not recommend.
The narration alternates among Tess and the other four members of her family, allowing the reader to get inside the head of each character. Dad, Albert, is a coal miner who would do anything to give his children a better life and can't understand why every parent wouldn't feel the same way. Mom, Leeta, loves her family so much that she often skips her own meals to make sure the children have enough. Big sister, Virgie, is smart and beautiful at age fourteen, and is beginning to realize that her dream is to be educated and able to support herself and avoid the young marriage common to the time and place. The only son and third child, Jack, is only seven, but is already determined to be as strong and unbreakable as his father. At seven, Jack barely knows what's going on in 1931, so most of his narration is from his perspective as an adult. It's through adult Jack's eyes that the reader sees the family through the children's coming of age and into the present time.
Throughout the novel, Virgie and Tess search for the identity of the woman at the well, so the baby can rest in peace and Tess's nightmares about him will end. It's during this time of looking closely at others in the community that Tess begins to appreciate her own good fortune in being part of a loving family.
A nice bonus to the novel is its introduction by Fannie Flagg, also a native of Alabama and author of wonderful character-driven southern fiction, who offers well-deserved praise to the author on her debut.
If you're looking for a leisurely read that will take you back in time, this is your book. If you're looking for a conflict-driven page-turner, this book isn't for you. Although the mystery of the woman who dropped her baby in the well adds some suspense in the beginning, this is really a slow-paced, Sunday-afternoon-drive through the country. Kick back, relax, and enjoy the view.
There are tensions in the town, in the family and between characters. Social norms are very well portrayed. Racial issues are beautifully handled - they are not a dominant theme, but an important one and the author did such a sensitive job of addressing them.
I fell in love with this family, and enjoyed their story.