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Westcott 4634 7-Feet White with Black Cover Parabolic Umbrella
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- 16-rib fiberglass framework
- included travel and storage case
- 7mm umbrella shaft tip
- double wall shaft
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|Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping|
|Sold By||DVE Store - Digital Video Equipment Store||Kellards||DVE Store - Digital Video Equipment Store||iStockOnline||Global_omo||M Z Photo|
|Item Dimensions||1 x 3 x 44.6 in||13 x 15 x 1 in||1 x 3 x 44.6 in||3.5 x 47 x 3.5 in||2.76 x 43.31 x 2.56 in||4 x 47 x 3.5 in|
The 7' White/Black Parabolic Umbrella offers a white interior that softens and broadens bounced light. The solid black backing eliminates any potential for back spill light. Perfect for indoor or outdoor use. Frames are constructed using a fiberglass composite offering added strength and durability over standard steel or aluminum frames. The custom designed center shaft has been engineered to two times its normal thickness. This durable shaft is finished off with a 7mm tapered tip allowing for insertion into a variety of photographic lights. The included carry case is constructed of heavy-duty nylon with an included shoulder strap. Umbrellas ship in a protective tube that is perfect for travel and storage.
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After several months of ownership and several on location and studio photo shoots with the umbrella, I decided that it was time to post my review of this tool. Here are examples of my typical set ups using this umbrella. 1. In the studio, I use it with a 600w studio light triggered with Pocket Wizards and a couple of reflectors if needed. 2. On location, I have a flash bar that I mount from one to three Canon 580EX speed lights on triggers and reflectors if needed. One thing that everyone must know is that you need to own a large/heavy duty stand for this umbrella and a couple of sandbags.
The umbrella does exactly what is designed to do, provide a very broad even light source that is amazingly soft light over a large area. On location shooting portraits or families it's usually the only lighting I will need. I sometimes shoot with the umbrella directly behind me and because the light source is so broad it does not cast a shadow on the subject. This is also true if the subject you're shooting is close to the background/backdrop, the light appears to come from all directions and envelopes the subject reducing or eliminating the need for a secondary flash.
The materials and construction of the umbrella are pretty solid but if you take it outdoors you better make sure you secure it with sandbags or an assistant. The umbrella comes with its own carrying case and is packaged in a durable reusable tube, when not in use I keep mine stored in the tube. I have had great results with the umbrella and it is a very functional tool in my business. I will post additional reviews and links to pictures taken when using the umbrella if I can.
I absolutely love the light this modifier gives, especially when used with a pair of speedlites. But be careful about the durability. For the cost, I wish it had been a bit more bulletproof. Actually, I'd happily pay more if they would make a sturdier version.