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What Can We Believe Where?: Photographs of the American West Paperback – October 26, 2010
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Robert Adams
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Since taking up photography in the mid-1960s, Robert Adams (born 1937) has quietly become one of the most influential chroniclers of the evolving American landscape. Carefully edited by Adams from a remarkable body of work that spans over four decades, What Can We Believe Where? Photographs of the American West, 1965–2005 presents a narrative sequence of more than 100 tritone images that reveals a steadfast concern for mankind’s increasingly tragic relationship with the natural world. Adams’s understated yet arresting pictures of the vast Colorado plains, the rapid suburbanization of the Denver and Colorado Springs areas, and the ecological devastation of the Pacific Northwest region of the United States register with subtle precision the complex and often fragile beauty of the scenes they depict.
The most accessible collection of Adams’s work to date, this compact and thought-provoking volume is an essential addition to the bookshelves of students, photographers, and anyone interested in the recent history of the American West and its wider implications.
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Print length128 pages
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LanguageEnglish
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PublisherYale University Art Gallery
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Publication dateOctober 26, 2010
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Dimensions7.08 x 0.54 x 9.76 inches
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ISBN-100300162472
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ISBN-13978-0300162479
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Product details
- Publisher : Yale University Art Gallery; 1st Edition (October 26, 2010)
- Language : English
- Paperback : 128 pages
- ISBN-10 : 0300162472
- ISBN-13 : 978-0300162479
- Item Weight : 1.12 pounds
- Dimensions : 7.08 x 0.54 x 9.76 inches
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Best Sellers Rank:
#1,324,989 in Books (See Top 100 in Books)
- #891 in Landscape Photography
- #957 in Individual Photographer Monographs
- #1,264 in Photography Collections & Exhibitions (Books)
- Customer Reviews:
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About the author

Robert Adams, born in 1937, came to prominence as part of the photographic movement known as New Topographics. His work has been widely exhibited both in Europe and the United States. He is a recipient of a MacArthur Fellowship, the Spectrum International Prize for Photography, and the Deutsche Börse Photography Prize.
Customer reviews
Top reviews from the United States
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For someone who has been following Robert Adams' work for a long time (since I first saw his "New West" show at the Philadelphia Art Museum in 1982), this new book is a little unsettling--it seems to move very quickly, unlike his other books that all seem to reward contemplation. However, it does seem to clarify Adams use of the human figure in the landscape--there are lots of pictures with people in them (about 30 images)--and it seems always that the people in the pictures are interacting with the landscape in typical ways. One of my favorite pictures in this book is of a group of people gathered in a suburban driveway--another is of a woman walking with her arm stretched into the wind.
This book is both accessible and affordable, and is a very good value for those just beginning to appreciate Robert Adams' work. But it seems more a starting point than a summation of his career--it points back to the huge volume of work he has completed over the decades. It is far too modest a book to summarize the great body of work this man has created. It reminds me of Linus's comment about reading a condensed book: "it's not unlike drinking diluted root beer".
The photos have all been published before in various books by Adams and I thought a listing of what books they have appeared in would have been useful to the reader. I'm particularly interested in how Adams covers the urban landscape and the Denver photos in the book can be seen in his two remarkable books: What We Bought: The New World: Scenes from the Denver Metropolitan Area, 1970-1974 (Yale University Art Gallery) and denver: A Photographic Survey of the Metropolitan Area, 1970-1974 (Yale University Art Gallery) with 310 photos in all.
The twenty-nine Oregon photos reveal a changing landscape of nature being cleared ready for industry and suburbs. A beautiful shot on page ninety-three shows part of a mechanical devise, with hydraulic cables, resting on the ground. It sums up the alien (a bit Geiger like, too) about to take over nature.
I've given the book for stars despite the wonderful photography because I thought the book's format wasn't quite right. Yale published the two Denver titles I mentioned and they come across as perfect photo books: right shape, paper and printing to bring out the best in the images. It would have made this book so much better if it had been the same landscape format and with larger photos so the detail they contain could be appreciated. In the book they 300+ plus screen tritones (almost like looking at the original prints) but smaller than I expected. The landscape format would have allowed them all to be bigger.
***LOOK INSIDE THE BOOK by clicking 'customer images' under the cover.
By Robin on December 23, 2010
The photos have all been published before in various books by Adams and I thought a listing of what books they have appeared in would have been useful to the reader. I'm particularly interested in how Adams covers the urban landscape and the Denver photos in the book can be seen in his two remarkable books: [[ASIN:0300149638 What We Bought: The New World: Scenes from the Denver Metropolitan Area, 1970-1974 (Yale University Art Gallery)]] and [[ASIN:030014136X denver: A Photographic Survey of the Metropolitan Area, 1970-1974 (Yale University Art Gallery)]] with 310 photos in all.
The twenty-nine Oregon photos reveal a changing landscape of nature being cleared ready for industry and suburbs. A beautiful shot on page ninety-three shows part of a mechanical devise, with hydraulic cables, resting on the ground. It sums up the alien (a bit Geiger like, too) about to take over nature.
I've given the book for stars despite the wonderful photography because I thought the book's format wasn't quite right. Yale published the two Denver titles I mentioned and they come across as perfect photo books: right shape, paper and printing to bring out the best in the images. It would have made this book so much better if it had been the same landscape format and with larger photos so the detail they contain could be appreciated. In the book they 300+ plus screen tritones (almost like looking at the original prints) but smaller than I expected. The landscape format would have allowed them all to be bigger.
***LOOK INSIDE THE BOOK by clicking 'customer images' under the cover.
Top reviews from other countries
Robert Adams cherchait à saisir le beau dans les paysages, afin de soutenir de l'espoir. Cependant, au fil de ses pérégrinations, il y eu des évidences à l'opposé de cet espoir, évidences liés à l'impact de l'homme sur la nature. Des évidences qui gagnent à être reconnues, si les photographies doivent être porteuses de vérité.













