The incredulity begins with the title
What Liberal Media?, journalist Eric Alterman's refutation of widely flung charges of left-wing bias, and never lets up. The book is unlikely to make many friends among conservative media talking heads. Alterman picks apart charges made by Ann Coulter, Rush Limbaugh, George Will, Sean Hannity, and others (even the subtitle refers to a popular book by former CBS producer
Bernard Goldberg that argues a lefty slant in news coverage). But the perspectives of less-incendiary figures, including David Broder and Howard Kurtz, are also dissected in Alterman's quest to prove that not only do the media lack a liberal slant but that quite the opposite is true. Much of Alterman's argument comes down to this: the conservatives in the newspapers, television, talk radio, and the Republican party are lying about liberal bias and repeating the same lies long enough that they've taken on a patina of truth. Further, the perception of such a bias has cowed many media outlets into presenting more conservative opinions to counterbalance a bias, which does not, in fact, exist, says Alterman. In methodically shooting down conservative charges, Alterman employs extensive endnotes, all of which are referenced with superscript numbers throughout the body of the book. Those little numbers seem to say, "Look, I've done my homework."
What Liberal Media? is a book very much of 2003 and will likely lose some relevance as political powers and media arrangements evolve. But it's likely to be a tonic for anyone who has suspected that in a media environment overflowing with conservatives, the charges of bias are hard to swallow. For liberals hoping someone will take off the gloves and mix it up with the verbal brawlers of the right, Eric Alterman is a champion.
--John Moe
While the idea that a liberal bias pervades the mainstream media has been around for years, it gained new currency with the 2001 publication of Bernard Goldberg's Bias and its 2002 successor, Ann Coulter's Slander. Alterman (Sound & Fury; Who Speaks for America?; etc.) now seeks to debunk the notion and goes so far as to argue that bastions of alleged liberalism like the Washington Post and ABC News "have grown increasingly cowed by false complaints of liberal bias and hence, progressively more sympathetic to the most outlandish conservative complaints." He largely succeeds: whatever your politics, Alterman delivers well-documented, well-argued research in compulsively readable form. His chapter on business journalism, for instance, is a thrill-ride through the excesses of late 1990s optimism and the subsequent crash in stock valuations and mood. But he also counters that while the economy was peaking, major media outlets virtually ignored traditional left-wing issues like labor rights, which had been neglected, and income inequality, which was growing. In contrast, he says, the media fawned over chief executives while almost totally failing to confront corporate fraudsters. Alterman also observes that the center of American politics has shifted to the right in the last several decades, which he attributes to efforts by conservative think tanks and their financial backers. Whether readers agree with Alterman or not, his writing on the business of opinion making is eye-opening. This book will be required reading for anyone in politics or journalism, or anyone curious about their complicated nexus.
Copyright 2003 Reed Business Information, Inc.
Conventional wisdom: the media tilts (sometimes tips over) to the Left. The truth, as Alterman lays it out, is quite the opposite. He walks readers through the reasons righties have been able to bash the media as liberal, among them the fact that many journalists vote Democratic. Then he explains why most of these justifications are straw men: journalists don't decide what's news, their corporate masters do; the advent of talk radio (thanks to the abdication of the FCC) has become a right-wing mouthpiece the Left has yet to counter; print and television journalists are an inbred little group who do more to protect each other than to uncover any weaknesses in the system. Alterman also effectively goes beyond the title's argument and explains the economic bias of the corporate media as well as the social biases of journalism (here liberalism does count). His analysis of the 2000 election's "storyline" (Gore stiff and pendantic, Bush fun) shows the depths to which journalism has sunk. Highly readable and well documented, this makes an effective antidote to Slander [BKL My 15 02], Ann Coulter's screed (which Alterman takes on full force); it will be interesting to see if he gets the same amount of media time she did, despite his being neither leggy nor blonde. The myth of the liberal media is an idea that is gaining currency; this is a strong opening salvo in that much-needed discussion. Ilene Cooper
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About the Author
Eric Alterman currently writes the Stop the Presses” media column for The Nation and the Altercation” web log (www.altercation.msnbc.com) for MSNBC.com. In recent years, he has been a contributing editor to, or columnist for Worth , Rolling Stone , Elle , Mother Jones , World Policy Journal , and The Sunday Express (London). His Sound and Fury: The Making of the Punditocracy (1992/2000), won the 1992 George Orwell Award and his It Ain't No Sin To Be Glad You're Alive: The Promise of Bruce Springsteen (1999), won the 1999 Stephen Crane Literary Award. He is also the author of Who Speaks for America? Why Democracy Matters in Foreign Policy (1998), and When Presidents Lie: Deception and Its Consequences , which is forthcoming. A senior fellow of the World Policy Institute at New School University, and an affiliated faculty member in the magazine journalism program at New York University, Alterman received his B.A. in History and Government from Cornell, his M.A. in International Relations from Yale, and his Ph.D. in U.S. History from Stanford. He was born in Queens, New York and lives with his family in Manhattan. He can be reached online at www.whatliberalmedia.com.