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Oh! What a Lovely War [DVD]
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| Additional DVD options | Edition | Discs | Price | New from | Used from |
|
DVD
January 23, 2007 "Please retry" | Collector's Edition | 1 | $8.35 | $7.11 |
| Genre | Military & War |
| Format | Color, Dolby, DVD, Subtitled, Widescreen, NTSC, Collector's Edition, Special Edition |
| Contributor | Colin Farrell, John Rae, Maurice Roëves, Paul Shelley, Corin Redgrave, Richard Attenborough, Malcolm McFee, Angela Thorne, Wendy Allnutt, Mary Wimbush, Kim Smith See more |
| Language | English |
| Runtime | 2 hours and 24 minutes |
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Product Description
Product Description
It was the War to end all wars well not quite. For with the ricochet of one bullet, the entire course of human history was changed forever...Now, for the first time, Academy Award®-winner Richard Attenboroughs* directorial debut is available on DVD. Based on the stage musical by the same name, Oh! What a Lovely War features a stellar cast that includes Laurence Olivier, Ralph Richardson, John Mills, John Gielgud, Maggie Smith, Vanessa Redgrave, Ian Holm, Dirk Bogarde and Susannah York. By fusing the surreal with the factual and juxtaposing savagely funny satire with quiet sorrow, Attenborough has created the oddest and most outstanding film ever made about the "game" that became World War One.
Amazon.com
It's a product of its Vietnam era just as surely as Robert Altman's M*A*S*H, and like that film Oh! What a Lovely War is ostensibly about a different war. Based on a celebrated anti-war stage piece produced by Joan Littlewood's Theatre Workshop, the film chronicles the various madnesses of the First World War. Along with vignettes involving the members of the fictional Smith family, the movie lands its punches with a two-pronged attack: by using the songs of the war, mostly patriotic; and by using the real-life words of various figures from WWI. You can see how this would have fit a stylized stage show; in the more literal, realistic realm of film, it mostly comes across as heavy-handed pretentiousness. Richard Attenborough, who would later explore the lives of Gandhi and Chaplin, first made his way to the director's chair here, and he enlisted a staggering who's who of his fellow British actors for roles in the large ensemble: Olivier, Gielgud, and Richardson among them. John Mills plays the most bull-headed of the generals, blithely measuring out yards of territory gained by the thousands of casualties involved. The songs are a historically fascinating lot, mostly given an ironic or sinister treatment in this incarnation, as jolly patriotic tunes that mask the utter carnage at the front. Among the high points is Maggie Smith singing (well, declaiming) an ode to recruitment, promising war as a grand adventure. The blending of arch content with Attenborough's realistic staging of trench warfare just doesn't take, but what does hit home are the actual quotes and the statistics of killing; World War I set a bloody standard for sheer, blind slaughter. --Robert Horton
Product details
- Aspect Ratio : 1.85:1
- Is Discontinued By Manufacturer : No
- MPAA rating : G (General Audience)
- Package Dimensions : 7.4 x 5.3 x 0.6 inches; 3.2 Ounces
- Director : Richard Attenborough
- Media Format : Color, Dolby, DVD, Subtitled, Widescreen, NTSC, Collector's Edition, Special Edition
- Run time : 2 hours and 24 minutes
- Release date : November 7, 2006
- Actors : Wendy Allnutt, Colin Farrell, Malcolm McFee, John Rae, Maurice Roëves
- Dubbed: : English
- Subtitles: : English
- Language : English (Dolby Digital 2.0 Mono)
- Studio : Paramount
- ASIN : B000HWZ4I4
- Number of discs : 1
- Best Sellers Rank: #87,203 in Movies & TV (See Top 100 in Movies & TV)
- #1,224 in Musicals (Movies & TV)
- #1,323 in Military & War (Movies & TV)
- #11,002 in Comedy (Movies & TV)
- Customer Reviews:
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Review and Song List
I'm usually not a fan of musicals, or of the surrealistic pop-culture of the late 1960s as it was applied to the portrayal of historic events. I am an avid World War I buff/historian, as well as a fan of Richard Attenborough, and I had waited, somewhat skeptically, to see his directorial debut, Oh! What a Lovely War. When the DVD was released I ordered it from Amazon, prepared to dislike it intensely, but I was relieved and surprised to find that I found it quite good. It is definitely a product of its time. Some of the imagery, such as the convention of presenting the War as a Brighton Beach holiday pavilion, might be a little hard for some viewers to swallow. The then-current view of all British senior officers as craven, insensitive morons living in luxury far from danger has been energetically and rather effectively challenged in the last few years by such authors as John Terraine, The Smoke and the Fire, and Frank Davies and Graham Maddocks, Bloody Red Tabs, but Oh! What a Lovely War provides a graphic presentation of what remains the majority viewpoint on a still-controversial aspect of the War.
Historically the movie is sound. As long as a viewer keeps the movie's ideological perspective in mind, it's actually a very serviceable thumbnail lesson on World War I from the British viewpoint. The first 20 minutes or so lay out the background, causes, and descent to global war in a bizarre but engaging manner, but also as succinctly and as well as I've seen it done. The military uniforms and equipment have the right look, for the most part; some World War II gear sneaks in from time to time, but not enough to detract seriously from the realism of the battle scenes.
Mostly, for me, this is a tremendous collection of the wonderful music of World War I. The songs are used in an extremely effective way to portray the growing horror of the War and the resignation and anguish of the British people as it progressed. The transitions between the fanciful World War I Pavilion and the actual portrayal of the developing trench combat are sometimes jarring and disturbing but almost always effective. The symbolism, notably the appearance of red poppies as precursors to characters' deaths, is not remotely subtle, but it is heart-felt and sincere. There are a few genuine lump-in-the-throat moments - for me, "We Don't Want to Lose You", "Hanging on the Old Barbed Wire", "Keep the Home Fires Burning", and the ghostly reunion of the Smith brothers at the end qualify. I made out a song list tied to the DVD's chapter titles that might be helpful in finding favorites:
1. The Players
Instrumental medley of World War I tunes over the opening titles
2. Declaration of War
No tunes
3. The Smith Family
Instrumental: "Oh! It's a Lovely War"
"By the Seaside/ I Do Like to See a Soldier"
4. Glorious Army
"Belgium Put the Kibosh on the Kaiser"
5. Join the Forces
"Are We Downhearted?"
"We Don't Want To Lose You, But We Think You Ought To Go"
"On Sunday I Walk Out with a Soldier"
6. The New Recruits
"Send for the Boys' and the Girls' Brigade"
7. Waiting for Orders
"We're Here Because We're Here"
"Pack Up Your Troubles in Your Old Kit Bag"
8. Christmas Truce
"Stille Nacht/ Silent Night"
"Christmas Day in the Cookhouse/ Tidings of Comfort and Joy"
9. Oh! It's a Lovely War
"Good-bye-ee"
"Oh! It's a Lovely War"
10. Gas Mishap
"Bombed Last Night (They're Over Us"
11. Army Ball
"Comrades" (Fragment)
12. Just One More Battle
"Hush! Here Comes a Whizzbang"
"The Long Trail"
13. In Vain
"Rule Britannia"
14. Song for the Soldiers
"I Don't Want to Be a Soldier"
"Inky-Dinky, Parlay-vous"
"Oh the Moon Shines Bright on Charlie Chaplin"
"Adieu"
15. Reinforcements
"They Were Only Playing Leapfrog"
16. No More Mortal Sin
"Forward Joe Soap's Army"
"The Church's One Foundation/ We Are the Rag-time Infantry"
"What a Friend We Have in Jesus/ When This Lousy War Is Over"
"Whiter Than the Whitewash on the Wall"
17. War of Attrition
"I Want to Go Home"
"The Bells of Hell Go Ting-a-Ling-a-Ling"
"Old Soldiers Never Die (Fragment)
"If the Sergeant Steals Your Rum, Never Mind"
"Far Far From Wipers"
18. Attacks and Counterattacks
"Hanging on the Old Barbed Wire"
"Far Far From Wipers"
"Keep the Home Fires Burning"
19. The Yanks Are Coming
"Over There"
20. Smith Family Reunion
"We'll Never Tell Them"
For songs for which I'm not sure of the title, I've used the early-20th Century convention of using the first line of a song's chorus for the title. Any corrections in cases where that's not right are welcome.
I first saw this film at Fort Polk LA, about a week before departing for the war in RVN in 1969. Originally, I decided to view it as a way to pass the time during my last weekend of leisure. However, I was blown away by the improvements that the film made over the musical review (for which I had played clarinet, bass clarinet and saxophone in the pit orchestra when the review made its way through the United States).
The music was as good, but the settings in the movie were a 100% improvement over the review, which used the device of a pierot show in place of "reality".
Gorgeous cinematography, excellent screenplay, and properly stiff renditions by the "historical players" (government folks, Haig, prime ministers, emperors and foreign ministers, upper crust Britons) and loose ones by the people actually involved in the fighting (the Smith family and the soldiers who actually did the fighting and dying).
The narrator is excellent in his multiple roles, the poppy metaphor does a great job of symbolizing the death that was all around. The use of "Over There" to depict the Americans pushing their way into the war was wonderful. The soaring tenor solo over the choir in "What A Friend We Have In Jesus/When This Lousy War Is Over" is not to be missed, particularly the way the scene is filmed as the camera's shot slowly works it way to the stolid Irishman at the very end. And, the music hall sequence near the beginning was a great interface between the perceived war (on the home front) and the real war.
(Jane Seymor is in the film, but uncredited - this was her first screen appearance, as a chorus girl during the music hall sequence.)
I owned a copy of a television transmission of the movie for many years. Poor quality, it still allowed me to enjoy the film over and over. The release of the new rendition was greeted with joy around these parts. I bought a total of six copies, distributing four of them to friends who appreciated them just as much as I did. The commentary sections are also enlightening. It's hard to believe that the beauty of the amusement pier was as short lived as it was.
Since the new release, I've had the opportunity to view the review again. While I enjoyed playing in the pit for the review back in the day (particularly the long, exposed baritone sax solo in the musical review sequence), the movie does a far better job of getting the point across.
It is decidedly anti-war. However, if you have ever served in a shooting war, you will get the point of view of the film. Those who view it from "outside" of the sphere of a war may see it as disrespectful. It is anything but - it respects the dead, and mocks those who sent them off to die.
Oh, and watch for the extremely brief appearance of Lenin in the film, portrayed by an uncredited actor as the part is not a speaking one. If you blink (literally), you will miss it.

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