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What It Is Hardcover – Illustrated, May 13, 2008
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"Deliciously drawn (with fragments of collage worked into each page), insightful and bubbling with delight in the process of artistic creation. A+" -Salon
How do objects summon memories? What do real images feel like? For decades, these types of questions have permeated the pages of Lynda Barry's compositions, with words attracting pictures and conjuring places through a pen that first and foremost keeps on moving. What It Is demonstrates a tried-and-true creative method that is playful, powerful, and accessible to anyone with an inquisitive wish to write or to remember. Composed of completely new material, each page of Barry's first Drawn & Quarterly book is a full-color collage that is not only a gentle guide to this process but an invigorating example of exactly what it is: "The ordinary is extraordinary."
- Print length209 pages
- LanguageEnglish
- PublisherDrawn and Quarterly
- Publication dateMay 13, 2008
- Dimensions8.64 x 0.98 x 10.99 inches
- ISBN-109781897299357
- ISBN-13978-1897299357
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“Barry is, underneath the wonky handwriting and the quirky, naïve drawings, a great memoirist . . . Like [Tobias] Wolff and [Dave] Eggers, she finds a tone that accommodates self-criticism and self-irony without tipping over into self-loathing . . . but what she is particularly good at is resonance.” —"The New York Times
" “Barry is not just a storyteller, she’s an evangelist who urges people to pick up a pen—or a brush . . . and look at their own lives with fresh, forgiving eyes.” —"San Francisco Chronicle
" “America’s leading cartoon artist of childhood angst . . . The precise rightness of Barry’s smallest observation puts TV’s "The Wonder Years" to shame.” —"Entertainment Weekly
"
Praise for Lynda Barry:
"Barry is, underneath the wonky handwriting and the quirky, naive drawings, a great memoirist . . . Like [Tobias] Wolff and [Dave] Eggers, she finds a tone that accommodates self-criticism and self-irony without tipping over into self-loathing . . . but what she is particularly good at is resonance." --"The New York Times
" "Barry is not just a storyteller, she's an evangelist who urges people to pick up a pen--or a brush . . . and look at their own lives with fresh, forgiving eyes." --"San Francisco Chronicle
" "America's leading cartoon artist of childhood angst . . . The precise rightness of Barry's smallest observation puts TV's "The Wonder Years" to shame." --"Entertainment Weekly
"
About the Author
Lynda Barry has worked as a painter, cartoonist, writer, illustrator, playwright, editor, commentator, and teacher and found that they are very much alike. She lives in Wisconsin, where she is a professor of Interdisciplinary Creativity at the University of Wisconsin-Madison.
Barry is the inimitable creator behind the seminal comic strip that was syndicated across North America in alternative weeklies for two decades, Ernie Pook's Comeek, featuring the incomparable Marlys and Freddy. She is the author of The Freddie Stories, One! Hundred! Demons!, The! Greatest! of! Marlys!, Cruddy: An Illustrated Novel, Naked Ladies! Naked Ladies! Naked Ladies!, and The Good Times are Killing Me, which was adapted as an off-Broadway play and won the Washington State Governor's Award.
She has written three bestselling and acclaimed creative how-to graphic novels for Drawn & Quarterly, What It Is which won the Eisner Award for Best Reality Based Graphic Novel and R.R. Donnelly Award for highest literary achievement by a Wisconsin author; Picture This; and Syllabus: Notes From an Accidental Professor, and In 2019 she received a MacArthur Genius Grant. Barry was born in Wisconsin in 1956.
Product details
- ASIN : 1897299354
- Publisher : Drawn and Quarterly; Illustrated edition (May 13, 2008)
- Language : English
- Hardcover : 209 pages
- ISBN-10 : 9781897299357
- ISBN-13 : 978-1897299357
- Item Weight : 2.4 pounds
- Dimensions : 8.64 x 0.98 x 10.99 inches
- Best Sellers Rank: #45,005 in Books (See Top 100 in Books)
- #4 in Drawn & Quarterly Comic & Graphic Novels
- #37 in Literary Graphic Novels (Books)
- #2,650 in Arts & Photography (Books)
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This book is particularly meaningful to me because I haven't drawn anything since I dropped out of graduate school about fifteen years ago; a sad death of my own creativity that was once integral to my self-image, and I haven't been able to reclaim. I feel like a cherished part of myself is still stuck somewhere in time, preserved like a fly in resin that has fossilized into amber, an artifact of an earlier self that still feels alive in some respects. Barry's work explores these artifacts and how images and memory offer insight into our experience.
When I was young, I loved art and images so much that I had dreams of becoming an artist. I discovered Barry's comics when I was 13 years old, and I found her work to be fascinating and something that I identified with very strongly. Barry's work, "What It Is", courageous and at times confessional in nature and raw, shows us that self-expression and creativity are fundamental to the human experience, and that it's accessible by ordinary people, too. At Barry's urging, I am drawing in the margins, during meetings at work, and reconnecting with the story that is mine alone to tell. With clarity and loving-kindness, she took her hand in mine and said, "Don't let the architecture bastards win." Her courage to connect with her own experience and earlier selves and memories, is a formidable example to others how our shared humanity can be accessed through images and the arts.
Thank you, Lynda Barry.
The book is subtitled "Do you wish you could write" and it was created to help HER students where she teaches in finding that magical space that allows one to write from unhindered, unedited and bountiful space BUT the process can be applied to any type of artistic or creative work you want to do but don't know how to channel your muse. Its the cure for those blank page/blank canvas/blank stage blues.
Although her art is brilliant it can be a bit overwhelming with all of the tiny details so I do recommend getting the workbook "Syllabus" (recently published by Barry as well) to help guide you through the process. Its such an enjoyable way to reconnect with ones creative side and if for some reason her process is not for you well then, if nothing else comes of it, it is one hell of a coffee table art book.
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The second two sections were practical workbooks for getting writing. I'm not sure how much I would personally benefit from the methods she suggested. There were a couple things I disagreed with, one the idea that writing things by hand is by nature better than writing with a pen or pencil (something I find particularly difficult because of my dyslexia). Also her topics for choice for writing, cars, phone numbers weren't really that inspiring for me.
But the book itself was really lovely and one I think I will go back and read many times. The art in it is GORGEOUS. I'm definitely going to have to get other books by Lynda Barry.

















