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When We Were Alone Hardcover – Picture Book, December 1, 2016

4.9 out of 5 stars 408 ratings

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Winner of the 2017 Governor General's Literary Award!

A young girl notices things about her grandmother that make her curious. Why does her grandmother have long, braided hair and beautifully coloured clothing? Why does she speak Cree and spend so much time with her family? As the girl asks questions, her grandmother shares her experiences in a residential school, when all of these things were taken away.

Also available in a bilingual Swampy Cree/English edition. Download the free teacher guide on the Portage & Main Press website.

Amazon Editors' favorite summer reads Amazon%20Editors%27%20favorite%20summer%20reads

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From the Publisher

A girl helps her nókom garden. Text reads “Nókom, why do you wear so many colors?”
An illustration shows six Indigenous girls in dark school clothing.
Graphic shows teacher and parent guide, and Swampy Cree edition of book.

Editorial Reviews

From School Library Journal

K-Gr 3—A young girl learns about family and heritage in this gentle picture book about the legacy of Native American boarding schools. Working in the garden with her grandmother, a pigtailed girl asks why her "Nókom" wears colorful clothing and her hair in a long braid. Her grandmother explains that as a child, she was sent far away from her family to a school where she was forced to wear plain clothing and chop off her hair. "They wanted us to be like everyone else," she explains. But when they were alone, the children would cover themselves in the fall leaves and braid grasses into their hair in order to recapture the identities they left behind. As her grandmother speaks Cree to a passing bird and sits laughing with her brother, she shares how it feels to be forbidden to speak the only language you know and how stolen moments with a sibling can feel like a lifeline to home. "Now, I am always with my family," the grandmother says. Flett's spring palette of warm blues and browns punctuated with splashes of red contrasts the loving moments between grandmother and granddaughter with stark winter whites and grays depicting boarding school life. The repetitive structure creates a predictable narrative; together the illustrations and Robertson's child-centered text make the boarding school experience accessible to a young audience without glossing over its harshness. VERDICT A poignant family story covering a part of history too often missing from library collections. A first purchase.—Chelsea Couillard-Smith, Hennepin County Library, MN

Review

A quiet story…of love and resistance.… Flett’s collage illustrations, with their simplicity and earthy colors, are soulful and gentle…. All readers will connect with how Nókom lives in celebration of colors, her long hair, her language, and, most of all, her family. -- a starred review ― The Horn Book Magazine

When We Were Alone
is rare. It is exquisite and stunning, for the power conveyed by the words Robertson wrote, and for the illustrations that Flett created. I highly recommend it. -- Debbie Reese ― American Indians in Children's Literature

…Robertson handles a delicate task here admirably well: explaining residential schools, that shameful legacy, and making them understandable to small children. It’s a dark history, and the author doesn’t disguise that, but he wisely focuses the grandmother’s tale on how, season by season, the students use creativity, imagination, and patience to retain their sense of identity. A beautifully quiet, bold strength arises from the continued refrain “When we were alone” and in how the children insisted on being themselves. Flett’s gorgeous, skillful illustrations have a flattened, faux naïve feel to them, like construction paper collage, a style that works perfectly with the story. She nicely contrasts the school’s dull browns and grays with the riotous colors surrounding Nókom and gets much expression from her simple silhouettes.

Spare, poetic, and moving, this Cree heritage story makes a powerful impression.

Kirkus Reviews

Robertson’s soft rhythmic text and Julie Flett’s simple, yet expressive, illustrations combine to create a beautiful story of strength and resistance. The muted colours used in the pictures of residential school life remind readers of the suffering endured by Indigenous children. The contrast between these pages, and the vibrant greens, reds, and blues of the illustrations depicting residential school students temporarily escaping into nature, is heartbreakingly effective. Robertson never tries to disguise the underlying tragedy of Nókom’s experience, but together he and Flett have crafted a book that is still suitable for younger readers, in spite of the intense subject matter.

When We Were Alone is an incredible work of art and is very highly recommended.

-- Roseanne Gauthier ― National Reading Campaign

Robertson's text moves between the present and the past, the girl's questions and Nókom's memories, which deepen and intensify the quiet, powerful way she lives out her own culture, day by day, in the present. A beautifully rendered story of resisitance and love, this is made all the more luminous by Flett's art - not just by flashes of fuschsia or scarlet among ochre grasses, but by her precisely observed images of the compact bodies of the uniformed children, bowed beneath the weight of the scissors, or lovingly tending each other's hair. Highly recommended. -- Deirdre Baker ― Toronto Star

Product details

  • ASIN ‏ : ‎ 155379673X
  • Publisher ‏ : ‎ HighWater Press
  • Publication date ‏ : ‎ December 1, 2016
  • Edition ‏ : ‎ First Edition
  • Language ‏ : ‎ English
  • Print length ‏ : ‎ 32 pages
  • ISBN-10 ‏ : ‎ 9781553796732
  • ISBN-13 ‏ : ‎ 978-1553796732
  • Item Weight ‏ : ‎ 2.31 pounds
  • Reading age ‏ : ‎ 6 - 8 years
  • Dimensions ‏ : ‎ 7.5 x 0.31 x 8.25 inches
  • Grade level ‏ : ‎ 1 - 3
  • Lexile measure ‏ : ‎ 600L
  • Best Sellers Rank: #307,615 in Books (See Top 100 in Books)
  • Customer Reviews:
    4.9 out of 5 stars 408 ratings

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Customer reviews

4.9 out of 5 stars
408 global ratings

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Customers say

Customers praise the book's writing style, describing it as beautifully written and simple yet profound. They appreciate its strength, with one customer highlighting its powerful story of resistance.

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5 customers mention "Writing style"5 positive0 negative

Customers appreciate the writing style of the book, describing it as beautifully written and simple yet profound.

"take a difficult subject and makes it a readable experience to learn from" Read more

"Sensitively written book that doesn't soften the upsetting ways that children were treated, but chooses to center their ingenuity and survival skills..." Read more

"In a beautifully written way, that celebrates the importance of their culture, it tells of the horrific methods used at boarding schools to rip..." Read more

"...Well illustrated." Read more

3 customers mention "Strength"3 positive0 negative

Customers appreciate the book's strength, with one highlighting its powerful story of resistance and another noting its survival skills.

"...children were treated, but chooses to center their ingenuity and survival skills...." Read more

"Good book and strong book and it has a nice and powerful meaning. Also about Native Americans. A a a" Read more

"Powerful story of resistance and survival..." Read more

Top reviews from the United States

  • Reviewed in the United States on June 15, 2025
    take a difficult subject and makes it a readable experience to learn from
  • Reviewed in the United States on September 7, 2018
    This is a quiet picture book, that sneaks up on you. There are two levels here, one of a young child asking her grandmother, her kókom, why she does things the way she does. Why does she dress in bright colors, why does she wear a long braid, why does she speak in Cree?

    And very simply, her kókom explains about the residential schools where these things were all forbidden.

    The residential schools were a horrid part of history, and it is important for children, and adults, to realize that real people were hurt by this policy, and its legacy. It is so good that publishers are coming out with stories to tell about this, and being written by Indigenous people as well, as who better to tell their own story.

    Highly recommend this book as a beautiful picture book for libraries, schools, and home libraries. This author has also been doing graphic novels of First Nation history, which are amazing as well.

    Brovo to High Water Press for this, and other books they have been brining out about the First Nation experience.

    Thanks to Netgalley for making this book available for an honest review.
    15 people found this helpful
    Report
  • Reviewed in the United States on March 30, 2017
    Sensitively written book that doesn't soften the upsetting ways that children were treated, but chooses to center their ingenuity and survival skills. It's always tricky to write about traumatic experiences -- you don't want to pretend that they have no effect on children and therefore weren't that bad, but at the same time you want to honor the resilience that people do have. You know your own child best but this could be suitable for children as young as 6. Beautiful illustrations, poetic writing.
    6 people found this helpful
    Report
  • Reviewed in the United States on March 21, 2018
    In a beautifully written way, that celebrates the importance of their culture, it tells of the horrific methods used at boarding schools to rip indigenous childrens' culture from them. The illustrations, the prose patterns, the formatting and design...all serve to make this an accessible book for even young children to start to learn about the reality of the history of treatment of First Nations people.
    4 people found this helpful
    Report
  • Reviewed in the United States on November 25, 2019
    Good book and strong book and it has a nice and powerful meaning. Also about Native Americans. A a a
  • Reviewed in the United States on January 6, 2019
    Brother and sister hold fast to family bonds and retain some of their First Nations culture despite the brutal conditions at residential school. Well illustrated.
    One person found this helpful
    Report
  • Reviewed in the United States on December 29, 2017
    The illustrations certainly complement the story. I believe I've become a Julie Flett fan. Poignantly simple so as not to overwhelm the story. Nice
    3 people found this helpful
    Report
  • Reviewed in the United States on August 11, 2020
    Mom loved this!

Top reviews from other countries

  • T. Albuquerque
    5.0 out of 5 stars Beautiful Story
    Reviewed in Canada on November 1, 2023
    A beautifully illustrated book about an important , tragic time in our history ( residential schools). The illustrations are truly gorgeous!
  • Jo
    5.0 out of 5 stars Wonderful, gentle introduction to the history and legacy of Residential Schooling in Canada
    Reviewed in the United Kingdom on August 6, 2019
    This is a fabulous book. It tells a vital story - of a grandmother's experience of Residential Schooling - through gentle storyline and beautiful artwork. Highly recommended.
  • Leena Parsons
    5.0 out of 5 stars Excellent
    Reviewed in Canada on November 16, 2022
    Manages to capture both deep sadness and joy in the same story. One of the most beautiful pieces of children's literature I've ever read.
  • Amazon Customer
    5.0 out of 5 stars Good book
    Reviewed in the United Kingdom on April 9, 2020
    Great book, we love it.
  • Eric D Savage
    5.0 out of 5 stars Perfect to teach youngsters
    Reviewed in Canada on November 19, 2020
    Very touching book that explains to youngsters how the schooling forced on Natives was bad.
    Well written and beautifully illustrated.
    Not only for Natives, all Canadians should know about that very sad part of Canadian history.