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When a Man Loves a Woman Mass Market Paperback – April 11, 2000

3.7 out of 5 stars 29 customer reviews

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From the Inside Flap

From the bestselling author of Annie's Wild Ride comes an unforgettable new novel that sizzles with passion and emotional power--a very contemporary romance that asks the provocative question: Can a man and a woman really be just friends?

With his rugged good looks and undeniable charm, Dr. James Elliot is never at a loss for women. Lately, the hospital gossips have been buzzing about Elliot and his best friend and colleague, Dr. Deborah Brody. But their relationship is strictly platonic. That is, until one reckless, wondrous night.

Still reeling from her husband's sudden death, Deborah turns to Elliot in passion and grief. In Elliot's strong arms, she finds solace, comfort, unexpected pleasure. But Deborah is afraid to let go of the past, to give herself to a man again--or to risk losing the cherished friend who has suddenly become something much more.

But now Elliot knows there's no turning back. He's been in love with Deborah for years. And to win her, the doctor whose skilled hands have saved countless lives will face his toughest challenge: to heal a woman's wounded heart. Because for him, suddenly friendship just isn't enough.

Excerpt. © Reprinted by permission. All rights reserved.

September 2000

Dr. James Elliot was waiting on the brilliantly sunny roof of Los Angeles Valley Hospital even before the chopper, carrying his eight-year-old Caucasian male victim of a fall from a seventh-floor window, landed on the helipad. When the doors opened, Elliot was the first to reach the gurney. He smiled reassuringly at the boy with the plastic collar clamped around his neck, before firing off a succession of questions at the paramedics who'd brought him in, all the while running alongside the gurney on its way to the Code Room.

Once inside the Code Room, Elliot allowed Jeff Greenwood, a Second-Year resident, to take over the initial examination. Valley was a teaching hospital, after all. They were big on the learn-by-doing method. And all the residents rotating through the Pediatric Emergency Room were supposed to learn from Dr. Elliot. He may have been only forty-three years old, but in the eyes of the residents, he was the Grand Old Man of Pediatric Trauma Medicine.

Elliot hypothesized that was because, before he showed up, no one actually believed something so specific should be a specialty. The medical establishment figured that what worked in Adult Trauma should function just as well with kids. And then they wondered why the mortality rate was so much greater among children. Creating a trauma unit especially for the under-eighteen contingent opened a lot of eyes, triggered a mountain of journal articles, and earned Elliot a nationwide reputation as the specialist in his field.

Tongue firmly in cheek, Elliot told anyone who asked that his extensive experience was the reason for the "Old" in "Grand Old Man of Pediatric Trauma Medicine." It wasn't the gray he periodically noticed streaking his otherwise raven-black, curly hair. Because, save that, Elliot was in the same shape he'd been in college, when playing semipro hockey helped foot the medical-school bills. These days, however, he stuck to a set exercise schedule--mostly because of the physical demands of his profession. In Emergency Medicine, every second counted. When Elliot wasn't sprinting toward a patient, he was slicing a human chest open practically with his bare hands, or standing for hours, plugging bullet holes gushing from a drive-by shooting victim. If Elliot wasn't in perfect shape, his patients risked suffering for it.

Just like the patients risked suffering when their attending physician was only a Second-Year resident, still wet behind the ears. That's why, when Jeff Greenwood, in his haste to check out the ABC's of elemental trauma--airway, breathing, circulation--overlooked the harsh scratchiness in the little boy's voice as just the result of hoarse crying, rather than a potential lung problem, Elliot stepped in. He called for an X ray, followed by blood gas. The numbers he got moments later from the lab confirmed his fears: a collapsed lung. With a twitch of his finger, Elliot signaled for the thoracotomy tray. He stretched on his surgical gloves, reached for the syringe of anesthetizing lidocaine, and inserted the needle between his patient's fourth and fifth ribs. Their boy had stopped crying. The collapsed lung was making it painfully impossible. He squirmed and struggled inside his restraints, but had yet to utter a word. That disturbed Elliot. Most kids would have been cursing him out quite colorfully by now. He liked it that way. Screaming kids were kids with the will to live. It was the quiet ones that made a Pediatric Trauma Surgeon's heart beat faster.

Still, his immediate priority was the collapsed lung. Elliot asked for a scalpel, and made an incision beside the pinprick left by his needle. He stuck his finger into the hole to keep it open and prevent it from bleeding, then asked for the chest tube. Mouth slit in concentration, Elliot threaded the clear, plastic tube past his finger, into the surgical wound. He kept pushing until large, pink bubbles began burping into the tube. Pink bubbles. Not red. Not bloody. Thank God. The lung was working again.

Score one for the good guys.

Elliot turned to his patient. "Say something for me, kiddo."

The child just stared back, blankly.

Not a good thing. But at the moment, not a primary thing.

With the lung crisis out of the way, Elliot and Jeff completed the rest of their exam, patching up each critical injury as they went along, in order of severity, and double-checking that the boy was stabilized. Finally, at the end of a very long morning, they turned their attention to his baffling muteness.

Unfortunately, as far as they could see, there was no physical cause for it.

Which, under no circumstances, meant that there was actually no physical cause for it. It just meant they couldn't see it.

Greenwood suggested to Elliot, "Maybe we should ask Dr. Brody in for a consult."

Deborah Brody was their Chief of Pediatric Neurosurgery, and an expert in juvenile neurological injuries. She'd been with the hospital for eight years, ever since Elliot, after half a decade of phone calls, had convinced her to leave her boring post in San Francisco for a place that really saw some action.

Elliot told Jeff, "Good idea. Brody's in today. Go ahead and page her."

"Actually, Dr. Elliot"--Jeff massaged an X ray between two of his fingers, leaving a smudge on the file--"I was hoping you could do it. See, I . . . Frankly, sir, she scares the hell out of me."

Elliot didn't try to disguise his smile. In all seriousness, he observed, "She'll be happy to hear that."

"I know," Greenwood said.

Elliot dialed Brody's pager number and recorded a message. While they waited for her to arrive, Jeff asked, "You and Dr. Brody, you two go back a really long way, right?"

"Twenty years," Elliot said. Then, because there was nothing else to do for the time being, and because the account came with a moral to young doctors about making snap judgments, he told Jeff about how, when they met on the first day of medical school, Elliot thought Brody was the biggest idiot he'd ever encountered.

In retrospect, Elliot still asserted he couldn't be blamed for jumping to such a conclusion. After all, what was he supposed to think, when the woman sitting beside him at the second best medical school in the country couldn't remember her own name?

The professor had roll-called, "Brody?"

Deborah continued sitting there, hands primly clasped in front of her, blank as could be. It was only after the second "Brody?" that she jumped to self-conscious attention, awkwardly raising one hand in the air to announce, "Oh, that would be me, I guess."

A first-class idiot, Elliot decided on the spot. She just had to be sleeping with someone important on the admissions board. And all Elliot had to say about that was, she better be damn incredible in bed, because, on the surface, the chick wasn't much to look at. Oh, sure, she had that all-American thing going for her. Blushing cheeks, peaches-and-cream complexion, big hazel eyes, and gushing chestnut hair that she rolled up in a bun, probably hoping to look more professional. If you liked that sort of thing.

Elliot, personally, preferred the more sophisticated type.

It wasn't until he and Brody ended up, against his wishes, in the same study group, that Elliot learned the reason for her ditziness on that first day. Deb had gotten married to Max Brody two weeks before the fall quarter started, and medical school was the first time she heard herself called by her new last name. Elliot also learned, a touch to his chagrin, that the young woman sitting beside him was about as far from a first-class idiot as . . . as . . . well, as Elliot himself was.

And Elliot was not a man prone to low self-esteem.

As a result, he and Brody spent their four years of med school constantly trying to one-up each other in the classroom. One day he'd be top of the stack, the next day she'd be. When it came time for them to graduate, for the first time in UCSF academic history, two students were named number one in their class.

And the precocious, straight-A twentysomething she'd been then was still visible in the forty-one-year-old woman who bustled into the Trauma Room in response to Elliot's page. Having heard Jeff's opinion of her, Elliot watched with amusement as a pair of First-Years actually seemed to flinch when Deborah walked by. He didn't blame them. While Dr. Brody wasn't condescending or cruel, like some of the other senior staff, she did have a very, very low tolerance for incompetence, unpreparedness, or plain, old-fashioned stupidity. She expected things done right the first time, and if the resident in front of her couldn't hack it, she would find someone who could. There were no second chances in brain surgery.

Which was precisely why Deborah had chosen her specialty.

That, and one more, rather personal reason.

Years ago, Deb confessed to Elliot, "My mother was an amazing woman. She ran a household, raised four kids, chaired all the PTA meetings, sat on the board of five local charities, and put up with my father. But, still, no matter what she achieved, my dad would get this condescending smile on his face, and he would remind her, 'Well, it isn't exactly brain surgery, is it, Elaine?' That's all I ever heard growing up. And that's what made me decide, if brain surgery is considered the pinnacle of what a woman could achieve, then, by God, I was going to be a brain surgeon."

She'd just begun reviewing the compiled test results that Jeff slid before her, when Deborah's beeper sang its five-tone concerto. She excused herself, picked up the nearest telephone, and dialed her assistant while exchanging bemused smiles with Elliot behind Jeff's back about the resident's anxiety in going toe-to-toe with her.

"Yes, Francie," she said. "What's the crisis?" Deb listened closely. "I see." Then, "I'll be there as soon...

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Product Details

  • Mass Market Paperback: 384 pages
  • Publisher: Dell (April 11, 2000)
  • Language: English
  • ISBN-10: 0440235103
  • ISBN-13: 978-0440235101
  • Product Dimensions: 1.2 x 4.5 x 7 inches
  • Shipping Weight: 5.6 ounces
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (29 customer reviews)
  • Amazon Best Sellers Rank: #5,729,872 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Kindle Edition
When a Man Loves a Woman is the title of a classic song from 1966 by Percy Sledge. It's also the title of an enhanced ebook by Alina Adams. What's an enhanced ebook? An enhanced ebook has added content from other media. In the case of this particular book, the added content happens to be music videos. Appropriately, one of the music videos is Percy Sledge singing the title track.

But what about the story? The story is also a classic. James Elliot met Deb Brody in med school and fell instantly in love with her. There was just one problem. Deb Brody was already married, to a really nice guy named Max. So for the next 20 years, James Elliot was the perfect best friend. Always there, always helpful, always supportive, and never letting Deb suspect for one single second that he felt anything other than friendship for her.

Fast-forward 20 years. Deb and Elliot are both successful doctors. So successful that Deb is Chief of Pediatric Neurosurgery and Elliot is the Chief of the Pediatric Trauma Center at Los Angeles Valley Hospital. There have always been nasty rumors about their close friendship, but Max always knew that the rumors had no validity. Because Deb never let herself see that Elliot played the field vigorously because all the women he dated had one fatal flaw that Max pointed out to her exactly once, all those other women were not Deb.

But Max died of a heart-attack at the age of 44, and the situation was suddenly very, very different.

Deb's friendship with Elliot is the most important relationship in her life. She loved her husband, but he is gone and she is alone. The first night after all of Max' relatives leave, after the funeral is over, she asks Elliot to stay. He's stayed before, the guest bedroom is practically his.
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So often in contemporary romances, authors take two characters that really belong in another century, add a little suspense, and voila, they have a book. Alina Adams's When a Man Loves a Woman takes a different tack - this book deals with contemporary issues in a contemporary way. As a result, the love story feels authentic, and the two main characters are understood and liked by the reader.
Deb Brody and James Elliot have been friends since Med School began twenty years ago. Brody's been married this whole time, Elliot's been a bachelor. They have been best - call in the middle of the night when you're worried, show up when you know the other's in trouble, take care of you when you need it - friends. When Brody's husband dies, their relationship changes. Elliot is in love with Brody, but Brody wants to respect her dead husband.
About halfway through the book some workplace politics cause Brody to think that Elliot betrayed her and the book changes tracks very quickly. She is forced to reassess her relationship with Elliot and her feelings for him.
I enjoyed reading this book because I actually know people like the two main characters. They are flawed, but lovable people. They have made career and personal choices that affect their lives, and they are not 100% comfortable with them. They are the best of friends, but what do you do when the person you need most wants more from you than you're ready to give? What do you do when the person you've cared about most in your life thinks the worst of you? Adams addresses these questions deftly, and as a result, the book feels real - more like a story about people you know than a book about distant far-off places and people.
It is this intimacy that I enjoyed the most about this book.
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Can friendship become love? That is the question for Doctors James Elliot and Deborah Brody. They've known each other since their freshman year of medical school, and though they characterize themselves as friends, in many ways they are more like siblings who have together weathered the trials of that institutional family substitute called The Medical Profession. Twenty years into their relationship, Deb is suddenly widowed, and the delicate balance between them abruptly changes. Elliot (they can't call each other by their given names - too intimate, perhaps?) has never married, Brody is suddenly available, and neither one of them seems able to negotiate the overwhelming possibility that they might actually love each other as man and woman.
The strength of this book lies in Alina Adams' written dialog and character development. There is no big suspense or mystery subplot, and not a lot of technical medical narrative - just the halting and sometimes painfully realistic unfolding of a relationship between two people who are very cerebral and who long ago had to learn how to suppress feelings and spontaneity in the service of their profession. In this respect, it's a romance in its purest form, and if you are used to a lot of action in your stories, you may find this one a little more challenging to read. It's a story that can't be read in one sitting because it's too intense, and at times, I had to put it down to take a breather. However, I found I couldn't abandon it. Brody and Elliot stuck to me like cockleburrs, and I had to find out what they were going to do about their dilemma. These characters are not starry-eyed and suddenly smitten; instead, there is a fairly pervasive sexual tension between them throughout the book.
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