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When Things Get Dark: Stories inspired by Shirley Jackson Hardcover – September 28, 2021
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Featuring Joyce Carol Oates, Josh Malerman, Paul Tremblay, Richard Kadrey, Stephen Graham Jones, Elizabeth Hand and more.
A collection of new and exclusive short stories inspired by, and in tribute to, Shirley Jackson.
Shirley Jackson is a seminal writer of horror and mystery fiction, whose legacy resonates globally today. Chilling, human, poignant and strange, her stories have inspired a generation of writers and readers.
This anthology, edited by legendary horror editor Ellen Datlow, will bring together today’s leading horror writers to offer their own personal tribute to the work of Shirley Jackson.
Featuring Joyce Carol Oates, Josh Malerman, Carmen Maria Machado, Paul Tremblay, Richard Kadrey, Stephen Graham Jones, Elizabeth Hand, Kelly Link, Cassandra Khaw, Karen Heuler, Benjamin Percy, John Langan, Laird Barron, Jeffrey Ford, M. Rickert, Seanan McGuire, Gemma Files, and Genevieve Valentine.
- Print length352 pages
- LanguageEnglish
- PublisherTitan Books
- Publication dateSeptember 28, 2021
- Dimensions6.3 x 1.24 x 9.48 inches
- ISBN-101789097150
- ISBN-13978-1789097153
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From the Publisher
Editorial Reviews
Review
This is Horror Best Anthology 2021
Shirley Jackson Awards Special Award 2021
"This compilation of stories that make the mundane seem terrifying is chilling and uncanny, offering tropes that will be familiar to readers of Jackson’s work (witchy women, eerie suburbia) but with unique touches that could come only from these individuals authors." - New York Public Library Best Books
Other stories are equally memorable, but for me, the outstanding one is Skinder's Veil, a breathtaking blend of fairytale, dream and reality by the incomparable Kelly Link. – The Guardian
Featuring short stories inspired by Shirley Jackson (aka one of the best horror writers ever) and written by today's greatest authors of the same genre, this collection is one-of-a-kind. — House Beautiful
A joy for Jackson fans, but no Jackson knowledge is needed to enjoy this anthology. A gem in its own right. – SFX
This anthology is the perfect example of how a vision in the right hands can produce amazing results. Every story captures the essence of what it feels like to read Shirley Jackson’s work. – LitReactor best of 2021
"A truly spectacular and creepy collection." — The Colorado Sun
"Fascinating, a mix of dark humor, pastoral gothic, and intimate character sketches, very much of a similar flavor to Jackson’s works, but distinct to the authors you know and love." — Tor Nightfire's best collections of 2021
This is an absolute treat whether you’re a Shirley Jackson nut or not. — Den of Geek best of 2021
Perfect to dip in and out of as the nights draw in – Culturefly
18 outstanding, atmospheric horror shorts from some of the biggest names in the genre ... Any fan of Jackson’s oeuvre will delight in this anthology. – Publishers Weekly starred review
In short, another great anthology assembled by Ellen Datlow. – Horror Tree
No one consistently delivers like Datlow does. – Horror DNA
When Things Get Dark encapsulates much of the Shirley Jackson thematic universe—fatalism, fear of abandonment, women on the brink of madness, the duality of architectural symbols. Datlow has assembled a reliable cadre of contributors to carry out the daunting task of blending the Jackson aesthetic with their own distinct styles. The result is an often unsettling collection of top-notch tales that explore the darkest corners of the mundane, teasing out the anxiety, terror, and neurosis from the ordinary that Jackson was a master at conveying in her work. – Dark Scribe Magazine
This anthology is classic horror in its appearance, but in the inside has modern sensitivities with standout prose. Shirley Jackson would’ve been proud – Last Sentence
Compiling a short story anthology that caters to a wide audience’s taste is no small feat. Ellen Datlow has done a brilliant job ... Whether you prefer your creepiness level at one or eleven, with a good dose of blood and gore or just with a hint of psychological suspense, you will find a favourite which appeals to your taste in this collection. – Crime Fiction Lover
Unsettling, disquieting, even disorienting... This collection is special. Somewhere, Shirley Jackson is peering over those glasses of hers, one eyebrow raised, a sly smile on her lips – Dave Writes and Draws
Even the most voracious of readers is sure to be swept away by the sheer magnitude of talent on display in When Things Get Dark.
– Phantastiqa
Datlow did it again... every piece was entertaining – Happy Horror Writer
If you are looking for an overview of what the current literary horror world looks like, this is a fantastic example
– California Reading
[A] successful endeavour that shows just how much of an influence Shirley Jackson had with her writing – Zachary Houle
A thrilling encounter with the uncanny courtesy of the some of the best contemporary horror writers. – End of the Words
From haunting to eerie to downright terrifying, there is something for every reader – Mandy McHugh
I thoroughly enjoyed reading this anthology [..] so I have no hesitation in recommending it. – Stephen Bacon
These stories really linger in the back of my mind - like they're creating a space of their own in my memory – Girl Who Reads
Hands-down, my favorite anthology I’ve ever read. – Quaint and Curious Volumes
About the Author
Product details
- Publisher : Titan Books (September 28, 2021)
- Language : English
- Hardcover : 352 pages
- ISBN-10 : 1789097150
- ISBN-13 : 978-1789097153
- Item Weight : 2.31 pounds
- Dimensions : 6.3 x 1.24 x 9.48 inches
- Best Sellers Rank: #699,962 in Books (See Top 100 in Books)
- #888 in Horror Anthologies (Books)
- #4,209 in Occult Fiction
- #7,549 in Short Stories Anthologies
- Customer Reviews:
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About the authors

I've been a short story editor for over forty years, starting with OMNI Magazine and webzine for 17 years, then EVENT HORIZON, a webzine, and SCIFICTION, the fiction area of SCIFI.COM. I currently acquire and edit short fiction and novellas for Tor.com and I edit original and reprint anthologies. I've lived in NYC most of my life, although I travel a lot.

Paul Tremblay has won the Bram Stoker, British Fantasy, Sheridan Le Fanu, and Massachusetts Book awards and is the national bestselling author of The Beast You Are, The Pallbearers Club, Survivor Song, Growing Things and Other Stories, Disappearance at Devil's Rock, A Head Full of Ghosts, and the crime novels The Little Sleep and No Sleep Till Wonderland. His novel The Cabin at the End of the World was adapted into the Universal Pictures film Knock at the Cabin. Two short stories "The Last Conversation" and "In Bloom" were Amazon Original shorts.
His newest novel, Horror Movie, is coming June 2024.
His essays and short fiction have appeared in the New York Times, Boston Globe, Los Angeles Times, and numerous "year's best" anthologies. He lives outside of Boston, Massachusetts and has a master's degree in Mathematics. He is represented by Stephen Barbara, InkWell Management.

Laird Barron is an expat Alaskan. Currently, Barron lives in the Rondout Valley and is at work on tales about the evil that men do.
(photo courtesy Ardi Alspach)

Karen Heuler’s stories have appeared in over 120 literary and speculative magazines and anthologies, from Conjunctions to Asimov's to Fantasy & Science Fiction, as well as a number of Best Of anthologies. She has received an O. Henry award, been a finalist for the Iowa short fiction award, the Bellwether award, the Shirley Jackson award for short fiction, and others. She has published six novels and six collections. See "The Splendid City," a satiric look at what happens when Texas secedes, and "A Slice of the Dark," stories about the interaction of the strange and the everyday.
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World Fantasy Award-winning anthologist Ellen Datlow collects eighteen new stories inspired by Shirley Jackson. No other theme unifies this collection, and different authors understand differently what it means to be “inspired by” Jackson. Thus the collection is a wild and uneven journey, through several different authors and their relationships with Jackson and the uncanny. Expect only that your expectations at the beginning will be overturned by the end.
Not that no commonalities exist among these stories. They share Jackson’s dedication to the shadow side of ordinary American experiences. The settings could be anywhere; the characters could be your neighbors, clinging desperately to rational explanations amid extraordinary circumstances. Some stories feature monsters and phantoms, others don’t, but most stories share viewpoint characters failing to adequately address the uncertainties and unspoken violence of their lives.
Datlow’s gathered authors are well-known within the world of fantastic, dark, or “weird” fiction. Stephen Graham Jones’ story “Refinery Road” features a man revisiting a memory of troubled youth, only to discover the memory is still growing. Karen Heuler’s “Money of the Dead” similarly has characters trapped in remembrance and regret; given a Monkey’s Paw-like chance to make things right, each character finds unique ways to fatally compound their situation.
Richard Kadrey sets his story, “A Trip to Paris,” during Jackson’s lifetime, and apparently tries to create something Jackson herself would’ve written. Other authors, like Kelly Link in “Skinder’s Veil,” use a contemporary setting, but impose Jackson’s principles of shadow and repression onto our world. Kadrey did well, I think, but the stories least obviously beholden to Jackson herself generally have the greatest depth of feeling. For me, anyway.
Perhaps the best-known author in this collection, Joyce Carol Oates, offers one of the shortest stories. At only four pages, “Take Me, I Am Free” critiques the modern fondness for disposability by asking: where does it stop? Is anything worth saving? She also follows Jackson’s most fundamental precept, that good authors ask questions, but don’t answer them. Literature is something we live with, not something we turn to for guidance.
One hallmark of Shirley Jackson’s writing is that she explained little. She’s one of the few writers under the broad rubric of “horror” to consistently tell successful stories where the monster remains unseen. Scholars continue arguing what, if anything, actually happened at Hill House. Many authors have attempted to recreate Jackson’s talent for withholding the horrible truth, and few have succeeded. Not reliably, anyway.
Carmen Maria Machado’s “A Hundred Miles and a Mile” starts well, full of dark foreboding, but her conclusion feels grafted from another story. Elizabeth Hand’s “For Sale By Owner” likewise has a disquieting set-up, but only the outlines of a pay-off, kept at arm’s length. Seanan McGuire has a resolution matching her premise, but they’re so close together that she resolves her tension before we have time to feel it.
These are highly respected authors, award winners, among my favorites. Unfortunately, they fumble when trying to write in Jackson’s oeuvre rather than their own. I appreciate them for trying, and these stories have seeds of something exciting, which hopefully will germinate in their own stories. They just don’t match Jackson’s almost unique ability to keep the boogeyman visible to the characters but hidden from the audience.
Don’t misunderstand me. Though not every story successfully twigs my sense of the uncanny, this collection has enough stories to keep dedicated weird fiction audiences engaged. The best stories are perhaps influenced by Jackson’s ethos, but aren’t pastiches of her voice. Though no stories feature Jackson directly, some of the best, like Genevieve Valentine’s “Sooner or Later…,” serve as metafictional critiques of Jackson’s work and influence.
Shirley Jackson remains relevant because her works speak to her time and ours. Like now, Jackson wrote amid social upheavals, when family roles and economic principles looked outdated. She forced Americans to directly face our shadow self, collectively and individually. These stories demonstrate how Jackson’s themes remain timely, the questions she asks very current.
These eighteen writers find ways to ask Jackson’s questions in their own voice. How are we going to answer?
Each story within had an excellent use of prose that was unique and joyful to read for each story. The setting would help tie into each story, the details put in that would draw me in and keep me captivated for hours. Not to mention how well put together every character is in each piece. Overall 10/10 would recommend!
My favorite of the stories is definitely Money of the Dead by Karen Heuler. This story perfectly balances some old tropes alongside a gripping narrative about how the dead view and juxtapose the living. The narrative voice of the piece feels so natural and realistic, making Laura, the main point of view character, my favorite out of the protagonists featured within the anthologies.
Overall, if you are a fan of Shirley Jackson then this is a great book to pick up. Even if you aren’t a fan or are not familiar with Shirley Jackson then there is still something for everyone to enjoy. This book is an absolute must read for any horror lover.








