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When We Were Romans: A Novel Paperback – Deckle Edge, July 22, 2008

3.7 out of 5 stars 56 ratings

Nine-year-old Lawrence is the man in his family. He carefully watches over his willful little sister, Jemima, and his mother, Hannah. When Hannah becomes convinced that their estranged father is stalking them, the family flees London and heads for Rome, where Hannah lived happily as a young woman. For Lawrence, fascinated by stories of popes and emperors, Rome is an adventure. Though they are short of money, and move from home to home, staying with his mother’s old friends, little by little their new life seems to be taking shape. But the trouble that brought them to Italy will not quite leave them in peace.

Narrated in Lawrence’s perfectly rendered voice,
When We Were Romans powerfully evokes the emotions and confusions of childhood—the triumphs, the jealousies, the fears, and the love. Even as everything he understands is turned upside down, Lawrence remains determined to keep his family together, viewing the world from a perspective that is at once endearingly innocent and preternaturally wise.
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Editorial Reviews

From School Library Journal

Adult/High School—For teens with a taste for sad, morose stories in which adults abandon their responsibilities and a child takes them on, Romans will be a welcome addition to the canon. Lawrence is a nine-year-old whose mother, Hanna, has convinced him and his younger sister, Jemima, that their estranged father is poisoning their food, turning the neighbors against them, and stalking them. To escape his alleged behavior, she takes them from London to Rome, a city she knew as a young single woman. Hanna often experiences "blackouts"—she sits and stares, refusing to move or participate in daily activities. Life in Rome is initially better: Hanna's friends from the past come to her aid in finding housing and a job. But things soon deteriorate and Hanna once again relies on Lawrence to act as the adult. Lawrence's feelings are symbolized through the scientific and historic facts he reveals throughout his narrative. Things are never happy for him, and the family is never able to achieve contentment or find peace. Some teens will find this state of explained sadness cathartic.—Joanne Ligamari, Twin Rivers United School District, Sacramento, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

Selected as one of the "Best Books of 2008" by The Washington Post Book World and The Boston Globe!

"Like Scout in To Kill a Mockingbird and Christopher in The Curious Incident of the Dog in the Night-time, young Lawrence brings readers into his world, powerfully connecting us to the drama of his childhood.”
–Pat Conroy, author of The Prince of Tides and Beach Music

“I fell in love with Lawrence, an unusually touching and convincing child protagonist. Kneale’s astonishingly observant, humane writing is heartbreaking.”
–Charlotte Mendelson, author of When We Were Bad

“Think of the delicate balancing act involved in creating a child narrator–a 9-year-old, say, with a single mother and a baby sister. The boy has to be cute, of course, and also wise in unexpected ways, fragile, protective, funny, solemn and, well, childlike. Matthew Kneale achieves all that brilliantly in When We Were Romans, then gives it another turn of the screw.... [T]he scary truth…is that it’s our valiant young narrator who needs protecting.”
–The New York Observer

“How much Lawrence understands of his family’s tribulations is the book’s central, poignant mystery; the consummate artistry with which Kneale captures this child’s voice, its chief pleasure.”
–Entertainment Weekly

“The journey through Lawrence’s complex mind is touching and delightful, mostly because he is such an unswerving authentic little boy…. His voice is a voice to remember.”
–The Seattle Times

“If you enjoyed The Curious Incident of the Dog in the Night Time, definitely pick up When We Were Romans. It will make you thank God for children in a world made absurd by adults.”
–St. Petersbusrg Times

“Irreverent and ingeious.”
-The Boston Globe

“There have been plenty of coming-of-age stories that pit a child’s innocence against the inexorable force of a parent’s insanity, but perhaps none that has captured the tension, confusion and ultimate loss of that innocence any better than When We Were Romans.”
–Bookpage

“Lawrence is a narrator extraordinaire.”
–The Christian Science Monitor

“Matthew Kneale is an extraordinary British writer whose new novel is easy to admire because of its artistry…. The quality that sets Kneale apart is his talent for impersonation…. As Lawrence describes it, [his and his mum's] 'adventure' is an attempt to flee the vaguely articulated menace posed by Lawrence's estranged father…. Their enemies might be real or they might be imagined, but what's absolutely true for Lawrence is his unshakable belief in the conspiracy of his and his mother's love. 'Conspire' means 'to breathe together,' and so he does with Mum, and so we do with him.”
-Washington Post Book World

“This is the novel that Patrick McCabe’s over-praised the Butcher Boy ought to have been, redeemed by Kneale’s sure-handed restraint. One of the best explorations of a child’s mind and heart in recent fiction, and its talented author’s best book yet.”
–Kirkus Reviews (starred review)

“Kneale, who won the Whitbread for English Passengers, returns with a tale narrated by fiery, precocious, pitch-perfect Lawrence, who at nine years old struggles with being at once a normal kid and, with his parents’ estrangement, the man of the house.... As small incongruities pile up between what Lawrence sees and how he interprets what happens to him, the family’s hurtlings across Europe and the city take on a shattered poignancy.”
–Publishers Weekly (starred review)

“[A] haunting story of a family in disintegration.... Kneale has created a marvelously engaging and believable voice for Lawrence, whose account is at once heartbreaking and humorous.... Idiosyncratic, original, and altogether memorable.”
–Booklist (starred review)

“This narrative is heartbreakingly moving.... Full of restraint and artistic integrity, this is a poignant, haunting and lovely novel.”
–The Guardian

“[Lawrence] is the literary first cousin of Roddy Doyle’s Paddy Clarke.... The heartbreak and triumph of When We Were Romans is that little Lawrence is the real thing.”
–Literary Review

“Matthew Kneale’s lovely novel...is narrated by Lawrence with insight, humour and sweetly erratic spelling: it halts and splutters in rhythm with the children’s whims and tantrums.... The author has got inside a young, over-burdened mind with convincing accuracy.”
–Financial Times

“Kneale creates an extraordinary tension.... The combination of insight and innocence Kneale gives Lawrence is powerfully affecting.”
–Sunday Times

"Kneale has succeeded.... Lawrence has real presence and his situation is entirely believable."
–Daily Telegraph

“A skilful, humorous and touching novel about the way a child interprets the world.”
–Daily Mail

“The strength of Kneale’s novel is not suspense but Lawrence’s delicate sensibility.... Lawrence’s touchingly ingenuous language, his tetchy irritation with his baby sister and his beleaguered optimism make him a genuinely affecting protagonist.”
–Independent

“Substantial and engaging…With consummate subtlety and sympathy, Kneale finds metaphorical hinges between the family’s unfolding story and Lawrence’s two intellectual interests — Roman emperors and astronomy.”
–The Times

“A consistently absorbing read, the work of a craftsman.”
–Sunday Telegraph

“Laurence’s skilful maneuvering in a tricksy adult world is artfully depicted. His guileless voice only exacerbates the sense of dread, while its deceptive simplicity hides a chilling exploration of mental illness and maternal neglect.”
–New Statesman

“The compelling and disturbing portrayal of a child’s attempt to make sense of his mother’s mental illness.”
–Daily Express

Product details

  • Publisher ‏ : ‎ Nan A. Talese
  • Publication date ‏ : ‎ July 22, 2008
  • Edition ‏ : ‎ First Edition
  • Language ‏ : ‎ English
  • Print length ‏ : ‎ 240 pages
  • ISBN-10 ‏ : ‎ 0385526253
  • ISBN-13 ‏ : ‎ 978-0385526258
  • Item Weight ‏ : ‎ 13.8 ounces
  • Dimensions ‏ : ‎ 6.02 x 1 x 8.57 inches
  • Lexile measure ‏ : ‎ 1440L
  • Best Sellers Rank: #7,310,686 in Books (See Top 100 in Books)
  • Customer Reviews:
    3.7 out of 5 stars 56 ratings

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Customer reviews

3.7 out of 5 stars
56 global ratings

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Top reviews from the United States

  • Reviewed in the United States on July 23, 2014
    The author does quite a good job of maintaining the perspective/voice of the child narrator. He does tip his hand on the ending, which you can see coming by at least midway through the narrative. However, it's a good job of evoking the sights, sounds and smells of Rome, as viewed through the senses of the child. All in all, a good read, though not as ultimately satisfying as it could be--perhaps a little thin on plot.
  • Reviewed in the United States on February 25, 2015
    Story told from the point of view of a 9 year old in a dysfunctional family. They move from England to France and the mother is paranoid and makes the kids afraid of things, too. Interesting.
  • Reviewed in the United States on September 15, 2022
    I think that Matthew Kneale at his best is genuinely brilliant; "English Passengers" is one of the most powerful novels I have read in the past couple of decades. "When We Were Romans" doesn't reach that high standard, and it differs significantly from the other Kneale fiction with which I am familiar. In tone it more resembles Emma Donoghue's "Room" than Kneale's "English Passengers" or "Pilgrims" with their sweeping settings and huge casts of characters. For me part of the problem with "When We Were Romans" was the child narrator, through whose eyes we see the story unfold. I simply didn't find him interesting enough to want to spend 300 pages in his company (although in appeal he is light years ahead of his younger sister, who made me want to rush out and buy every birth control device at the local pharmacy).
  • Reviewed in the United States on December 18, 2016
    I got it somewhere near the 30% read area, but I was compelled by the voice and the spelling of the child to see how this drama would play out. I felt many of his feelings. Anxiety and the hopeful innocence of relying upon our parents to make our world right for us is so universal a theme. Interesting interaction between Mother and children during a trying time of life.
  • Reviewed in the United States on May 13, 2009
    This is one of the most charming books I've ever read. The voice of the child narrator, Lawrence, is one you'll never forget. The story is masterfully told, keeping you guessing until the last page. A glorious novel that's at once sweet, dark and page-turning.
  • Reviewed in the United States on January 2, 2018
    Based on the online reviews, I decided to try this book. Unfortunately, it started slow, and never lived up to the reviews. Character development was lacking, and plot was predictable.
    One person found this helpful
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  • Reviewed in the United States on June 21, 2018
    The author makes a try at writing in the voice of 9-year-old boy, but doesn’t succeed. The affectations, especially the numerous spellings errors, are extremely annoying, as is the boy’s constant habit of saying “hurrah, hurrah!” to himself. I don't believe that any kid talks or thinks like the one Kneale has created. Are we supposed to imagine this is an actual memoir written by this boy? I doubt that any child is as perceptive as Kneale makes this one.

    Also annoying are the author's excursions into tiresome soliloquies by young Lawrence about the universe, Roman emperors and nasty popes. Tedious filler to make a short novel a bit longer, and totally irrelevant to the story.

    Two children— the “writer” Lawrence and his 3(?) -year-old sister Jemima— are hustled off from England to Rome by their crazy mother, who is convinced that her ex-husband is stalking them. (The mother had lived in Rome for some years before her marriage.) Once the little family arrives in Rome, after driving there from England, the author gives the reader no sense whatsoever of the city. OK— we’re seeing the city through the uncomprehending eyes of a kid who knows nothing about it, but still… the story could be taking place anywhere— no particular reason to set the tale in Rome, other than giving the author the opportunity to phonetically misspell a bunch of Italian words and place names.

    As the mother’s psychosis deepens, she convinces her son that the father has followed them Rome, poisoned all her friends there against them, poisoned their water supply, poisoned their food. So they drive back to England and up to Scotland, with the plan of setting the father’s house on fire and killing him, which of course doesn’t work out. Ma winds up in the nuthouse and the obnoxious kids end up in the custody of their father. There's nobody to like in this novel!
    One person found this helpful
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Top reviews from other countries

  • Lancly
    5.0 out of 5 stars reluctant 5 stars
    Reviewed in the United Kingdom on March 27, 2010
    Just read this book and none of the reviews first, is what I would advocate.

    Kneale is clearly a powerful craftsman (having read all that is available). I am reluctant about the The 5 stars as I found the story tormenting right from the start (there was clearly something awry). Thinking about it, The English Passengers has haunted me for years. This one will do too. It's one of those books that I want to tell my friends about but worry for them if they read it. The road on the front cover is the road that you will be taken on, with motion sickness.

    As Lawrence is betrayed, so do I feel. The fairy-land trip to Rome is puffed up in smoke. I liked the ending, although it seemed just a bit short. It was a relief, and it was as I expected (but not predictable), although parts of it were disbelievable. As the characters are de-briefed surely so does the reader have to be? How does the psychology work?

    I was irritated by the child-like spelling, and kept on getting automatically caught up on words thinking 'what's that?' then realising it was an intentional misspelling - but this copy editing catch kept on hauling me out of the narrative. Eventually Lawrence's spelling mistakes thinned out but not entirely.

    I don't know how necessary the spelling was to convince me that I had a child in my mind. I think I agree with it in the end.

    it's a powerful declaration of the potential for damaging experience in an older child.

    Thank you.
  • Literature Lady
    4.0 out of 5 stars Well conjured family drama
    Reviewed in the United Kingdom on July 11, 2009
    Kneale paints a wonderfully real image of a very dysfunctional family, with the young son trying his best to hold it all together despite his tender age. Even while you feel the need for discipline and structure in the lives of the children, at the same time you can feel for the mother, whose struggle to keep things looking as normal as possible for her children leads her to take them on a road trip to Rome, which only serves to pull her and them further into a labyrinth from which it appears impossible to exit without damage. Well thought out and well written.
  • SA TAYLOR
    5.0 out of 5 stars This is an amazing book brilliantly capturing the fear and confusion of living ...
    Reviewed in the United Kingdom on October 1, 2015
    This is an amazing book brilliantly capturing the fear and confusion of living with parent with psychological issues. Had me holding my breath. Very powerful...
  • Bobbie
    4.0 out of 5 stars an authentic 9-year-old voice in a world that is not what it seems
    Reviewed in the United Kingdom on December 28, 2012
    Nine-year-old Lawrence and his three-year-old sister Jemima are on the run with their mother from their stalker father. Full of mum's old friends, Rome seems set to be a great adventure, but all is not what it seems.
    N.B. Don't read the review excerpts on the first page because they contain spoilers.
    The child's voice relating his disturbing world reminded me strongly of Emma Donoghue's The Room. I preferred this to The Room, because I liked Lawrence so very much - authentically nine, interested in black holes, Roman emperors, a cardboard fort and Hermann, his hamster, but having to protect his mother and sister in a fast-changing, threatening world he can barely make sense of. I was gripped throughout.
  • wendy
    2.0 out of 5 stars Two Stars
    Reviewed in the United Kingdom on April 1, 2018
    Loved English Passengers so tried this but was disappointed.