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Snow White & the Huntsman [Blu-ray]
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| Additional Blu-ray options | Edition | Discs | Price | New from | Used from |
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| Genre | Science Fiction & Fantasy, DVD Movie, Blu-ray Movie, Action & Adventure, Snow White and the Huntsman |
| Format | Blu-ray, Ultraviolet, Color, Dolby, DTS Surround Sound, Subtitled, Widescreen, Digital_copy |
| Contributor | Chris Hemsworth, Kristen Stewart, Toby Jones, Brian Gleeson, Sam Spruell, Ian McShane, Eddie Marsan, Johnny Harris, Vincent Regan, Nick Frost, Bob Hoskins, Sam Claflin, Ray Winstone, Rupert Sanders, Charlize Theron See more |
| Language | English, Spanish, French |
| Runtime | 2 hours and 12 minutes |
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Product Description
From the producers of Alice in Wonderland comes a new vision that turns a legendary tale into an action adventure epic. The evil Queen Ravenna (Charlize Theron) will rule forever if she takes the life of Snow White (Kristen Stewart), so she dispatches the Huntsman (Chris Hemsworth) to track her down. But the wicked ruler never imagined that the Huntsman would train the girl to become a brave warrior, skilled in the art of war.
Product details
- Digital Copy Expiration Date : April 30, 2017
- Aspect Ratio : 2.35:1
- Is Discontinued By Manufacturer : No
- MPAA rating : PG-13 (Parents Strongly Cautioned)
- Product Dimensions : 6.75 x 5.5 x 0.5 inches; 2.88 Ounces
- Item model number : 25546650
- Director : Rupert Sanders
- Media Format : Blu-ray, Ultraviolet, Color, Dolby, DTS Surround Sound, Subtitled, Widescreen, Digital_copy
- Run time : 2 hours and 12 minutes
- Release date : September 11, 2012
- Actors : Kristen Stewart, Charlize Theron, Chris Hemsworth, Sam Claflin, Sam Spruell
- Subtitles: : English, French, Spanish
- Language : Spanish (Dolby Digital 5.1), English (Dolby Digital 5.1), French Canadian (Dolby Digital 5.1), Spanish (DTS 5.1), French Canadian (DTS 5.1)
- Studio : Universal
- ASIN : B005LAIHSQ
- Number of discs : 2
- Best Sellers Rank: #58,999 in Movies & TV (See Top 100 in Movies & TV)
- #4,736 in Action & Adventure Blu-ray Discs
- Customer Reviews:
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"Snow White and the Huntsman" is a dark, stylistic work full of spiritual prowess which takes the classic German fairytale and turns it into a mature experience at the cinema, performing a balancing act between the sacred and the profane in a visual spectacle of a movie. The film, to put it bluntly, is mere Christianity, in all its sublime, multifaceted dimensions; including its vivid characterizations of evil, personified in the beautiful but wicked and gothic Queen Ravenna, played with fire by Charlize Theron. Like Tolkien's "The Lord of the Rings," this film is filled with Christian imagery, symbolism, theology, and even sacred spirituality.
Consider this scene: locked up in a dark, cold dungeon within a tower in a haunting, gothic castle, after her father (the king) was murdered and his kingdom was overtaken by a brutal army, we see a young woman, Snow White - played by Kristen Stewart - dirty, hungry, and forsaken; on her knees she makes her way toward a fire-place in her cell, starts a fire for herself, then contemplates the memory of her dead parents, as - with a spirit of perseverance - she prays:
Our Father, Who Art in Heaven
Hallowed be Thy Name
Thy Kingdom Come,
Thy Will Be Done,
On Earth as it is in Heaven,
Give us this Day our Daily Bread,
And forgive us our sins,
As we forgive all those who have sinned against us.
Lead us not into temptation but deliver us from evil.
The prayer is spoken with such reverence, humility, and undying hope in the face of so much darkness and suffering which surrounds the main character and her people. I cannot remember the last time (if there was one) wherein a major Hollywood motion picture gave such due respect to the recitation of the Lord's Prayer, transmitted to us by Christ throughout 2,000 years of sacred tradition.
Meanwhile, Queen Ravenna, the murderess of Snow White's father, sits nonchalantly on her gothic throne surrounded by black ravens, the ominous birds seem to follow her endlessly (at times personifying pieces of her identity, as her very name - Ravenna - exemplifies). There is a depth to her evil. It is not simply a worldly evil that this character personifies but a spiritual one, it is demonic. She is not just the classic "Evil Queen" in this story. She is a sorceress, possessing paranormal powers, having a history with the occult that included a spell being placed on her as a young girl intending to empower her. There is something deeply cannibalistic about her, too, savage and animalistic, as she intakes the hearts of other human beings to keep her youth and physical beauty - this is connected to the spell that she lives by. At times, she eats the raw (bloody) organs of dead birds. Her encounters with the "Magic Mirror," far from the innocent childhood story of the Brothers Grimm, have the ambiance of a person encountering the occult, playing with black magic, embracing forces that should be avoided.
"It is her purity and innocence that can destroy you," the Magic Mirror tells Queen Ravenna of Snow White, who eventually escapes the castle and becomes a threat to the dark queen.
The theology here is powerful. Ravenna had a spell cast on her which gave her paranormal powers and reign over endless kingdoms of the world. She possesses the kingdoms of the world, like the Devil who came to tempt Christ in the desert. Only one of pure blood can undo the spell, destroying Ravenna's powers. We are reminded of the connection between Eve and Mary. One was a woman who was responsible for bringing Original Sin into the world while the other a Woman - the one creature who was made pure, immaculate and spotless - who could undo the sin of Eve by bringing Christ into the world. In other words, only one of purity can undo the evil.
"Remember this old trick," Queen Ravenna tells Snow White after offering her a red apple to eat in a chilling scene. The apple is poisonous. Snow White didn't know. Queen Ravenna disguised herself as a friend when she offered the poisonous apple, as someone good, someone unrecognizable, someone from Snow White's childhood. The scene is rich, the allusion in the language - "Remember this old trick" - goes back not only to Snow White's childhood encounters with her friend but all the way back to the Garden of Eden, when Eve accepted the poisonous fruit from the serpent, who came disguised as a friend.
Snow White dies from the poison. Her resurrection, clothed as she is in royal, white garments, has a touch of the sacred in it. It is Christ-like when she rises again, conquering death, experiencing a mystical light, a vision known only to her, before her body rises again. It was one of the seven Dwarves who encountered Snow White in an earlier scene who prophetically sees her destiny as a Christ-like figure. The Dwarf, an old blind man, "sees" what others cannot see. He is like Simeon in the temple as the baby Jesus is being presented. He makes the prediction that this one, Snow White, is of the pure blood, that she "is destined."
As she rises, her resurrection gives oppressed people hope, seeing that death has been conquered. She puts on an armor and commands an army, leading them to overthrow Ravenna's kingdom. Seeing Snow White, a young woman, in a medieval armor, leading an army of men on horseback, instantly the knowledgeable viewer should know whose soul the filmmaker is channeling through the powerful imagery: it is the soul of Joan of Arc. Snow White becomes Joan of Arc in the final battle scenes of the film: a young, charismatic woman, sacred, beloved by the Almighty, armored up and leading a group of knights into battle.
Trinitarian symbolism also has a prominent place throughout the film. It is seen powerfully, as one example, in the opening scene, set years into the past, when Snow White's mother, a good and beloved queen, walks through the gardens of the castle on a bright white, wintery day surrounded by snow. In the dead of winter, the queen sees a single red-rose blooming despite the cold, frozen season. Admiring the flower, she touches it and pricks her finger, as three drops of red blood fall onto the snow - the number three would remain a mystical number, returning throughout the movie. As she notices the three drops of blood she makes a wish that she may one day have a child with lips red as blood, skin white as snow, hair as black as a raven's wing; a child possessing the same spirit and defiance as that red rose which bloomed in spite of the cold winter, in spite of all the dead surroundings. A few months later Snow White is born.
Consider here not only the Trinitarian imagery but also the story of Juan Diego and his apparitions of Our Lady of Guadalupe in 1531. He asked for a sign to give to his bishop, proving the presence of the apparitions. The sign that he was given was a bush of blooming red roses in the middle of winter in December when nothing bloomed. He was told to take the roses, folding them up in his tilma, and show them to the bishop. After Juan Diego dropped the roses at the bishop's feet his tilma opened up and the iconic image of Our Lady of Guadalupe appeared, made permanent on his tilma.
It is noteworthy that Snow White's very name speaks of an immaculate purity - snow white, she is, untouched and spotless. The imagery of this character speaks beautifully to the Woman conceived without sin who also showed up (in Mexico) after the miracle of red roses in the dead of winter.
It's a darker iteration, grittier, moodier, more full-blooded. I think the Brothers Grimm would've approved of this interpretation; it matches their gristly sensibilities more. If you've brushed up on the fairy tale, then you know the kernel of the story. SNOW WHITE AND THE HUNTSMAN tweaks and embellishes on that. When the vain and vile but oh-so-beautiful witch Ravenna (Theron) murders her husband, the king, on their wedding night, it upends the kingdom, sinks it into a realm of despair and oppression. We also learn that this is only the most recent in a long series of regicides that Ravenna has committed. The king had one young daughter, Snow White, lovely and bright and pure, whom Ravenna promptly sentences to incarceration in the castle dungeons. For years Snow White languishes in wretched confinement.
I don't know how I feel about how the magic mirror is presented, the film granting it the ability to metamorphose, liquid metal like, into a faceless, flowing figure that stands before Ravenna whenever she extends that one familiar question. I get that they were trying to change it up with the mirror, but then they forgot the follow-thru. so, the mirror can assume a form. And then what? And then nothing.
In the story I read ages ago, the huntsman takes Snow White into the woods, at the Queen's behest, and in the woods the huntsman was tasked with carving out Snow White's lungs and liver (if I remember it right) as proof of her demise. But the huntsman demonstrates mercy and allows Snow White to flee. He instead presents to the queen the lungs and liver of a boar, and so the queen comes to believe that Snow White was indeed deaders. And so the huntsman exits the tale. But you only have to glance at the film's title to get a whiff that the huntsman (Chris Hemsworth), this time out, lands a meatier role, sticks around a bit longer.
Another fashion in which this film veers away from the fairy tale we know (**coughDisneyAnimatedFilmcough**): I like that there's only a smidgen of romance, but I like that the smidge that IS there is crucial to the plot. Not to get all Twilighty, but the story does force you to choose a camp to follow: that of the surly, drunken huntsman What'shisface or Snow White's childhood pal and the Duke's dashing son, William (Sam Claflin). Note that William is a bowman who seems to rival the Avengers' Hawkeye in uncanny marksmanship. Meanwhile, I think Chris Hemsworth exhibits solid acting chops, lending tortured depth and melancholia to his huntsman. He takes a Scottish accent out for a spin, and I'm gullible enough or listened to James Doohan enough to be convinced by it. But the trailers to ABRAHAM LINCOLN: VAMPIRE HUNTER put Hemsworth's axe-work to shame.
SNOW WHITE AND THE HUNTSMAN flaunts a secret weapon, or rather, eight secret weapons, in the shapes of dwarves. It kinda sucks for actual dwarf actors out there, because the film employs normal-height actors who then were CG'd down to Gimli-size. But, then again, Peter Dinklage is damn busy nowadays. These contentious dwarves - as played by the likes of Ian McShane, Ray Winstone, and Nick Frost - end up stealing many scenes.
It's a stunning-looking movie, or to quote my date: "Ohhh, so pretty!" Rupert Sanders, after a career of helming snazzy advertisements, makes his debut as a feature film director. He brings along that same eye for spectacular visuals. He lends a spooky and foreboding atmosphere to the twisted Black Forest, and it marks Snow White's abject desperation that she elects to seek dubious sanctuary within its sickly boughs. When tree branches make it a habit to transform into serpents, I tend to wonder where I left my chainsaw (sorry, tree huggers). Conversely, Sanders' depiction of the fairyland is pretty damn wondrous and speaks to that inner child still in you (yes, even you). The narrative further expands to allow for Snow's encounter (or yell-off) with a bridge troll, and, later, with a tribe of females that had committed self-mutilation rather than face the Queen's attention. The film's final action flourish consists of the almost requisite epic battle. I've gotta credit Kristen Stewart. She does have presence and she does have charisma. Or maybe those eyes suckered me in. She rolls off that hokey rousing rally speech and just about pulls it off, and that with a British accent (that, okay, occasionally strays). Still, maybe my favorite bit - and I realize I kind of pooh-poohed the romantic angle earlier - concerns the kiss that galvanizes the poisoned princess. I saw it coming, I'm sure you'll see it coming, but it was still a very strong scene. An "Oh, yeah!" kinda scene. Crap, there goes my mushy side. Great. Now even my date is telling me to man up.
The DVD's bonus stuff:
- Option to view the film in either the Theatrical version (02:07:12 hours) or the Extended Edition (02:11:30 hours)
- Audio Commentary by director Rupert Sanders, visual effects supervisor Cedric Nicolas-Troyan, and co-editor Neil Smith
- "A New Legend is Born: Director's Vision Comes to Life" - behind-the-scenes featurette that explores various elements of the film such as the incredible art design, the stunts, the locations, the special effects, etc. (00:20:53 minutes)
Top reviews from other countries
the addition of a digital copy is very welcome enabling me to easily add to my flixster account to watch whenever and whertever I am through streaming or download
will watch it again. recomended
Please note however NO DIGITAL COPY. I have requested several times from universal and am ignored. They will give you a new ultraviolet code, but I don't like ultraviolet and will only buy movies with digital downloads.
This is a big let down. but once again the film itself is great and service from amazon to the usual high standard
Acting is good & production excellent with some great costumes and lovely sets, if your dithering, just take the plunge and get this, I don't think you'll be disappointed.
Better than Infinity War or any other Marvel story

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